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    Overlooked No More: Mabel Addis, Who Pioneered Storytelling in Video Gaming

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    She was a teacher when she participated in an educational experiment with IBM. As a result, she became the first female video game designer.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.In the 1960s, Mabel Addis was an elementary-school teacher in a small town in New York State when she was offered a unique opportunity that would make history: Create an educational game with IBM.What resulted was the Sumerian Game, an early video game that taught the basics of economic theory to sixth graders. In it, a student would act as the ruler of the Mesopotamian city-state of Lagash, in Sumer, in 3500 B.C. In Level One, the primary focus was on growing crops and developing tools; Level Two oversaw a more diversified economy; and in Level Three, Lagash interacted with other city-states. In each round, students responded to prompts issued by Urbaba, the royal steward.The video game was text-based, but it is believed to be the first to introduce storytelling and characters, and the first in a genre now known as edutainment. It also made Addis the first known female video game designer, according to several game historians.The Sumerian Game “is pretty rudimentary by today’s standards, but the thing about being ‘first’ is that just existing at all becomes innovative,” Kate Willaert, the author of the blog “A Critical Hit!,” who has studied the game extensively, said in an email. Addis, she maintained, was the first video game writer ever.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Overlooked No More: Otto Lucas, ‘God in the Hat World’

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      His designs made it onto the covers of fashion magazines and onto the heads of celebrities like Greta Garbo. His business closed after he died in a plane crash.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.To many fashionable women in the mid-20th century, no hat was worth wearing unless it was made by Otto Lucas.A London-based milliner, Lucas designed chic turbans, berets and cloches, often made from luxe velvets and silks and adorned with flowers or feathers.His designs made it onto the covers of magazines like British Vogue, and onto the heads of clients who reportedly included the actresses Greta Garbo and Gene Tierney, and the Duchesses of Windsor and Kent.The name Otto Lucas was ubiquitous in England, and at the height of his success, he sold thousands of hats each year around the world.The British actress Zena Marshall wearing a hat designed by Lucas.Colaimages/AlamyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Overlooked No More: Lorenza Böttner, Transgender Artist Who Found Beauty in Disability

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      Böttner, whose specialty was self-portraiture, celebrated her armless body in paintings she created with her mouth and feet while dancing in public.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.It was the weekend of the gay pride parade in New York City in 1984 when Denise Katz heard her doorbell ring. Surprised, she opened her door and was greeted by Lorenza Böttner, a transgender artist, who was wearing a wedding gown that she had customized to fit her armless body.“I’m here for the party!” Böttner said in her hybrid German-Chilean accent. Though Böttner had buzzed the wrong apartment, Katz invited her in anyway. “From that moment on, we didn’t part,” she said.That Katz worked in an art supply store and Böttner was a prolific artist was pure coincidence.Böttner in 1983. After she lost her arms in a childhood accident, her mother encouraged her to create art with her mouth and her feet.via Leslie-Lohman Museum of ArtThroughout her lifetime, Böttner created a multidisciplinary body of work with her feet and mouth that included painting, drawing, photography, dance and performance art. She made hundreds of paintings in Europe and America, dancing in public across large canvases while creating impressionistic brushstrokes with her footprints. In New York, she performed in front of St. Mark’s Church in-the-Bowery, and Katz, who would become her roommate, provided her with large pieces of paper and other supplies.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Overlooked No More: Hansa Mehta, Who Fought for Women’s Equality in India and Beyond

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      This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.Human rights has long been considered a Western concept, but recent scholarship has been uncovering the influence of women from the global south. Women like Hansa Mehta.Mehta stood up against the British government during India’s struggle for independence. She campaigned for women’s social and political equality and their right to an education. And she fought for her ideals during the framing of the constitution for a newly independent India.Mehta with Eleanor Roosevelt in 1949, when they were the only two women named as delegate to the U.N. Commission on Human Rights.Marvin Bolotsky/United NationsFor Mehta, women’s rights were human rights. This conviction was best exemplified at a 1947 meeting of the United Nations Commission on Human Rights, to which she had been appointed as one of just two women delegates, alongside Eleanor Roosevelt. Mehta boldly objected to the wording of Article 1 of the Universal Declaration of Human Rights, which the commission was tasked with framing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Overlooked No More: Pierre Toussaint, Philanthropist and Candidate for Sainthood

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      This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.In 1849, Mary Ann Schuyler, a wealthy New Yorker, was reminded fondly of her longtime hairdresser, Pierre Toussaint, while visiting a Roman Catholic chapel in Europe. “Send my love to him,” she wrote to her sister, Hannah Farnham Sawyer Lee. “Tell him I think of him very often and never go to one of the churches of his faith without remembering my own St. Pierre.”By then, Toussaint, 68, had built a reputation as “the Vidal Sassoon of his day,” as Daniel W. Bristol Jr. wrote in “Knights of the Razor: Black Barbers in Slavery and Freedom” (2015): He had mastered the in-vogue hairstyles of the French — powdered hair, or false hair added on — as well as the newly-fashionable chignons and face-framing curls favored by the Americans.A portrait of Mary Ann Schuyler, who was one of Toussaint’s hairdressing clients. She wrote that she enjoyed their conversations as a “daily recreation.”Throughout his life, he was dedicated to the church and to others — donating to charities, helping to finance the original St. Patrick’s Cathedral in Manhattan and risking his life during epidemics to tend to the ill.In 1997, more than a hundred years after his death, Pope John Paul II proclaimed Toussaint “venerable,” the first step on the road to sainthood. Some disagreed with the move, however, because they felt Toussaint did not resist his enslavement either in Haiti or New York and was therefore a poor candidate for sainthood.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More