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    Faith Ringgold Dies at 93; Wove Black Life Into Quilts and Children’s Books

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    A champion of Black artists, she explored themes of race, gender, class, family and community through a vast array of media and later the written word.Faith Ringgold, a multimedia artist whose pictorial quilts depicting the African American experience gave rise to a second distinguished career as a writer and illustrator of children’s books, died on Saturday at her home in Englewood, N.J. She was 93. Her death was confirmed by her daughter Barbara Wallace.For more than a half-century, Ms. Ringgold explored themes of race, gender, class, family and community through a vast array of media, among them painting, sculpture, mask- and doll-making, textiles and performance art. She was also a longtime advocate of bringing the work of Black people and women into the collections of major American museums.Ms. Ringgold’s art, which was often rooted in her own experience, has been exhibited at the White House and in museums and galleries around the world. It is in the permanent collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Schomburg Center for Research in Black Culture and the American Craft Museum in New York; the Philadelphia Museum of Art; the Museum of Fine Arts in Boston; and other institutions.For Ms. Ringgold, as her work and many interviews made plain, art and activism were a seamless, if sometimes quilted, whole. Classically trained as a painter and sculptor, she began producing political paintings in the 1960s and ’70s that explored the highly charged subjects of relations between Black and white people, and between men and women, in America.“Few artists have kept as many balls in the air as long as Faith Ringgold,” the New York Times art critic Roberta Smith wrote in 2013, reviewing an exhibition of her work at ACA Galleries in Manhattan. “She has spent more than five decades juggling message and form, high and low, art and craft, inspirational narrative and quiet or not so quiet fury about racial and sexual inequality.”The hallmarks of Ms. Ringgold’s style included the integration of craft materials like fabric, beads and thread with fine-art materials like paint and canvas; vibrant, saturated colors; a flattened perspective that deliberately evoked the work of naïve painters; and a keen, often tender focus on ordinary Black people and the visual minutiae of their daily lives.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      O.J. Simpson, Athlete Whose Trial Riveted the Nation, Dies at 76

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      He ran to football fame on the field and made fortunes in movies. But his world was ruined after he was charged with killing his former wife and her friend.O.J. Simpson, who ran to fame on the football field, made fortunes as a Black all-American in movies, advertising and television and was acquitted of killing his former wife and her friend in a 1995 trial in Los Angeles that mesmerized the nation, died on Wednesday. He was 76.The cause was cancer, his family announced on social media. The announcement did not say where he died.The infamous case, which held up a cracked mirror to Black and white America, cleared Mr. Simpson but ruined his world. In 1997, a civil suit by the victims’ families found him liable for the deaths of Nicole Brown Simpson and Ronald L. Goldman, and ordered him to pay $33.5 million in damages. He paid little of the debt, moved to Florida and struggled to remake his life, raise his children and stay out of trouble.In 2006, he sold a book, “If I Did It,” and a prospective TV interview, giving a “hypothetical” account of murders he had always denied committing. A public outcry ended both projects, but Mr. Goldman’s family secured the book rights, added material imputing guilt to Mr. Simpson and had it published.In 2007, he was arrested after he and other men invaded a Las Vegas hotel room of some sports memorabilia dealers and took a trove of collectibles. He claimed that the items had been stolen from him, but a jury in 2008 found him guilty of 12 charges, including armed robbery and kidnapping, after a trial that drew only a smattering of reporters and spectators. He was sentenced to 9 to 33 years in a Nevada state prison. He served the minimum term and was released in 2017.Over the years, the story of O.J. Simpson generated a tide of tell-all books, movies, studies and debate over questions of justice, race relations and celebrity in a nation that adores its heroes, especially those cast in rags-to-riches stereotypes, but has never been comfortable with its deeper contradictions.A complete obituary will appear soon. More

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      Virgil Abloh’s Legacy Reaches a New Stage

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      Shannon Abloh and the Fashion Scholarship Fund unveil a new plan.Many companies, including fashion companies, may be going silent about their diversity, equity and inclusion initiatives in the face of political change. The last round of major designer appointments may not have included a single creative director of color. But at least one group is doubling down on its commitment to broadening the style-talent pipeline.At its annual gala on April 8, Peter Arnold, the executive director of the Fashion Scholarship Fund, the nonprofit that is dedicated to expanding access to the industry for underprivileged students, and Shannon Abloh, the widow of Virgil Abloh, will unveil a new strategic plan for the Virgil Abloh “Post-Modern” Scholarship Fund. The new initiative will double the number of recipients and expand the way the fund defines support.As such, it marks the next step in Ms. Abloh’s efforts to consolidate her husband’s legacy.Mr. Abloh, the pioneering Black designer who founded the brand Off-White, collaborated with Nike and became the first Black creative director of Louis Vuitton men’s wear, died in late 2021 of a rare form of cancer.“When he became successful, Virgil was the first Black face that many kids saw in a room they didn’t know they could enter,” Ms. Abloh said via Zoom from Chicago just be fore getting on a plane to fly to New York for the Fashion Scholarship Fund event. “He and I talked about, How can we turn this into something that really means something over time?” The Virgil Abloh “Post-Modern” Scholarship Fund was part of the answer.Shannon Abloh with the designer Aurora James at the CFDA awards ceremony in November 2022.Nina Westervelt for The New York TimesNow, she said of the D.E.I. reversals, “it’s really nerve-racking, seeing the changes that are happening. But for me, all it means is that the work needs to continue to be louder. It just makes me double down and say, ‘OK, then we need to fight harder.’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Beyoncé’s ‘Cowboy Carter’ Is a Vivid Mission Statement. Let’s Discuss.

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      The pop superstar teased a move to country, then tackled so much more. Three critics and a reporter explore her new album’s inspirations, sounds and stakes.BEN SISARIO I don’t usually say this about news releases, but since Beyoncé says so little about the making of her art, the “Cowboy Carter” announcement was intriguing for noting that “each song is its own version of a reimagined Western film,” and that Beyoncé screened movies while she recorded, including “Urban Cowboy,” “The Hateful Eight,” even “Space Cowboys” (?!).My first reaction to hearing the album was surprised gawking at its range of genre and sound, after she head faked us all into perhaps more limited expectations of “country.” (Of course we should have known better.) Viewed only as a genre-hopping exercise, “Cowboy Carter” might be a confusing jumble. But the film frame puts narrative and character at the center of her message, and with that everything came into clearer focus for me.As a heroine, Beyoncé makes a big, bold statement of her quest in “Ameriican Requiem,” taking on nothing less than American history. She finds villains in Jolene and (ahem) the Grammys. Songs like “II Most Wanted” and “Levii’s Jeans” could be plot-break montages while our conquering cowgirl hangs with some sidekicks she meets along the way. By the final reel she’s recapitulating her complaints and declaring herself the victorious leader of a grand resistance (“We’ll be the ones to purify our fathers’ sins”).SALAMISHAH TILLET I’ve listened to the album so many times now — on a plane, in a spin class, and, as I think she intended, while I drove on the highway (sadly, 280, not the 405). Yes, Ben, she has gone big here! But, instead of longing for some lost past, she is taking on “History” — musical and American — with, as we say in academia, a big “H,” or those big narratives about identity, belonging and discrimination.I almost missed those lyrics, “Whole lotta red in that white and blue, ha/History can’t be erased, oh-oh/You lookin’ for a new America” because I was too busy Proud Marying, jerking and twerking to “Ya Ya.” I think that might be the point — it is as if she saying, “The times are so desperate, I am going to use all the vocal gifts and genres at my disposal to bring the country together and show you how good I am at doing them (again)!”Beyoncé onstage with the Chicks performing “Daddy Lessons” at the 2016 Country Music Association Awards.Image Group LA/ABC, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Louis Gossett Jr., 87, Dies; ‘An Officer and a Gentleman’ and ‘Roots’ Actor

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      His portrayal of a drill instructor earned him the Oscar for best supporting actor. He was the first Black performer to win in that category.Louis Gossett Jr., who took home an Academy Award for “An Officer and a Gentleman” and an Emmy for “Roots,” both times playing a mature man who guides a younger one taking on a new role — but in drastically different circumstances — died early Friday in Santa Monica, Calif. He was 87.Mr. Gossett’s first cousin Neal L. Gossett confirmed the death.Mr. Gossett with Susan Sarandon and Christopher Reeve after winning the Oscar for “An Officer and a Gentleman” in 1983.Associated PressMr. Gossett was 46 when he played Emil Foley, the Marine drill instructor from hell who ultimately shapes the humanity of an emotionally damaged young Naval aviation recruit (Richard Gere) in “An Officer and a Gentleman” (1982). Reviewing the movie in The New York Times, Vincent Canby described Sergeant Foley as a cruel taskmaster “recycled as a man of recognizable cunning, dedication and humor” revealed in “the kind of performance that wins awards.”Mr. Gossett told The Times that he had recognized the role’s worth immediately. “The words just tasted good,” he recalled.When he accepted the 1983 best supporting actor Oscar, he was the first Black performer to win in that category — and only the third (after Hattie McDaniel and Sidney Poitier) to win an Academy Award for acting.He had already won an Emmy as Fiddler, the mentor of the lead character, Kunta Kinte (LeVar Burton), in the blockbuster 1977 mini-series “Roots.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Shani Mott, Black Studies Scholar Who Examined Power All Around Her, Dies at 47

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      Her work looked at how race and power are experienced in America. In 2022, she filed a lawsuit saying that the appraisal of her home was undervalued because of bias.Shani Mott, a scholar of Black studies at Johns Hopkins University whose examinations of race and power in America extended beyond the classroom to her employer, her city and even her own home, has died in Baltimore. She was 47.She died of adrenal cancer on March 12, said her husband, Nathan Connolly, a professor of history at Johns Hopkins.Though Dr. Mott spent her career in some of academia’s elite spaces, she was firmly committed to the idea that scholarship should be grounded and tangible, not succumbing to ivory tower abstraction. She encouraged students to turn a critical eye to their own backgrounds and to the realities of the world around them. In a city like Baltimore, with its complicated and often cruel racial history, there was plenty to scrutinize.“How do we think about what we’re doing and how it relates to a city like Baltimore?” is how Minkah Makalani, the director of the university’s Center for Africana Studies, described some of the questions that drove Dr. Mott’s work. “There was this kind of demanding intellectual curiosity that she had that she brought to everything that really pushed the conversation and required that people think about what we’re doing in more tangible ways.”Her research focused on American books both popular and literary, and how they revealed the kind of conversation about race that was allowed by the publishing industry and other cultural gatekeepers. This work connected to a larger theme of her scholarship: how big institutions determine how race is discussed and experienced in America.As an active member of the Johns Hopkins faculty, she pointedly explored the ways the university engaged, or did not engage, with its own workers and the majority Black city in which it sits. In 2018 and 2019, Dr. Mott was a principal investigator for the Housing Our Story project, which interviewed Black staff workers at Johns Hopkins whose voices had not been included in the campus archives. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Family Settles in Battle for Ancestral Land in South Carolina

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      Josephine Wright, who died this year at 94, had been fighting to save family property. The developer, Bailey Point Investments, agreed to end the dispute, the family’s lawyer said.The family of a woman who fought a developer to keep their ancestral land in Hilton Head, S.C., has reached a settlement in the legal battle that recognized her ownership, a family lawyer said this week.Josephine Wright, who died in January at 94, had been leading the fight to retain rights to the land that had been in her husband’s family since the Civil War. Her quest had drawn support from celebrities, including Snoop Dogg and Kyrie Irving.The company that owns the development neighboring her property, Bailey Point Investment, had sued Ms. Wright in February 2023, claiming encroachment. The company said that her satellite dish, shed and screened porch trespassed on its land, which had “significantly delayed and hindered” development.The two parties had agreed on the terms of a settlement before Ms. Wright died in January, but the documents were not signed, so they had to wait until it was determined who would be authorized to sign on behalf of her estate, Roberts Vaux, the family’s lawyer said in an email.Mr. Vaux declined to provide details of the settlement, but said that the land that Ms. Wright claimed is “confirmed as hers.”A lawyer representing Bailey Point Investment did not immediately respond to requests for comment.A family spokeswoman, Altimese Nichole, told South Carolina Public Radio that the settlement requires that Bailey Point Investment stop contacting the family about acquiring the land and that it fix a roof on the property, put up a privacy fence and provide landscaping.Ms. Wright had previously told The New York Times that her husband inherited the 1.8-acre property from his parents, and that it was put in her name after he died in 1998.The property has been a gathering spot for Ms. Wright’s seven children, 40 grandchildren, 50 great-grandchildren and 16 great-great-grandchildren, she had said.Ms. Wright’s predicament, however, wasn’t all that unique among residents of Hilton Head, S.C., an island 100 miles from Charleston, S.C.Land in the area was owned by many Black families who had settled there long before developers arrived in the 1950s and made it a tourist destination, Mel Campbell, 75, a community elder previously told the Times. Many of the Black families were descendants of West and Central Africans who were enslaved and worked on rice, indigo and cotton plantations.Many families were offered large checks from developers for their land, Ms Wright said. She said that she had refused when she was offered $39,000 for the land years ago.Ms. Wright told The Times in August that the land’s value was not only monetary. “It’s a family thing,” she said then, “and we want to keep it that way forever.” More

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      Connecticut Trooper, Brian North, Is Acquitted in Killing of a Black Teenager

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      Brian North faced up to 40 years in prison for firing seven times at Mubarak Soulemane after a car chase.A former Connecticut state trooper was acquitted on Friday of manslaughter and other charges in the fatal shooting of a 19-year-old Black man after a car chase four years ago.The trooper, Brian D. North, was criminally charged in 2022 in the killing of the teenager, Mubarak Soulemane, on Jan. 15, 2020. The killing occurred after Mr. Soulemane, who had schizophrenia, led state troopers on a chase that ended in West Haven, Conn., where Mr. North, who is white, fired seven shots through the driver’s side window.The six-person jury hearing the case in Milford found Mr. North not guilty on all charges, including manslaughter and criminally negligent homicide. Mr. North’s lawyers clapped him on the back as the jury foreman announced the verdict.“This was a difficult case,” Judge H. Gordon Hall of State Superior Court told the jury. “The work that you did was hard, and like I told you in the first place, you won’t ever forget it.”Mr. North was the first Connecticut law enforcement officer to be charged in a fatal shooting in almost 20 years, The Connecticut Post reported.The defense centered on a finding that Mr. Soulemane was holding a knife inside the car when Mr. North shot him, according an investigation by the state’s Office of Inspector General, which led to the charges.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More