Appointments and Executive Changes

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      Lauren Haynes to Be New Head Curator on Governors Island

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      Lauren Haynes brings her curatorial expertise to the goal of growing Governors Island’s public art program.The Trust for Governors Island announced on Tuesday that it has appointed Lauren Haynes as the new head curator and vice president of arts and culture for the 172-acre island, situated in New York Harbor with ringside views of the Statue of Liberty, Lower Manhattan and the Brooklyn waterfront.“We have big ambitions for the arts program here, which is to be New York’s pre-eminent public art destination,” said Clare Newman, the president and chief executive of the Trust, a nonprofit organization created by the city to develop and operate the island as a recreational and cultural resource.“Lauren is very good at bringing emerging voices and underrepresented artists to the forefront and shares our ideas about growing the public art program significantly,” said Newman, who tapped Haynes, most recently the director of curatorial affairs and programs at the Queens Museum.Originally used by the Lenape for hunting and fishing, the island became an Army base in the early 19th century, then was used by the Coast Guard in the late 20th century and opened to the public in 2005. Now ferries run regularly from Lower Manhattan year-round and directly from Brooklyn in warmer months, with 931,000 trips to the island last year, according to the Trust.“We have fantastic examples of public art throughout the city, but what makes Governors Island unique is really our location and the fact that it’s an experience to get here,” Haynes said. The idea of disconnecting from the city, while still visible, and reconnecting to nature on the island, she continued, “feels like where the opportunity is.”Haynes, 42, will build on a half dozen permanent and long-term public artworks by Rachel Whiteread, Mark Handforth, Sam Van Aken, Mark Dion, Sheila Berger and Shantell Martin that are positioned around the island and previously stewarded by Meredith Johnson, the first head curator at the Trust. Early this summer, Jenny Kendler is creating “Other of Pearl,” an immersive installation evoking marine ecosystems in the subterranean spaces of Fort Jay, on the northern part of the island.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Dries Van Noten Announces Retirement

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      The Belgian designer, known for his glorious use of color and prints, remained independent for years. Now he’s going out on his own terms.In a shock to the fashion world, Dries Van Noten announced that he was stepping down as creative director of the brand that bears his name. His fall 2024 men’s show, scheduled to take place in Paris in June, will be his last.“My dream was to have a voice in fashion,” Mr. Van Noten, 65, wrote in a letter sent to editors. “That dream came true. Now, I want to shift my focus to all the things I never had time for.”Mr. Van Noten was an original member of the Antwerp Six, the group of Belgian designers who changed fashion when they arrived in Paris in the early 1980s. In his statement, he wrote that he had been “preparing for this moment for a while, and I feel it’s time to leave room for a new generation of talents to bring their vision to the brand.”In an industry in which founders often cling to their positions well into their 80s and rarely engage in succession planning, Mr. Van Noten’s move stands out as a rare example of a designer ceding power by his own choice — and at the height of his skills. His last women’s show, held in late February in Paris, was an emotional, generous paean to style over fashion and the creativity of dressing oneself.But the consideration, originality, grace and attention to detail that marked his clothes, and that inspired a 2014 solo exhibition at the Musée des Arts Décoratifs in Paris and a 2017 documentary about his work, have also marked his approach to his business.Looks from Mr. Van Noten’s last women’s show in Paris in February.Photographs by Imaxtree, via Dries Van Noten (far left); Pascal Le Segretain/Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      American Ballet Theater Names Dance Veteran as Executive Director

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      Barry Hughson, a leader at the National Ballet of Canada, will join the company as it tries to get beyond financial woes.American Ballet Theater, one of the largest dance companies in the United States, has faced a series of challenges in recent months. Relations with the dancers have been tense, finances have been strained and the organization has lacked a permanent executive director.On Thursday, Ballet Theater announced it was bringing in a dance veteran as it tries to move beyond its woes: Barry Hughson, executive director of the National Ballet of Canada, will join the company in that role in July. He succeeds Janet Rollé, who resigned suddenly last summer after 17 months on the job.Hughson, 56, a former dancer, said in an interview that he was undaunted by Ballet Theater’s troubles.“A.B.T. has been a company that I’ve loved since I was a 10-year-old ballet student watching Baryshnikov,” he said, referring to the star dancer Mikhail Baryshnikov. “It’s such an important institution in American dance, and it’s a challenging time for the arts community right now.”Ballet Theater’s leaders said they chose Hughson, executive director at the National Ballet of Canada since 2014, because of his extensive experience in the field. He has held top positions at Boston Ballet and Atlanta Ballet, among other organizations. They said he also showed an eagerness to work with Susan Jaffe, Ballet Theater’s artistic director, who has served as interim executive director since Rollé’s departure.“I expect and I hope it’ll be a wonderful, cooperative leadership team,” Andrew F. Barth, chairman of Ballet Theater’s board, said in an interview. “We’re going to have the opportunity to examine how to bring our art, how to bring this beautiful cultural aspect, to more people in more ways that are financially sound.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Artforum Selects Tina Rivers Ryan as New Top Editor

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      The curator and essayist will become the magazine’s next leader after a period of turmoil.Artforum named Tina Rivers Ryan its next top editor on Thursday, selecting the curator to lead the prestigious magazine after a tumultuous year.“For decades, the editors at Artforum have ensured that this historic magazine has remained a trusted and indispensable resource for conversations about contemporary art and its role in the broader culture,” Ryan, who specialized in digital art as a curator at the Buffalo AKG Art Museum, said in a statement.Five months ago, the magazine fired David Velasco, its editor in chief, after he signed and published a letter calling for Palestinian liberation shortly after the Israel-Hamas war began. Some staff members were upset with his termination; longtime editors resigned in protest and artists declared a boycott. Some writers pulled their essays and some advertisers pulled their spots in the publication, resulting in a noticeably slimmer issue after the events unfolded.Penske Media Corporation, which owns the publication, has spent the past several months attempting to rebuild.Ryan, who has contributed to Artforum over the years, gained notice for a popular essay criticizing the NFT boom. She later softened her stance and helped the Buffalo museum cash in on the craze by organizing an online exhibition and fund-raiser.“We could not be more excited for this next chapter of Artforum with Tina at the editorial helm,” the magazine’s publishers, Danielle McConnell and Kate Koza, said in a statement. “Tina is a brilliant writer and uniquely positioned to uphold the magazine’s reputation for publishing the highest quality long-form criticism, while also contributing to a dynamic vision of audience expansion via continued digital growth and live events.” More

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      Smithsonian American Women’s History Museum Names New Director

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      Elizabeth C. Babcock, the chief executive of Forever Balboa Park, will start this summer, after Nancy Yao’s withdrawal.Second time’s the charm?A year after the Smithsonian American Women’s History Museum in Washington named its founding director — only to have the candidate withdraw before her official start date — the museum is trying again.It has chosen Elizabeth C. Babcock, the president and chief executive of Forever Balboa Park in San Diego, a nonprofit, as its new director. An anthropologist, museum educator and experienced administrator, Babcock will take over an institution that is still very much in formation. Although Congress approved plans for the museum in 2020, it is about a decade away from opening and does not have a site or a permanent collection yet.The museum’s original choice, Nancy Yao, resigned after an investigation into her handling of sexual harassment claims while leading the Museum of Chinese in America in Manhattan.After Yao’s appointment was announced, The Washington Post reported that her former workplace had settled three wrongful-termination lawsuits from employees who said they were fired in retaliation for reporting sexual misconduct. A Smithsonian spokeswoman said in 2023 that Yao had cited “family issues that require her attention” when she withdrew. (The Smithsonian used a different search firm this time around, according to the spokeswoman.)In an interview, Babcock said her priorities for the museum include expanding into digital media and supporting scholarly research. “We are going to listen and learn and work hard to ensure that the material we cover represents diverse communities across the country,” she said. She declined to specify whether the museum would include the work of transgender women, but said that “our museum will not shy away from discussing controversial topics.” She will begin her new role in June.Babcock has been the chief executive of Forever Balboa Park since 2022. Before that, she was dean of education at the California Academy of Sciences in San Francisco and vice president of education and library collections at the Field Museum of Natural History in Chicago.The American Women’s History Museum, which has been led by an interim director, Melanie A. Adams, since last summer, has a staff of 22, with six more to begin this year. Its annual operating budget is $7 million.Fund-raising will be a key part of Babcock’s agenda. The museum needs to raise half its total budget, which is expected to exceed the $540 million it cost to open the National Museum of African American History and Culture in 2016. (The other half of the budget comes from the federal government.) So far, it has amassed $65.5 million from donors.Babcock said that she intends to cultivate support from both women and men. “I think the power here for this museum is that it represents all of us — its intention is to be inclusive,” she said. More

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      Museum of Chinese in America Names New Leader

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      The museum, which has been the site of protests in recent years, has chosen Michael Lee as its director as it focuses on rebuilding trust.The Museum of Chinese in America in the Chinatown neighborhood of Manhattan has experienced protests and resignations, a fire and legal problems. Now, the board has chosen a new leader who wants to move the institution forward and reconnect with the local community.Michael Lee, a nonprofit executive, will be the next director, the board announced on Tuesday. In an interview, he said, “At the end of the day, I want people to know that the museum is here for four things: to preserve history, promote culture, tell our stories and celebrate our accomplishments.”In 2020, shortly before the pandemic shutdown, a fire ripped through a building housing some of the museum’s permanent collection. Staff members were sifting through the ashes — about 5 percent of the collection was destroyed — as trustees were raising money to buy the main building, at 215 Centre Street, at the same time as the landlord was planning to sell it to developers.In 2019, the city awarded the museum $35 million through a program for community projects as part of a deal for a local jail — money that allowed the museum to buy the main building. Museum officials said they have opposed the jail’s construction. But some residents have remained skeptical of the museum’s position, and maintain that in taking the money, officials betrayed the neighborhood. Artists withdrew their work from a major exhibition, leading to its cancellation, and to demonstrations by another wave of activists.The frequent protests by several groups have continued. In February, nearly a dozen picketers from Youth Against Displacement, chanting, “Chinatown is not for sale” and “Boycott MOCA,” appeared outside of the museum’s Lunar New Year celebration.Eric Lee, a museum chairman, said the new director needed to be someone who could rebuild trust with the community. So he turned to Michael Lee.Jeenah Moon for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      NYCB Reports $2.4 Billion More in Losses as CEO Resigns

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      The lender said its earnings were far weaker than it had earlier stated, and it disclosed the discovery of “material weaknesses” in its internal controls.New York Community Bank, the lender teetering under mounting real-estate-related losses, shared several pieces of fresh bad news on Thursday: Its fourth-quarter losses were $2.4 billion worse than it had earlier stated; its chief executive and an allied board member are out; and the bank has identified what it called “material weaknesses in internal controls.”The all-at-once disclosures, released in securities filings late Thursday, were an uneasy reminder of the price the bank is paying for a breakneck expansion strategy that included acquiring an ailing rival less than one year ago. They sent the bank’s already pressured shares into another nosedive, down more than 20 percent in after-hours trading. The stock had already fallen 54 percent this year.The ugly developments were the last thing NYCB needed after weeks of trying to assuage investors’ concerns about its financial health. For weeks, questions have swirled about the depth of its losses in investments and loans tied to both office and apartment buildings — an area of concern for banks in general, but one in which NYCB has particular concentration.Despite its name, the bank has a national presence, partly because of its acquisition of much of Signature Bank, which collapsed during last year’s banking crisis. Based on Long Island, NYCB operates more than 400 branches under brands including Flagstar Bank across the Midwest and elsewhere. Flagstar is one of the nation’s largest residential mortgage servicers, making the bank particularly at risk to any weakness in the housing market in an era of persistently elevated interest rates.In January, NYCB shocked investors and its peers when it unexpectedly posted a $252 million loss for the fourth quarter, slashed its dividend and set aside a significant amount of reserves to cover any future losses. NYCB’s disclosures on Thursday mean it took an additional impairment of $2.4 billion for the fourth quarter.The bank’s troubles are resurfacing fears from a year ago about how small lenders have been weathering the sharp rise in interest rates since March 2022, though NYCB’s disclosure last month didn’t set off a widespread sell-off.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Levi’s Wants You to Rethink Your Denim Shopping

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      In the Levi’s store on Market Street in San Francisco, the denim maker’s newly extended collection is on full display. Its mannequins are dressed head to toe in its trademark denim. Black denim overalls are paired with a light-blue long-sleeve denim blouse, complemented by a denim cap. Another dons a denim cross-body bag. A wall of blue jean jackets gives shoppers the option to feel like a hippie, rancher or rock star — depending on which they choose.“It isn’t just walls and walls of jeans,” Michelle Gass said as she scanned the store this month, days after becoming the chief executive of Levi Strauss & Company. The assortment of tops, which Levi’s has been producing at a faster rate than it has in the past, was equal to the store’s inventory of jeans.That day, Ms. Gass’s outfit also served as an example of what the company was going for. She had swapped out her signature black leather jacket that was her go-to look during her time as Kohl’s chief executive for a dark-wash Levi’s trucker jacket and a ’90s-inspired midi denim skirt to match.Ms. Gass, 55, wants to make Levi’s not only a brand you think of when you want jeans, but also a place you go to first when shopping for shirts, jumpsuits and puffer jackets. Her goal is to get customers back more often — since people usually buy tops more frequently than bottoms — and to bring them to Levi’s stores, its website and its mobile app.“When you’re building stores, when you’re creating an e-commerce site, the consumer wants to explore and shop more than just for a pair of jeans,” Ms. Gass said.“It isn’t just walls and walls of jeans,” Michelle Gass, chief executive of Levi’s, said of the company’s store in San Francisco.Marissa Leshnov for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More