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    Popcast (Deluxe): Taylor Swift’s ‘Tortured’ Era

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    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:The new Taylor Swift album, “The Tortured Poets Department,” and Swift’s “imperial era” How the album addresses her rumored relationship with Matty Healy of the 1975 A possible face-off between this album and Beyoncé’s “Cowboy Carter” at next year’s Grammys The Tortured Poets Department” as a detailed recitation of Swift’s life over the past 2 years The production choices of Jack Antonoff and Aaron Dessner How the album alludes to the work of the 1975 and Healy Swift’s resentfulness streakSongs of the week from Drake featuring A.I. versions of “Tupac” and “Snoop Dogg,” plus Mozzy and Odetari featuring Ayesha EroticaSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Vampire Weekend’s New Album Goes Underground and All Over

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicVampire Weekend recently released its fifth album, “Only God Was Above Us.” From the band that got started nearly two decades ago at Columbia University but now resides in Los Angeles, it’s an LP that ponders hitting 40, the lessons of history, generational legacies, myths and memories of New York City and Vampire Weekend’s own peculiar status as both an indie-rock success story and an arty pop outlier. It’s also the band’s noisiest album — and perhaps its kindliest.On this week’s Popcast with the guest host Jon Pareles, three critics discuss Vampire Weekend’s latest conundrums, counterpoint, sonic extremes and hidden jam-band core — and its fascination with tunnels.Guests:Amanda Petrusich, staff writer at The New YorkerMatthew Strauss, deputy managing editor of PitchforkConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Popcast (Deluxe): Is Reality TV in a New Golden Age?

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:Season six of “Love Is Blind,” and the ways that the show’s episode rollout was interwoven with the TikTok and social media postgame that became its best promotionSeason two of the U.S. edition of “The Traitors,” which pits reality TV alums against each other in a game of deceptionSeason 46 of “Survivor” and its current casting conundrum of superfans and emotionally-charged playersSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      America Owes a Historical Debt to Haiti

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      Despite the violence and political turmoil in Haiti, New York Times Opinion columnist Lydia Polgreen argues that this might be the tipping point that finally brings peace to that island nation. U.S. interference in Haiti has long been criticized, and in this audio essay, she says we finally have a chance to repair the damage we’ve done and help set the country back on a course toward dignity and democracy: “Just because there is this long history of failure doesn’t mean that success is not possible.”(A full transcript of this audio essay will be available within 24 hours of publication in the audio player above.)Illustration by Akshita Chandra/The New York Times; Photograph by EA/Getty ImagesThis episode of “The Opinions” was produced by Vishakha Darbha. It was edited by Kaari Pitkin. Mixing by Sonia Herrero. Original music by Sonia Herrero, Carole Sabouraud, Pat McCusker. Fact-checking by Mary Marge Locker. Special thanks to Shannon Busta.The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.Follow the New York Times Opinion section on Facebook, Instagram, TikTok, WhatsApp, X and Threads. More

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      ‘Oppenheimer’ Is the Origin Story. These Three Movies Reveal Our Nuclear Present.

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      The national security writer W. J. Hennigan has spent many years ringing the alarm about the world’s new nuclear era — the subject of At The Brink, a new series from New York Times Opinion — and the crisis on the horizon. For anyone whose interest was piqued by the origin story of nuclear weapons in “Oppenheimer,” Mr. Hennigan, who happens to be a movie buff, recommends three essential films that illuminate our new nuclear era.An edited transcript of the above audio essay by Mr. Hennigan follows:W.J. Hennigan: For many years, people haven’t really spent a lot of time thinking about nuclear weapons, but that’s changed — both because of the war in Ukraine as well as the popularity of the recent Christopher Nolan film “Oppenheimer.”The idea that a biopic about a scientist and nuclear weapons would be so popular, the fact that it’s won so many awards and has sparked such an interest, is really quite surprising.For the past quarter-century, an entire generation has come of age without really having to worry about the bomb. This has not something that’s been front of mind.Nuclear weapons were the predominant national security concern for our country for a half-century, and that was reflected within culture and art. Throughout the Cold War, you could see the topic of nuclear weapons in movies, video games, television shows, cartoons, songs, comic books, board games. There were alcoholic drinks inspired by nuclear weapons.That kind of changed on a dime after the fall of the Soviet Union in 1991, but even though the concern and awareness over the nuclear peril faded, the danger hasn’t gone away. We’ve entered a new nuclear era, but that’s not being publicly discussed in the way that it has in the past.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Alexei Navalny Inspired Me to Start Pussy Riot. His Vision Is Immortal.

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      Aleksei Navalny spent most of his life working toward a free Russia. Since his death, the Pussy Riot founder Nadya Tolokonnikova has been reflecting on her friend’s legacy. In this audio essay, she calls on the West to take seriously the threat that Vladimir Putin poses to global peace.(A full transcript of this audio essay will be available within 24 hours of publication in the audio player above.)Illustration by Akshita Chandra/The New York Times; Photograph by Mladen Antonov/AFP, via Getty ImagesThis episode of “The Opinions” was produced by Jillian Weinberger. It was edited by Kaari Pitkin and Annie-Rose Strasser. Mixing by Carole Sabouraud. Original music by Sonia Herrero, Pat McCusker and Carole Sabouraud. Fact-checking by Mary Marge Locker. Audience strategy by Kristina Samulewski.The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.Follow the New York Times Opinion section on Facebook, X (@NYTOpinion) and Instagram. More

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      Popcast (Deluxe): Pop Stars vs. the Attention Economy

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:The new Jennifer Lopez album “This Is Me … Now,” and an accompanying film, “This Is Me…Now: A Love Story,” that covers her romantic biography in intimate and sometimes unexpected and extravagant detailWhat belongs on the Mount Rushmore of Lopez’s careerConfusing rollouts for other pop stars including Dua Lipa, Justin Timberlake and Camila Cabello.The new album from the rapper Yeat, “2093”The up-from-the-bottom success of recent songs by Teddy Swims and Benson BooneNew songs from Lainey Wilson and John Summit feat. HaylaSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Don’t Underestimate the Mobilizing Force of Abortion

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      Poland recently ousted its right-wing, nationalist Law and Justice Party. In 2020, a party-appointed tribunal severely restricted the country’s abortion rights, sparking nationwide protests and an opposition movement. After a trip to Poland, the Times Opinion columnist Michelle Goldberg came to recognize that similar dynamics could prevail in the United States in 2024. In this audio essay, she argues that Joe Biden’s campaign should take note of what a “powerful mobilizing force the backlash to abortion bans can be.”(A full transcript of this audio essay will be available by Monday, and can be found in the audio player above.)Illustration by Akshita Chandra/The New York Times; Photograph by Getty ImagesThe Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.Follow the New York Times Opinion section on Facebook, X (@NYTOpinion) and Instagram.This episode of “The Opinions” was produced by Jillian Weinberger. It was edited by Kaari Pitkin and Alison Bruzek. Engineering by Isaac Jones and Sonia Herrero. Original music by Isaac Jones, Sonia Herrero. Fact-checking by Mary Marge Locker. Audience strategy by Shannon Busta and Kristina Samulewski. More

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      How Usher Arrived at the Super Bowl Halftime Show

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicIn a 30-year career, Usher has been many things — an R&B prodigy, a history-minded technician, a legitimate crossover pop star, an EDM experimenter and lately, a consummate showman with a Las Vegas residency that prompted untold viral videos of a performer extraordinarily at ease with his gifts.And yet Usher, 45, has long felt curiously undervalued, which perhaps explains why it is only now that he has been offered what might be music’s biggest stage: the 2024 Super Bowl halftime show. (He was a guest during the 2011 show.)On this week’s Popcast, a conversation about Usher’s long career path through several generations of R&B, how he was received at his pop peak, and what he might do on the halftime stage.Guests:Thomas Hobbs, who writes about music for The Evening Standard, The Telegraph and othersDanielle Amir Jackson, editor in chief of The Oxford AmericanConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More