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    Mamdani, Trump and the End of the Old Politics

    Mamdani, Trump and the End of the Old PoliticsThe MSNBC anchor — and native New Yorker — Chris Hayes considers what Democrats can learn from the mayoral primary.This is an edited transcript of an episode of “The Ezra Klein Show.” You can listen to the conversation by following or subscribing to the show on the NYT Audio app, Apple, Spotify, Amazon Music, YouTube, iHeartRadio or wherever you get your podcasts.The Democratic primary that just wrapped up in New York was a collision between two very different candidates on almost every level: ideologically, outsider versus insider and name recognition. But it was also a collision that I think matters, for much beyond New York City politics, of two very different theories of attention.Andrew Cuomo ran a campaign that was based on a tried-and-true strategy of buying attention. He had this gigantic super PAC with tens of millions of dollars purchasing all the advertising money can buy, absolutely dominating airwaves with negative ads about Zohran Mamdani.Archived clip: In his own words, Zohran Mamdani wants to defund the police.Archived clip: Zohran Mamdani is a 33-year-old dangerously inexperienced legislator who has passed just three bills.Archived clip: Zohran Mamdani, a risk New York can’t afford.And then you had Mamdani, who was running a campaign on a very different theory of attention, a theory of viral attention, a campaign built on these vertical videos that, if you opened Instagram, if you opened TikTok, and you were in any way connected to his ideas or to New York City, this was all you saw.Archived clip of Kareem Rahma: So what’s your take?Zohran Mamdani: That I should be the mayor.Archived clip of Mamdani: New York is suffering from a crisis, and it’s called halalflation.Archived clip of Mamdani: Did you know that Andrew Cuomo gutted the pensions for hundreds and thousands of New Yorkers?Archived clip of Mamdani: Mr. Cuomo, and furthermore, the name is Mamdani. M-A-M-D-A-N-I. You should learn how to say it.”Attention works differently now. This is one of the core political theses of this entire podcast. It is laced through so many of these episodes.You just watched these two incredibly different attentional strategies collide. Cuomo got flattened. He got flattened. It was not close.There are things you cannot learn about how to win elections in other places from an off-year June Democratic primary in New York City using rank-choice voting.But there are things you can learn about how attention works right now — and that’s in a large part the subject of this conversation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In Appalachia, a Father Got Black Lung. Then His Son Did, Too.

    Denver Brock and his son Aundra used to spend early mornings hunting rabbits in the wooded highlands of Harlan County, Ky. But they don’t get out there much these days. They both get too breathless trying to follow the baying hounds.Instead, they tend a large garden alongside Denver Brock’s home. Even that can prove difficult, requiring them to work slowly and take frequent breaks.“You get so dizzy,” Denver Brock said, “you can’t hardly stand up.”The Brocks followed a long family tradition when they became Appalachian coal miners. For it, they both now have coal workers’ pneumoconiosis, a debilitating disease characterized by masses and scarred tissue in the chest, and better known by its colloquial name: black lung.Mr. Brock, 73, wasn’t all that surprised when he was diagnosed in his mid-60s. In coal mining communities, black lung has long been considered an “old man’s disease,” one to be almost expected after enough years underground.But his son was diagnosed much younger, at just 41. Like his father, he has progressive massive fibrosis, the most severe form of the disease. And today, at 48, he’s even sicker.When he followed his father into mining, he thought he was entering a safer industry than the one prior generations had worked in. By the 1990s, safety standards and miner protections had nearly consigned the disease to history.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Lady Gaga Sells ‘Mayhem’ Hard. But Does It Work?

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicLady Gaga’s sixth solo pop album, “Mayhem,” was released last week, and its retro palette immediately connected with many of the singer’s most devoted longtime fans.Produced by Gaga, the rock revivalist Andrew Watt and the pop fixture Cirkut — with what Gaga has described as substantial input from her fiancé, Michael Polansky — the LP gestures pointedly back at the sounds of the pop star’s ascent in the late aughts and early 2010s. In a surprising amount of promotional interviews for a modern star of her caliber, Gaga has also cited a lofty list of influences for the album’s rock and funk touches: Prince, David Bowie, Nine Inch Nails, Radiohead, Earth, Wind & Fire and more.But does “Mayhem” transcend homage and fan service, successfully shifting or adding to the current conversation in pop? Reviewing the album for The New York Times, the critic Lindsay Zoladz called it “a refreshing anomaly” and “a little behind the times” — which may be its strength.To discuss “Mayhem” on this week’s Popcast, Zoladz was joined by Caryn Ganz, The Times’ pop music editor, and Joe Coscarelli, a pop music reporter, who traced Gaga’s unorthodox career path through the Top 40, jazz standards and Hollywood, while considering the potential limits of a “return to form” album for the 38-year-old singer.Connect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More

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    Drake’s Tentative Comeback, Plus: New Music From the Weeknd and More

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeLast week saw the release of “Some Sexy Songs 4 U,” the collaborative album from Drake and the Toronto R&B singer and songwriter PartyNextDoor, a longtime collaborator. For the most part, the sound is a vintage one for Drake, feeling something like a retreat to a comfort zone: moody heartbreak soul bathed in self-loathing and suspicion.It’s an album that, from a distance, appears to exist in a space totally parallel to the dominant narrative of his last year, which is the toxic and very popular beef he’s had with Kendrick Lamar, which seemed to culminate this month with Lamar’s five Grammy wins for “Not Like Us,” followed by his performance of the song at the Super Bowl halftime show.But there are a handful of songs on this new album that suggest Drake is already looking at musical pathways forward, or away, from that bumpy stretch.On this week’s Popcast, a conversation about Drake’s post-Kendrick predicament and the ways he might move on. Plus: a host of promising new albums that have brightened up the beginning of the year from artists like the Weeknd, Central Cee, Oklou, Skaiwater and OsamaSon.Guest:Joe Coscarelli, The New York Times’s pop music reporterConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More

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    Is the Real ‘Wicked’ Movie the Press Tour?

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicThe film adaptation of the Broadway musical “Wicked” has been long in the works and perhaps anticipated for even longer. Starring Ariana Grande (billed as Ariana Grande-Butera) as Galinda and Cynthia Erivo as Elphaba, it is an ornate adventure that serves as a sort of prequel to “The Wizard of Oz.” (It is also the first of two films; the second one will be released next November.)Grande and Erivo have been praised for their performances onscreen, but they have also been performing in a parallel show, making viral magic on the press tour. The result has been a film rollout that at times feels louder than the film itself.On this week’s Popcast, a conversation about how “Wicked” survived the transition from stage to film, how Grande and Erivo inscribed new narrative into their roles, and how the real film may well be Grande and Erivo’s public appearances.Guest:Joe Coscarelli, The New York Times’s pop music reporterConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More

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    Kendrick Lamar’s Never-Ending Battles

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicLast week, Kendrick Lamar released his sixth album, “GNX,” with no advance notice, unless you count the heavy anticipation that has been hovering around him since the apex of his battle with Drake earlier this year. A squabble over hip-hop ethics became a cultural touchstone, leaving Lamar with a No. 1 hit and Drake with spiritual and professional bruises.“GNX” extends the tension but doesn’t necessarily deepen it. Mostly, Lamar wants to get back to business as usual: making concept songs and albums that are musically complex and lyrically dense. The beef elevated him even higher into the stratosphere, but he doesn’t want it to define him or his career.On this week’s Popcast, a conversation about Lamar’s long wrestle with saviorhood, how his new album showcases both his loosest and stiffest tendencies, and the ways in which Drake is still grappling with the fallout of their battle.Guest:Joe Coscarelli, The New York Times’s pop music reporterConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More

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    Chappell Roan’s Rocket-Ship Year

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicChappell Roan has become one of the biggest breakout pop stars of the past year, and made it happen in novel fashion: creating grand-scale, 1980s-influenced pop refracted through a queer lens; building a drag-inspired performance character; and calling into question the way that fans worship their heroes while rapidly accumulating fans online and in real life.Her debut album, “The Rise and Fall of a Midwest Princess,” continues its rise toward the top of the album chart, more than a year after its release. And her festival performances have become wildly viral events. Roan’s ascent has tested the boundaries of contemporary pop, and also may create a template for a next generation of stars.On this week’s Popcast, a conversation about the fits and starts of Roan’s early career, the events that propelled her to fame and the ways in which she is remaking the star-fan dynamic.Guest:P. Claire Dodson, associate director of culture at Teen VogueConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More

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    Popcast: A Word With John Summit

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThe dance music superstar John Summit has become one of the scene’s biggest forces in recent years with a big-tent approach to house music that bridges aficionados and weekend warriors.On this week’s Popcast, hosted by Jon Caramanica and Joe Coscarelli, Summit delves into his rise and the evolution of his career, from spinning at underground semi-legal parties to headlining Madison Square Garden and festivals around the world. Summit discusses his former life as an accountant, his reluctance to take EDM too far into the mainstream and what it’s like being turned away at the door of a nightclub.Connect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More