Elections

Esta será la primera vez que los compañeros de fórmula de Kamala Harris y Donald Trump se enfrentarán.[Estamos en WhatsApp. Empieza a seguirnos ahora]El gobernador Tim Walz de Minnesota y el senador por Ohio JD Vance han acordado participar en al menos un debate vicepresidencial este otoño. Ambos candidatos han aceptado la invitación de CBS News para enfrentarse el 1 de octubre.La cadena anunció el miércoles en la plataforma de medios sociales X que le había ofrecido a Walz y Vance, compañeros de fórmula de la vicepresidenta Kamala Harris y del expresidente Donald Trump, cuatro posibles fechas: 17 de septiembre, 24 de septiembre, 1 de octubre y 8 de octubre.“Nos vemos el 1 de octubre, JD”, escribió Walz en respuesta. La campaña de Harris confirmó que había aceptado la invitación de la cadena para ese día.El jueves, Vance dijo que también había aceptado la invitación del 1 de octubre.El senador también dijo que estaba dispuesto a celebrar un segundo debate antes, el 18 de septiembre, fecha ofrecida por la CNN. “El pueblo estadounidense merece tantos debates como sea posible”, dijo Vance en un mensaje publicado en X.La campaña de Harris-Walz indicó en un comunicado que no aceptaría una fecha adicional para la vicepresidencia. “El debate sobre los debates ha terminado”, dijo en un comunicado Michael Tyler, portavoz de la campaña. “La campaña de Donald Trump aceptó nuestra propuesta de tres debates: dos presidenciales y uno vicepresidencial”.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Israeli settler attacks on Palestinians have surged in the West Bank, but a riot on Thursday in the village of Jit stood out for drawing rapid and unusual rebukes from Israeli officials, including Prime Minister Benjamin Netanyahu, whose coalition government includes West Bank settlers in top positions. “Dozens of Israeli civilians, some of them masked, entered the town of Jit and set fire to vehicles and structures in the area, hurled rocks and Molotov cocktails,” the Israeli military said in a statement. The military said that its forces, along with Israeli Border Police, were dispatched to the scene and dispersed the riot by firing shots into the air and “removing the Israeli civilians from the town.” The Palestinian Authority said that one Palestinian was shot dead during the attack on the village and that another was critically injured. The Israeli military said it was “looking into” reports of a fatality and that it had opened an investigation with other security agencies into what it called “this serious incident,” adding that one rioter was arrested and transferred to the police for questioning. The prime minister’s office issued a statement saying that Mr. Netanyahu “takes seriously the riots that took place this evening in the village of Jit, which included injury to life and property by Israelis who entered the village.” The statement vowed to find and prosecute those responsible for “any criminal act.” The Israeli military condemned “incidents of this type and the rioters, who harm security, law, and order,” and accused those involved in the violence of diverting troops and security forces “from their main mission of thwarting terrorism and protecting the security of civilians.” The riot came as the war in Gaza between Israel and Hamas has stretched into its 11th month, a period that has also seen increased Israeli military activity against what it terms suspected terrorism in the occupied West Bank, as well as a surge in violent settler attacks there against Palestinians. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

At a rally today, if it looked like Biden was living in Harris’s world, he kept the focus on Trump.For a few minutes on Thursday afternoon, President Biden stood silently onstage in Maryland, his hands folded and his body swaying ever so softly. On one side of him was Vice President Kamala Harris, heaping praise on him; hovering on the other side was Harris’s face again, emblazoned on a shirt worn by a member of the crowd.It was the pair’s first time onstage together since Biden withdrew from the presidential race. The appearance, three and a half weeks in the making, had great potential for awkwardness: an event for the Biden White House with the vibe of a Harris campaign rally.If it looked like Biden was living in Harris’s world now, he kept the focus on Trump.“Let me tell you what our Project 2025 is,” Biden said, evoking a set of conservative policy plans drawn up by allies of former President Donald Trump, once he stepped to the microphone. “Beat the hell out of ’em.”Unburdened by the weight of defending democracy in an embattled presidential campaign, Biden joked repeatedly about his age — “I served in the Senate for 270 years!” — referred to former President Trump as “Donald Dump,” and delivered a line that had bedeviled him at the debate where his candidacy unraveled.“This time,” he said, “we finally beat big pharma.”It was a flash of a Biden who has not been seen much since he dropped out of the presidential race on July 21. He is no longer his party’s standard-bearer. He has not appeared on the campaign trail. He seems in many ways to have shrunk from public view.It all got me curious about what these past weeks have meant for Biden — a man who is, of course, very much still president. My colleague Peter Baker, our chief White House correspondent, has watched Biden and Harris up close, and he spoke with me this afternoon from the event in Maryland. Our conversation was edited for length and clarity.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The city has appealed the judge’s ruling in favor of a convenience store in Queens that could have broader implications for enforcement.A state judge has ordered New York City to allow a convenience store in Queens to reopen after it was accused of selling cannabis illegally, a decision that could significantly affect the city’s effort to wipe out thousands of unlicensed sellers.The city quickly appealed the ruling issued Wednesday by Justice Kevin J. Kerrigan. He found that the city sheriff’s office had no legal reason to keep the store at 35-12 Bell Boulevard padlocked because the underlying summons had been dismissed after the city could not prove it had delivered it to the right person. The sheriff’s office issued the summons during an inspection in June, charging the store with selling cannabis without a license.After the summons was dismissed on procedural grounds, that should have been the end to the case, Justice Kerrigan wrote in his decision.Instead, the hearing officer, a lawyer who assumes the role of a judge in the case, went on to recommend that the sheriff’s office keep the business closed because she believed illegal activity was taking place at the store. She also concluded that she did not need to determine whether the illegal activity was more than minimal in making her recommendation, he said.The sheriff’s office accepted the hearing officer’s recommendations. The hearing officer’s guidance was wrong, Justice Kerrigan ruled.The series of decisions, he wrote, resulted in “a clear violation of due process under the 1aw.”“The court acknowledges that the unlicensed sale of cannabis within the City of New York represents an enormous public health concern,” he added. “However, summarily shuttering businesses prior to taking the necessary steps to determine whether a violation has occurred stands against the cornerstone of American democracy and procedural due process.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Celebrations marking the third year since the U.S. withdrawal are amplifying a divide in Afghanistan over what principles it should be governed by.The parade of cars rolled through Kabul from morning until night, clogging the streets in end-to-end traffic. Crowds of Taliban and their supporters lined the routes, chanting “God is great!” and “Long live the mujahedeen!” One truck dragged an American flag, a red X drawn across its stars and stripes.Outside the old U.S. embassy, young children — maybe 6 or 7 years old — wearing military fatigues stood on the top of a gray Toyota pickup, clutching small white Taliban flags. A dozen others crammed into the back of the truck, white flags draped over their shoulders. Yet more flags were stapled onto wooden poles, waving in the air.“Our way is jihad!” a man shouted through a loudspeaker from the passenger seat. The children responded: “Long live jihad!”With August in Afghanistan come weeks of celebrations marking the anniversary of the U.S. withdrawal — the last American planes peeled off the runway at Kabul’s international airport on Aug. 30, 2021 — and the Taliban’s return to power.The month has become a time of victors and vanquished, the swell of white flags marking conquered territory, just as past empires planted their own banners. It is also a time of heightened emotions, seeming to amplify the gulf between those who support the Taliban’s conservative rule and those who embraced the liberal ideals of the U.S.-backed Afghan government.The country remains deeply divided over fundamental questions of what principles it should be governed by, and what ideals it should hold. The only point of consensus seems to be that three years into Taliban rule — with its extreme version of Shariah law — it is here to stay.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

After a small part in “Succession,” the actor has a breakout role in “Job,” in which she plays a content moderator having a mental breakdown.Jane is a young professional living in the Bay Area whom you might find at SoulCycle. The actor Sydney Lemmon has taken that description of her character in “Job” with a grain of salt.The young woman she is presenting to Broadway audiences is not a stereotypical millennial. Instead, Lemmon’s Jane is a formidable vessel of reckless passion, someone who has been shaped by the corporate grind of a Silicon Valley job monitoring the heinous acts that people upload onto social media. She is a self-described “Xanax girlie” white knuckling her way through a mandated therapy session meant to determine whether she is ready to return to work after a psychological breakdown that went viral.Oh, and Jane has a gun, too.“She loves her job,” Lemmon said last week during an interview in her dressing room at the Helen Hayes Theater in Midtown Manhattan. “But the thing that most people seem to connect with when I talk to them at the stage door is her feeling of isolation.”Lemmon has played the character for more than a year, charting an unlikely path in a hit commercial production nearly seven years after she first appeared on Broadway, following her graduation from the Yale School of Drama. Smaller roles in film and television — including a short run on the acclaimed HBO series “Succession” — helped raise her profile within the industry; theater, however, is where she has developed a cult following.Lemmon and Peter Friedman in “Job,” which is running through Oct. 27 at the Helen Hayes Theater.Hiroko Masuike/The New York Times“All of the show was crafted around Sydney,” said Michael Herwitz, the production’s director.“When we cast her, she was absolutely not what we thought we wanted,” he recalled. “We thought Jane was going to be someone demure, a petite white woman who graduated college two years ago and wouldn’t necessarily pose a physical threat.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

On a recent sultry Monday, Mark Schneider pulled up to a stable in Williamsburg, Va., ready to get back to the grind, 18th-century style.He was already wearing his leather breeches and ruffly linen shirt. After preparing his horse, he went back to the car for his waistcoat, swords, wig and plumed hat, before hoisting himself into the saddle and heading toward a grassy field near the town’s restored colonial-era courthouse.Tucked in his jacket was a cellphone, for emergencies. He also carried a period-correct flask full of water, for discreet hydration.“I wouldn’t want people to see the Marquis de Lafayette drinking from a flask and get the wrong idea,” he said.Schneider as Lafayette. He’s also an in-demand Napoleon, especially in Europe.Jason Andrew for The New York TimesFor the past 25 years, Schneider has worked at Colonial Williamsburg portraying the French aristocrat who arrived in America at age 19 and became a hero of the American Revolution. But for “Marquis Mark,” as friends jokingly call him, this has been an especially historic summer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Faye Driscoll uses the ocean as her collaborator in a sunset dance celebrating the 10th anniversary of Beach Sessions.Faye Driscoll has been spending a lot of time at the ocean, in the ocean, with the ocean — watching it as it stretches into the horizon. What if, she wondered, instead of poisoning and polluting the ocean, we were able crawl inside it? To merge the water in our bodies with the water of the sea?For this summer’s iteration of Beach Sessions, a performance series at Rockaway Beach now in its 10th year, Driscoll was drawn, at first, to the choreography of beachgoers — swimming, lying on the sand, lugging their gear. She was also drawn to the lifeguards, decked out in bright orange. But then her gaze shifted.“What I really sunk into was the sea,” she said in a video interview from Rockaway, where she has lived this summer. “Just daily staring: looking at this vast horizon, this great mystery and feeling the sand and the wind.”“Oceanic Feeling” will be performed at Beach 106 at 6:30 p.m. to make use of the phases of twilight.On morning walks, though, she couldn’t ignore the plastic. “I think climate crisis is on all of our minds,” she said. “It’s not like I came here thinking, I’m going to make a piece addressing that” — and she hasn’t — “but I started thinking, what would it mean to put my body on the altar toward the ocean?”Driscoll, an experimental choreographer, has built a body of work embracing a primal, sensorial side of dance; in last year’s “Weathering,” dancers performed on a rotating platform, like a raft, on which they fought to survive, eventually morphing into a sculpture of flesh. In “Oceanic Feeling,” to be performed Saturday at Beach 106 at Rockaway beginning at 6:30 p.m., the dancers, succumbing to the elements — sand, water, wind — melt into one another.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More