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      Federal Judges Block Newly Drawn Louisiana Congressional Map

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      A panel of federal judges blocked Louisiana on Tuesday from using a newly drawn congressional map that had been designed to form a second district with a majority of Black voters, creating uncertainty just months before an election that could play a critical role in determining the balance of power in the House of Representatives.The new districts had been outlined in January during a special session of the State Legislature. Lawmakers had been ordered to sketch out the new boundaries after a three-judge panel of the U.S. Court of Appeals for the Fifth Circuit found that the previous map had very likely violated the Voting Rights Act by diluting the voting power of Black residents.But in a 2-to-1 decision released on Tuesday, a separate panel of federal judges sided with challengers who argued that the new map was an “impermissible racial gerrymander” that violates the Equal Protection Clause of the 14th amendment of the U.S. Constitution.The challenge had been brought by a group of residents scattered across the newly formed district who described themselves as “non-African American” voters. They argued that lawmakers had moved to “segregate voters based entirely on their races” and that to achieve that, they had stitched together “communities in far-flung regions of Louisiana.”Critics assailed the ruling on Tuesday, saying that it threatened vital protections for voters of color. “The court’s ruling today unnecessarily puts Louisianians’ right to vote in a very precarious position,” Eric H. Holder Jr., the former U.S. attorney general and current chairman of the National Democratic Redistricting Committee, said in a statement.The court will hold a hearing on May 6 to discuss which boundaries will be used in the coming election.“We will of course be seeking Supreme Court review,” Louisiana’s attorney general, Liz Murrill, wrote on social media. “I’ve said all along the Supreme Court needs to clear this up.” More

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      Maximizing Profits at the Patients’ Expense

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      More from our inbox:The Brave Trump JurorsBlack Voters ‘Want to Be Courted’ by DemocratsBetter Than Debates NATo the Editor:Re “Patients Hit With Big Bills While Insurers Reap Fees” (front page, April 7):Chris Hamby’s investigation uncovers the hard truth for patients who receive care from providers outside their insurance network. While most of us try to save out-of-pocket costs by using in-network health professionals and hospitals, it’s not always possible. And there’s no way to determine what we’ll owe until after we get that care — when it’s too late to reconsider based on the costs we’ve incurred.So, it’s more important than ever for the government to swiftly implement an essential element of the No Surprises Act: Providers should have to give patients an advance explanation of benefits so patients can estimate their financial burden before they get treatment, in or out of network.Health price transparency is improving, but it’s outrageous that even two years after the No Surprises Act passed, everyone except the patient knows the price of a procedure or doctor’s visit in advance, leaving patients unpleasantly surprised.Patricia KelmarAlexandria, Va.The writer is senior director of Health Care Campaigns for U.S. PIRG.To the Editor:This is just the latest example of the schemes deployed by insurers to maximize profits by cutting reimbursements to physicians and shifting medically necessary health care costs onto patients.Whether it’s through third-party entities like MultiPlan or using tactics such as narrowing provider networks and restrictive prior authorization policies, insurers have the perverse incentive to boost revenue over offering adequate payment for quality patient care under the guise of “controlling costs.”More and more patients are being forced to decide whether they should forgo treatment because their insurer won’t pay the bill.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Channing Frye Is Diversifying Wine One Sip at a Time

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      When Channing Frye retired in 2019 after 15 years as a solid power forward in the N.B.A., he was at loose ends. With no long-term plans, he said, he began to feel depressed.“My wife said, ‘What do you love?’ I said, ‘I love people and I love wine.’ I could become a party planner or I could go into wine.”Mr. Frye chose wine. He established a label, Chosen Family Wines, based in Oregon, where he had settled with his wife, Lauren, after playing for the Portland Trail Blazers early in his career. His partners include Kevin Love, his former teammate with the Cleveland Cavaliers, who is still playing, now with the Miami Heat.The N.B.A. has had in recent years an intense connection to wine. Mr. Frye is one of many current and former players who’ve gone into the wine business, including Dwyane Wade, Tony Parker, Carmelo Anthony, CJ McCollum, Josh Hart and others. LeBron James and Gregg Popovich, the coach of the San Antonio Spurs, are serious connoisseurs who’ve turned many in the league on to wine.Mr. Frye walks a vineyard in Dundee, Ore., with Ayla Holstein.Celeste Noche for The New York TimesBut what sets Chosen Family Wine apart is its commitment — its mission, really — to bringing wine to communities that have long been neglected by the wine industry. While some companies have made efforts to bring people of color into already existing corporate structures, Chosen Family set about meeting people on their own terms to introduce them to wine in comfortable and familiar contexts.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Faith Ringgold Dies at 93; Wove Black Life Into Quilts and Children’s Books

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      A champion of Black artists, she explored themes of race, gender, class, family and community through a vast array of media and later the written word.Faith Ringgold, a multimedia artist whose pictorial quilts depicting the African American experience gave rise to a second distinguished career as a writer and illustrator of children’s books, died on Saturday at her home in Englewood, N.J. She was 93. Her death was confirmed by her daughter Barbara Wallace.For more than a half-century, Ms. Ringgold explored themes of race, gender, class, family and community through a vast array of media, among them painting, sculpture, mask- and doll-making, textiles and performance art. She was also a longtime advocate of bringing the work of Black people and women into the collections of major American museums.Ms. Ringgold’s art, which was often rooted in her own experience, has been exhibited at the White House and in museums and galleries around the world. It is in the permanent collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Schomburg Center for Research in Black Culture and the American Craft Museum in New York; the Philadelphia Museum of Art; the Museum of Fine Arts in Boston; and other institutions.For Ms. Ringgold, as her work and many interviews made plain, art and activism were a seamless, if sometimes quilted, whole. Classically trained as a painter and sculptor, she began producing political paintings in the 1960s and ’70s that explored the highly charged subjects of relations between Black and white people, and between men and women, in America.“Few artists have kept as many balls in the air as long as Faith Ringgold,” the New York Times art critic Roberta Smith wrote in 2013, reviewing an exhibition of her work at ACA Galleries in Manhattan. “She has spent more than five decades juggling message and form, high and low, art and craft, inspirational narrative and quiet or not so quiet fury about racial and sexual inequality.”The hallmarks of Ms. Ringgold’s style included the integration of craft materials like fabric, beads and thread with fine-art materials like paint and canvas; vibrant, saturated colors; a flattened perspective that deliberately evoked the work of naïve painters; and a keen, often tender focus on ordinary Black people and the visual minutiae of their daily lives.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      O.J. Simpson, Athlete Whose Trial Riveted the Nation, Dies at 76

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      He ran to football fame on the field and made fortunes in movies. But his world was ruined after he was charged with killing his former wife and her friend.O.J. Simpson, who ran to fame on the football field, made fortunes as a Black all-American in movies, advertising and television and was acquitted of killing his former wife and her friend in a 1995 trial in Los Angeles that mesmerized the nation, died on Wednesday. He was 76.The cause was cancer, his family announced on social media. The announcement did not say where he died.The infamous case, which held up a cracked mirror to Black and white America, cleared Mr. Simpson but ruined his world. In 1997, a civil suit by the victims’ families found him liable for the deaths of Nicole Brown Simpson and Ronald L. Goldman, and ordered him to pay $33.5 million in damages. He paid little of the debt, moved to Florida and struggled to remake his life, raise his children and stay out of trouble.In 2006, he sold a book, “If I Did It,” and a prospective TV interview, giving a “hypothetical” account of murders he had always denied committing. A public outcry ended both projects, but Mr. Goldman’s family secured the book rights, added material imputing guilt to Mr. Simpson and had it published.In 2007, he was arrested after he and other men invaded a Las Vegas hotel room of some sports memorabilia dealers and took a trove of collectibles. He claimed that the items had been stolen from him, but a jury in 2008 found him guilty of 12 charges, including armed robbery and kidnapping, after a trial that drew only a smattering of reporters and spectators. He was sentenced to 9 to 33 years in a Nevada state prison. He served the minimum term and was released in 2017.Over the years, the story of O.J. Simpson generated a tide of tell-all books, movies, studies and debate over questions of justice, race relations and celebrity in a nation that adores its heroes, especially those cast in rags-to-riches stereotypes, but has never been comfortable with its deeper contradictions.A complete obituary will appear soon. More

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      Virgil Abloh’s Legacy Reaches a New Stage

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      Shannon Abloh and the Fashion Scholarship Fund unveil a new plan.Many companies, including fashion companies, may be going silent about their diversity, equity and inclusion initiatives in the face of political change. The last round of major designer appointments may not have included a single creative director of color. But at least one group is doubling down on its commitment to broadening the style-talent pipeline.At its annual gala on April 8, Peter Arnold, the executive director of the Fashion Scholarship Fund, the nonprofit that is dedicated to expanding access to the industry for underprivileged students, and Shannon Abloh, the widow of Virgil Abloh, will unveil a new strategic plan for the Virgil Abloh “Post-Modern” Scholarship Fund. The new initiative will double the number of recipients and expand the way the fund defines support.As such, it marks the next step in Ms. Abloh’s efforts to consolidate her husband’s legacy.Mr. Abloh, the pioneering Black designer who founded the brand Off-White, collaborated with Nike and became the first Black creative director of Louis Vuitton men’s wear, died in late 2021 of a rare form of cancer.“When he became successful, Virgil was the first Black face that many kids saw in a room they didn’t know they could enter,” Ms. Abloh said via Zoom from Chicago just be fore getting on a plane to fly to New York for the Fashion Scholarship Fund event. “He and I talked about, How can we turn this into something that really means something over time?” The Virgil Abloh “Post-Modern” Scholarship Fund was part of the answer.Shannon Abloh with the designer Aurora James at the CFDA awards ceremony in November 2022.Nina Westervelt for The New York TimesNow, she said of the D.E.I. reversals, “it’s really nerve-racking, seeing the changes that are happening. But for me, all it means is that the work needs to continue to be louder. It just makes me double down and say, ‘OK, then we need to fight harder.’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Beyoncé’s ‘Cowboy Carter’ Is a Vivid Mission Statement. Let’s Discuss.

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      The pop superstar teased a move to country, then tackled so much more. Three critics and a reporter explore her new album’s inspirations, sounds and stakes.BEN SISARIO I don’t usually say this about news releases, but since Beyoncé says so little about the making of her art, the “Cowboy Carter” announcement was intriguing for noting that “each song is its own version of a reimagined Western film,” and that Beyoncé screened movies while she recorded, including “Urban Cowboy,” “The Hateful Eight,” even “Space Cowboys” (?!).My first reaction to hearing the album was surprised gawking at its range of genre and sound, after she head faked us all into perhaps more limited expectations of “country.” (Of course we should have known better.) Viewed only as a genre-hopping exercise, “Cowboy Carter” might be a confusing jumble. But the film frame puts narrative and character at the center of her message, and with that everything came into clearer focus for me.As a heroine, Beyoncé makes a big, bold statement of her quest in “Ameriican Requiem,” taking on nothing less than American history. She finds villains in Jolene and (ahem) the Grammys. Songs like “II Most Wanted” and “Levii’s Jeans” could be plot-break montages while our conquering cowgirl hangs with some sidekicks she meets along the way. By the final reel she’s recapitulating her complaints and declaring herself the victorious leader of a grand resistance (“We’ll be the ones to purify our fathers’ sins”).SALAMISHAH TILLET I’ve listened to the album so many times now — on a plane, in a spin class, and, as I think she intended, while I drove on the highway (sadly, 280, not the 405). Yes, Ben, she has gone big here! But, instead of longing for some lost past, she is taking on “History” — musical and American — with, as we say in academia, a big “H,” or those big narratives about identity, belonging and discrimination.I almost missed those lyrics, “Whole lotta red in that white and blue, ha/History can’t be erased, oh-oh/You lookin’ for a new America” because I was too busy Proud Marying, jerking and twerking to “Ya Ya.” I think that might be the point — it is as if she saying, “The times are so desperate, I am going to use all the vocal gifts and genres at my disposal to bring the country together and show you how good I am at doing them (again)!”Beyoncé onstage with the Chicks performing “Daddy Lessons” at the 2016 Country Music Association Awards.Image Group LA/ABC, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Louis Gossett Jr., 87, Dies; ‘An Officer and a Gentleman’ and ‘Roots’ Actor

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      His portrayal of a drill instructor earned him the Oscar for best supporting actor. He was the first Black performer to win in that category.Louis Gossett Jr., who took home an Academy Award for “An Officer and a Gentleman” and an Emmy for “Roots,” both times playing a mature man who guides a younger one taking on a new role — but in drastically different circumstances — died early Friday in Santa Monica, Calif. He was 87.Mr. Gossett’s first cousin Neal L. Gossett confirmed the death.Mr. Gossett with Susan Sarandon and Christopher Reeve after winning the Oscar for “An Officer and a Gentleman” in 1983.Associated PressMr. Gossett was 46 when he played Emil Foley, the Marine drill instructor from hell who ultimately shapes the humanity of an emotionally damaged young Naval aviation recruit (Richard Gere) in “An Officer and a Gentleman” (1982). Reviewing the movie in The New York Times, Vincent Canby described Sergeant Foley as a cruel taskmaster “recycled as a man of recognizable cunning, dedication and humor” revealed in “the kind of performance that wins awards.”Mr. Gossett told The Times that he had recognized the role’s worth immediately. “The words just tasted good,” he recalled.When he accepted the 1983 best supporting actor Oscar, he was the first Black performer to win in that category — and only the third (after Hattie McDaniel and Sidney Poitier) to win an Academy Award for acting.He had already won an Emmy as Fiddler, the mentor of the lead character, Kunta Kinte (LeVar Burton), in the blockbuster 1977 mini-series “Roots.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More