Awards, Decorations and Honors

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    Jill Biden Hosts Teachers at Awards Dinner, With a Bit of Pomp

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    The first lady commended the winner of the National Teacher of the Year award during an event evoking formal state dinners.The hallmarks of a state dinner were there: lavish floral displays festooning the White House, the first lady arriving in a floor-length sequined gown, and members of Congress and cabinet secretaries mingling with attendees. But the honored guest was not the president of France or the prime minister of Japan.It was Missy Testerman of Rogersville City School in rural Tennessee.Jill Biden, the first lady, kicked off a new format for delivering the National Teacher of the Year award on Thursday by hosting this year’s winner, Ms. Testerman, and dozens of other teachers from across the country at the White House with a ceremony emulating the pomp normally reserved for foreign dignitaries.Dr. Biden, who has kept her day job as an English professor while serving as first lady and has worked to support community colleges from the White House, spoke in support of teachers’ unions in her opening remarks and stressed the need of helping educators after the Covid-19 pandemic.“Tonight we celebrate you because teaching isn’t just a job, it’s a calling,” Dr. Biden said, adding, “To answer this call of service is in itself an act of hope.”Ms. Testerman, an English as a second language teacher who had worked as a first and second grade teacher for 30 years, also spoke, discussing the importance of her profession.“As an English as a second language teacher, my students are all either immigrants to our country, or first-generation Americans having been born to immigrant parents,” Ms. Testerman said. “Hearing the experiences of my students and their families reminds me daily what a privilege it is to be an American and what a privilege it is to attend a public school in this country.”The Council of Chief State School Officers, which oversees the award program, has honored finalists and a winner at the White House nearly every year since 1952, according to the council’s website. Dr. Biden has presided over the award ceremony every year of President Biden’s term. (Mr. Biden, who was returning from a trip to North Carolina, dropped in briefly, reflecting on his days teaching law classes and telling the teachers, “You are the kite strings that lift our national ambitions aloft.”)The evolution of the ceremony this year came complete with floral arrangements incorporating irises — the Tennessee state flower — and classroom-themed décor. The guests dined on a menu including lobster ravioli and honey-poached apple mousse, and were entertained by the U.S. Army Chorus with the Army and Air Force Strings.Miguel A. Cardona, the secretary of education, told attendees that the event was meant to bestow “our teachers with a level of national respect that is long overdue.”In all, 57 teachers, including past winners of the award, attended on Thursday, according to a guest list released by the White House. Apart from the honor, selected teachers are also invited into a yearlong professional development program.Before the event, the White House announced new measures aimed at encouraging higher pay for teachers and highlighted changes to the Public Service Loan Forgiveness program, a centerpiece of Mr. Biden’s effort to slash student debt, which allows public servants such as teachers to have their federal student loan debt forgiven after 10 years.Dr. Biden, a teacher for over 30 years and a member of the National Education Association, has often waded into education policy, particularly during the transition back to in-person learning as the Covid crisis waned. She also led a push to make community colleges tuition free, though legislation she helped draft did not survive in Congress.Mr. Biden renewed the call for free community college as a policy priority in his budget for next fiscal year, but the proposal has little chance of becoming law with Republicans in control of the House. More

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      PEN America Has Stood By Authors. They Should Stand By PEN.

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      All strong institutions stand to benefit from internal dissent and external pressures. But too often, recent efforts to reform institutions have meant reconstituting them in ways that distort or fundamentally undermine their core mission.Nonprofit organizations, governmental agencies, university departments and cultural institutions have ousted leaders and sent their staffs into turmoil in pursuit of progressive political goals. In the wake of the 2016 election and the 2020 murder of George Floyd and in a rush to apply sweeping “In this house we believe” standards unilaterally, organizations have risked overt politicization, mission drift, irrelevance and even dissolution. And now the war in Gaza is ripping its way across American universities.The latest target is PEN America, a nonprofit organization dedicated to free expression by journalists and authors. Last week, after an increasingly aggressive boycott campaign by some of its members, PEN canceled its annual World Voices Festival, which was conceived by Salman Rushdie and was to mark its 20th anniversary in May. This followed a refusal by several writers to have their work considered for PEN’s annual literary awards. The ceremony awarding those prizes was also canceled.An open letter sent to PEN America’s board and trustees and republished on Literary Hub, now the de facto clearinghouse for pro-Palestinian literary-world sentiment, accused the organization of “implicit support of the Israeli occupation” and of “aiding and abetting genocide.” It demanded the resignation of PEN’s longtime C.E.O., Suzanne Nossel, and current president, Jennifer Finney Boylan. According to its 21 signatories, mostly up-and-coming authors, “among writers of conscience, there is no disagreement. There is fact and fiction. The fact is that Israel is leading a genocide of the Palestinian people.”In response and in keeping with its mission of independence and free expression, PEN America accepted the writers’ willingness to voice their conscience. It has also made clear that there is room for more than one point of view on what constitutes genocide and on the current conflict in Gaza.“As an organization open to all writers, we see no alternative but to remain home to this diversity of opinions and perspectives, even if, for some, that very openness becomes reason to exit,” PEN America stated in an open letter to its community.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lourdes Portillo, Oscar-Nominated Documentary Filmmaker, Dies at 80

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      Her films centered on Latin American experiences and received wide acclaim.Lourdes Portillo, the Oscar-nominated Mexican-born documentary filmmaker whose work explored Latin American social issues through spellbinding narratives, has died. She was 80.Ms. Portillo died Saturday at her home in San Francisco. Her death was confirmed by her friend Soco Aguilar. No cause was given.One of Ms. Portillo’s best-known works is her 1994 documentary “The Devil Never Sleeps,” a murder-mystery in which Ms. Portillo investigates the strange death of her multimillionaire uncle, whose widow claimed he had died of a self-inflicted gunshot wound. In 2020, the Library of Congress selected the film for preservation at the National Film Registry.“Using vintage snapshots, old home movies and interviews, the film builds a biographical portrait of Oscar Ruiz Almeida, a Mexican rancher who amassed a fortune exporting vegetables to the United States and went on to become a powerful politician and businessman,” Stephen Holden, a Times movie critic, wrote in a 1995 review of the film.The documentary had the tenor of a telenovela and presented open questions about Mr. Ruiz Almeida’s mysterious life and death and the people who could have had a motive for the murder.“The more Oscar is discussed, the more enigmatic he seems,” Mr. Holden wrote.Ms. Portillo crafted the film’s story line from the information her mother relayed over the phone while Ms. Portillo was living in New York, she said in a talk at the Academy Museum of Motion Pictures in Los Angeles last year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Archie Moore, Australian Artist, Wins Top Prize at Venice Biennale

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      Moore, an Indigenous Australian artist, won the Golden Lion for “kith and kin,” which draws on what he says is 65,000 years of family history.Archie Moore, an Indigenous Australian artist who has created an installation including a monumental family tree, won the top prize at the Venice Biennale on Saturday.Moore, 54, took the Golden Lion, the prize for the best national participation at the Biennale, the world’s oldest and most high-profile international art exhibition. He beat out artists representing 85 other countries to become the first Australian winner.For his installation, “kith and kin,” Moore has drawn a family tree in chalk on the walls and ceiling of the Australia Pavilion. The web of names encompasses 3,484 people and Moore says it stretches back 65,000 years, although he has smudged some details so that they are hard to read. In the center of the room is a huge table covered with stacks of government documents relating to the deaths of Indigenous Australians in police custody.Julia Bryan-Wilson, the chair of this year’s Biennale jury and a professor of contemporary art at Columbia University, said during the prize announcement that Moore’s installation was “a mournful archive” that “stands out for its strong aesthetic, its lyricism and its invocation of shared loss for occluded pasts.”Before Saturday’s ceremony, which was streamed online, Moore’s pavilion had already been a critical hit. Julia Halperin, writing in The New York Times, said that the installation was one no Biennale visitor should miss. Moore’s hand-drawn family tree was so dense at points it was impossible to make out the names. “The implication is clear: expand the aperture wide enough and we are all related,” Halperin said. “It’s a concept that could feel trite if it weren’t rendered with such poetry, rigor and specificity.”A detail of Moore’s family tree in the pavilion.Matteo de Mayda for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Sunset Boulevard,’ Heading to Broadway, Wins Big at Olivier Awards

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      The musical, which stars Nicole Scherzinger, won seven awards at Britain’s version of the Tonys. And Sarah Snook won best actress for “The Picture of Dorian Gray.”A reimagining of Andrew Lloyd Webber’s “Sunset Boulevard,” starring Nicole Scherzinger as Norma Desmond, the long forgotten silent movie star who descends into madness, was the big winner at this year’s Olivier Awards, Britain’s equivalent of the Tonys.The musical, which will open at the St. James Theater on Broadway this fall, was honored Sunday during a ceremony at the Royal Albert Hall in London with seven awards, including best musical revival, best actress in a musical for Scherzinger, best actor in a musical for Tom Francis, as the screenwriter who falls for Desmond’s charms, and best director for Jamie Lloyd.The number of awards was hardly a surprise. After the musical opened last fall, critics praised Lloyd’s stark production, especially highlighting its contemporary twists that included using cameras to zoom in on characters’ faces, then beam their emotions onto a screen at the back of the stage.Matt Wolf, writing in The New York Times, said that Lloyd’s production belonged firmly “to the here and now.” With this show, the director “takes an established musical by the scruff of the neck and sends it careering into the modern day,” Wolf added.Sarah Hemming, in The Financial Times, was among the critics to praise Scherzinger’s magnetic performance. “She’s not afraid to look scary or ridiculous,” Hemming said, “but there’s also a strung-out vulnerability about her. And when she sings, she pins you to your seat with the harrowing intensity of her delivery.”“Sunset Boulevard” beat several other acclaimed productions to the best musical revival award, including “Guys & Dolls” at the Bridge Theater and “Hadestown” at the Lyric Theater.Sarah Snook in “The Picture of Dorian Gray,” a solo version for which she won best actress at the Olivier Awards. Snook plays 26 roles in the show.Marc BrennerA host of musicals and plays shared the night’s other major prizes. “Operation Mincemeat,” a word-of-mouth hit about a bizarre World War II counterintelligence plot that is running at the Fortune Theater, won best new musical. While “Stranger Things: The First Shadow,” a prequel to the Netflix show, now at the Phoenix Theater, was chosen as best new entertainment or comedy play.The best new play award went to James Graham’s “Dear England,” about the English national soccer team, which transferred to the West End from the National Theater.In the hotly contested acting categories, Sarah Snook (“Succession”) was named best actress for “The Picture of Dorian Gray,” a solo show running through May 11 at the Theater Royal Haymarket. Snook plays all 26 roles, often interacting with recorded projections of her characters.Before Sunday’s ceremony, some critics had expected the best actor award to go to Andrew Scott for a similarly dazzling solo performance: a one-man “Vanya” at the Duke of York’s Theater. In the end, the prize went to Mark Gatiss for his role as the revered actor and director John Gielgud in “The Motive and the Cue,” a play by Jack Thorne that dramatizes the fraught backstage relationship between Gielgud and Richard Burton as they worked on a Broadway show. Like “Dear England,” that play ran at the National Theater before transferring to the West End. More

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      WWII Rosie the Riveters Are Honored in Washington

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      Rosie the Riveters, American women who filled a crucial labor shortage during World War II and reshaped the work force, were honored at the Capitol.Soon after the attack on Pearl Harbor in 1941, Marian Sousa moved to California to care for the children of her sister Phyllis Gould, who had gone to work as a welder in a Bay Area shipyard.Just a year later, Ms. Sousa, at 17 years old, joined the wartime work force herself, drafting blueprints and revising outdated designs for troop transports. Wearing a hard hat and with a clipboard in hand, she would accompany maritime inspectors on board ships she’d helped design and examine the product of her labors.She and her sister were just two of the roughly 6 million women who went to work during World War II, memorialized by the now iconic recruitment poster depicting Rosie the Riveter, her hair tied back in a kerchief, rolling up the sleeve of her denim shirt and flexing a muscle beneath the slogan, “We can do it!”More than eight decades later, Ms. Sousa, now 98, gathered at the Capitol on Wednesday with around two dozen other so-called Rosies — many of them white-haired and most wearing the red with white polka dots made famous by the poster — to receive the Congressional Gold Medal in honor of their efforts.Marian Sousa, wearing a red shirt with white polka dots in a nod to the classic recruitment poster depicting Rosie, at the ceremony on Wednesday.Kenny Holston/The New York Times“We never thought we’d be recognized,” Ms. Sousa said in an interview. “Just never thought — we were just doing the job for the country and earning money on the side.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Chief Justice Extols Legacy of Sandra Day O’Connor

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      In remarks at an award ceremony, Chief Justice John G. Roberts Jr. described his colleague as a trailblazing and civic-minded presence on the Supreme Court.Chief Justice John G. Roberts Jr. delivered a fond tribute to former Justice Sandra Day O’Connor on Thursday, celebrating her legacy as the first woman on the Supreme Court and her commitment to advancing civics and civility after her retirement.During an award ceremony at Duke University to recognize her contribution to civics education, Chief Justice Roberts reiterated his admiration of his former colleague, a crucial swing justice who was often referred to as the most powerful woman in America. He eulogized her in December shortly after her death at 93.“Sandra Day O’Connor expanded the public image of what it meant to look like a judge,” he said. “She sounded the alarm about the growing lack of appreciation of what it means to be a citizen.”For her work in civics education, she was recognized on Thursday with the Bolch Prize for the Rule of Law, an award that has often been given to honor judges, including former Justice Anthony M. Kennedy, for lifetime achievements. The award was accepted by her son Scott O’Connor.The paths of Chief Justice Roberts and Justice O’Connor have long intersected.On his first day of work at the Justice Department in 1981, the young Mr. Roberts was assigned to help prepare the future justice for her confirmation hearings in the Senate, putting together draft answers to questions he expected her to face. She was ultimately confirmed by a vote of 99 to 0.Justice O’Connor would then sit on the bench for every one of the more than three dozen cases Chief Justice Roberts argued before the Supreme Court as a lawyer, he told the audience on Thursday.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lorrie Moore Is Among National Book Critics Circle Award Winners

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      The awards included a lifetime achievement honor given to Judy Blume.The novelist Lorrie Moore on Thursday won a National Book Critics Circle Award for fiction for “I Am Homeless if This Is Not My Home,” her novel that follows a devastated young teacher who goes on a road trip with the animated corpse of his ex-girlfriend, who has died by suicide.In a citation, one of the judges, David Varno, praised the novel as “a heartbreaking and hilarious ghost story” and “an unforgettable achievement from a landmark American author.”The awards, which were announced at a ceremony at the New School in New York City, are among the most prestigious literary prizes in the United States. Unlike other major awards, the recipients are chosen by book critics instead of committees made up of authors or academics.The critics organization, which was founded in 1974, is made up of more than 700 critics and review editors. Thursday’s awards recognized works published last year and were open to authors of books published in English in the United States.In addition to giving prizes in literary categories like biography, criticism, autobiography, fiction and poetry, the group also recognizes individuals and organizations for their contributions to literary culture.This year, Becca Rothfeld, the nonfiction book critic for The Washington Post and the author of a forthcoming debut essay collection, “All Things Are Too Small,” received the Nona Balakian Citation for Excellence in Reviewing. The award, named after a former New York Times Book Review editor, is given to an N.B.C.C. member for criticism.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      R.B.G. Award Organizer Cancels Ceremony After Fallout Over Honorees

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      The Opperman Foundation said it would “reconsider its mission” but did not say whether those selected, including Elon Musk and Rupert Murdoch, would still receive the award.The organizer behind an honor named for Justice Ruth Bader Ginsburg, a lifelong champion of women’s rights and liberal causes, is canceling the award ceremony scheduled for April after facing blistering criticism from her family and friends over several of this year’s planned recipients.Justice Ginsburg helped establish the award in 2019, the year before she died. It was originally intended for “women who exemplify human qualities of empathy and humility,” but four of the five intended recipients this year are men. Among them are Elon Musk, the tech entrepreneur who frequently lobs tirades at perceived critics; Rupert Murdoch, the tycoon whose empire helped give rise to conservative news media; and Michael R. Milken, the financier who was a face of corporate greed in the 1980s and served nearly two years in prison before becoming a philanthropist.“The last thing we intended was to offend the family and friends of R.B.G.,” Julie Opperman, the chairwoman of Dwight D. Opperman Foundation, which awards the prize every year, said in a statement on Monday. She added: “The foundation is not interested in creating controversy. It is not interested in generating a debate about whether particular honorees are worthy or not.”Ms. Opperman explained that the reason for including men as recipients this year was to reflect and uphold Justice Ginsburg’s “teachings regarding equality.” The foundation “did not consider politics” but focused on selecting leaders who “have made significant contributions to society,” she said.Before the foundation released the statement, the children of Justice Ginsburg had demanded that their mother’s name be removed from the prize, which until this year was called the Justice Ruth Bader Ginsburg Woman of Leadership Award.Her daughter, Jane C. Ginsburg, a law professor at Columbia, said the choice of winners this year was “an affront” to the values the justice stood for.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More