Elections

A six-ton megalith at the heart of the archaeological site traveled more than 450 miles to get there, a new study concludes.Near the center of the roughly 5,000-year-old circular monument known as Stonehenge is a six-ton, rectangular chunk of red sandstone. In Arthurian legend, the so-called Altar Stone was part of the ring of giant rocks that the wizard Merlin magically transported from Mount Killaurus, in Ireland, to Salisbury Plain, a chalk plateau in southern England — a journey chronicled around 1136 by a Welsh cleric, Geoffrey of Monmouth, in his “Historia Regum Britanniae.”Since then, the accepted provenance of the Altar Stone has shifted, spanning a range of possible sites from east Wales and the Marches to northern England. On Wednesday, a study in the journal Nature reroutes the megalith’s odyssey more definitively, proposing a path much longer than scientists had thought possible.The researchers analyzed the chemical composition and the ages of mineral grains in two microscopic fragments of the Altar Stone. This pinpointed the stone’s source to the Orcadian Basin in northeast Scotland, an area that spans Inverness, the Orkney Islands and Shetland. To reach the archaeological site in Wiltshire, the megalith would have traveled at least 465 miles by land or more than 620 miles along the present-day coastline if it came by sea.“This is a genuinely shocking result,” said Rob Ixer, a retired mineralogist and research fellow at University College London who collaborated on the project. “The work prompts two important questions: How and why did the stone travel the length of Britain?”Stonehenge features two kinds of rocks: larger sarsens and smaller bluestones. The sarsens are sandstone slabs found naturally in southern England. They weigh 20 tons on average and were erected in two concentric arrangements. The inner ring is a horseshoe of five trilithons (two uprights capped by a horizontal lintel), of which three complete ones still stand.Richard Bevins examining Bluestone Stone 46, a rhyolite most probably from north Pembrokeshire, on Wales’s southwest coast.Nick Pearce/Aberystwyth University.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

In corners of the internet — and in wooded, undeveloped parts of the country — young men are documenting their efforts to to live off the land.Nate Petroski’s address doesn’t help visitors find his house. Locating it, instead, requires specific GPS coordinates to a spot deep in West Virginia’s Appalachian Mountains, and precise instructions on how to get there. Many of the surrounding roads are impassable without an ATV to traverse several creeks and muddy inclines.It’s much easier to visit him online.Mr. Petroski, 39, is a prominent video creator in the modern-day homesteading movement, determined to live a life of semi-self-sufficiency “off grid,” or disconnected from the power, water, gas and telecommunications lines that connect most residential addresses in the United States. But rather than embracing the reclusive life often associated with off-grid homesteaders in rural areas, Mr. Petroski is extremely prolific online, broadcasting his daily life to millions of followers on social media.His property, known as NarroWay Homestead, is one of the most sophisticated and most-watched operations in a burgeoning niche of online creators who document their off-grid or sustainable living projects across the country, often promoting a way of life that seems diametrically opposed to the mediums they use to share it.“Almost everything I own is a hybrid of ancient knowledge and modern technology,” Mr. Petroski said. His water, he explained, comes from rainwater that runs off his roof into a self-filtering pipe and tank system — and is then pumped throughout his buildings with solar-powered electric pumps.One afternoon in July, Mr. Petroski and his wife, Jen, filmed a video for TikTok, which helps them support their homesteading lifestyle.Kristian Thacker for The New York TimesMr. Petroski’s video recording setup.Kristian Thacker for The New York TimesThe plaque Mr. Petroski received from YouTube when he reached one million subscribers.Kristian Thacker for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Branden Jacobs-Jenkins had Broadway success this year with a drama starring Sarah Paulson. In February, he’ll return with a new play directed by Phylicia Rashad.Branden Jacobs-Jenkins won a Tony Award in June for the Broadway production of “Appropriate,” his blistering play about a white Southern family grappling with some serious baggage.This season, Jacobs-Jenkins will return to Broadway, now with “Purpose,” a stormy play about a Black Midwestern family wrestling with its own legacy.“Purpose,” which had a well-received run earlier this year at Steppenwolf Theater Company in Chicago, is to begin previews Feb. 25 and to open in mid-March at the Helen Hayes Theater. The Broadway production is being directed by Phylicia Rashad, who also directed the play at Steppenwolf; Rashad, best known for “The Cosby Show,” has won two Tony Awards as an actor, for “A Raisin in the Sun” and “Skeleton Crew”; this will be her first time directing on Broadway.Set in contemporary Chicago, “Purpose” is about the Jaspers, a civically engaged family of preachers and politicians. There are some parallels to Jesse Jackson’s family, but the story is fictional.In the play, the family gathers at the home of its patriarch — a civil rights activist and preacher who had marched with the Rev. Dr. Martin Luther King Jr. — to welcome the eldest son, a politician, home from prison as his wife prepares to serve her own sentence. The gathering is complicated by the presence of the younger son, a divinity school dropout, who shows up with an unexpected friend.The critic Chris Jones, writing in The Chicago Tribune, called it an “absolutely not-to-be-missed” play.Branden Jacobs-Jenkins, with the Tony for best revival of a play for “Appropriate.”Evan Agostini/Invision, via Associated PressPhylicia Rashad, with her Tony for best actress in a play for “Skeleton Crew” in 2022. This will be her Broadway directorial debut.Angela Weiss/Agence France-Presse — Getty ImagesJacobs-Jenkins, 39, has for a decade been touted as among the nation’s most important young playwrights. He is a two-time Pulitzer finalist (for “Gloria” and “Everybody”), but “Appropriate” was his first play on Broadway. It took so long for it to get there that the production, which starred Sarah Paulson, was deemed a revival and won the Tony Award in that category. Now, Jacobs-Jenkins is working on a musical adaptation of Prince’s “Purple Rain” that will have an initial production in Minneapolis next spring, while also preparing to return to Broadway with “Purpose.” (And before then, he has a new Off Broadway show this fall: “Give Me Carmelita Tropicana!” at Soho Rep.)“I’m shocked, honored, surprised, confused, nervous,” Jacobs-Jenkins said in a phone interview, referring to having two Broadway plays in a row. “I definitely feel like there’s some kind of turnover: In this post-recovery period, lots of surprising things are happening.”“I feel like suddenly my cohort is stepping into some new space that wasn’t available to us before,” he added.And are “Appropriate” and “Purpose” related? “Not really,” Jacobs-Jenkins said. “But it wouldn’t be ridiculous to read them against each other.”Though the nonprofit Second Stage Theater owns the Helen Hayes Theater, this will be a commercial production. The lead producers include David Stone and Marc Platt, who are the lead producers of “Wicked”; the film producer Debra Martin Chase; the actress LaChanze; and Rashad V. Chambers, Aaron Glick and Steppenwolf. More

An exultant sense of discovery is the propelling through line of “Paula Modersohn-Becker: Ich Bin Ich / I Am Me,” a glorious exhibition at the Neue Galerie that is, surprisingly, the German artist’s first in an American museum. (It will travel to the Art Institute of Chicago in October.)During a career cut short by her death in 1907, when she was only 31, little escaped Modersohn-Becker’s scrutiny. A paramount subject of inquiry was her own self. For some of her 60 self-portraits, which are her best-known works, she bared all: She is said to be the first Western female artist to depict herself in the nude. In many others, she holds a flower or a fruit, like a saint or a nobleman in a Renaissance painting. Either way, she looks unmistakably modern.Only a generation separates Modersohn-Becker from Mary Cassatt and Berthe Morisot, who shared her predilection for painting mothers and children. But while the Paris-based Impressionists depicted the bourgeois occupants of drawing-rooms, Modersohn-Becker, who visited Paris devotedly, homed in on the primal.Early drawings by Paula Modersohn-Becker, between 1898 and 1899, depicted the residents — particularly women and children — of Worpswede, an artist’s colony in northern Germany. They capture the harsh reality and vulnerability of their sitters, curators said. Annie SchlechterIt was on a visit to the Trocadéro ethnographic museum in Paris in 1906 that she discovered, a year before Picasso, the power of African masks. She was also looking at Courbet, Cézanne and Gauguin. All of these influences converge in such paintings as “Kneeling Mother With Child at Her Breast” from 1906, where a dark-skinned, blocky woman suckles a white infant (might Modersohn-Becker be alluding to the nourishment she derives from African art?), and “Reclining Mother with Child II” from the same year, of a nude woman lying on her side in a fetal position nursing a naked baby.Those were produced near the end of her life. Yet even at the outset, she showed a gift for channeling traditional methods and tropes to suit her sensibility. In 1898 and 1899, while sketching nude models in the way that art students had done for centuries, she also used charcoal to memorialize the farmers, peat diggers and charity cases in Worpswede, the rural village in northern Germany that she inhabited on and off for the rest of her life.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Preparing to run 26.2 miles can be daunting. Here’s how to structure four months of training.When you cross the finish line of your first marathon, the high can make it easy to forget about everything you’ve put your mind and body through to get there. There’s no question that covering 26.2 miles is an impressive feat of endurance and athleticism, but it can be an attainable goal for most runners with the right preparation.Most marathoners train for about 16 weeks before the big day. Here, we’ve put together a four-part guide that breaks the cycle into four-week segments, each with a specific training focus. It also includes tips on nutrition, speed workouts, strength training and mental preparation.To start this plan, you should feel comfortable running about 25 miles per week, including a regular long run of at least 10 miles. If you’re not there yet, consider running a shorter race this year and gradually working your way up to that mileage before starting a 16-week program. (If you have a marathon on the calendar for this fall, your training should already be underway. But you can still use this guide to check on your progress so far, and to take advantage of the advice for month two and beyond, depending on your race date.)Marathon training can feel like a slog at times, and it helps to make peace with the long commitment. “Training isn’t sexy and it doesn’t deliver immediate gratification,” said Jessica Hofheimer, a running coach in North Carolina who works with runners of all levels. But if you stick with it and enjoy the process, nothing beats the reward of crossing the finish line.Month One: Build a foundationThe first four weeks of marathon training (beginning about four months before race day) focus on building the base of strength and endurance you’ll tap into throughout the training cycle. Your mileage will be relatively low, and your pace for most runs should generally feel easy.Aim to run four or five times a week, including a long run of at least 10 miles. Supplement your running with strength training at least twice a week, which will help you avoid injury as you increase your mileage.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Republicans may be backing away from abortion, but these activists have a strategy, with or without Trump.The pivot seems clear. The Republican Party of the post-Roe era is sidelining anti-abortion activists. Project 2025, the conservative blueprint with innovative abortion bans, has been disavowed by Donald Trump. And the new G.O.P. party platform even promises to advance access to in vitro fertilization.But as Mr. Trump distances himself from the anti-abortion revolution his own administration ushered in, a powerful battalion of conservative Christians has pushed ahead. In recent months, they have quietly laid the groundwork for their fight to restrict not only access to abortion but also to I.V.F.They are planting seeds for their ultimate goal of ending abortion from conception, both within the Republican Party and beyond it. They face a tough political battle since their positions are largely unpopular and do not reflect majority opinion, particularly on I.V.F.As they see it, their challenge spans generations, not simply a single political cycle. And their approach — including controlling regulatory language, state party platforms and the definition of when life begins — reflects an incremental strategy similar to the one activists used for decades to eventually overturn Roe v. Wade.“I expect there will be steps backwards as well as what we are working toward, which are long strikes forward,” said R. Albert Mohler Jr., president of the Southern Baptist Theological Seminary in Louisville, Ky., who has been newly mobilizing evangelicals against I.V.F.The fall of Roe itself was far from linear, he noted. “It was nearly a half century of work, a half century of frustration, a half century of setbacks as well as advances,” Mr. Mohler said. “It will be a hard uphill climb, but that’s what we are called to.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Christoph Büchel’s vast installation in Venice is compelling, obsessive and sometimes hilarious. Ascending the grand marble staircase in the center of the Venetian palazzo, you encounter a selection of fake Gucci, Hermes and other luxury handbags laid out on a blanket. A street hawker seems to have been disturbed, leaving their knockoff wares behind.Then, turning right on the mezzanine level, you climb another staircase into a control room. A bank of live CCTV monitors flicker above an empty office chair and espresso-stained plastic coffee cup.Next, a room for cryptocurrency traders with whirring servers, and a fridge, quarter-filled with tins of Red Bull; followed by the recording studio of a grandmother-aged TikTok influencer; a washroom with a print of Leonardo’s $450.3 million “Salvator Mundi” pasted to the wall; a 1950s-style cocktail bar; a pole dancing den; a kitchen filled with untouched trash. Room after room looks recently abandoned.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The National Black Caucus of the International Brotherhood of Teamsters union endorsed Vice President Kamala Harris for the presidency on Tuesday, setting it apart from its parent union, which has declined to make an endorsement and whose president spoke at the Republican National Convention.“Their records reflect a deep dedication to advancing labor rights and supporting working-class Americans,” the caucus said of Ms. Harris and her running mate, Gov. Tim Walz of Minnesota, in a statement announcing its endorsement. “As a key partner in leading the most pro-labor administration in our lifetimes, Vice President Harris has proven to be a tough and principled fighter for workers’ rights and a leader who delivers on her promises.”The statement praised the bipartisan infrastructure bill President Biden signed, as well as steps his administration has taken to lower prescription drug costs and increase wages. It also credited Ms. Harris with pushing to expand the child tax credit — which the pandemic relief bill Mr. Biden signed in 2021 did temporarily, but Congress declined to do permanently — and with helping to preserve union members’ pensions.It said that former President Donald J. Trump’s administration “was one of the most antilabor in modern history,” citing among other things his loosening of workplace safety regulations and his opposition to raising the federal minimum wage. And it criticized Mr. Trump as “contributing to a hostile environment for Black Americans.”“Trump showed us for over 40 years who he really is: someone who is not for us,” James Curbeam, the chairman of the caucus, said in the statement. “Endorsing a candidate with his history would be a betrayal of the values that we have fought to uphold.”The decision to endorse Ms. Harris aligns the Teamsters’ National Black Caucus with other major organized-labor institutions, including the A.F.L.-C.I.O., the United Automobile Workers and the American Federation of Teachers. But the overall Teamsters union has not endorsed either party’s ticket.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More