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      Child Welfare Agency Routinely Violates Families’ Rights, Suit Charges

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      Lawyers for a group of New York City parents argue that the Administration for Children’s Services uses “coercive tactics” that traumatize the families it is charged with protecting.A sweeping class-action lawsuit filed against New York City on Tuesday argues that the agency that investigates child abuse and neglect routinely engages in unconstitutional practices that traumatize the families it is charged with protecting.The lawsuit says that investigators for the Administration for Children’s Services deceive and bully their way into people’s homes, where they rifle through families’ most private spaces, strip-search children and humiliate parents.The agency’s “coercive tactics” include threatening to take children away or call the police, telling parents they have no choice but to let them in and making public scenes in hallways, according to the suit, filed in federal court in Brooklyn.Marisa Kaufman, a spokeswoman for the agency, said in a statement on Monday that A.C.S. would review the lawsuit. “A.C.S. is committed to keeping children safe and respecting parents’ rights,” she said.She added, “We will continue to advance our efforts to achieve safety, equity, and justice by enhancing parents’ awareness of their rights, connecting families to critical services, providing families with alternatives to child protection investigations, and working with key systems to reduce the number of families experiencing an unnecessary child protective investigation.”Eastern District Lawsuit Against New York CityRead Document 49 pagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Overlooked No More: Pierre Toussaint, Philanthropist and Candidate for Sainthood

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      This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.In 1849, Mary Ann Schuyler, a wealthy New Yorker, was reminded fondly of her longtime hairdresser, Pierre Toussaint, while visiting a Roman Catholic chapel in Europe. “Send my love to him,” she wrote to her sister, Hannah Farnham Sawyer Lee. “Tell him I think of him very often and never go to one of the churches of his faith without remembering my own St. Pierre.”By then, Toussaint, 68, had built a reputation as “the Vidal Sassoon of his day,” as Daniel W. Bristol Jr. wrote in “Knights of the Razor: Black Barbers in Slavery and Freedom” (2015): He had mastered the in-vogue hairstyles of the French — powdered hair, or false hair added on — as well as the newly-fashionable chignons and face-framing curls favored by the Americans.A portrait of Mary Ann Schuyler, who was one of Toussaint’s hairdressing clients. She wrote that she enjoyed their conversations as a “daily recreation.”Throughout his life, he was dedicated to the church and to others — donating to charities, helping to finance the original St. Patrick’s Cathedral in Manhattan and risking his life during epidemics to tend to the ill.In 1997, more than a hundred years after his death, Pope John Paul II proclaimed Toussaint “venerable,” the first step on the road to sainthood. Some disagreed with the move, however, because they felt Toussaint did not resist his enslavement either in Haiti or New York and was therefore a poor candidate for sainthood.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      AME Church Leaders Call for End of U.S. Aid to Israel

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      The African African Methodist Episcopal Church Bishops Council says American financial assistance to help Israel fight its war in Gaza supports “mass genocide.”Leaders of the African Methodist Episcopal Church, one of the country’s oldest and most prominent Black Christian denominations, called this week for the United States to end its financial aid to Israel, saying the monthslong military campaign in Gaza amounted to “mass genocide.”The statement was issued by the church’s Council of Bishops, its executive branch, and signed by four senior bishops, including the council president, Bishop Stafford J. N. Wicker.Black churches and other faith groups have pushed for a cease-fire in the Israel-Hamas war for months in advertisements, open letters and social media campaigns. Black faith leaders across denominations have amplified their calls as the number of dead rises. More than 28,000 people have been killed in Gaza, according to health officials there, many of them women and children.But the A.M.E. council’s statement goes further than a cease-fire demand, insisting that the United States immediately stop its financial support of Israel. It came as Israeli forces pushed into southern Gaza and prepared for a ground assault on Rafah, where more than a million displaced Palestinians are trapped.The latest war between Israel and Hamas erupted on Oct. 7, after a Hamas attack on Israel killed 1,200 people, according to Israeli officials. The conflict has been a point of tension between President Biden, who has stood by Israel during the war, and African Americans, many of whom have taken up the Palestinian cause.Several Black clergy members said the war could weaken an already fraught relationship between Mr. Biden and Black voters, Democrats’ most loyal voting bloc. The Black church is viewed as crucial to helping marshal support for Mr. Biden.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Yale Apologizes for Its Connections to Slavery

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      The university also issued a historical study and announced steps to address this legacy, including new support for public education in New Haven, Conn.Yale University on Friday issued a formal apology for its early leaders’ involvement with slavery, accompanied by the release of a detailed history of the university’s connections to slavery and a list of what it said were initial steps to make some amends.The announcement came more than three years after Yale announced a major investigation into the university’s connections to slavery, the slave trade and abolition, amid intense national conversations about racial justice set off by the murder of George Floyd. And it frames what the school’s leaders say will be a continuing commitment to repair.“We recognize our university’s historical role in and associations with slavery, as well as the labor, the experiences and the contributions of enslaved people to our university’s history, and we apologize for the ways that Yale’s leaders, over the course of our early history, participated in slavery,” the university’s president, Peter Salovey, and the senior board trustee, Josh Bekenstein, said in a message to the university community.“Acknowledging and apologizing for this history are only part of the path forward,” they continued. The university is also creating new programs to fund the training of public schoolteachers for its home city, New Haven, Conn., whose population is predominantly Black. And Yale will expand previously announced research partnerships with historically Black colleges and universities across the country, with a “significant new investment” to be announced in coming weeks.Unlike Harvard, which in 2022 committed $100 million to a “Legacy of Slavery Fund,” Yale did not announce an amount for all its initiatives.David W. Blight, the Yale historian who led the historical research, said in an interview that the purpose of the effort was not “to cast ugly stones at anybody,” but to present the university’s history honestly and unflinchingly.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sheriff’s Deputies Shoot Woman Inside Friend’s Home in Houston, Authorities Say

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      Body camera footage released on Saturday showed the two Harris County deputies repeatedly firing through the apartment’s window after a report of a break-in.A Houston woman was shot in her friend’s apartment this month by sheriff’s deputies who responded to a report of a break-in and fired repeatedly into the home, according to a statement and body camera footage released by the Harris County Sheriff’s Office.Early on Feb. 3, the woman, Eboni Pouncy, and her friend smashed a window to get inside after forgetting the house key, according to a statement released last week by the civil rights lawyer Ben Crump, who is representing Ms. Pouncy.The women were startled when, after 2 a.m., the deputies began pounding on the door, according Mr. Crump. Fearing an intruder, Ms. Pouncy picked up her legally registered firearm and, shortly after, was struck by five bullets, he said.Emergency medical workers took Ms. Pouncy to a hospital for treatment, the sheriff’s office said. While the nature of her injuries was unclear, Mr. Crump said in his statement that she was recovering.According to the Harris County Sheriff’s Office, the two deputies responded to a report of an intruder at an apartment on the city’s east side at around 2:10 a.m. but found no one inside. Shortly afterward, a resident of a neighboring apartment told the deputies that someone had broken into another second-floor apartment, the sheriff’s office said. When deputies went to investigate the break-in, they found the front window screen removed, broken glass and the blinds raised near the front door, the sheriff’s office said.The footage, retrieved from deputies’ body-worn cameras and released on Saturday, shows the two deputies, who appear to be women, climbing the apartment staircase, knocking on the front door and then retreating a few feet away. One of the deputies says she sees someone coming and shouts, and then both deputies begin firing repeatedly through the glass windows. Both reload their guns and continue to fire several times.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Aurora, Colo., Pays $1.9 Million to Black Family Wrongly Detained by Police

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      The family of five was stopped at gunpoint in 2020 by officers in Aurora, Colo., who mistook their S.U.V. for a stolen vehicle.Five members of a Black family who were wrongfully detained at gunpoint in Aurora, Colo., in 2020 by police officers who mistook their S.U.V. for a vehicle that had been stolen received $1.9 million to settle their lawsuit against the city, the family’s lawyer said Monday.The family — Brittney Gilliam, 29 at the time, her daughter, who was 6, sister, who was 12, and two nieces, 17 and 14 at the time — had gone to get their nails done when Aurora Police Department officers ordered them to lie on the ground and handcuffed two of the girls, the authorities said at the time.A widely shared video of the episode showed four children lying on the ground in a parking lot, crying and screaming as several officers stood over them, sparking further outrage over a department already mired in controversy over the 2019 death of a Black man and its use of excessive force.The settlement was reached several months ago but remained confidential because there are children involved, David Lane, the lawyer, said by phone Monday. It is divided equally among Ms. Gilliam, her nieces, sister and daughter, he added, noting that the younger children will need to wait until they turn 18 to be able to access their share.The settlement, Mr. Lane said, both helped to avoid re-traumatizing the children in a deposition or trial, and to bring attention to the costly nature of settling similar cases — which the city has done several times in recent years following accusations that its police officers had used excessive force.From 2003 to 2018, the city settled at least 11 police brutality cases for a total of $4.6 million, according to the A.C.L.U. of Colorado. In 2021, the city agreed to pay $15 million to the family of Elijah McLain to settle a federal civil rights lawsuit over the police confrontation in 2019 that ended his life.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Grammys Aim for a Big Tent, but Not Everyone Feels at Home

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      The most awarded artists were diverse on Sunday night. How those winners received their honors, however, differed mightily.Sunday night at the 66th annual Grammy Awards, Jay-Z accepted the Dr. Dre global impact award, a sort of éminence grise prize. He’s previously won 24 Grammys, but he did not treat the moment like a homecoming.Instead, he used his speech to alternately nudge and excoriate the Recording Academy, the body that awards the Grammys, for its mistreatment and short-shrifting of Black artists: “We want y’all to get it right. At least get it close to right.” He mentioned his wife, Beyoncé, winner of the most Grammys ever, yet never a winner for album of the year. “Think about that,” he said, as he scrunched up his face with distaste.By this point, the room seemed to understand what was happening — Jay-Z was rinsing the Grammys on its own stage. Beyoncé, in the audience, appeared to be somewhere near tears. “When I get nervous,” Jay-Z said, “I tell the truth.” He reached out and grabbed the hand of his daughter Blue Ivy for support before urging those who have been overlooked and slighted to persevere “until they give you all those accolades you feel you deserve.”Jay-Z’s speech took a moment of acclaim and turned it into a moment for reflection, and maybe a lecture. Over the past few years, several Black artists have effectively been boycotting the Grammys by declining to submit their music for consideration, frustrated with how hip-hop and R&B are treated, particularly in the biggest all-genre categories.This year was no different — album, record and song of the year were won by white artists, though broadly speaking, the most awarded artists were diverse: three each for SZA, Killer Mike and Victoria Monét; four for Phoebe Bridgers (three of which came as part of boygenius) and two each for Taylor Swift, Billie Eilish and Miley Cyrus.How those artists received those honors, however, differed mightily.In their speeches, Monét and SZA emphasized how long and roundabout their paths to this moment had been. During her acceptance for best new artist, Monét called the prize the endpoint of “a 15-year pursuit.” She’s primarily been known for her songwriting, particularly her work with Ariana Grande. And while she’d released music independently through the 2010s, her 2023 album, “Jaguar II,” was her first major-label LP. “My roots have been growing underneath ground, unseen for so long,” she said. “And I feel like today, I’m sprouting.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Amid a Fraught Process, Penn Museum Entombs Remains of 19 Black People

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      Skulls from a collection used to further racist science have been laid to rest. Questions surrounding the interment have not.There was very little that could be said about the 19 people who were eulogized on Saturday morning in a service at the University of Pennsylvania. Their names were lost, and not much about their lives was known beyond the barest facts: an old age spent in the poorhouse, a problem with cavities. They were Black people who had died in obscurity over a century ago, now known almost entirely by the skulls they left behind. Even some of these scant facts have been contested.Much more could be said about what led to the service. “This moment,” said the Rev. Jesse Wendell Mapson, a local pastor involved in planning the commemoration and interment of the 19, “has not come without some pain, discomfort and tension.”On this everyone could agree.The University of Pennsylvania Museum of Archaeology and Anthropology, like cultural and research institutions worldwide, has been grappling with a legacy of plunder, trying to decide what to do about artifacts and even human bones that were collected from people and communities against their will and often without their knowledge.Human remains, which are in the repositories of institutions all across the country, present a particularly delicate challenge. The Samuel G. Morton Cranial Collection, which has been at the Penn Museum since 1966, is an especially notorious example, with more than a thousand skulls gathered in furtherance of vile ideas about race.Drummers at the start of the commemoration service at the Penn Museum on Saturday.Kriston Jae Bethel for The New York TimesThe museum plans to repatriate hundreds of craniums from all over the world, but the process has been fraught from the beginning. Its first step — the entombment at a nearby cemetery of the skulls of Black Philadelphians found in the collection — has drawn heavy criticism, charged by activists and some experts with being rushed and opaque.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More