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      Earl Holliman, Rugged, and Familiar, Screen Presence, Dies at 96

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      Earl Holliman, an iron-jawed actor who earned a star on Hollywood Boulevard for a prolific career that included a corral full of Westerns, an appearance on the first episode of “The Twilight Zone” and a turn as Angie Dickinson’s boss on the 1970s television drama “Police Woman,” died on Monday at his home in Studio City, Calif. He was 96.His death was confirmed by his husband, Craig Curtis, who is his only survivor.While never a household name, Mr. Holliman was a seemingly ubiquitous presence on both the big and small screen, collecting nearly 100 credits over a career that spanned almost five decades.Ruggedly handsome, he was a natural choice for Westerns, war movies and police procedurals. Among his many notable films were “The Bridges at Toko-Ri” (1954), starring William Holden and Grace Kelly; “Gunfight at the O.K. Corral” (1957), starring Burt Lancaster and Kirk Douglas; “The Sons of Katie Elder” (1965), with John Wayne and Dean Martin; and “Sharky’s Machine,” the 1981 Burt Reynolds detective thriller.Over the years, he also popped up in many television series, including “Gunsmoke,” “CHiPs” and “Murder, She Wrote.”Mr. Holliman’s career started with promise. He broke through in the Depression-era romance “The Rainmaker” (1956), winning a Golden Globe for best supporting actor for playing the impulsive teenage brother of a lovelorn woman (Katharine Hepburn) who encounters a grifter (Mr. Lancaster) promising rain in drought-ravaged Kansas.A relative unknown, Mr. Holliman managed to win the role over Elvis Presley, who was then rocketing to fame as a rock ’n’ roll trailblazer, but who took time out to read for the role. (Mr. Holliman apparently had little to worry about: “Elvis played the rebellious younger brother with amateurish conviction — like the lead in a high school play,” Allan Weiss, a screenwriter who saw the audition, recalled.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Pamela Hayden, the Voice of Bart’s Friend Milhouse, Retires From ‘The Simpsons’

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      Ms. Hayden voiced many “Simpsons” characters since the show started in 1989. She’s most famously the voice of Bart’s awkward 10-year-old best friend.Pamela Hayden, who has voiced characters on “The Simpsons” since it began in 1989 and famously played Bart’s nerdy best friend Milhouse Van Houten, announced on Wednesday that she was retiring from the show.Ms. Hayden, 70, said on her Facebook page that after 35 years she would stop performing on “The Simpsons” and would “pursue other creative outlets.” Episode seven of season 36, scheduled to air on Nov. 24, will be her final episode.“One thing that I love about Milhouse is he’s always getting knocked down but he keeps getting up,” Ms. Hayden said in a tribute video posted on “The Simpsons” social media pages. “I love the little guy.”Credited with voicing dozens of Simpson’s characters, including one of Milhouse’s bullies, Jimbo Jones, Ms. Hayden’s most famous character is Milhouse. His blue hair and big eyes are accentuated with large, round glasses. The clumsy, shy 10-year-old is one of the most endearing characters in Springfield, thanks in part to his halting, sheepish voice and his stubborn resilience.Milhouse, named after former President Richard Milhous Nixon, often finds himself following his best friend, Bart, into trouble as a gullible sidekick. Throughout the show, Milhouse often cites his mother’s concerns for his safety as an excuse to not go on adventures. In one instance, Milhouse relayed that his mother “says solving riddles is an asthma trigger.”Hayden, left, has voiced the character of Milhouse and others for 35 years.FOXWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Romeo and Juliet’ Quiz: Test Your Knowledge of Plays and Movies

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      While “Hamlet” is the Shakespeare play with the most Broadway productions, “Romeo and Juliet,” whose 36th revival is currently on Broadway, has had a more pervasive influence over popular culture. Its enduring, ever-adaptable theme of lovers from warring families pops up repeatedly in films, songs, cartoons and skit shows. See if you spot the references. More

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      Tony Todd, Prolific Actor Best Known for ‘Candyman,’ Dies at 69

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      Mr. Todd’s decades-long career spanned across mediums and genres, but he was largely associated with a scary figure summoned in front of a mirror.Tony Todd, a prolific actor whose more than 100 film and television credits included “Candyman” and “Final Destination,” died on Wednesday at his home in Los Angeles. He was 69.Jeffrey Goldberg, Mr. Todd’s manager, announced the death in a statement on Saturday morning. He did not specify the cause.Mr. Todd’s decades-long acting career spanned genres and mediums. He starred or had prominent roles in several films, including the 1990 remake of “Night of the Living Dead,” “The Crow,” “The Rock” and Oliver Stone’s Oscar-winning Vietnam War movie, “Platoon.” His television credits include “Star Trek: The Next Generation,” “24,” “The X-Files,” and many other shows. He also lent his rich voice to animation and video games.He was perhaps best known for his role as the titular demon in the 1992 movie “Candyman.” He told The New York Times in 2020 that he was proud of playing the terrifying figure with a hook for a hand, a Black man who had been wronged in life and is summoned from the beyond by people who call his name five times while looking in a mirror — unleashing vicious attacks in which the Candyman slices to death those who dared to disturb him. “If I had never done another horror film,” he said, “I could live with that, and I’d carry this character.”Mr. Todd reprised the role in the film’s 1995 and 1999 sequels and returned to it for the 2021 reboot, directed by Nia DaCosta and written by Jordan Peele.In the “Final Destination” franchise, Mr. Todd played the role of the mysterious funeral-home owner William Bludworth — the rare recurring character in a film series that famously killed off all of its new characters by the time the end credits rolled.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      LACMA Gala Photos: Charli XCX, Blake Lively and More Celebrities Turn Out

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      Blake Lively, Kaia Gerber and Kim Kardashian took pictures under the lights, posing against a backdrop of more than 200 restored street lamps from “Urban Light,” an installation by the artist Chris Burden that served as a stand-in for a red carpet.It was the 13th annual Art+Film gala, held Saturday night, which raised more than $6.4 million for the Los Angeles County Museum of Art, the largest art museum in the Western United States.On one side, a sage green carpet contrasted with striking red and glass galleries designed by the Italian architect Renzo Piano. On the other, there was a concrete wall of the much-anticipated new LACMA building by the architect Peter Zumthor.And the guest list for the gala, sponsored by Gucci, felt as eclectic as the museum it benefited, as Hollywood fixtures rubbed shoulders with luminaries from the art world, who gathered to honor the filmmaker Baz Luhrmann and the artist Simone Leigh. (LACMA is currently co-presenting an exhibit of Ms. Leigh’s work with the California African American Museum.)This starry mix of creative worlds aligns with the museum director Michael Govan’s vision for LACMA. “The idea was to design it as a place of inspiration for creative people,” Mr. Govan said.The filmmaker Baz Luhrmann.Michelle Groskopf for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      David Harris, Actor in the Cult Classic ‘The Warriors,’ Dies at 75

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      He played Cochise, a member of the Warriors gang who navigated a panoply of costumed aggressors in New York City.David Harris, who played a member of a street gang in the 1979 cult classic movie “The Warriors,” died on Friday at his home in New York City. He was 75.His daughter, Davina Harris, said the cause was cancer.As the Warriors evaded and did battle with rival crews in New York City streets and subway cars, Mr. Harris in the role of Cochise dutifully supported his brothers. In a gang that conformed to matching red leather vests, Cochise cut a defiant presence with his headband and turquoise necklaces that bobbed to the rhythm of their violent journey home to Coney Island.After the Warriors are falsely accused of killing a gang leader, they have to navigate a panoply of colorful and costumed rivals — malevolent mimes, pinstriped baseball bat thumpers and villains aboard a school bus fit for “Mad Max.”In a movie with moments (the sinister bottle clinking, the baritone bellow of “Can you dig it?”) that have been recreated and parodied in media in the decades since the film’s release, one of Mr. Harris’s scenes inside a rival gang’s den was a central point in the mayhem.After being seduced by an all-female gang, a party in an apartment quickly turns sideways, with a hand near Mr. Harris’s face suddenly wielding a switchblade. He bobs and dodges, jumps and jukes before swinging a chair and plowing through a door that allows him and his fellow members to escape bullets and blades.“We thought it was a little film that would run its little run and go, and nobody would ever talk about it again,” Mr. Harris said in an interview in 2019 with ADAMICradio, an online channel about TV, films and comics.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Fan Bingbing, Once China’s Top Actress, Returns to Film Years After Tax Scandal

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      Fan was a megastar until 2018, when she was fined tens of millions of dollars over unpaid taxes and her career tanked. “Green Night” is her first film since the scandal.Fan Bingbing will return to the screen on Friday with the online release of “Green Night,” six years after one of the biggest names in Chinese cinema spectacularly fell from grace over a tax scandal.Fan was at the peak of her career in 2018, with a long list of blockbusters and lucrative deals with luxury brands, when she disappeared for months. She re-emerged in October that year with an apology. The authorities in China fined her the equivalent of almost $70 million in unpaid taxes and penalties.The scandal halted Fan’s film career in China, the biggest movie market outside the United States. She avoided criminal charges, however, and remained in the public eye as she expanded a beauty product business, Fan Beauty.In her return to film, Fan is the lead in “Green Night,” a film by Han Shuai, a Chinese director, and set in South Korea. It will be available to stream in the United States on Friday after making its debut on the festival circuit in Berlin last year.In “Green Night,” Fan, now 43, plays a Chinese woman who partners with a young South Korean woman to break free from oppression. The film is about “women helping women and women redeeming women,” she said last year at the Busan International Film Festival in South Korea. “Some of my experiences and some stories in recent years are integrated into the character I present in the movie.”Fan Bingbing, in red, and the South Korean actress Lee Joo-young at the Busan International Film Festival in South Korea in October 2023.Lee Jae-hee/Yonhap, via Associated PressFan could not be reached for comment. Speaking about her hiatus, she said at the Busan festival that the break had given her “time to ground” herself.Her downfall was triggered by an accusation online that she was paid millions of dollars more for her work on a film than was reported to the tax authorities. The practice of using two contracts was widespread in many industries in China as a way to avoid taxes, but this accusation prompted a wider investigation into the entertainment business.“I have had deep and profound self-reflection,” Fan wrote in her 2018 apology, posted on the social media platform Weibo. “I feel shamed and guilty for what I have done.”The authorities in China maintain strict control of the media, including entertainment and censor content they deem inappropriate. Movie stars and other prominent figures in the entertainment industry are expected to adhere to the government guidelines.“Green Light” has not been released in mainland China, but many internet users there appeared to be able to watch it through unofficial channels. Douban, a Chinese platform where users can review movies, books and music, indicated Thursday that around 38,000 users had watched the film. More

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      Saoirse Ronan Has Lived, and Acted, Through a Lot

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      “I wish I could live through something,” says the teenage title character in the 2017 movie “Lady Bird,” yearning for a life beyond suburban Sacramento.The actor playing her, Saoirse Ronan, had, at that point, already lived through enough for several lives. Then 23, she’d been acting since she was 9, and had already garnered two Oscar nominations. “Lady Bird,” Greta Gerwig’s debut as a solo director, would earn Ronan a third. Another followed, in 2019, for her role as Jo March in Gerwig’s “Little Women.”This year, Oscars buzz surrounds Ronan once again, thanks to her leading roles in Nora Fingscheidt’s “The Outrun,” which opens in theaters Friday, and Steve McQueen’s “Blitz,” out Nov. 1st.Ronan’s career reads as a series of evolutions, pushing into new territory with every role — over the years, she has also played a 1950s Irish immigrant in New York, a child assassin, a vampire, Lady Macbeth and Mary, Queen of Scots. Now 30, with over two decades of experience in front of the camera, the Irish actress has committed herself in “The Outrun” to a character containing multitudes: a woman raised in a remote island community, who returns to recover from her addiction to alcohol.In “The Outrun,” Ronan’s character, Rona, returns home to the Orkney Islands in Scotland to recover from her alcohol addiction.Martin Scott Powell/Sony Pictures Classics“It was so much more than just making a film for me,” Ronan said, in a video interview from New York. She described an experience that was both physically and emotionally demanding: “I think actors are sponges, you’re able to open yourself up to everything around you.” For “The Outrun,” that meant swimming in the icy sea, delivering lambs on-camera and going deep into the psyche of a woman in crisis.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More