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When David Marchese took over The New York Times Magazine’s Talk column in 2019, he had already been interviewing celebrities for several years, first at Spin magazine and then at New York magazine. When I hired him, I called him “one of the most prolific and profound interviewers in the country.” But I never could […] More
He voiced Salacious B. Crumb, the monkey-lizard pet of Jabba the Hutt in “Return of the Jedi,” as well as Mogwai in both “Gremlins” films.Mark Dodson, who voiced strange puppet creatures in “Star Wars,” including Salacious B. Crumb, the cackling monkey-lizard pet of Jabba the Hutt, and “Gremlins” films, died on Saturday. He was 64.His death was confirmed in statements on social media by his agent, Peter DeLorme, and the Evansville Horror Con, the Indiana fan convention where he had been scheduled to appear over the weekend. No cause of death was given.Mr. Dodson’s career began in 1983 on “Star Wars: Return of the Jedi,” when he voiced Salacious B. Crumb, the court jester of Jabba the Hutt that was known for its maniacal laugh.In a 2020 interview, Mr. Dodson explained how he had gotten the role by accident.He was auditioning for Adm. Ackbar, a leader during the Clone Wars, but was so nervous that he asked for a break to compose himself, and was overheard using a deranged voice that the casting director thought was perfect for Crumb.That led to Mr. Dodson to voice several of the Mogwai in “Gremlins,” the 1984 comedy-horror film about a young man who accidentally unleashes a horde of malevolently mischievous monsters on a small town on Christmas Eve.“Let’s say I did get Ackbar — I never would’ve gotten the ‘Gremlins,’” he said. “The ‘Gremlins’ came because the ‘Gremlins’ were made by the same guys who made Salacious. That’s why it came up, ‘They look a lot the same. Wouldn’t it be great for the Gremlins to have that same voice! Who is that guy?’”Mr. Dodson continued working in both franchises, voicing characters in the 1985 television movie “Ewoks: The Battle for Endor” and “Gremlins 2: The New Batch” in 1990.He voiced a scavenger in “Star Wars: The Force Awakens” (2015) and appeared as an uncredited zombie in George Romero’s “Day of the Dead” (1985).Mark Dodson was born on Feb. 1, 1960, in St. Louis, according to IMDb.He also voiced characters in several video games, including “Star Trek Online,” “Ghostrunner,” “Bendy and the Dark Revival,” and “Lego Star Wars: The Skywalker Saga,” once again as Crumb. More
Mr. Mitchell, a Canadian actor who appeared on “Star Trek: Discovery,” had A.L.S.Kenneth Mitchell, a Canadian actor known for his roles on the series “Star Trek: Discovery” and the film “Captain Marvel,” died on Saturday. He was 49.He had lived with the neurological disorder amyotrophic lateral sclerosis, or A.L.S., which causes paralysis and death, for more than five years, according to a statement from Mr. Mitchell’s family posted to his social media.Mr. Mitchell played the Klingons Kol, Kol-Sha, and Tenavik, as well as Aurellio, on “Star Trek: Discovery,” and voiced several other characters in an episode of “Star Trek: Lower Decks.”In “Captain Marvel,” he played the father of the superhero, Carol Danvers. He was also known for portraying Eric Green on the series “Jericho,” Joshua Dodd in the series “Nancy Drew,” a hockey player in the film “Miracle,” and appeared in several other film and television series.Mr. Mitchell lived with his wife, the actress Susan May Pratt, and their children in Los Angeles. He was born on Nov. 25, 1974, in Toronto to Diane and David Mitchell.In 2018, Mr. Mitchell was diagnosed with A.L.S., according to a statement posted to his social media in August. He revealed his diagnosis in an interview with People Magazine in 2020, saying that from the moment he found out, it was “like I was watching that scene where someone is being told that they have a terminal illness.” He added, “It was just a complete disbelief, a shock.”Mr. Mitchell said he focused on spending more time with his family and rejected a lead role in a television series that required moving back to Canada. The makers of the series “Nancy Drew” also accommodated for his illness, he told People, using a stunt double when needed. Other roles were created for him that allowed him to be seated, he added.“This disease is absolutely horrific,” Mr. Mitchell said in the post last year, which accompanied a photo of him watching the sunset from a wheelchair on the beach. “Yet despite all the suffering, there is so much to be grateful for,” he added.Mr. Mitchell is survived by his wife, their children Lilah and Kallum, his parentsand other family members, according to the family statement. More
Best Backting Fran Rogowski, “Passages” More
A couple of years ago, Jeffrey Wright got an email from the screenwriter Cord Jefferson, who was preparing to direct his first film. Jefferson wanted Wright — a cerebral actor known for his commanding, indelible presence even in supporting roles — to star in “American Fiction,” his adaptation of Percival Everett’s mordant 2001 novel, “Erasure.”“In the letter, Cord described how immediate and personal he found ‘Erasure’ to be,” Wright recalled recently. “And he said that he had begun to hear my voice in his head as he read the book. And then he said, ‘I have no Plan B.’”Wright, who is 58, took the job. His exquisitely calibrated performance as the irascible novelist Thelonious Ellison, known as Monk, recently earned him his first Oscar nomination. It is a recognition, among other things, of his ability to elevate any movie or TV show simply by appearing in it. He has a way of burrowing so deeply into his characters that he seems almost to be hiding in plain sight.From the bracing opening scene of “American Fiction,” in which a slur appears on a blackboard as part of the title of a Flannery O’Connor short story Monk is teaching to a class of college students, the film wades into thorny issues of race, authenticity and what white audiences demand from Black artists — and has great satirical fun doing it.“It’s a conversation that’s at the center of the national dialogue right now, but we lack a fluency in how we discuss race — gasp! — and history and language and context and identity,” Wright said. He was being interviewed at the Four Seasons in Manhattan before flying to Britain to receive the London Film Critics’ Circle’s top award.While (obviously) the film doesn’t solve the problems it identifies, he said, at least it’s willing to engage with them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
The brand hosted a celebrity-fueled bash for its U.S. foray into high-end jewelry.On Wednesday night, a throng of actors, cycling through a swirl of events — awards season, New York Fashion Week and the Super Bowl — assembled in Midtown Manhattan, wearing Chanel, dressed by Chanel and for Chanel.Over cocktails, guests mingled for the opening of the brand’s first U.S. watch and fine jewelry flagship boutique on Fifth Avenue near 57th Street, designed by the architect Peter Marino with elements from Coco Chanel’s apartment in Paris.America Ferrera greeted Natasha Lyonne. Kerry Washington chatted with Elizabeth Olsen. Katie Holmes posed for photos with Michelle Williams. Zazie Beetz convened with Rachel Brosnahan. Dianna Agron lingered. And nearby, Carey Mulligan and Jerrod Carmichael talked.The new flagship store for fine jewelry and watches comes as New York’s retail space prices have kept rising over the past year. The move seemingly positions Chanel in a sector of the fashion industry that other brands, like Prada and LVMH, are also embracing.Chase Sui Wonders and Molly Gordon.Rachel Brosnahan and Zazie Beetz.Michelle Williams and Katie Holmes.Sadie SinkThe location on Fifth Avenue — sandwiched among Cartier, Tiffany & Company, Bulgari and Harry Winston — was a yearslong waiting game, according to Frédéric Grangié, the president of Chanel’s watches and fine jewelry.“It’s a big step for the house,” Mr. Grangié said.Steps away from the boutique, around 200 guests, including Lori Harvey, Francesca Scorsese and the actor Molly Gordon, shuffled into a dimly lit event space for dinner. In contrast to the store’s well-lit sparkle, the multilevel venue was enveloped in darkness that mimicked the shuttered Abercrombie & Fitch that was once there.Natasha LyonneCarey Mulligan and Jerrod Carmichael.Rose Byrne and Seth Meyers.Christopher AbbottPeople reflected on their favorite everyday accessories, like Ms. Lyonne’s grandmother’s gold chain. “I never saw her as a Tony Montana type. She was just a little Hungarian lady in a Pucci dress,” she said.The actor Taylour Paige, who loves her tennis bracelet and engagement ring, said that you can never have too many rings.“If anyone says you’re wearing too many rings, cut them out of your life,” she said.For the actors Tommy Dorfman and Amandla Stenberg, watches, which were family heirlooms passed down from generations, elicit a sense of nostalgia and sentimentality in an era of smart devices.White roses lined long tables where influential guests like Lauren Santo Domingo, the artistic director of Tiffany’s homewares; Larry Gagosian, the gallery magnate; and Sean MacPherson, the hotelier, enjoyed oysters, caviar-topped potatoes, lobster or wagyu, and a two-tiered assorted dessert tower. After one course, guests were offered vodka shots.Seth Meyers, the late-night host, did rounds greeting Ms. Ferrera and Ms. Olsen at one table, Ms. Beetz in another section with Ms. Holmes, and then later settling at his table with Ms. Washington and Ms. Williams.When it grew late, the crowd was invited to the basement for a surprise performance, and the singer Gracie Abrams took the stage to a backdrop lit like a starry sky.The singer Gracie Abrams. Larry GagosianKerry WashingtonPeter Marino and Cornelia Guest. More
The “Holdovers” star Da’Vine Joy Randolph has had a charmed run through awards season so far: Considered the favorite for the supporting actress Oscar, she has already taken the Golden Globe, Critics Choice Award and prestigious trophies from both the New York Film Critics Circle and Los Angeles Film Critics Association.The 37-year-old actress is well-aware of the power of those prizes, and knows that even being in the Oscar conversation can change the course of a career. But does that mean her awards season has been easy to navigate?“It’s overwhelming, if I’m being really honest,” Randolph told me in a candid conversation last week. “You really do earn your stripes going through this awards-season thing.”A monthslong Oscar campaign can be more arduous than people realize: a pileup of Q. and A.s, wardrobe fittings, round tables, photo shoots, interviews, red carpets, ceremonies, movie premieres, cocktail parties and festival appearances that demand always-on levels of poise and adrenaline. Everyone you meet at these events wants something from you — a conversation, a selfie, an autograph, an acceptance speech — and at the end of these glitzy and exhausting nights, there’s not much left over for yourself.Randolph is no novice: Tony-nominated for her role in “Ghost the Musical” (2012), she earned Oscar chatter for her breakout film performance in “Dolemite Is His Name” (2019) and has worked steadily in films like “The United States vs. Billie Holiday” (2021) and TV shows including “Only Murders in the Building,” “The Idol” and “High Fidelity.” Still, nothing she has experienced so far compares to the white-hot awards spotlight shone on her in the wake of “The Holdovers,” and Randolph is still figuring out how to adjust to its glare.Clockwise from top left, Randolph in “Ghost the Musical”; “The United States vs. Billie Holiday,” with Andra Day; “The Holdovers,” opposite Paul Giamatti and Dominic Sessa; and “Dolemite Is His Name,” starring Eddie Murphy.Clockwise from top left: Sara Krulwich/The New York Times; Takashi Seida/Paramount Pictures and Hulu; Seacia Pavao/Focus Features; François Duhamel/NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
Gina Carano accused Disney and Lucasfilm of discrimination when they dropped her after she posted baseless conspiracy theories and right-wing views on social media.Elon Musk poked the Walt Disney Company anew on Tuesday by agreeing to fund a wrongful-termination lawsuit filed by the “Mandalorian” actress Gina Carano.“Please let us know if you would like to join the lawsuit against Disney,” Mr. Musk, seemingly trawling for other plaintiffs, wrote in a post on X, which he bought in 2022.Disney dropped Ms. Carano, a former mixed-martial artist, from “The Mandalorian” in 2021 after she espoused baseless conspiracy theories and right-wing positions, some of which were seen as homophobic and antisemitic, in a series of social media posts. Her character was written out of the series. Lucasfilm, the Disney division that makes “The Mandalorian,” said in a statement at the time that Ms. Carano’s “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable.”United Talent Agency also dropped Ms. Carano.Ms. Carano’s suit, filed on Tuesday in federal court in California, seeks a court order forcing Disney and Lucasfilm to weave her “Mandalorian” character back into episodes and recast her for the part. (Employed as a “guest actor,” she was paid $25,000 for each episode in which she appeared.) She is also suing for punitive damages.Mr. Musk has been throwing elbows at Disney and its chief executive, Robert A. Iger, since Disney and X’s other major advertisers, including Apple, paused spending on the platform in mid-November. The advertisers took action after Mr. Musk’s endorsement of an antisemitic conspiracy theory. He seemed especially angry about Disney’s decision to pull ads; other Hollywood companies, in particular, followed Disney’s lead.In internal documents at X, which were seen by The New York Times, sales employees have been notified that Disney has continued to pause advertising on the platform “globally” and “indefinitely.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
