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    For Black Women, Adrienne Adams Is More Than Just Another Candidate

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    The New York City Council speaker, who officially launched her mayoral campaign on Saturday, would be the first woman to lead City Hall.As Adrienne Adams officially kicked off her mayoral campaign on Saturday, she urged potential voters at a rally in Jamaica, Queens, to view her as an alternative to the city’s two most recognizable candidates, Mayor Eric Adams and former Gov. Andrew M. Cuomo.But many of her supporters see her candidacy as something else: an opportunity for Democrats to elect a qualified Black woman to lead the country’s largest city, less than a year after the bruising loss of Kamala Harris, the first Black woman to lead a major party presidential ticket.Wearing a pink pantsuit, Ms. Adams entered to cheers at the Rochdale Village Shopping Center in southeast Queens and danced with supporters as “I’m Coming Out” by Diana Ross played.“No drama, no scandal, no nonsense, just competence and integrity,” Ms. Adams said at the rally, summing up her candidacy.Ms. Adams, the City Council speaker and a Queens native, faces a tough path to the mayor’s office amid a crowded primary field and her own considerable fund-raising lag. But to the city’s most steadfast Democratic voting bloc, Black women, Ms. Adams’s candidacy represents more than a litany of messaging and policy promises.Ms. Adams presenting the city budget alongside Mayor Eric Adams, left, in 2022.Benjamin Norman for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      D.C.’s Planned Removal of Black Lives Matter Mural Reflects Mayor’s Delicate Position

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      Mayor Muriel Bowser’s decision comes amid calls by the president and other Republicans for more federal control of the city.On Wednesday morning in downtown Washington, D.C., Keyonna Jones stood on her artwork and remembered the time when she and six other artists were summoned by the mayor’s office to paint a mural in the middle of the night.“BLACK LIVES MATTER,” the mural read in bright yellow letters on a street running two city blocks, blaring the message at the White House sitting just across Lafayette Square. In June 2020, when Ms. Jones helped paint the mural, demonstrations were breaking out in cities nationwide in protest of George Floyd’s murder. The creation of Black Lives Matter Plaza was a statement of defiance from D.C.’s mayor, Muriel E. Bowser, who had clashed with President Trump, then in his first term, over the presence of federal troops in the streets of her city.But on Tuesday evening, the mayor announced the mural was going away.Ms. Jones said the news upset her. But, she added of the mayor in an interview, “I get where she is coming from.”The city of Washington is in an extraordinarily vulnerable place these days. Republicans in Congress have introduced legislation that would end D.C.’s already limited power to govern itself, stripping residents of the ability to elect a mayor and city council. Mr. Trump himself has said that he supports a federal takeover of Washington, insisting to reporters that the federal government would “run it strong, run it with law and order, make it absolutely, flawlessly beautiful.” In recent days, the administration has been considering executive orders in pursuit of his vision for the city.Potential laws and orders aside, the administration has already fired thousands of federal workers, leaving residents throughout the city without livelihoods and, according to the city’s official estimate, potentially costing Washington around $1 billion in lost revenue over the next three years.Given all this, Ms. Bowser, a Democrat, described her decision about Black Lives Matter Plaza as a pragmatic calculation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Paul Tazewell Is First Black Man to Win Oscar for Best Costume Design for ‘Wicked’

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      Paul Tazewell became the first Black man to win the Oscar for best costume design Sunday. Honored for his work on the Broadway musical adaptation “Wicked,” Tazewell stepped to the dais and said, “I am the first Black man to receive the costume design award.” The remark prompted a standing ovation as Tazewell continued with his brief acceptance speech, in which he thanked “my Oz-ian muses, Cynthia and Ariana,” referring to the actresses Cynthia Erivo and Ariana Grande.In 2019, Ruth E. Carter became the first Black designer to win the Oscar for costume design, for her work on “Black Panther.” More

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      Overlooked No More: Maria W. Stewart, Trailblazing Voice for Black Women

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      She was the first Black woman to publicly address other women, using essays and lectures in the 1830s to champion their rights and challenge oppression.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.One day in 1831, Maria W. Stewart walked into the Boston offices of the publisher William Lloyd Garrison with a manuscript in hand that she was hoping he would print in his recently launched newspaper, The Liberator.Garrison was a famous white abolitionist; Stewart was a 28-year-old former indentured servant. In her manuscript, a political manifesto, she recounted her upbringing and described the conditions for Black women in an oppressive America.She also argued for equal opportunity for Black Americans, and she did something no Black woman had done before: speak directly and publicly to other women, urging them to educate themselves, “to promote and patronize each other” and, even more, “to sue for your rights and privileges.” As the historian Kristin Waters, the author of “Maria W. Stewart and the Roots of Black Political Thought” (2022), told Worcester State University in 2022, Stewart was “one of the very first writers to express what we would now call ‘feminism.’”Garrison didn’t hesitate to publish Stewart’s “Religion and the Pure Principles of Morality, the Sure Foundation on Which We Must Build,” as well as many more of her essays, in what would become America’s pre-eminent abolitionist newspaper.The masthead of the Oct. 8, 1831, issue of the Liberator, which contained Stewart’s first essay.The LiberatorWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump Marks Black History Month, Even as He Slams the Value of Diversity

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      The Black History Month reception held at the White House on Thursday had all of the pomp of celebrations past. Guests sipped champagne and snacked on lamb chops and collard greens. The crowd delighted in their invitations, snapping selfies. And when President Trump walked out alongside one of the greatest Black athletes in the world, Tiger Woods, the crowd roared with their phones in the air.But the dissonance in the East Room was jarring.Mr. Trump may have praised the contributions of Black Americans on Thursday, but he has spent the weeks since his inauguration eviscerating federal programs aimed at combating inequality in America. He has suggested that efforts spurred by the civil rights movement had made victims out of white people. He blamed a deadly plane crash over the Potomac River on diversity programs in the Federal Aviation Administration.On Thursday, Mr. Trump tried to show appreciation to the Black community by extolling those he sees as representative of Black American progress.“Let me ask you,” Mr. Trump said as he began his remarks, “is there anybody like our Tiger?”Mr. Trump and Mr. Woods are actively engaged in negotiations in search of a lucrative golf merger deal, and the president referred to Mr. Woods repeatedly during his roughly 20-minute address a crowd of several hundred guests. Mr. Woods wasn’t the only Black athlete to get a shout-out; Mr. Trump also heralded Muhammad Ali and Kobe Bryant.During his remarks, Mr. Trump made little reference to issues that have historically plagued the Black community, such as elevated poverty rates, the wage and wealth gap between Black and white Americans, and gun violence. He promised to put statues of Black Americans in a new “National Garden of American Heroes.”Among those to be honored was Prince Estabrook, an enslaved man and the first Black American to spill blood in the Revolutionary War, along with Harriet Tubman, Rosa Parks, Billie Holiday and Aretha Franklin — and maybe Mr. Woods one day, Mr. Trump said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What 11 Black Voters Think About Trump’s Actions in His First Month

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      Many Black Americans were frustrated by the Trump administration’s targeting of D.E.I. programs. But others embraced the speed at which he moved.The first few weeks of President Trump’s frenetic second term, including sweeping actions to end federal diversity, equity and inclusion programs, have mostly unfurled during the month of February, when the nation recognizes and celebrates Black history each year.For Black Americans around the country, the new administration’s actions to undo diversity programs — while vowing to celebrate Black history — have felt swift, if not entirely unexpected.Some Black voters interviewed on Thursday said they had anticipated that President Trump’s actions would be destabilizing. Those who supported him embraced his quick changes. Those who voted against him — and some who stayed home last November — were aghast. Most were paying close attention, though some said they felt the need to look away.Veronica McCloud in Burke High School’s library in Charleston, S.C.Nora Williams for The New York TimesVeronica McCloud, 63Retired English teacher in Charleston, S.C.“As a person who was born in the 1960s in the heart of the civil rights movement, what we are seeing feels like an attempt to return to a different era,” Ms. McCloud said. “I am talking about a time when Black Americans were without civil rights in their own country and women had to ask their husbands for permission to join the work force.”She was surprised by the speed with which Mr. Trump signed the sweeping executive order that upended diversity, equity and inclusion programs across the federal government.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lorraine O’Grady, Artist Who Defied Category, Is Dead at 90

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      She worked in collage, photography, performance, video and installation, and she dealt forthrightly with the complexities of race and gender.Lorraine O’Grady, a conceptual artist who had careers as a research economist, literary translator and rock critic before producing her first art in her 40s, and who went on to influence a generation of younger Black artists, died on Friday at her home in Manhattan. She was 90.Robert Ransick of the Lorraine O’Grady Trust confirmed the death.Embracingly interdisciplinary in her formal choices, Ms. O’Grady had no fixed style. She worked in collage, photography, performance, video and installation. And she dealt forthrightly with the complicated realities of race and gender, drawing on her own experience of being excluded from the white art world because she was Black and marginalized within the Black art world because she was a woman. As a result, no one knew quite what to do with her, and her art career remained little known until recently.The child of Lena and Edwin O’Grady, middle-class Jamaican immigrants who had, she said, “more education than they would be allowed to use in this country,“ Lorraine Eleanor O’Grady was born in Boston on Sept. 21, 1934, and grew up within a few blocks of the city’s main public library, where she spent much of her childhood reading and writing.In 1983, Ms. O’Grady created a participatory piece titled “Art Is …” in which performers descended into the street and invited spectators to pose for portrait photos within empty gilded frames.Lorraine O’Grady Courtesy Lorraine O’Grady TrustShe majored in economics and Spanish literature at Wellesley College and, after graduation, took a job in Washington as a research economist with the U.S. Department of Labor, focusing on labor conditions in Africa and Latin America.But her path was a restless one. After a few years, she quit her government job and moved to Europe to write a novel. She returned to the U.S., where she studied at the University of Iowa Writers’ Workshop. For a while, to support herself, she taught high school Spanish. In 1970, she opened a commercial translation agency in Chicago that attracted clients ranging from the Encyclopaedia Britannica to Playboy magazine.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mount Vernon Police’s Strip Searches Were Unconstitutional, U.S. Says

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      A report by federal prosecutors found that a Westchester County police department violated the Fourth Amendment “on an enormous scale.”Two women, 65 and 75 years old, were taken to a police station in Mount Vernon, N.Y., after a traffic stop in 2020. Officers instructed both women to undress. Then they were told to bend over and cough.Neither woman was arrested, and an investigation determined there had been no basis for the traffic stop in the first place. One of the women said she had been left “very humiliated” and “on the verge of fainting” from fear after the invasive search, commonly used in drug arrests.The encounter is just one example of a long-running pattern of improper strip searches conducted by the police department in Mount Vernon, in Westchester County, according to a report released Thursday by the Department of Justice and the U.S. attorney’s office for the Southern District of New York.In the 34-page report, investigators outlined “significant systemic deficiencies” at the very core of the police department that they said had resulted in unnecessarily violent encounters and improper arrests. The report also raised “serious concerns about discriminatory policing in predominantly Black neighborhoods,” according to a statement from the Department of Justice.According to the report, “highly intrusive” strip searches and cavity searches were “deeply ingrained” standard practices in the department. Investigators said that the department had acknowledged that officers performed strip searches on everyone they arrested until at least October 2022, a practice that the report said amounted to a “gross violation of the Fourth Amendment on an enormous scale.”Sometimes, these searches occurred before people were even arrested and were performed even when an officer had no reason to believe the person had drugs or other contraband, according to the report. Several people told investigators that officers had searched them repeatedly even when they had been in custody and under police observation “at all times” between the searches.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      2 Indianapolis Officers Are Acquitted of Manslaughter in 2022 Death

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      Herman Whitfield III had told officers “I’m dying” and that he couldn’t breathe after one of the officers deployed a Taser, according to body camera footage.Two Indianapolis police officers were acquitted on Friday of involuntary manslaughter charges in the 2022 death of Herman Whitfield III, after he was handcuffed and placed face down by the officers, who were responding to reports that he was having a mental health crisis.A jury also acquitted the officers, Adam Ahmad, 32, and Steven Sanchez, 35, of all of the other charges they faced, including reckless homicide, a felony, and felony and misdemeanor battery charges, according to court records. Officer Sanchez had also faced a second count of involuntary manslaughter for using a Taser on Mr. Whitfield, but that charge was dismissed before trial, according to one of the officer’s lawyers.Officers Ahmad and Sanchez will return to normal duty after they complete a refresher training, Chris Bailey, the chief of police for the Indianapolis Metropolitan Police Department, said on social media. As part of a standard protocol, the officers had been placed on various administrative duties after they were indicted, according to their lawyers, John F. Kautzman and Mason Riley.“We had always maintained that they did not do anything wrong in this case,” Mr. Kautzman said in an interview on Friday evening. “They certainly did not engage in any kind of criminal activity.”On April 25, 2022, Officers Ahmad and Sanchez arrived at the Whitfields’ home after Mr. Whitfield’s mother, Gladys Whitfield, called 911 saying that her son was having a mental health crisis. Body camera footage that was released after his death showed Mr. Whitfield, who was 39, walking around the house naked.In another portion of the footage, Mr. Whitfield starts running and an officer draws a Taser and pulled the trigger, stunning Mr. Whitfield. He falls and the officers handcuff him, face down. Mr. Whitfield can be heard saying “I’m dying” and that he can’t breathe and, later, the officers are seen performing CPR on him.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More