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      What to Know About the Legal Battle Over a North Carolina Supreme Court Race

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      The Republican challenger has embarked on an extraordinary effort to reverse his election loss that critics say is testing the boundaries of post-election litigation.In North Carolina, the Republican candidate for a State Supreme Court seat has refused to concede to the Democratic incumbent, even though two recounts by a state elections board confirmed that he lost the November election by a few hundred votes.The Republican challenger, Judge Jefferson Griffin, who currently sits on the North Carolina Court of Appeals, has instead embarked on an extraordinary monthslong effort to toss out scores of ballots. The race is the last in the nation to be uncertified.Judge Griffin’s challenge has ping-ponged through federal and state courts. The Democratic incumbent, Justice Allison Riggs, appealed a recent State Supreme Court decision that could lead to thousands of military and overseas ballots being tossed. On Tuesday, a panel of the U.S. Court of Appeals for the Fourth Circuit temporarily blocked the ballot verification process that had been ordered by the State Supreme Court. Many of the ballots in question come from Democratic-leaning counties, so their removal could lead to the election being overturned.As the case continues through the court system, Judge Griffin and the North Carolina Republican Party have drawn criticism from democracy watchdog groups, liberals and even some conservatives who worry about a dangerous precedent being set for future elections.Here’s what to know about the case.What happened after the November election?Justice Riggs was declared the winner of the State Supreme Court race by 734 votes, an unusually small margin. Judge Griffin sought to verify that margin by requesting recounts. After the State Board of Elections reaffirmed Justice Riggs’s victory twice, Judge Griffin filed a protest with the board, which has a Democratic majority.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Roy Thomas Baker, Who Helped Produce ‘Bohemian Rhapsody,’ Dies at 78

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      Among the most successful music producers in the 1970s and ’80s, he helped churn out hits for acts like Queen, the Cars, Journey and Foreigner.Roy Thomas Baker, who was among the most successful music producers of the 1970s and 1980s and who helped produce Queen’s “Bohemian Rhapsody,” one of the most unconventional pop hits, died at his home in Lake Havasu City, Ariz., on April 12. He was 78.His death was announced by Bob Merlis, a spokesman, who said in a statement that the cause was unclear.Besides Queen, Mr. Baker collaborated with other well-known bands like the Cars, Journey, Mötley Crüe and Foreigner while working as a producer and sound engineer at several recording studios over the course of his career.He is perhaps best known for helping to produce the nearly six-minute-long “Bohemian Rhapsody” by Queen. In an interview with The New York Times in 2005, Mr. Baker said that the song was “ageless” because “it didn’t confine to any given genre of music.”“I thought it was going to be a hit,” said Mr. Baker, who produced the song with Queen. “We didn’t know it was going to be quite that big. I didn’t realize it was still going to be talked about 30 years later.”Roy Thomas Baker was born on Nov. 10, 1946, in Hampstead, England. He began his career at Decca Studios in London in 1963, working as a second engineer to Angus Boyd (Gus) Dudgeon, an English record producer who would later become known for his collaborations with Elton John; and Tony Visconti, an American producer who went on to work with artists like David Bowie and Marc Bolan.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In ‘Ransom Canyon,’ Minka Kelly Enjoys the Ride

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      There were times when Minka Kelly assumed that her acting career was over.Kelly, 44, had never planned on becoming an actress. Before breaking out in her mid-20s as the sassy cheerleader Lyla Garrity in the football weeper “Friday Night Lights,” she worked as a scrub nurse. A decade ago, during a slow period, she graduated from culinary school.So later, when fallow months turned into fallow years, she would tell herself this was fine. If Hollywood had finished with her, she would survive it.But recently, having published a sensitive, unsparing memoir, “Tell Me Everything,” a New York Times best seller, Kelly found herself again in demand. An offer came for “Ransom Canyon,” a Netflix neo-western series with romance elements. Kelly would fill the cowboy boots of Quinn O’Grady, a concert pianist who runs a dance hall in the Texas Hill Country. Quinn’s enthusiasms include soap making, love triangles, looking wistful in prairie skirts.Kelly didn’t think a romantic lead would be available to a woman in her 40s. But it was. And audiences have been enthusiastic: “Ransom Canyon,” based on the novel by Jodi Thomas, has been one of Netflix’s most popular shows since it debuted last week. And there is also more to come. After Kelly finished shooting “Ransom Canyon” in June, she flew to Paris to film her first romantic comedy, “Champagne Problems.” That movie will debut in November, also on Netflix.Josh Duhamel and Minka Kelly in a scene from “Ransom Canyon.” “This is Lyla 20 years later,” Kelly said of her new role, comparing it with the one she played in “Friday Night Lights.”Anna Kooris/Netflix“I’ve gotten to a place in my life where I am my best, and now the best thing has happened,” she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Boeing Will Sell Its Digital Businesses for $10 Billion

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      The deal, with the private equity firm Thoma Bravo, will help the struggling aerospace manufacturer pay down debt and streamline its operations.Boeing on Tuesday announced that it would sell a handful of navigation, flight planning and other businesses for more than $10.5 billion as the company works to refocus on manufacturing planes and other aircraft.The company, which also wants to reduce its large debt, said it would sell four businesses from a digital unit to Thoma Bravo, a private equity firm specializing in software. Those include Jeppesen, which provides navigational charts and information to pilots, and ForeFlight, an app that helps plan flights and monitor weather.“This transaction is an important component of our strategy to focus on core businesses, supplement the balance sheet and prioritize the investment grade credit rating,” Kelly Ortberg, Boeing’s chief executive, said in a statement.The company said that it expected to close the all-cash deal by the end of the year. The digital unit that houses those businesses employs about 3,900 people, though some of the unit will remain at Boeing. The company employed about 172,000 people as of the start of the year.Mr. Ortberg, who joined the company last summer, made streamlining Boeing’s operations a strategic goal as he tries to address concerns about the quality of the company’s planes that were raised after a panel blew off a 737 Max plane during a January 2024 flight near Portland, Ore.No one was seriously injured in that incident, but it renewed worries about Boeing’s planes several years after two fatal crashes of the 737 Max in 2018 and 2019. Safety and quality issues have stymied Boeing’s commercial plane production in recent years. Then last fall, production of the 737 Max, Boeing’s most popular commercial plane, came to a near standstill during a two-month worker strike.In January, Mr. Ortberg said that the company had resumed production of the Max, and was making more than 20 of those planes per month as well as five of the larger 787 Dreamliners.That is well below the goal the company had set before last year’s panel incident of delivering 50 of its 737s and 10 of its 787s per month. Boeing has about 5,500 outstanding commercial plane orders, valued at hundreds of billions of dollars. More

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      Trump Administration Continues to Defy Judge’s Orders in Abrego Garcia Case, Lawyers Say

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      Continuing a pattern of stonewalling, the Justice Department has defied a judge’s order to explain what the Trump administration has done, and plans to do, to seek the release of a Maryland man who was wrongfully deported to El Salvador last month, according to court papers filed on Tuesday.In refusing to reveal much of anything about the administration’s role in improperly sending the man, Kilmar Armando Abrego Garcia, to El Salvador or its subsequent efforts to seek his freedom, department lawyers repeatedly claimed that the information constituted state secrets that needed to be protected, the papers said.“The government responded to plaintiffs’ discovery requests by producing nothing of substance,” Mr. Abrego Garcia’s lawyers wrote on Tuesday morning to Judge Paula Xinis, who is handling the case in Federal District Court in Maryland.In their letter, the lawyers asked Judge Xinis to hold a hearing as early as 1 p.m. on Wednesday to discuss how to proceed with what they described as the “government’s failure to comply with this court’s orders.”The White House’s repeated resistance to court orders — not only in Mr. Abrego Garcia’s case, but in other legal proceedings as well — has edged the administration ever closer to an open showdown with the judicial branch in a way that could threaten the constitutional balance of power.Three courts — including the Supreme Court and the federal appeals court that sits over Judge Xinis — have directly told the Trump administration to “facilitate” the release of Mr. Abrego Garcia. They have instructed the administration to devise a way of handling his case as it should have been handled if the government had not erroneously flown him to El Salvador on March 15 in violation of an earlier court order.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sweating to Shivering: Study Finds Rapid Swings in Temperature Have Increased

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      Flips between warm temperatures to cold and vice versa have become quicker, more frequent and more intense in recent decades, a new study shows.Wildfire smoke tinged the sky orange in Fort Collins, Colo., in the Rocky Mountains region on Sept. 7, 2020, during a heat wave, before temperatures dropped significantly overnight and a snowstorm hit the area.A September heat wave switching into a snowstorm over one day in the Rocky Mountains. Winter snowfall suddenly melting and saturating fields of dormant crops, before refreezing and encasing them in damaging ice. Early spring warmth prompting plants to blossom followed by a cold snap that freezes and drops their petals.Rapid temperature change events like these have increased in frequency and intensity over recent decades, a new study found.The transition periods for these abrupt temperature shifts have also shortened, according to the study, published Tuesday in the journal Nature Communications.Because the quick changes in temperature give communities and ecosystems little chance to respond, they may pose greater challenges than heat waves or cold snaps alone, said Wei Zhang, an assistant professor of climate science at Utah State University and one of the lead authors of the study.“The impact could really be cascading on a different level,” he said.The researchers warned these temperature flips could have damaging effects on people and natural environments, including destruction of crops, harm to ecosystems and strains on power infrastructure. And low-income countries, where there is less access to weather forecasting and infrastructure is less resilient, are more vulnerable.The researchers examined temperature data from 1961 to 2003 to identify global patterns in sudden weather shifts, where temperatures in an area either jumped from cold temperatures to warm or plunged from warm to cold within five days. They found that instances of these flips increased in more than 60 percent of regions they surveyed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Celia Rowlson-Hall’s Sisyphean Beach Balls

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      “I hate large beach balls,” Celia Rowlson-Hall said at the Baryshnikov Arts Center last week.A director, choreographer and performer best known for her quirky and surreal work in film, Rowlson-Hall was rehearsing “Sissy,” an idiosyncratic hybrid of dance and theater. It draws on the Greek myth of Sisyphus, eternally condemned to push a boulder up a mountain only to have it roll back down. The boulder is represented by a giant beach ball, and in rehearsal the performers were having trouble lofting it into a net suspended above the stage. After failing a few times, they succeeded, only to have the ball bounce back out again.This Sisyphean moment was not planned, but it might easily have been part of the choreography. “Sissy,” which runs at the Baryshnikov Center Thursday through Saturday, is the kind of production that playfully blurs the line between real life and make believe. It’s about a director-choreographer (Zoë Winters), a new mother who is making a dance piece that uses the metaphor of Sisyphus to symbolize the difficulties of balancing motherhood with her artistic life. Rowlson-Hall came up with the idea while she was pregnant and working on a feature film.From left, Celia Rowlson-Hall, Ida Saki and Marisa Tomei at the Baryshnikov Arts Center. “Being with the dancers, I’m in heaven,” Tomei said, adding she has relished the opportunity to be physically expressive, “thinking in shapes and body sculpture.”Thea Traff for The New York Times“It was a camera movement in my head,” she said during a rehearsal break. “I saw the camera coming around and revealing this woman who had been hiding behind the rock the whole time. And I was like, ‘Oh, what’s her story?’”Much of the story that Rowlson-Hall wrote is drawn from her life, but it’s nested in layers of fiction and art making. In “Sissy,” which alternates between scenes of dialogue and dance, Winters’s character presents a work-in-progress set in a rock quarry. (Lucas Hegseth plays a quarry worker.) A dancer (Ida Saki) pushes the beach ball around, dances out childbirth, then pushes a slightly smaller beach ball (representing the moon) while holding her child — a child played by Saki’s own 1-year-old son.The showing seems to be going fine when it’s interrupted by a paleobotanist, who announces that she has made a “once in a millennium” discovery in the parking lot: the fossilized root system of the world’s oldest forest. It seems the boulder that is the director’s show is rolling down the mountain again, and she will have to adjust to the new circumstances — a process made more farcical because the paleobotanist is played by the gifted physical comedian and actress Marisa Tomei.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      6 Books to Help You Deal With Difficult People

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      These six books can help ease tensions.Earlier in my career, I worked for a hot-tempered woman who, according to an office rumor, had thrown a shoe at one of my predecessors. Rattled by her blowups, I tiptoed and stammered around her, fearing the day when she’d wing a pump at me.Then a friend passed along “Coping With Difficult Bosses” by Robert M. Bramson, which was published in 1992. The book’s solid, seen-it-all advice helped me stop perseverating and find my spine. I learned from Dr. Bramson to stand tall when my boss exploded, to call her by her name (to humanize the relationship) and, if I couldn’t quite look her in the eye, to focus on her forehead — close enough that she couldn’t tell the difference.If you’re struggling with a difficult colleague, family member or friend, books can validate your experience and teach you helpful communication skills, said William Doherty, a professor emeritus of family social science at the University of Minnesota and a co-founder of Braver Angels, a nonpartisan nonprofit that facilitates conversations between people with differing political views.But, he added, be wary of books that give you “one large global theory” about whatever is wrong with the other person. Most relationship problems are caused by both parties, at least to some degree, he said, so books that encourage you to consider your part are generally more helpful.We asked therapists, psychologists and other workplace experts to recommend books that can help you get along with difficult people — or at least disagree with them more constructively. Here are six titles that rose to the top of the list.Simon & SchusterWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More