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      Kenneth Mitchell, Known for ‘Star Trek’ and ‘Captain Marvel’ Roles, Dies at 49

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      Mr. Mitchell, a Canadian actor who appeared on “Star Trek: Discovery,” had A.L.S.Kenneth Mitchell, a Canadian actor known for his roles on the series “Star Trek: Discovery” and the film “Captain Marvel,” died on Saturday. He was 49.He had lived with the neurological disorder amyotrophic lateral sclerosis, or A.L.S., which causes paralysis and death, for more than five years, according to a statement from Mr. Mitchell’s family posted to his social media.Mr. Mitchell played the Klingons Kol, Kol-Sha, and Tenavik, as well as Aurellio, on “Star Trek: Discovery,” and voiced several other characters in an episode of “Star Trek: Lower Decks.”In “Captain Marvel,” he played the father of the superhero, Carol Danvers. He was also known for portraying Eric Green on the series “Jericho,” Joshua Dodd in the series “Nancy Drew,” a hockey player in the film “Miracle,” and appeared in several other film and television series.Mr. Mitchell lived with his wife, the actress Susan May Pratt, and their children in Los Angeles. He was born on Nov. 25, 1974, in Toronto to Diane and David Mitchell.In 2018, Mr. Mitchell was diagnosed with A.L.S., according to a statement posted to his social media in August. He revealed his diagnosis in an interview with People Magazine in 2020, saying that from the moment he found out, it was “like I was watching that scene where someone is being told that they have a terminal illness.” He added, “It was just a complete disbelief, a shock.”Mr. Mitchell said he focused on spending more time with his family and rejected a lead role in a television series that required moving back to Canada. The makers of the series “Nancy Drew” also accommodated for his illness, he told People, using a stunt double when needed. Other roles were created for him that allowed him to be seated, he added.“This disease is absolutely horrific,” Mr. Mitchell said in the post last year, which accompanied a photo of him watching the sunset from a wheelchair on the beach. “Yet despite all the suffering, there is so much to be grateful for,” he added.Mr. Mitchell is survived by his wife, their children Lilah and Kallum, his parentsand other family members, according to the family statement. More

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      Jeffrey Wright on ‘American Fiction’

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      A couple of years ago, Jeffrey Wright got an email from the screenwriter Cord Jefferson, who was preparing to direct his first film. Jefferson wanted Wright — a cerebral actor known for his commanding, indelible presence even in supporting roles — to star in “American Fiction,” his adaptation of Percival Everett’s mordant 2001 novel, “Erasure.”“In the letter, Cord described how immediate and personal he found ‘Erasure’ to be,” Wright recalled recently. “And he said that he had begun to hear my voice in his head as he read the book. And then he said, ‘I have no Plan B.’”Wright, who is 58, took the job. His exquisitely calibrated performance as the irascible novelist Thelonious Ellison, known as Monk, recently earned him his first Oscar nomination. It is a recognition, among other things, of his ability to elevate any movie or TV show simply by appearing in it. He has a way of burrowing so deeply into his characters that he seems almost to be hiding in plain sight.From the bracing opening scene of “American Fiction,” in which a slur appears on a blackboard as part of the title of a Flannery O’Connor short story Monk is teaching to a class of college students, the film wades into thorny issues of race, authenticity and what white audiences demand from Black artists — and has great satirical fun doing it.“It’s a conversation that’s at the center of the national dialogue right now, but we lack a fluency in how we discuss race — gasp! — and history and language and context and identity,” Wright said. He was being interviewed at the Four Seasons in Manhattan before flying to Britain to receive the London Film Critics’ Circle’s top award.While (obviously) the film doesn’t solve the problems it identifies, he said, at least it’s willing to engage with them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      America Ferrera, Katie Holmes, and Carey Mulligan Turn Out for Chanel

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      The brand hosted a celebrity-fueled bash for its U.S. foray into high-end jewelry.On Wednesday night, a throng of actors, cycling through a swirl of events — awards season, New York Fashion Week and the Super Bowl — assembled in Midtown Manhattan, wearing Chanel, dressed by Chanel and for Chanel.Over cocktails, guests mingled for the opening of the brand’s first U.S. watch and fine jewelry flagship boutique on Fifth Avenue near 57th Street, designed by the architect Peter Marino with elements from Coco Chanel’s apartment in Paris.America Ferrera greeted Natasha Lyonne. Kerry Washington chatted with Elizabeth Olsen. Katie Holmes posed for photos with Michelle Williams. Zazie Beetz convened with Rachel Brosnahan. Dianna Agron lingered. And nearby, Carey Mulligan and Jerrod Carmichael talked.The new flagship store for fine jewelry and watches comes as New York’s retail space prices have kept rising over the past year. The move seemingly positions Chanel in a sector of the fashion industry that other brands, like Prada and LVMH, are also embracing.Chase Sui Wonders and Molly Gordon.Rachel Brosnahan and Zazie Beetz.Michelle Williams and Katie Holmes.Sadie SinkThe location on Fifth Avenue — sandwiched among Cartier, Tiffany & Company, Bulgari and Harry Winston — was a yearslong waiting game, according to Frédéric Grangié, the president of Chanel’s watches and fine jewelry.“It’s a big step for the house,” Mr. Grangié said.Steps away from the boutique, around 200 guests, including Lori Harvey, Francesca Scorsese and the actor Molly Gordon, shuffled into a dimly lit event space for dinner. In contrast to the store’s well-lit sparkle, the multilevel venue was enveloped in darkness that mimicked the shuttered Abercrombie & Fitch that was once there.Natasha LyonneCarey Mulligan and Jerrod Carmichael.Rose Byrne and Seth Meyers.Christopher AbbottPeople reflected on their favorite everyday accessories, like Ms. Lyonne’s grandmother’s gold chain. “I never saw her as a Tony Montana type. She was just a little Hungarian lady in a Pucci dress,” she said.The actor Taylour Paige, who loves her tennis bracelet and engagement ring, said that you can never have too many rings.“If anyone says you’re wearing too many rings, cut them out of your life,” she said.For the actors Tommy Dorfman and Amandla Stenberg, watches, which were family heirlooms passed down from generations, elicit a sense of nostalgia and sentimentality in an era of smart devices.White roses lined long tables where influential guests like Lauren Santo Domingo, the artistic director of Tiffany’s homewares; Larry Gagosian, the gallery magnate; and Sean MacPherson, the hotelier, enjoyed oysters, caviar-topped potatoes, lobster or wagyu, and a two-tiered assorted dessert tower. After one course, guests were offered vodka shots.Seth Meyers, the late-night host, did rounds greeting Ms. Ferrera and Ms. Olsen at one table, Ms. Beetz in another section with Ms. Holmes, and then later settling at his table with Ms. Washington and Ms. Williams.When it grew late, the crowd was invited to the basement for a surprise performance, and the singer Gracie Abrams took the stage to a backdrop lit like a starry sky.The singer Gracie Abrams. Larry GagosianKerry WashingtonPeter Marino and Cornelia Guest. More

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      Da’Vine Joy Randolph: Major Prizes, Major Attention, Major Unease

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      The “Holdovers” star Da’Vine Joy Randolph has had a charmed run through awards season so far: Considered the favorite for the supporting actress Oscar, she has already taken the Golden Globe, Critics Choice Award and prestigious trophies from both the New York Film Critics Circle and Los Angeles Film Critics Association.The 37-year-old actress is well-aware of the power of those prizes, and knows that even being in the Oscar conversation can change the course of a career. But does that mean her awards season has been easy to navigate?“It’s overwhelming, if I’m being really honest,” Randolph told me in a candid conversation last week. “You really do earn your stripes going through this awards-season thing.”A monthslong Oscar campaign can be more arduous than people realize: a pileup of Q. and A.s, wardrobe fittings, round tables, photo shoots, interviews, red carpets, ceremonies, movie premieres, cocktail parties and festival appearances that demand always-on levels of poise and adrenaline. Everyone you meet at these events wants something from you — a conversation, a selfie, an autograph, an acceptance speech — and at the end of these glitzy and exhausting nights, there’s not much left over for yourself.Randolph is no novice: Tony-nominated for her role in “Ghost the Musical” (2012), she earned Oscar chatter for her breakout film performance in “Dolemite Is His Name” (2019) and has worked steadily in films like “The United States vs. Billie Holiday” (2021) and TV shows including “Only Murders in the Building,” “The Idol” and “High Fidelity.” Still, nothing she has experienced so far compares to the white-hot awards spotlight shone on her in the wake of “The Holdovers,” and Randolph is still figuring out how to adjust to its glare.Clockwise from top left, Randolph in “Ghost the Musical”; “The United States vs. Billie Holiday,” with Andra Day; “The Holdovers,” opposite Paul Giamatti and Dominic Sessa; and “Dolemite Is His Name,” starring Eddie Murphy.Clockwise from top left: Sara Krulwich/The New York Times; Takashi Seida/Paramount Pictures and Hulu; Seacia Pavao/Focus Features; François Duhamel/NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Elon Musk Backs Gina Carano’s Disney Suit Over ‘Mandalorian’ Exit

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      Gina Carano accused Disney and Lucasfilm of discrimination when they dropped her after she posted baseless conspiracy theories and right-wing views on social media.Elon Musk poked the Walt Disney Company anew on Tuesday by agreeing to fund a wrongful-termination lawsuit filed by the “Mandalorian” actress Gina Carano.“Please let us know if you would like to join the lawsuit against Disney,” Mr. Musk, seemingly trawling for other plaintiffs, wrote in a post on X, which he bought in 2022.Disney dropped Ms. Carano, a former mixed-martial artist, from “The Mandalorian” in 2021 after she espoused baseless conspiracy theories and right-wing positions, some of which were seen as homophobic and antisemitic, in a series of social media posts. Her character was written out of the series. Lucasfilm, the Disney division that makes “The Mandalorian,” said in a statement at the time that Ms. Carano’s “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable.”United Talent Agency also dropped Ms. Carano.Ms. Carano’s suit, filed on Tuesday in federal court in California, seeks a court order forcing Disney and Lucasfilm to weave her “Mandalorian” character back into episodes and recast her for the part. (Employed as a “guest actor,” she was paid $25,000 for each episode in which she appeared.) She is also suing for punitive damages.Mr. Musk has been throwing elbows at Disney and its chief executive, Robert A. Iger, since Disney and X’s other major advertisers, including Apple, paused spending on the platform in mid-November. The advertisers took action after Mr. Musk’s endorsement of an antisemitic conspiracy theory. He seemed especially angry about Disney’s decision to pull ads; other Hollywood companies, in particular, followed Disney’s lead.In internal documents at X, which were seen by The New York Times, sales employees have been notified that Disney has continued to pause advertising on the platform “globally” and “indefinitely.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      HBO Drops Milos Bikovic, ‘White Lotus’ Actor Criticized by Ukraine

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      The casting of Milos Bikovic, a Serbian actor, had been denounced by Ukraine’s foreign ministry, who pointed to his ties to Russia.HBO has parted ways with Milos Bikovic, a Serbian actor whose casting in the third season of “The White Lotus” had drawn criticism from Ukraine’s foreign ministry for his ties to Russia, according to an HBO spokeswoman.Bikovic’s role in the dark comedy will be recast, the spokeswoman said.In a statement provided through a spokesman on Friday, Bikovic said that he was leaving because of external pressure.“Today, a targeted campaign has been unleashed against me, seemingly as an external maneuver to influence decisions that can create a disturbing precedent shadowing the essence of artistic freedom,” Bikovic said in the statement. “The result of such a narrative is the triumph of absurdity and the defeat of art.”HBO announced on Jan. 12 that Bikovic, 36, would be joining the “White Lotus” cast. Ukraine’s foreign ministry criticized the decision on social media weeks later, writing on X, “HBO, is it all right for you to work with a person who supports genocide & violates international law?”On Instagram in 2022, in a post shared the day after the Russian invasion of Ukraine began, Bikovic said that he wished the war had not happened. “War and bloodshed on any side reminds us of how far humanity is from global unity and love,” he wrote in Russian and Serbian. “God save the lives of all those who are now in danger!”Bikovic has been celebrated by Russia’s leadership. He was awarded the Pushkin Medal, which honors contributions to Russian arts and culture, by President Vladimir V. Putin in 2018. The following year Ukraine barred Bikovic from entering the country for what it called national security reasons, prompting him to tell a Serbian publication that “the situation is absurd.” He received Russian citizenship by presidential decree in 2021.Ukraine’s foreign ministry did not immediately respond to a request for comment.Before he was cast in “The White Lotus,” Bikovic acted in movies including “South Wind,” which follows a gang member in Belgrade; “Sunstroke,” about military officers remembering the collapse of the Russian Empire; “Ice,” in which he plays a figure skater; and “The Balkan Line,” about a military operation during the Kosovo war.In his statement, he referred to his childhood growing up in a war-torn country and expressed his opposition to all armed conflict.“There are more and more active conflicts in the entire world,” he said. “Each one is different. Each one is heartbreaking. I wish all of them to stop and principles of love to prevail.”Season 3 of “The White Lotus” is set to begin production in Thailand this month and is scheduled to air in 2025. The ensemble will include Walton Goggins, Carrie Coon, Parker Posey and the returning cast member Natasha Rothwell. More

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      Minute-Long Soap Operas Are Here. Is America Ready?

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      Popularized in China during the pandemic, ReelShort and other apps are hoping to bring minute-by-minute melodramas to the United States.When Albee Zhang received an offer to produce cheesy short-form features made for phones last spring, she was skeptical, and so, she declined.But the offers kept coming. Finally, Ms. Zhang, who has been a producer for 12 years, realized it could be a profitable new way of storytelling and said yes.Since last summer, she has produced two short-form features and is working on four more for several apps that are creating cookie-cutter content aimed at women.Think: Lifetime movie cut up into TikTok videos. Think: soap opera, but for the short attention span of the internet age.The biggest player in this new genre is ReelShort, an app that offers melodramatic content in minute-long, vertically shot episodes and is hoping to bring a successful formula established abroad to the United States by hooking millions of people on its short-form content.“The Double Life of My Billionaire Husband” is one of the many short features you can watch on ReelShort, an app that offers short dramatic content meant to be watched on phones. ReelShort

      @reelshortapp On your 18th birthday, the Moon Goddess granted you a RED wolf. She said a new journey awaited you, but there were also evil forces after your power… Called weak your whole life, what POWER could you possibly have?! #fyp #reelshort #binge #bingeworthy #bingewatching #obsessed #obsession #mustwatch #witch #alpha #werewolf #moon #wolfpack #booktok #luna #drama #film #movie #tiktok #tv #tvseries #shortclips #tvclips #filmtok #movietok #dramatok #romance #love #marriage #relationship #couple #dramatiktok #filmtiktok #movietiktoks #saturday #saturdayvibes #saturdaymood #saturdaymotivation #saturdayfeels #saturdayfeeling #weekend #weekendvibes ♬ original sound – ReelShort APP We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More