Elections

Marvel’s “WandaVision” spinoff has more witchcraft but less magic.This review contains spoilers for the first episode of “Agatha All Along.”Jac Schaeffer, who created the first of the Disney+ Marvel series, “WandaVision,” and has now created the 11th, its spinoff “Agatha All Along,” is not one to let an idea go to waste.In Schaeffer’s first series, a grieving superheroine used her magical powers to create a world for herself based on classic American sitcoms. It was entertaining to watch how the show reimagined those familiar comedies within a dark fantasy-science fiction framework. (At least until “WandaVision” went off the rails toward convoluted Marvel business as usual in its last few episodes.)Now she starts “Agatha All Along,” which premiered Wednesday night on Disney+, with another detailed sendup. This time she puts her new main character — Agatha Harkness, a dangerous witch with a half-century history in Marvel comic books — inside a parody of the grim HBO crime drama “Mare of Easttown.” Still stuck where she was at the end of “WandaVision,” under a spell that strips her powers and any memory of who she really is, the fallen sorceress is now a cynical, violence-prone small-town police officer.You may ask yourself how, in the three years that have elapsed between the two shows, Agatha has undergone a complete personality shift, from chirpy neighborhood noodge to hardened cop. You should be more concerned, though, with why the cop-show pastiche is so disappointing — so dull and aimless that talented comic actresses like Kathryn Hahn (who stars as Agatha) and Aubrey Plaza seem at a loss.It is a relief when that show-within-a-show ends during the first episode, apparently a quick diversion rather than an integral element like the sitcom burlesques in “WandaVision.” (Four of the nine episodes of “Agatha All Along” were available for review.)It has set a bad precedent, though. Even when the series shifts into its actual format — a jokey, jaggedly comic fantasy quest in which a group of unfulfilled women hit the road in search of their powers — the results are mostly perfunctory. Spells are cast, but not on the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Existe la preocupación generalizada de que las elecciones de noviembre no acaben bien y de que la democracia estadounidense haya llegado a un punto crítico.[Estamos en WhatsApp. Empieza a seguirnos ahora]En los nueve años transcurridos desde que Donald Trump entró en la política estadounidense, la percepción global de Estados Unidos se ha visto sacudida por la imagen de una nación fracturada e impredecible. Primero un atentado contra la vida del expresidente, y ahora un segundo posible atentado, han acentuado la preocupación internacional, suscitando temores de una agitación violenta que podría desembocar en una guerra civil.Keir Starmer, el primer ministro británico, ha dicho que está “muy preocupado” y “profundamente perturbado” por lo que, según el FBI, fue un intento de asesinar a Trump en su campo de golf de Florida, a menos de 50 días de las elecciones presidenciales y dos meses después de que una bala ensangrentó la oreja de Trump durante un mitin de campaña en Pensilvania.“La violencia no tiene cabida alguna en un proceso político”, afirmó Starmer.Sin embargo, la violencia ha tenido un lugar preponderante en esta tormentosa y tambaleante campaña política estadounidense, y no solo en los dos posibles intentos de asesinato. Ahora existe una preocupación generalizada en todo el mundo de que las elecciones de noviembre no acaben bien y de que la democracia estadounidense, que solía ser un modelo para el mundo, haya llegado a un punto crítico.En México, donde este año se celebraron las elecciones más violentas de la historia reciente del país, con 41 candidatos y aspirantes a cargos públicos asesinados, el presidente Andrés Manuel López Obrador dijo en una publicación en la plataforma social X: “Aun cuando todavía no se conoce bien lo sucedido, lamentamos la violencia producida en contra del expresidente Donald Trump. El camino es la democracia y la paz”.En un momento de guerras en Europa y el Medio Oriente y de inseguridad global generalizada mientras China y Rusia afirman la superioridad de sus modelos autócratas, la precariedad estadounidense pesa bastante.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

A group of people who participated in the reality competition show this summer are suing MrBeast’s production company.A group of contestants who participated in “Beast Games,” the reality competition show hosted by Jimmy Donaldson, better known online as MrBeast, are suing Mr. Donaldson and the production companies behind the show, accusing them of exposing participants to “dangerous circumstances and conditions.”The suit, filed by five anonymous contestants in Los Angeles Superior Court on Monday, made wide-ranging allegations about what occurred in July during the filming of “Beast Games,” when Mr. Donaldson’s production team and Amazon MGM Studios invited about 2,000 contestants to a football stadium in Las Vegas.In addition to including complaints about inadequate food and medical care — accusations that were first reported on by The New York Times — the heavily redacted suit also claims that the defendants provided false information to state officials in Nevada to obtain “unearned tax credits,” and that contestants had not been appropriately compensated for their participation.“I was really excited to be part of something that was going to be really big,” one of the plaintiffs, identified in the suit as Contestant 4, told The Times on Wednesday. “In the end, I just left feeling really insignificant and mistreated and traumatized. I still haven’t gotten paid. I just hope that no one else ever has to go through this.”Since her time on the show, Contestant 4 added, she has sought mental health treatment for anxiety. Another contestant in the suit, Contestant 5, said she felt “embarrassed and degraded” by the experience.A representative for MrBeast declined to comment on the lawsuit. A representative for Amazon MGM Studios did not respond to a request for comment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Texas, the biggest oil-producing state, has turned to solar power and battery storage to see it through extreme weather. But with demand rising, much more power will be needed.During the scorching summer of 2023, the Texas energy grid wobbled as surging demand for electricity threatened to exceed supply. Several times, officials called on residents to conserve energy to avoid a grid failure.This year it turned out much better — thanks in large part to more renewable energy.The electrical grid in Texas has breezed through a summer in which, despite milder temperatures, the state again reached record levels of energy demand. It did so largely thanks to the substantial expansion of new solar farms.And the grid held strong even during the critical early evening hours — when the sun goes down and the nighttime winds have yet to pick up — with the help of an even newer source of energy in Texas and around the country: batteries.The federal government expects the amount of battery storage capacity across the country, almost nonexistent five years ago, to nearly double by the end of the year. Texas, which has already surpassed California in the amount of power coming from large-scale solar farms, was expected to gain on its West Coast rival in battery storage as well.The swift growth of battery storage as a source of power for the electric grid, along with the continued expansion of large-scale solar farms, could not have come at a better time. Texas, like many other states, is facing a surge in its power needs from data centers, new manufacturing plants, cryptocurrency mines, growing residential demand and increasingly intense summer heat. Officials estimate that Texas, already the nation’s largest electricity consumer, could roughly double its demand in just a few years.“Every state is going to go through this. Texas just happens to be the farthest along because we are growing our energy usage first,” said Michael Lee, the chief executive of Octopus Energy U.S., a subsidiary of the British electricity provider. “We’re seeing this in every other state, and all over the world.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Transit leaders proposed a plan on Wednesday to spend more than $65 billion to upgrade New York City’s subway and bus system. Whether they will be able to fully fund it is unclear.Transit leaders on Wednesday released an ambitious five-year plan to upgrade New York City’s subway and bus network, unveiling a $65 billion wish list of projects that includes buying new subway cars, fixing century-old tunnels and installing new elevators.But the Metropolitan Transportation Authority, the state agency that runs the city’s mass transit network, only has about half of the money it needs to pay for those repairs. It was the first spending plan released by the authority since Gov. Kathy Hochul halted a congestion pricing program in June that had been set to begin later that month, and the largely unfunded plan puts the authority in an even more precarious financial position.The congestion pricing program, which would have tolled most drivers entering the busiest parts of Manhattan, had been projected to raise $15 billion for the authority. Ms. Hochul has pledged to make up the shortfall but it is not clear how she plans to do so.The authority had been enjoying a rare period of prosperity before Ms. Hochul’s decision to suspend congestion pricing. For the first time in decades, it had as much money as it needed, even while transit agencies around the country had struggled to recoup pandemic-related losses. But now that the authority’s projected windfall has evaporated, at least temporarily, it is back in the familiar position of needing to compete with other state interests to fill its coffers.The authority’s goals and upgrades were detailed in its latest capital plan, which covers the period from 2025 through 2029. Released every five years, it is the transit system’s most granular analysis of future maintenance needs and potential expansion projects.About half of the $65 billion has already been funded through bonds, federal grants and direct appropriations from the city and state, leaving the rest in limbo. Because the authority is controlled by the state, the remaining funds would most likely have to come from Albany.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The crash of the Dali into the Francis Scott Key Bridge killed six people. The federal government says the owner and the operator were “grossly negligent” and “reckless.”The U.S. Justice Department filed a legal claim on Wednesday against the owner and operator of the container ship that collapsed the Francis Scott Key Bridge last March, killing six workers and paralyzing the Port of Baltimore for weeks.The lawsuit asserts that the companies’ actions leading up to the catastrophe were “outrageous, grossly negligent, willful, wanton, and reckless.”The government is seeking more than $100 million in damages to cover the costs of the sprawling emergency response to the disaster and the federal aid to port employees who were put out of work. “Those costs should be borne by the shipowner and operator, not the American taxpayer,” said Benjamin Mizer, a deputy associate attorney general who is in charge of the Justice Department’s civil division. He added that the department would be seeking punitive damages as well, “to try to keep this type of conduct from ever happening again.” The action on Wednesday did not name an amount for the punitive damages the department was seeking.Filed in federal court in Maryland, the Justice Department’s action lays out in detail what investigators have learned about the ship’s short and catastrophic journey that night, describing a cascade of failures onboard and multiple points when the disaster could have been prevented.Because of poor maintenance or “jury-rigged” fixes to serious problems aboard the ship, known as the Dali, “none of the four means available to help control the Dali — her propeller, rudder, anchor, or bow thruster — worked when they were needed to avert or even mitigate this disaster,” the suit asserts.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

In his fiction and journalism, he sought to illustrate the story of the contemporary Middle East and his native Lebanon.Elias Khoury, a Lebanese writer whose sweeping, intricately rendered tales of postwar life in the Middle East won him praise as one of the greatest modern Arabic novelists, and whose editorial leadership of some of Lebanon’s leading publications made him an arbiter of his country’s turbulent political culture, died on Sunday in Beirut. He was 76.His daughter, Abla Khoury, confirmed the death, in a hospital, adding that her father had been in declining health for several months.Mr. Khoury’s writing, both fiction and journalism, often focused on the twin events that defined his world: the Lebanese civil war, from 1975 to 1990, and the plight of Palestinians after the founding of Israel, particularly the tens of thousands who fled to Lebanon in 1948 and after the Six-Day War of 1967.As a novelist, Mr. Khoury was often compared with the American writer James A. Michener, who in books like “Hawaii” (1959) and “Texas” (1985) attempted to capture epic swaths of history in an intimate narrative.But if his vision was Michenerian, his prose was Faulknerian, driven by interweaving, stream-of-conscious narratives. He also claimed Vladimir Nabokov and Italo Calvino as influences.Mr. Khoury in 2014. His novels often began with a single, sustained encounter before spinning outward, kaleidoscopically, into the past and across borders.Bilal Hussein/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

There have been more than 230 school shootings in the United States over the past decade and active shooter drills have become routine in students’ lives. Now, technologies developed to protect soldiers in war are being incorporated into everyday objects of childhood school days. At a recent educational trade show, a booth displaying backpacks with removable ballistic shields — riddled with bullet marks from testing — was set between booths for the textbook company McGraw Hill and the learning toy Speak & Spell. Some of these products come from major brands like 3M; others are designed by entrepreneurial parents. One thing they all have in common: they’re expensive ($185 for a pencil case, $450 for a bulletproof hoodie, $60,000 for a classroom shelter). Despite advertisements that tout official protection ratings by the National Institute of Justice, a federal agency, the institute declared such claims “false” and said that it has never tested nor certified any bullet-resistant items except body armor for law enforcement. “School security measures and so-called ‘target hardening’ are extraordinarily expensive and so far, there is not scientific evidence that they make schools safer,” said Dewey Cornell, an expert in classroom safety at the University of Virginia who has trained threat assessment teams in thousands of schools. Steve Naremore, owner of the ballistic shield company TuffyPacks, acknowledged that it was a “morbid industry.” He said that he sold tens of thousands of products to parents within a week of the school shooting in Uvalde, Texas. “People say, ‘Oh, you’re just profiting off the carnage,’ ” he said. “And you know what I say? ‘Look, don’t blame me. I’m just the fire extinguisher manufacturer, OK?’” One common marketing tactic is to emphasize kid-friendly aesthetics — whimsical colors, patterns and adorable characters. More