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    Zohran Mamdani Returns to Harlem to Make His Pitch to Black New Yorkers

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    The presumptive Democratic nominee for mayor, who has struggled to make inroads with the Black community, spoke at the Rev. Al Sharpton’s National Action Network on Saturday.Last weekend, just days before the Democratic primary for mayor of New York City, State Assemblyman Zohran Mamdani visited the Harlem headquarters of the Rev. Al Sharpton’s National Action Network hoping to gain the support of Black voters.In his remarks to the civil rights organization, he focused on his plans to solve the city’s ills by making it a cheaper place to live and work.On Saturday, Mr. Mamdani returned to the organization triumphant, appearing to have vanquished former Gov. Andrew M. Cuomo, a well-known figure in Harlem, in Tuesday’s primary.“What does morning look like in this city?” he asked the crowd, with Mr. Sharpton and the director Spike Lee sitting behind him.“It must be a morning where the worker comes first, a morning where a New Yorker does more than just struggle,” he said. “It must be a morning where they know if they live in that rent-stabilized apartment, they will pay the same rent next year as well, and a morning where they know that child care will be universal.”Saturday’s event underscored how some prominent Democrats in the city, including Mr. Sharpton, were beginning to rally around Mr. Mamdani. (Neither Mr. Sharpton nor Mr. Lee have officially endorsed the assemblyman.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Supreme Court Punts Decision on Louisiana Voting Map Until Next Term

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      The justices asked that the case, which has implications for the political power of Black voters, be reargued next term.The Supreme Court declined on Friday to weigh in on Louisiana’s contested congressional voting map, instead ordering that new arguments be scheduled during its next term.There was no explanation offered for why the justices did not make a decision or set a date for new arguments. All but one paragraph in the six-page order was written by Justice Clarence Thomas, the lone dissent.Justice Thomas wrote that it was the court’s duty to hear such congressional redistricting challenges and that the justices had “an obligation to resolve such challenges promptly.”It is the latest twist in a winding legal battle over whether Louisiana drew congressional districts that fairly empower all voters after the 2020 census. The case has been closely watched, given that a decision striking down Louisiana’s map could affect the balance of power in the narrowly divided House of Representatives.For now, the state’s latest map, which the State Legislature approved in January 2024, will remain in place. That map paved the way for a second Black Democrat, Cleo Fields, to join Representative Troy Carter, a New Orleans-area Democrat, in the state’s congressional delegation. It was the first time in decades that Louisiana had elected two Black members of Congress, and allowed Democrats to pick up a second seat in the state.One-third of the state’s population is Black.“Although we hoped for a decision this term, we welcome a further opportunity to present argument to the court regarding the states’ impossible task of complying with the court’s voting precedents,” Liz Murrill, the Louisiana attorney general, said in a statement shared on social media.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mamdani Triumphed Without a Majority of Black Voters. Where Does That Leave Them?

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      Black city leaders are worried their influence is waning at a moment when the rising costs that Zohran Mamdani put at the center of his campaign are pushing Black New Yorkers out of the city.For years, the conventional wisdom in New York among strategists and candidates alike has been that in any Democratic primary, the road to victory runs through Black communities.Then came Zohran Mamdani.In the race that culminated on Tuesday, Mr. Mamdani forged a new multiracial political coalition to become the likely Democratic nominee for mayor and topple Andrew M. Cuomo, the former governor, who had far more name recognition, financial firepower — and political baggage.And Mr. Mamdani did so even as he lost many of New York City’s most solidly Black neighborhoods. A New York Times analysis of the results shows that Mr. Cuomo dominated in precincts where at least 70 percent of residents are Black, more than doubling Mr. Mamdani’s support, 59 percent to 26 percent.The result is a break not just from the parochial politics of New York — Black voters helped deliver the mayoralty to both Eric Adams and his predecessor, Bill de Blasio — but from the nation as a whole. Black voters have served as the Democratic Party’s most important voting bloc this century, elevating Barack Obama, Hillary Clinton and Joseph R. Biden Jr. as the party’s last three presidential nominees, oftentimes sanding down the most exuberant instincts of the left.Most famously, Representative James Clyburn of South Carolina rescued Mr. Biden’s flagging 2020 effort by rallying Black voters before his state’s primary in a bid to thwart Senator Bernie Sanders, though Mr. Clyburn’s backing did not appear to help Mr. Cuomo in this race’s closing stretch.In a city whose politics have been defined by race-based math, Mr. Mamdani’s success as a democratic socialist upended these traditional calculations and birthed a new and unconventional coalition. It also highlighted tensions between older and more moderate Black voters and the party’s most strident progressive wing, typically anchored by wealthier white voters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Cuomo and Mamdani Push to Raise Turnout in ‘Jump Ball’ Mayor’s Race

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      A new poll shows the New York City mayor’s race tightening in its final days. Former Gov. Andrew M. Cuomo and Assemblyman Zohran Mamdani are scrambling for every last vote.In the final hours before Primary Day, the Democratic race for mayor of New York City appeared to be razor-tight, leaving the two leading candidates — Andrew Cuomo and Zohran Mamdani — in scramble mode to boost turnout on Tuesday.A new poll released on Monday by Emerson College suggested the race was too close to call, with Mr. Cuomo drawing the most first-place votes but falling short of the 50 percent threshold required to be declared the winner under the city’s relatively new ranked-choice voting system.The poll shows Mr. Mamdani pulling ahead in the eighth round, topping Mr. Cuomo by 3.6 percentage points — matching the poll’s margin of error. It is the first major survey that shows Mr. Mamdani winning, seemingly reflecting his momentum, especially among younger voters.“It is essential that we turn out in record numbers in order to turn the page on Andrew Cuomo, his billionaire donors, and the politics of big money and small ideas,” Mr. Mamdani, a state assemblyman and democratic socialist, said on Monday.Mr. Cuomo, the former governor who resigned in 2021 following a series of sexual harassment allegations that he denies, has led in polls for months, including one also released on Monday by Fix the City, a super PAC tied to Mr. Cuomo’s interests. His campaign called the Emerson poll an “outlier.”“We will continue to fight for every vote like he will fight for every New Yorker as mayor,” Rich Azzopardi, a spokesman for Mr. Cuomo, said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      As Black New Yorkers Move Out, N.Y.C. Politics May Be Reshaped

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      Housing affordability and quality-of-life concerns are pushing longtime Black New Yorkers out of the city, underscoring Democrats’ challenges with their base ahead of the mayoral election.For the better part of the 35 years that she lived in Brooklyn’s East New York neighborhood, Dorinda Pannell made affordable housing her top — if not only — mission.A lifelong Democrat, tenant leader with East Brooklyn Congregations and avid voter, Ms. Pannell, 75, known to her neighbors in the Linden Houses as “Miss P,” spent years organizing her fellow residents to push for better housing conditions. She even took her fight to City Hall to give a speech about it.Now she is following New York’s mayoral primary closely, hopeful that the city’s next leader will do more for the millions of New Yorkers experiencing housing insecurity, particularly longtime Black and Latino residents who say that good-quality, affordable places to live are more and more elusive.But she will not be voting in the primary or be able to see for herself how the next mayoral administration affects her community. For the last five years, Ms. Pannell has lived in Hampton, Va., where she can be closer to her son, obtain better health care and enjoy what she believes is a higher quality of life and lower cost of living.“I’m still sad that I had to leave, you know?” she said, pointing to the organizing work she felt she had to put on hold. When it came time to move, she added, “I never cried so hard.”Ms. Pannell is one of the hundreds of thousands of Black New Yorkers who over the last decade have made the excruciating choice to leave the city they’ve called home for generations.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Ever-Evolving Juneteenth Table

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      Hamburgers, hot dogs, plenty of red sodas on ice: That was the chef Lana Lagomarsini’s Juneteenth menu for years as she celebrated with her cousins in Harlem. But over time, her celebrations evolved, especially when it came to food.For the past four years, along with the chefs Nana Araba Wilmot and Deborah Jean, she’s hosted a Juneteenth cookout in Brooklyn for a couple hundred guests. Its atmosphere is familiar: A DJ plays music, guests mingle. But the menu, a mix of contributions from all three chefs, tells a story that starts in West Africa and winds through the Caribbean and the Americas before stopping in New York City.Juneteenth commemorates June 19, 1865, when the last enslaved African Americans, in Galveston, Texas, were told they were freed, about two and a half years after the Emancipation Proclamation was issued. The holiday became a national focal point in 2020 amid protests spurred by the killing of George Floyd and was declared a national holiday in 2021.Now, the traditional foods of the holiday, like barbecue and red food and drink, meant to symbolize the blood of enslaved ancestors, are sharing space with dishes that represent the diverse histories and regional differences of Black American cooking. In the hands of some chefs and home cooks, the Juneteenth table continues to grow, reflecting its celebrants’ histories and backgrounds.“I want to make dishes that represent my ancestors, for sure, and what I’ve learned as a chef,” Ms. Lagomarsini said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Five Key Discoveries in the Family Tree of Pope Leo XIV

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      We went back 500 years and found his connection to some fascinating people.On May 8, an American cardinal named Robert Francis Prevost became Pope Leo XIV. Later that day, The Times, drawing on research by Jari C. Honora, a genealogist, reported that Prevost had recent African American ancestors. This revelation came from going back just three generations — what else might be found by looking even further into the past?Certainly, the fans of “Finding Your Roots,” the PBS show I have hosted for 13 years, wanted to know. My inbox was flooded with emails asking us to trace the new pope’s ancestry. In collaboration with the genealogists at American Ancestors and the Cuban Genealogy Club of Miami, we were able to go back as far his 12th-great-grandparents, who were born in the early 1500s. Here are some of our discoveries, ​which you can read in detail in The New York Times Magazine feature.Pope Leo’s lineage is surprisingly international.His diverse ancestry reflects the history of American immigration. The forebears identified so far were born in France (40), Italy (24), Spain (21), the United States (22), Cuba (10), Canada (6), Haiti (1) and Guadeloupe (1). The birthplaces are unknown for another nine ancestors who have been identified.Many of Pope Leo’s American-born ancestors were Black.Seventeen of the pope’s American ancestors were Black, described in historical records in terms ranging from “negresse” and “free person of color” to “mulâtresse créole” and “quadroon.” Another Black ancestor, the pope’s grandfather Joseph Nerval Martínez, was born in Haiti, to which his African Americans parents migrated from New Orleans before returning to the city in 1866.A dozen of the pope’s ancestors were slaveholders — including several who were Black.We Traced Pope Leo XIV’s Ancestry Back 500 Years. Here’s What We Found.Noblemen, enslaved people, freedom fighters, slaveowners: what the complex family tree of the first American pontiff reveals.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lorna Simpson: Painting as a Weapon of Freedom

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      In a small but haunting survey at the Met, a celebrated conceptual artist shifts gears, with meteoric results.Some of our most interesting artists have one thing in common. They do outstanding work early on, then, rather than coasting by recycling that success, they complicate it, even change gears.The artist Lorna Simpson is one these restless souls, and she has the technical and imaginative chops to make major changes work, as is evident in a corner-turning retrospective of paintings, “Source Notes,” now at the Metropolitan Museum of Art.In the late 1980s and 1990s, Simpson gained a strong reputation as a standout among a new generation of conceptual photographers and artists who — following “Pictures Generation” progenitors like Cindy Sherman a decade earlier — used photographic techniques somewhat the way painters used paint. Through a traditionally point-and-shoot, ostensibly reality-capturing medium, they created entirely fictional images.Simpson began as a straight-up picture-taker. A native New Yorker — born in Brooklyn in 1960, and raised in Queens — she studied photography at the School of Visual Arts and initially identified her work with the genre of “street photography.” Graduate school at the University of California, San Diego, where Conceptualism was the reigning mode, added a new dimension to that early impulse. So was the perception that her career opportunities in the field were limited: “Being a Black woman photographer was like being nobody,” as she has put it. So she saw no reason not to experiment both with her medium and with the subjects that interested her, namely the politics of gender and race.To that end she developed a studio-based style that combined staged images, notably shots of unnamed Black women posing in plain white shifts against a neutral backdrop, their faces turned away from the camera or out of its range, with results that evoke voyeuristic 19th-century ethnological documents, mug shots, and performance art stills. Most of these images have incorporated short texts that hint at explanatory narratives, some violent, without actually providing anything explicit.Detail of “5 Properties,” 2018. Ebony and Jet magazines, poly sleeves, bronze, plaster, glass.Dana Golan for The New York TimesCreating on aura of mystery has been her generative M.O., one she has applied to film and installation work as well as to still photography. What has changed in the past decade is her primary medium. Around 2014, she began, for the first time since her pre-art-school years, to focus on painting, and the Met exhibition is a tight but monumental survey of this new work.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Rosana Paulino, a Brazilian Artist Who Wields Poetry and Persistence

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      Rosana Paulino, one of Brazil’s most influential artists, works from a narrow three-story house in Pirituba, a neighborhood of simple homes and shops that huddle along the hillside in the northwest outskirts of São Paulo. Her small balcony looks toward a pocket park, a railway line and a nature preserve on a ridge that belies the urban sprawl beyond.The daughter of a cleaner and a house painter, Paulino has pushed her way with stubborn insistence from modest origins in the Black working class into Brazil’s top institutions — at one time working clerical jobs for three years to pay for prep classes to get into the best universities. But she remains rooted in São Paulo’s north-side neighborhoods, where Black culture formed around the rail yards and the warehouses where laborers transferred coffee and other crops before shipping them abroad.“Espada de Iansã,” watercolor and graphite on paper, from the Senhora das Plantas series. Paulino’s female figures seem to merge with Brazilian plants that carry ecological or spiritual symbolism.Gabriela Portilho for The New York Times“It’s very important for me to stay here,” Paulino, 58, said, on a muggy afternoon in April, as a tropical rainstorm gathered. “It’s that old story — you start to have a name and money and so you move out of your community. No, no, no. That’s absolutely not for me.”She emerged as an artist when bourgeois tastes and Modernism dominated the museums and schools, making little space for the work and perspectives of artists from Brazil’s Black majority.Lately the climate has changed. A survey at the prestigious Pinacoteca de São Paulo museum in 2018 and participation in the 2023 São Paulo Biennial cemented Paulino’s hometown recognition; her inclusion in the 2022 Venice Biennale, with some two dozen large-scale drawings of part-human, part-plant female figures, brought visibility abroad.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More