australia

Subterms

    Latest story

    150 Shares169 Views

    What to Know About Australia’s Social Media Ban for Children Under 16

    by

    Critics say big questions remain not only about how the new law will be enforced, but also about whether the ban will really protect young people.Australia has passed a law to prevent children under 16 from creating accounts on social media platforms.The bill, which the government calls a “world leading” move to protect young people online, was approved in the Senate on Thursday with support from both of the country’s major parties. The lower house of Parliament had passed it earlier in the week.“This is about protecting young people — not punishing or isolating them,” said Michelle Rowland, Australia’s communications minister. She cited exposure to content about drug abuse, eating disorders and violence as some of the harms children can encounter online.The legislation has broad support among Australians, and some parental groups have been vocal advocates. But it has faced backlash from an unlikely alliance of tech giants, human rights groups and social media experts. Critics say there are major unanswered questions about how the law will be enforced, how users’ privacy will be protected and, fundamentally, whether the ban will actually protect children.What’s in the law?The law requires social media platforms to take “reasonable steps” to verify the age of users and prohibit those under 16 from opening accounts. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    More stories

    • 100 Shares159 Views

      in Elections

      Australia Bans Social Media for Everyone Under 16

      by

      The law sets a minimum age for users of platforms like TikTok, Instagram and X. How the restriction will be enforced online remains an open question.Australia has imposed a sweeping ban on social media for children under 16, one of the world’s most comprehensive measures aimed at safeguarding young people from potential hazards online. But many details were still unclear, such as how it will be enforced and what platforms will be covered.After sailing through Parliament’s lower house on Wednesday, the bill passed the Senate on Thursday with bipartisan support. Prime Minister Anthony Albanese has said that it puts Australia at the vanguard of efforts to protect the mental health and well-being of children from detrimental effects of social media, such as online hate or bullying.The law, he has said, puts the onus on social media platforms to take “reasonable steps” to prevent anyone under 16 from having an account. Corporations could be fined up to 49.5 million Australian dollars (about $32 million) for “systemic” failures to implement age requirements.Neither underage users nor their parents will face punishment for violations. And whether children find ways to get past the restrictions is beside the point, Mr. Albanese said.“We know some kids will find workarounds, but we’re sending a message to social media companies to clean up their act,” he said in a statement this month.As with many countries’ regulations on alcohol or tobacco, the law will create a new category of “age-restricted social media platforms” accessible only to those 16 and older. How that digital carding will happen, though, is a tricky question.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares169 Views

      in Elections

      Two Bee Gees Drummers Die Within Days

      by

      Colin “Smiley” Petersen, the original drummer, and Dennis Bryon, who played during the band’s disco heyday, died within four days of each other.Two drummers for the Bee Gees — one during the long-running Anglo-Australian pop group’s early days of hit-making ballads, the other during its white-hot disco superstardom — died four days apart, according to posts from a tribute band and former bandmates.Dennis Bryon, 76, the Bee Gees’ drummer starting in 1973, died on Nov. 14, according to Blue Weaver, who played in the band Amen Corner with Mr. Bryon. He announced his death on Facebook on Thursday, but gave no cause of death for Mr. Bryon.Colin “Smiley” Petersen, the band’s first professional drummer, died on Nov. 18 at the age of 78, according to Evan Webster and Sue Camilleri, who work on The Best of The Bee Gees Show, a tribute band. Mr. Petersen died from a fall, they said.Mr. Petersen, who joined the Bee Gees in 1967, played on the band’s first four albums. He started playing in the The Best of The Bee Gees Show five years ago, Mr. Webster said.Mr. Petersen played on a string of hit ballads from 1967 to 1970, including “Massachusetts,” “To Love Somebody,” “I’ve Gotta Get a Message to You,” “I Started a Joke” and “Words.” He was also a child actor, known for his role in the 1956 film “Smiley,” which was the origin of his nickname, among a few other movies in the late ’50s.In a 2022 interview with The Strange Brew Podcast, Mr. Peterson said that the band would always create songs together in the studio.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares199 Views

      in Elections

      Jamie Oliver Pulls Children’s Book Amid Criticism of Insensitivity

      by

      The celebrity chef’s second children’s book, “Billy and the Epic Escape,” faced accusations that it stereotyped First Nations people in Australia.The British celebrity chef Jamie Oliver has halted sales of his children’s book around the world and issued an apology in response to accusations that the book stereotyped Australian Indigenous culture.The book, “Billy and the Epic Escape,” released in March by Penguin Random House UK, features aFirst Nations character named Ruby, who has mystical powers and is abducted from her home in Central Australia. Among the criticisms of the book was that its descriptions of the girl’s powers appeared to liken the First Nations’ complex spiritual beliefs to “magic” and failed to differentiate between their many languages and traditions. In one example, critics said, Ruby uses First Nations words that would not be realistic based on where her character was brought up. The book is a sequel to Mr. Oliver’s debut children’s book, “Billy and the Giant Adventure,” which was published in 2023. “Billy and the Epic Escape” follows the same group of children on a fantasy adventure during summer vacation.Calls to pull the book from shelves were led by the National Aboriginal and Torres Strait Islander Education Corporation, an educational group that works on behalf of First Nations communities in Australia. In a statement released this month, the group called Mr. Oliver’s depictions “irresponsible and damaging, reflecting a profound lack of understanding and respect.”The book’s depiction of Ruby’s abduction from her home in Australia — in a chapter titled “To Steal a Child” — was particularly insensitive, the group said. The country continues to reckon with the history of the so-called Stolen Generations, which refers to Aboriginal and Torres Strait Islander children who were forcibly taken from their families in the 20th century and placed in government-run assimilation programs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares169 Views

      in Elections

      The Australian Ballet’s ‘Oscar,’ Ventures Into New Romantic Territory

      by

      The Australian Ballet’s premiere of “Oscar,” based on the life of Oscar Wilde, explores the love relationship between two men.Boy loves girl. Prince enchanted by princess. Or swan queen, sylph, fairy, doll, peasant girl or courtesan.The central narrative elements of the full-length story ballets familiar to audiences mostly share a single element: The central romantic relationship is between male and female characters. Since many of these ballets (“Giselle,” “Swan Lake,” “The Sleeping Beauty”) date from the 19th century, that’s not surprising. But well into the 21st century, ballet — unlike opera, film or theater — has been slow to take up the challenges of telling other kinds of tales.That changed last month, with the Australian Ballet’s premiere of “Oscar,” about the life of Oscar Wilde. Choreographed by Christopher Wheeldon and set to a score by Joby Talbot, it is the first full-length narrative ballet that makes a gay hero and his love for another man its central subject.In a video call, Wheeldon pointed out that Matthew Bourne’s “Swan Lake — which featured an unhappy, repressed prince falling in love with a fiercely alluring male swan — was a groundbreaking forerunner, although not a classical ballet. But since then, he said, almost no narrative dance work has put a gay romance at its heart. David Bintley’s 1995 “Edward II” depicted something of the king’s relationship with Piers Gaveston, the Earl of Cornwall, but even the Yuri Possokhov-Kirill Serebrennikov “Nureyev” at the Bolshoi almost entirely skirted the issue of the dancer’s sexuality.It was time for something more. “I wanted us to be a company that tells stories that resonate, to be bold in our storytelling,” said David Hallberg, the artistic director of the Australian ballet. “Oscar Wilde wrote these beautiful tales, but was persecuted in a way that is still true for many people today.”Wheeldon, a major choreographer, clearly likes a narrative challenge. He has created the full-length “Alice in Wonderland,” “The Winter’s Tale” and “Like Water for Chocolate” for the Royal Ballet, and directed and choreographed (and won Tony Awards for) two Broadway shows, “An American in Paris” and “MJ: The Musical.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 63 Shares99 Views

      in Elections

      Black Caviar, Champion Racehorse, Dies

      by

      She won every race she ran, and her fame went beyond the insular world of horseracing.She transcended racing to become a household name in Australia and revived, for a time, a sport in decline. At the height of her career, she graced the cover of Vogue, met Queen Elizabeth II and had her own line of shampoo and conditioner.Black Caviar, the Australian racehorse whose unbeaten streak of 25 victories from 2009 to 2013 made her a cultural icon, died on Saturday, one day before her 18th birthday.Her death was confirmed by the Victoria Racing Club in a statement. Australian news media reported that her trainer, Peter Moody, said Black Caviar was euthanized after giving birth to a foal because she was suffering from laminitis, a painful disease that affects the hooves of horses. Mr. Moody could not immediately be reached for confirmation.Between 2009 and 2013, Black Caviar won 25 races from 25 starts, earning more than $5.3 million (about 8 million Australian dollars) in prize money. From 2010 to 2013, she was ranked the world’s best sprinter racehorse by the International Federation of Horseracing Authorities. Some media outlets described her as “the world’s most popular racehorse.”“Very rarely do we get a hose that transcends the sport,” Matt Hill, an Australian race caller, told the Australian Broadcasting Corporation on Sunday, “but everybody, even if they didn’t follow horseracing, knew who Black Caviar was.”At times, Black Caviar’s fame transcended her equine nature. In 2012, she was named “sportswoman of the year” by one newspaper, controversially beating out a human Olympic hurdling champion, Sally Pearson. That same year, Black Caviar became the first animal to be featured on the cover of Vogue Australia.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares139 Views

      in Elections

      Fossils Show Giant Predatory Sea Scorpions Were Distance Swimmers

      by

      Specimens of what appear to be the largest eurypterid species found in Australia could shed light on the sudden extinction of the massive arthropods.Most modern scorpions would fit in the palm of your hand. But in the oceans of the Paleozoic era more than 400 million years ago, animals known popularly as sea scorpions were apex predators that could grow larger than people in size.“They were effectively functioning as sharks,” said Russell Bicknell, a paleobiologist at the American Museum of Natural History.New research by Dr. Bicknell and colleagues, published Saturday in the journal Gondwana Research and relying on Australian fossils, reveals that the biggest sea scorpions were capable of crossing oceans, a finding that is “absolutely pushing the limits of what we know arthropods could do,” he said.What are commonly known as sea scorpions were a diverse group of arthropods called eurypterids. They came in many shapes and sizes but are perhaps best known for their largest representatives, which could grow to more than nine feet long. With huge claws, a beefy exoskeleton and a strong set of legs for swimming, the larger sea scorpions most likely ruled the seas.However fearsome these arthropods must have been to Paleozoic prey, they went extinct without much of a bang. The fossil record of eurypterids peaked in the Silurian period, which started about 444 million years ago, and they then abruptly died out after the early Devonian period ended about 393 million years ago.That sudden turn of fate has left scientists bewildered.“They appear, they start doing really well, they get very big, and then they go extinct,” said James Lamsdell, a paleobiologist at West Virginia University who was not involved in the study. “For a while they were so dominant, and then they just burned out.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares189 Views

      in Elections

      He Made a Game About a Joyous Journey. He Also Got a Bit Lost.

      by

      Anthony Tan was 16 when his idea for a video game about a deer caught the industry’s eye. Nine years later, he’s still working on it.Anthony Tan’s hands shook as he took his seat in a dark Los Angeles theater. The neon green lights sporadically illuminated the 7,000 faces around him.Tan, a solo video game developer, was just 20 years old. Yet a trailer for his game, Way to the Woods, was about to share screen time with dozens of other coming Xbox titles, including those from mega-franchises like Gears of War and Halo. Unlike those games, created by teams of hundreds with eight- or nine-figure budgets, Tan had built his alone in his spare time, buoyed by grant funding.By the time he sat down in the theater at Microsoft’s annual hype-building event, in June 2019, Tan had watched his trailer more than 100 times. He knew every note, every camera pan. As the lights dimmed and the screen faded to black, he was too nervous to look. Everyone else watched his game’s stars — a deer and a fawn — appear onscreen, pushing a railway handcar across a golden plain.Even before the event was over, Tan’s phone blew up with Twitter messages from strangers. Millions of people had been watching the livestream online. Some praised the game’s art style, which Tan said was inspired by the Studio Ghibli movies “Princess Mononoke” and “Spirited Away”; others were intrigued by its unusual main characters.Tan was now shaking from adrenaline, not nerves.“It was absolutely exhilarating,” he said.Tan’s game about animals navigating an abandoned world had struck a chord. The final seconds of his stylish, mysterious trailer made a promise, or as close to one as the world of video game development allows: “Coming 2020 … for real this time.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares199 Views

      in Elections

      Julian Assange Pleads Guilty to Espionage, Securing His Freedom

      by

      The WikiLeaks founder, who entered the plea in a U.S. courtroom in Saipan in the Western Pacific, now plans to fly home to Australia.Julian Assange, the founder of WikiLeaks, pleaded guilty on Wednesday to a felony charge of violating the U.S. Espionage Act, securing his freedom under a plea deal that saw its final act play out in a remote U.S. courtroom in Saipan in the Western Pacific.He appeared in court wearing a black suit with his lawyer, Jennifer Robinson, and Kevin Rudd, the Australian ambassador to the United States. He stood briefly and offered his plea more than a decade after he obtained and published classified secret military and diplomatic documents in 2010, moving a twisted case involving several countries and U.S. presidents closer to its conclusion. It was all part of an agreement allowing him to return to his native country, Australia, after spending more than five years in British custody — most of it fighting extradition to the United States.His family and lawyers documented his journey from London to Bangkok and on to Saipan, capital of the Northern Mariana Islands, a U.S. commonwealth, posting photos and videos online from a chartered jet. His defense team said that in the negotiations over his plea deal, Mr. Assange had refused to appear in a court on the U.S. mainland, and that he had not been allowed to fly commercial.His wife, Stella, posted an urgent fund-raising appeal on the social media platform X, seeking help in covering the $520,000 cost of the flight, which she said would have to be repaid to the Australian government. She also wrote on X that watching a video of Mr. Assange entering the courtroom made her think of “how overloaded his senses must be, walking through the press scrum after years of sensory deprivation and the four walls of his high-security Belmarsh prison cell.”In court, Mr. Assange responded carefully to questions from U.S. District Judge Ramona Manglona, who was appointed by former President Barack Obama. He defended his actions, describing himself as a journalist seeking information from sources, a task he said he saw as legal and constitutionally protected. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More