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    5 New Movies Our Critics Are Talking About This Week

    Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.A visual feast that’s too overstuffed.Mia Threapleton and Benicio Del Toro in “The Phoenician Scheme.”TPS Productions/Focus Features‘The Phoenician Scheme’In the latest from Wes Anderson, a shady business tycoon enlists his religious daughter to pull off a convoluted plan.From our review:It’s overstuffed, and thus skims and skitters across the surface of everything it touches, only glancing here and there before it’s taking off to the next story beat, the next exquisitely detailed composition. A breath or two or 10 might have been in order, a moment to contemplate what the movie’s getting at. You sometimes get the feeling it’s afraid to look too hard at itself.In theaters. Read the full review.Doesn’t earn its black belt.Jackie Chan, left, and Ben Wang in “Karate Kid: Legends.”Jonathan Wenk/Sony Pictures‘Karate Kid: Legends’Ralph Macchio and Jackie Chan return as karate masters in this franchise reboot directed by Jonathan Entwistle.From our review:There is at once a roughshod, zippy energy coupled with a sedateness here that results from the simple fact that the film never quite knows how to square the pure awkwardness of two teachers — two stars from different eras of a franchise — instructing a karate kid at once. Their fan service pairing, then, leaves us with the distinct feeling of two wink-wink cameos shoehorned into a commercial.In theaters. Read the full review.Critic’s PickHaunting horror with spirited performances.Jonah Wren Phillips, left, and Sally Hawkins in “Bring Her Back.”Ingvar Kenne/A24‘Bring Her Back’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    “The Royal Tenenbaums” Introduced Gene Hackman to a New Generation

    His performance in Wes Anderson’s “The Royal Tenenbaums” introduced Hackman to a new generation, and his presence helped define the film.When the director Wes Anderson and the actors Anjelica Huston, Bill Murray and Gwyneth Paltrow took the stage in 2011 for a panel celebrating the 10th anniversary of Anderson’s “The Royal Tenenbaums,” there was no need for small talk before addressing the elephant in the room.“So, no Gene Hackman?” began the director Noah Baumbach, the panel’s co-moderator, introducing an apparently genuine nervousness into the discussion.Hackman, who was found dead on Wednesday afternoon with his wife at their home in Santa Fe, N.M., at the age of 95, loomed over “The Royal Tenenbaums” in every possible sense.Within the film, of course, he is the paterfamilias — he is Royal Tenenbaum, “the displaced patriarch,” as Hackman put it in an on-set interview — of the remarkable, scattered family at the center of Anderson’s third film, the one that took him from art houses to the mainstream.That 2011 panel dived into Hackman’s presence, particularly an off-camera gruffness, that distinguished him from the whimsy typical of Anderson’s work. Here was the avatar of 1970s grit and paranoia — who had won an Oscar playing the bad-boy narcotics detective Popeye Doyle in “The French Connection” — dropped into a very different type of cinematic vision, from a very different generation.The tone throughout the panel, particularly from Anderson, was respectful and appreciative. But it was clear that Hackman stood out on set. At the time of filming “The Royal Tenenbaums,” Hackman was already considering a retirement that just a few years later he announced and stuck to, Anderson said. None of the panelists had been in touch with Hackman during the intervening years, they said. And they all remembered him being terse with Anderson.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More