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    ASAP Rocky Found Not Guilty of Shooting Former Friend in Assault Trial

    The rapper had faced two felony counts of assault with a firearm in connection with a 2021 altercation in Los Angeles.The courtroom broke out into cheers after the jury found the rapper Rakim Mayers, known as ASAP Rocky, not guilty of shooting a former collaborator.Daniel Cole/ReutersASAP Rocky, the Grammy nominated hip-hop artist, was found not guilty on Tuesday of shooting a former collaborator. The jury deliberated for nearly three hours in a case that threatened to derail his career.Rocky, 36, born Rakim Mayers, faced two felony counts of assault with a deadly weapon, stemming from an altercation with his one-time friend, Terell Ephron, known as ASAP Relli, near a Hollywood hotel in 2021.Rocky dived into the gallery to hug family including Rihanna, the singer, businesswoman, and mother of his two young sons, and embraced his lawyer, Joe Tacopina, after the verdict was read.“Thank y’all for saving my life,” he told jurors.The trial hinged on jurors’ assessment of the gun used in the incident, which prosecutors said was a semiautomatic firearm and witnesses for the defense testified was instead a prop gun acquired at the filming of a music video. No gun was presented as evidence in the trial and Rocky did not take the stand in his defense. He faced up to 24 years in prison if convicted of both counts.Rocky faced trial at a time when he had several notable projects in the works. He is scheduled to be one of the headliners of the Los Angeles stop of the Rolling Loud festival in March, and was announced as one of the celebrity chairs for the Met Gala, to be held in May. He also stars alongside Denzel Washington in a Spike Lee-directed movie scheduled to open in summer.John Lewin, a deputy district attorney for Los Angeles County, had asked the jury not to be swayed by the court appearances of Rihanna, who was a frequent presence during the 13-day trial and attended the start of closing arguments last week with the pair’s two young sons.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Rihanna Steals the Fashion Awards

    And a dozen other looks that made news at Britain’s Met Gala of style.She wasn’t even nominated, and Rihanna still stole the show Monday night at the Fashion Awards in London.Arriving last, as has become her wont at events like the Met Gala and the Alaïa show, and there as a plus-one to support her partner, ASAP Rocky, who received the Cultural Innovator award, the artist and Fenty mogul made her entrance in a turquoise wrap coat and faux fur hat from Christian Lacroix’s fall 2002 couture collection. With that she wore a black corset, black leather opera gloves and sheer black tights. The effect was kind of haute Flintstone meets the Folies Bergère.As for ASAP Rocky, he wore Bottega Veneta — a navy chore coat, matching pants and a red leather tie — and called the honor “surreal.” That was also an accurate description of the Royal Albert Hall, where the awards were held and where a crimson disco ball cast a new light on a familiar scene. But it was Rihanna’s enormous hat, jauntily tilted and visible from every vantage point, that summed up the point of the night: The business of fashion may be serious, but wearing it should be fun.Her look was as laudable as the actual winners, who included Alex Consani as model of the year, the first trans woman to receive the recognition; Grace Wales Bonner as British men’s wear designer of the year; Simone Rocha as British women’s wear designer; and Jonathan Anderson of Loewe and JW Anderson as designer of the year for the second year in a row.That choice wasn’t a big surprise, especially given Mr. Anderson’s moonlighting this year as the costume designer on the Luca Guadagnino films “Queer” and “Challengers” and the multiple wild rumors surrounding his future job prospects, but some of the other outfits were. Here’s what else caught our eye.More Method DressingNicola Coughlan of “Bridgerton” wore a Gaurav Gupta gown.Gareth Cattermole/Getty ImagesAnd Simone Ashley wore Prada.Scott A Garfitt/Invision, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Hear Billie Eilish and Charli XCX’s ‘Guess’ Remix

    Hear tracks by MJ Lenderman, Miranda Lambert, ASAP Rocky featuring Jessica Pratt and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Charli XCX featuring Billie Eilish, ‘Guess’In the slightly less than two months since its release, Charli XCX’s sixth album, “Brat,” has transformed from a clubby cult classic into a mainstream phenomenon, fueled by a sense of cool so elusive yet galactically powerful that a CNN panel recently convened to discuss, with magnificent awkwardness, its potential impact on the presidential election. Strange times indeed. Luckily, Charli is still keeping it light, not allowing the new patina of Importance to cloud the fact that “Brat Summer” is, above all things, about messy, hedonistic fun. So let’s just say that the latest “Brat”-era remix, the deliriously suggestive “Guess,” is unlikely to appear in an upcoming Kamala Harris campaign ad.“You wanna guess the color of my underwear,” Charli winks atop an electroclash beat produced by the indie-sleaze revivalist the Dare, who interpolates Daft Punk’s 2005 single “Technologic”; Dylan Brady of 100 gecs also has a writing credit. It’s an underground loft party crashed by a bona fide A-lister: Billie Eilish, making her first guest appearance on another artist’s song, purring a playfully flirtatious verse that ends, “Charli likes boys but she knows I’d hit it.” It’s refreshing to once again hear Eilish on a beat as dark and abrasive as those on her debut album, but she and her brother and collaborator Finneas know they are ultimately on Charli’s turf, reverently endorsing the trashy aesthetic and if-you-know-you-know humor of “Brat.” “You wanna guess if we’re serious about this song,” Charli intones at the end, as Eilish lets out a conspiratorial giggle. Against all odds, reports of Brat Summer’s death seem to have been slightly exaggerated. LINDSAY ZOLADZOkaidja Afroso, ‘Kasoa’Okaidja Afroso, from Ghana, sings about cycles of nature and human life in his childhood language, Gãdangmé, on his new album, “Àbòr Édiń.” But his music exults in modern technology and cultural fusions. The six-beat handclaps and bass riffs of “Kasoa” look toward Moroccan gnawa music, while the vocal harmonies exult in computerized multitracking. “There will be meetings and partings, and joys and sorrows,” he sings. “May we journey with ease, and hope to cross paths again in another lifetime.” JON PARELESWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More