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    At the Serpentine, Holly Herndon Taught A.I. to Sing

    Holly Herndon and Matt Dryhurst are presenting their first large-scale solo museum show. It sounds gorgeous, even if its visual elements are lacking.Although it’s easy to feel alienated by the opaque processes behind artificial intelligence and fearful that the technology isn’t regulated, the artists Holly Herndon and Matt Dryhurst want you to know that A.I. can be beautiful.Their exhibition “The Call,” at the Serpentine Galleries in London through Feb. 2, is the first large-scale solo museum show for the artist duo, who have long been at the forefront of A.I.’s creative possibilities.Herndon — who was born in Tennessee, grew up singing in church choirs and later received a Ph.D. in music composition from Stanford — has made cutting-edge, A.I.-inflected pop music for over a decade. With Dryhurst, a British artist who is also her husband, she has branched out to make tools that help creatives monitor the use of their data online, and recently, into the visual arts.The couple’s work “xhairymutantx,” commissioned for this year’s Whitney Biennial, uses A.I. text prompts to produce an infinite series of Herndon portraits that highlight the playful nature of digital identities.The Serpentine show combines musical and visual elements. With the varied a cappella choral traditions of Britain in mind, Herndon and Dryhurst worked with diverse choirs across the country, from classical to contemporary groups of assorted sizes, to produce training data for an A.I. model. In a wall text, the artists explain that “The Call” consists of more than just the A.I.’s output. They also consider the collection of the data and the training of the machine as works of art.“We’re offering a beautiful way to make A.I.,” the artists’ statement adds. Their utopian take is that A.I. is collectively made: It learns from whatever it is exposed to and can therefore be shaped for good.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Tenacious Pekingese Is the ‘World’s Ugliest’ Dog, After Many Tries

    Meet Wild Thang, an 8-year-old Pekingese from Oregon who had sought the title of “World’s Ugliest” for years. Now, it’s finally his.Maybe it’s the way his lolling pink tongue juts out, or how his glittering wide eyes bejewel a tiny head under a mop of long, frizzy, brown-and-white fur, but there’s just something about Wild Thang — and a panel of judges agreed.The 8-year-old Pekingese from Oregon was crowned the World’s Ugliest Dog on Friday, confirming that when the looks are, well, lacking, there’s something to be said for persistence. It was his fifth try for the top prize at the competition.“His victory is a testament to his undeniable charm and resilience,” said a statement released by the competition following Wild Thang’s big win.Born and raised in Los Angeles, Wild Thang’s life got off to a difficult start, according to his biography (yes, he has one). As a puppy, he contracted distemper, an infectious disease caused by a virus that attacks dogs’ respiratory, gastrointestinal and nervous systems. He barely survived, and his biography notes that Wild Thang was left permanently affected by the disease: “His teeth did not grow in, causing his tongue to stay out and his right front leg paddles 24/7.”Nevertheless, Wild Thang is “a healthy, happy Glugly (glamorous/ugly) guy” who “loves people, other dogs and especially his toys.”Like other beauty pageant winners, Wild Thang champions causes dear to him, according to his biography. He has helped raise money to get his fellow Pekingese doggies in Ukraine to safety — and has already saved seven of them from the war zone.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More