Elections

Mayor Adams has been loyal to longtime aides despite growing calls for them to resign. It is a trait he has shown through his career.As Mayor Eric Adams has risen in New York City politics, he has remained extremely loyal to longtime allies, elevating them to key positions in his administration. Now those ties could contribute to his political downfall.As federal and city investigations swirl around several of the mayor’s closest aides, Mr. Adams has resisted growing calls to clean house, rejecting his advisers’ focus on an exit strategy for his close aide and friend, Timothy Pearson.Federal agents seized Mr. Pearson’s phone earlier this month. In four lawsuits, he was accused of sexually harassing female subordinates; the city Department of Investigation is also examining Mr. Pearson’s role in a physical confrontation with security guards at a migrant shelter, as well as the conduct detailed in the lawsuits.At least two senior administration officials said they were pressuring the Adams administration to fire Mr. Pearson, according to people who are familiar with the matter. The mayor’s refusal to consider doing so was a key factor in the abrupt departure of his counsel, Lisa Zornberg, over the weekend.Mr. Adams also faces pressure from advisers to dismiss Philip Banks III, the deputy mayor for public safety, and Winnie Greco, the mayor’s Asian affairs director.Tracking Investigations in Eric Adams’s OrbitSeveral federal corruption inquiries have reached into the world of Mayor Eric Adams of New York, who faces re-election next year. Here is a closer look at how people with ties to Adams are related to the inquiries.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Two sisters get transported to a new world and transformed into cats in this whimsical and thoughtful animated feature.You can discover a lot about a fantasy world from its mode of entry: an English wardrobe, a disappearing train platform, a rabbit hole. The means to the phantasmagorical dream world of “Sirocco and the Kingdom of Winds,” available on demand, is as playful and fanciful as the destination: You have to hopscotch there.“Sirocco” begins with two sisters, Juliette and Carmen, getting dropped off at a family friend’s house for the weekend. This friend, Agnès, is the author of a popular fantasy book series about an ill-tempered wizard named Sirocco who summons devastating winds to destroy whole towns. When Agnès is distracted, a sentient toy — a testy little fellow with magical powers and a treasure trove of absurd lines — hopscotches the sisters into the kingdom of winds, where they’re transformed into cats. That’s not the end of their problems: Carmen’s at risk of getting married against her will and Juliette is offered as a pet to Selma, an elegant avian adventurer turned opera singer. With the help of Selma, the two sisters set out to find Sirocco to figure out a way to get back home.Directed by Benoît Chieux, who wrote the screenplay with Alain Gagnol, “Sirocco” feels drawn from the same extended family of stories as those from the great Hayao Miyazaki — contemporary fairy tales that skip genre clichés and conventions to provide novel plots where the next step in the journey is always a mystery.The intrigues of this film begin with the animation, which recalls such psychedelic classics as “Yellow Submarine” and “Son of the White Mare.” A town of amphibious residents live in gravity-defying skyscrapers made by Jenga-stacked geometric blocks. Selma travels in a flying opera house kept afloat by a hot-air balloon resembling a jellyfish. And in the sky, clouds churn and move like sentient gobs of putty. The various landscapes of this fantastical world are also marked with expressive coloring-book palettes: The cherry reds and watermelon pinks of a town’s architecture and cliffs are starkly contrasted with the honey and amber browns of desert sands.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Pulasan was a tropical storm in the Philippine Sea Tuesday morning Japan time, the Joint Typhoon Warning Center said in its latest advisory. The tropical storm had sustained wind speeds of 40 miles per hour.  All times on the map are Japan time. By The New York Times Where will it rain? Flash flooding can […] More

Three experts on social media and disinformation share their predictions for this year’s chaotic election.This year’s presidential election has been polluted with rumors, conspiracy theories and a wave of artificial intelligence imagery. Former President Donald J. Trump has continued to sow doubts about election integrity as his allies across the country have taken steps to make election denial a fixture of the balloting process.How worried should voters be?To better understand the role that misinformation and conspiracy theories are playing this year, The New York Times asked three authors of new books about disinformation and social media to share their views and predictions.The risk that violence could spring from election denialism seems as pressing as in the weeks after the 2020 election, when Trump supporters — incensed by false claims of voter fraud — stormed the Capitol building, they argue. But the day-to-day churn of falsehoods and rumors that spread online may be getting largely drowned out by the billions spent on political advertising.In a series of emails with The Times, the authors laid out their predictions for the year. These interviews have been edited for length and clarity.Q. Let’s jump right in: How concerned are you that conspiracy theories and misinformation will influence the outcome of this year’s presidential election?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Quitting drinking was the easy part. Figuring out how to be myself was harder.About six months after I quit drinking, I sat at a corner table in a candlelit restaurant with one of my closest friends. It was the kind of place where we used to refill each other’s wine glasses all night, sharing appetizers and intimate details of our lives.That night, though, it felt more like we were catching up: surface-level conversation you might have with a work acquaintance or when seated next to a distant cousin at a wedding. By the time the entrees came, we’d reached the end of these “so what else is new” updates. I recognized that we were at a threshold — one I had been unable to cross so far without booze.There are studies that confirm what I — and anyone else who has ever made friends with another drunk woman in a bar bathroom — have always known: Drinking can help build social bonds. It lowers inhibitions and fosters feelings of connection. But what happens when you’ve come to rely on alcohol to establish and reinforce those connections?I started drinking when I was 13, skipping class to chug cheap vodka and 40s with friends. We’d sprawl out on park benches or huddle on stoops, laughing about everything and nothing. I liked the sloshy, blurry feeling; the warmth in my cheeks and heaviness in my body. But what I liked most about being drunk was that it made it OK to say how sad I was — or to just start crying, without saying anything at all.By my late teens, a drink in the evening (and then a second and third) to soften the edges of my life seemed normal — even more so once I became a bartender, tucked away in a nocturnal world that revolved around alcohol. I prided myself on being able to do shots with customers all night and still settle the register correctly at 5 a.m.On my nights off, my friends and I went out, often to the same bar where I worked. And though I didn’t loiter on stoops drinking vodka out of the bottle anymore, the end of a night out was ultimately the same: Once I’d had enough to drink, it felt safe to admit to being sad or lonely or unsure.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The orchestra is working to negotiate a new contract with musicians, resolve a misconduct inquiry and hire a new chief executive.On a recent night at Lincoln Center, a group of New York Philharmonic musicians, dressed in matching black shirts and carrying union leaflets, fanned out and began to evangelize.“Support the musicians!” Thomas Smith, a trumpet player, told a crowd of concertgoers.It was one of the New York Philharmonic’s first concerts of the fall, and the musicians, in the middle of high-stake labor talks, were alerting their audience to what they hoped would be embraced as startling facts.The orchestra’s players have not had a raise since 2019, and they are paid substantially less than colleagues in Boston, Chicago and Los Angeles.“We need your help,” Alina Kobialka, a violinist, said as she handed out leaflets.The scene was a reminder of the stark challenges this season for the Philharmonic, which not so long ago seemed to be beginning a vibrant new chapter.The labor agreement between management and the musicians expires on Friday, only a few days before the orchestra’s opening gala, a major fund-raising event.The Philharmonic lacks a permanent president and chief executive, after the sudden resignation in July of its leader, Gary Ginstling. An investigation into sexual harassment and misconduct at the Philharmonic has dragged on. And the ensemble, which is awaiting the arrival in 2026 of the star conductor Gustavo Dudamel, has no full-time music director this season or next.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The buzzy FX series delves into the N.F.L. star who murdered a friend less than a year after playing in the Super Bowl.The saga of Aaron Hernandez has riveted the sports world and beyond for more than a decade. An N.F.L. star on one of football’s best teams killed a man in 2013 even as he chased fame and glory on the field.Two years after his conviction in 2015, Hernandez hanged himself in prison, leaving unexplained his descent into crime, rumors about his sexuality, and how he was able to hide his off-field life while thriving at America’s most popular sport.Hernandez has been the subject of multiple books, true crime podcasts and documentaries. But his story is getting the Ryan Murphy treatment in a new 10-part anthology series, “American Sports Story: Aaron Hernandez,” premiering on Tuesday on FX and Hulu. Its showrunners are trying a playbook similar to one used for dramatizations of other well-known scandals like “The People v. O.J. Simpson” and “Impeachment,” about former President Bill Clinton’s sexual improprieties. But this time, they’re grappling with new terrain: pro football.Nina Jacobson, an executive producer of “American Sports Story,” said showrunners hoped to offer viewers a “more subjective experience,” rather than a rehashing of previously reported events.“I think we try, in all of these shows, to find a way to put people in the shoes of the characters and put themselves in the eye of the storm — not in a way to excuse anybody’s voices or behaviors,” she said, “but to give people a chance to maybe see them in a different light.”Ahead of the first installment, here are the key points to know about Aaron Hernandez’s football career and murder case, and the TV drama that will depict them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Banks holding customer funds for money management apps should keep track of customers’ identities and balances, the agency says.When a banking software company collapsed this spring, thousands of people keeping cash in online money management apps found themselves cut off from their own money for months. On Tuesday, the Federal Deposit Insurance Corporation proposed new rules designed to prevent that from happening again.Customers often choose to put money they would otherwise hold in a bank checking account into an online app. Some apps offer higher interest rates on deposits than traditional banks do, while others offer customers new saving and investing plans or small loans ahead of their paydays.But money that customers send to online financial companies almost always ends up in a brick-and-mortar bank — and sometimes it is pooled into a single account. Customers often do not know which bank has their money.Banks are under no obligation to keep track of the identity of fintech customers. The federal bank regulator’s proposal would require the banks to pay more attention.Traditional banks holding funds for fintech customers would have to know each person’s identity and keep daily tabs on their balances. They would have to make sure that, no matter what happened to the other companies in the chain linking customers to their funds, the banks had a record of those funds and could share their identities and balances with regulators.This change would also help if a bank at the end of one of those long chains of software companies were to fail, the regulators said on Tuesday. At present, it is hard for the F.D.I.C. to determine whose money is covered by the $250,000 deposit insurance guarantee.Senior F.D.I.C. officials said in a briefing held for journalists on Tuesday that while they had been contemplating such rules for years, the collapse this spring of Synapse Financial Technologies, which operated banking software for online lenders, provided a good real-world example of how customers could be harmed.When Synapse filed for bankruptcy and shut down its services, it said it had only $2 million in cash on hand. But customers who had funds at the online lenders Synapse supported were collectively cut off from $300 million of their own money. The F.D.I.C. said it had received more than 1,000 customer complaints related to Synapse since May.The banks that take deposits from fintech customers are often small institutions trying to grow. Their managers could complain about having to meet new record-keeping requirements. Regulators said on Tuesday that any new requirements would apply narrowly to banks taking the kinds of deposits that could get lost in a chain of software companies.There are other methods smaller banks use to swap deposits and increase their customers’ deposit insurance coverage that would not be affected by the new proposal, the regulators said.The proposal made Tuesday was the first step toward putting the new rules in place. Regulators now want banks and other members of the public to provide feedback to help shape it. More