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    A New Trend in Global Elections: The Anti-Trump Bump

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    In voting in Canada and Australia, right-wing parties that borrowed from the MAGA playbook were punished. Elsewhere, President Trump is having a more complex impact.The Trump factor is shaping global politics, one election at a time — just not necessarily to the president’s taste.In major votes in Canada and Australia over the past two weeks, centrists saw their fortunes revived, while parties that had borrowed from the MAGA playbook lost out.President Trump has been back in power for only three months, but already his policies, including imposing tariffs and upending alliances, have rippled into domestic political battles around the world.While it is too soon to say that anti-Trump forces are on the rise globally, it is clear that voters have Mr. Trump somewhere on their mind as they make decisions.Political cousinsCanada and Australia share a lot in common: a political system, a major mining industry, a sovereign in King Charles. Now they also share a remarkable political story.In both countries, before Mr. Trump was inaugurated, the center-left ruling parties had been in poor shape and appeared poised to lose power. The front-runners in polls were the conservative parties, whose leaders flirted with Trumpian politics both in style and in substance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Virginia Giuffre, Voice in Epstein Sex Trafficking Scandal, Dies at 41

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      She accused Jeffrey Epstein and his co-conspirator, Ghislaine Maxwell, of recruiting her to join their sex-trafficking ring and sued Prince Andrew for sexual assault.Virginia Giuffre, a former victim of Jeffrey Epstein’s sex-trafficking ring who said she was “passed around like a platter of fruit” as a teenager to rich and powerful predators, including Prince Andrew of Britain, died on Friday at her farm in Western Australia. She was 41.Ms. Giuffre died by suicide, according to a statement from the family. Ms. Giuffre (pronounced JIFF-ree) wrote in an Instagram post in March that she was days away from dying of renal failure after being injured in a crash with a school bus that she said was traveling at nearly 70 m.p.h.In 2019, Mr. Epstein was arrested and charged by federal prosecutors in the Southern District of New York with sex trafficking and conspiracy, and was accused of soliciting teenage girls to perform massages that became increasingly sexual in nature.Barely a month after he was apprehended, and a day after documents were released from Ms. Giuffre’s successful defamation suit against him, Mr. Epstein was found hanged in his cell in the Metropolitan Correctional Center in Lower Manhattan. His death, at 66, was ruled a suicide.In 2009 Ms. Giuffre, identified then only as Jane Doe 102, had sued Mr. Epstein, accusing him and Ghislaine Maxwell, his co-conspirator and the daughter of the disgraced British media magnate Robert Maxwell, of recruiting her to join his sex-trafficking ring when she was a minor under the guise of becoming a professional masseuse.Ms. Giuffre in 2023 with a photo of herself as a teenager. She said she was recruited to Mr. Epstein’s sex-trafficking ring as a minor and that she was “passed around like a platter of fruit” among his powerful friends.Emily Michot/Miami Herald, via Tribune News Service, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New Trump-inspired political party launched by Australian billionaire

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      Your support helps us to tell the storyFrom reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it’s investigating the financials of Elon Musk’s pro-Trump PAC or producing our latest documentary, ‘The A Word’, which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.Your support makes all the difference.Read moreAustralian mining magnate Clive Palmer has launched a political party directly inspired by U.S. President Donald Trump.The billionaire unveiled his plans for the Trumpet of Patriots party on Wednesday, just months out from the country’s federal election.”Trumpet of Patriots will put Australians first and make Australia great again,” he told reporters at Parliament House in Canberra.Palmer said he plans to “drain the swamp” in the country’s capital, a reference to Trump’s plans to drastically cut the size of government.”We think Donald Trump’s been very effective in reducing public expenditure,” Palmer said.He was also critical of mass immigration and said the party would only recognise two genders, male and female, reflecting positions also favoured by the U.S. President.The party plans to stand candidates in all 150 seats in Australia’s lower house, as well as the upper chamber, known as the Senate.When asked if he would be running at the election, Palmer said he was “too old” and will instead serve as the party’s chairman.Palmer said U.S. President Donald Trump has been ‘very effective in reducing public expenditure’ since being elected More

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      What to Know About Australia’s Social Media Ban for Children Under 16

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      Critics say big questions remain not only about how the new law will be enforced, but also about whether the ban will really protect young people.Australia has passed a law to prevent children under 16 from creating accounts on social media platforms.The bill, which the government calls a “world leading” move to protect young people online, was approved in the Senate on Thursday with support from both of the country’s major parties. The lower house of Parliament had passed it earlier in the week.“This is about protecting young people — not punishing or isolating them,” said Michelle Rowland, Australia’s communications minister. She cited exposure to content about drug abuse, eating disorders and violence as some of the harms children can encounter online.The legislation has broad support among Australians, and some parental groups have been vocal advocates. But it has faced backlash from an unlikely alliance of tech giants, human rights groups and social media experts. Critics say there are major unanswered questions about how the law will be enforced, how users’ privacy will be protected and, fundamentally, whether the ban will actually protect children.What’s in the law?The law requires social media platforms to take “reasonable steps” to verify the age of users and prohibit those under 16 from opening accounts. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Australia Bans Social Media for Everyone Under 16

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      The law sets a minimum age for users of platforms like TikTok, Instagram and X. How the restriction will be enforced online remains an open question.Australia has imposed a sweeping ban on social media for children under 16, one of the world’s most comprehensive measures aimed at safeguarding young people from potential hazards online. But many details were still unclear, such as how it will be enforced and what platforms will be covered.After sailing through Parliament’s lower house on Wednesday, the bill passed the Senate on Thursday with bipartisan support. Prime Minister Anthony Albanese has said that it puts Australia at the vanguard of efforts to protect the mental health and well-being of children from detrimental effects of social media, such as online hate or bullying.The law, he has said, puts the onus on social media platforms to take “reasonable steps” to prevent anyone under 16 from having an account. Corporations could be fined up to 49.5 million Australian dollars (about $32 million) for “systemic” failures to implement age requirements.Neither underage users nor their parents will face punishment for violations. And whether children find ways to get past the restrictions is beside the point, Mr. Albanese said.“We know some kids will find workarounds, but we’re sending a message to social media companies to clean up their act,” he said in a statement this month.As with many countries’ regulations on alcohol or tobacco, the law will create a new category of “age-restricted social media platforms” accessible only to those 16 and older. How that digital carding will happen, though, is a tricky question.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Two Bee Gees Drummers Die Within Days

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      Colin “Smiley” Petersen, the original drummer, and Dennis Bryon, who played during the band’s disco heyday, died within four days of each other.Two drummers for the Bee Gees — one during the long-running Anglo-Australian pop group’s early days of hit-making ballads, the other during its white-hot disco superstardom — died four days apart, according to posts from a tribute band and former bandmates.Dennis Bryon, 76, the Bee Gees’ drummer starting in 1973, died on Nov. 14, according to Blue Weaver, who played in the band Amen Corner with Mr. Bryon. He announced his death on Facebook on Thursday, but gave no cause of death for Mr. Bryon.Colin “Smiley” Petersen, the band’s first professional drummer, died on Nov. 18 at the age of 78, according to Evan Webster and Sue Camilleri, who work on The Best of The Bee Gees Show, a tribute band. Mr. Petersen died from a fall, they said.Mr. Petersen, who joined the Bee Gees in 1967, played on the band’s first four albums. He started playing in the The Best of The Bee Gees Show five years ago, Mr. Webster said.Mr. Petersen played on a string of hit ballads from 1967 to 1970, including “Massachusetts,” “To Love Somebody,” “I’ve Gotta Get a Message to You,” “I Started a Joke” and “Words.” He was also a child actor, known for his role in the 1956 film “Smiley,” which was the origin of his nickname, among a few other movies in the late ’50s.In a 2022 interview with The Strange Brew Podcast, Mr. Peterson said that the band would always create songs together in the studio.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jamie Oliver Pulls Children’s Book Amid Criticism of Insensitivity

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      The celebrity chef’s second children’s book, “Billy and the Epic Escape,” faced accusations that it stereotyped First Nations people in Australia.The British celebrity chef Jamie Oliver has halted sales of his children’s book around the world and issued an apology in response to accusations that the book stereotyped Australian Indigenous culture.The book, “Billy and the Epic Escape,” released in March by Penguin Random House UK, features aFirst Nations character named Ruby, who has mystical powers and is abducted from her home in Central Australia. Among the criticisms of the book was that its descriptions of the girl’s powers appeared to liken the First Nations’ complex spiritual beliefs to “magic” and failed to differentiate between their many languages and traditions. In one example, critics said, Ruby uses First Nations words that would not be realistic based on where her character was brought up. The book is a sequel to Mr. Oliver’s debut children’s book, “Billy and the Giant Adventure,” which was published in 2023. “Billy and the Epic Escape” follows the same group of children on a fantasy adventure during summer vacation.Calls to pull the book from shelves were led by the National Aboriginal and Torres Strait Islander Education Corporation, an educational group that works on behalf of First Nations communities in Australia. In a statement released this month, the group called Mr. Oliver’s depictions “irresponsible and damaging, reflecting a profound lack of understanding and respect.”The book’s depiction of Ruby’s abduction from her home in Australia — in a chapter titled “To Steal a Child” — was particularly insensitive, the group said. The country continues to reckon with the history of the so-called Stolen Generations, which refers to Aboriginal and Torres Strait Islander children who were forcibly taken from their families in the 20th century and placed in government-run assimilation programs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Australian Ballet’s ‘Oscar,’ Ventures Into New Romantic Territory

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      The Australian Ballet’s premiere of “Oscar,” based on the life of Oscar Wilde, explores the love relationship between two men.Boy loves girl. Prince enchanted by princess. Or swan queen, sylph, fairy, doll, peasant girl or courtesan.The central narrative elements of the full-length story ballets familiar to audiences mostly share a single element: The central romantic relationship is between male and female characters. Since many of these ballets (“Giselle,” “Swan Lake,” “The Sleeping Beauty”) date from the 19th century, that’s not surprising. But well into the 21st century, ballet — unlike opera, film or theater — has been slow to take up the challenges of telling other kinds of tales.That changed last month, with the Australian Ballet’s premiere of “Oscar,” about the life of Oscar Wilde. Choreographed by Christopher Wheeldon and set to a score by Joby Talbot, it is the first full-length narrative ballet that makes a gay hero and his love for another man its central subject.In a video call, Wheeldon pointed out that Matthew Bourne’s “Swan Lake — which featured an unhappy, repressed prince falling in love with a fiercely alluring male swan — was a groundbreaking forerunner, although not a classical ballet. But since then, he said, almost no narrative dance work has put a gay romance at its heart. David Bintley’s 1995 “Edward II” depicted something of the king’s relationship with Piers Gaveston, the Earl of Cornwall, but even the Yuri Possokhov-Kirill Serebrennikov “Nureyev” at the Bolshoi almost entirely skirted the issue of the dancer’s sexuality.It was time for something more. “I wanted us to be a company that tells stories that resonate, to be bold in our storytelling,” said David Hallberg, the artistic director of the Australian ballet. “Oscar Wilde wrote these beautiful tales, but was persecuted in a way that is still true for many people today.”Wheeldon, a major choreographer, clearly likes a narrative challenge. He has created the full-length “Alice in Wonderland,” “The Winter’s Tale” and “Like Water for Chocolate” for the Royal Ballet, and directed and choreographed (and won Tony Awards for) two Broadway shows, “An American in Paris” and “MJ: The Musical.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Black Caviar, Champion Racehorse, Dies

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      She won every race she ran, and her fame went beyond the insular world of horseracing.She transcended racing to become a household name in Australia and revived, for a time, a sport in decline. At the height of her career, she graced the cover of Vogue, met Queen Elizabeth II and had her own line of shampoo and conditioner.Black Caviar, the Australian racehorse whose unbeaten streak of 25 victories from 2009 to 2013 made her a cultural icon, died on Saturday, one day before her 18th birthday.Her death was confirmed by the Victoria Racing Club in a statement. Australian news media reported that her trainer, Peter Moody, said Black Caviar was euthanized after giving birth to a foal because she was suffering from laminitis, a painful disease that affects the hooves of horses. Mr. Moody could not immediately be reached for confirmation.Between 2009 and 2013, Black Caviar won 25 races from 25 starts, earning more than $5.3 million (about 8 million Australian dollars) in prize money. From 2010 to 2013, she was ranked the world’s best sprinter racehorse by the International Federation of Horseracing Authorities. Some media outlets described her as “the world’s most popular racehorse.”“Very rarely do we get a hose that transcends the sport,” Matt Hill, an Australian race caller, told the Australian Broadcasting Corporation on Sunday, “but everybody, even if they didn’t follow horseracing, knew who Black Caviar was.”At times, Black Caviar’s fame transcended her equine nature. In 2012, she was named “sportswoman of the year” by one newspaper, controversially beating out a human Olympic hurdling champion, Sally Pearson. That same year, Black Caviar became the first animal to be featured on the cover of Vogue Australia.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More