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    Watch Ryan Gosling Perform His Own Stunt in ‘The Fall Guy’

    The director David Leitch narrates a sequence from the film featuring Gosling and Emily Blunt.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.Spicy margaritas, bad decisions and one big stunt make up this sequence from “The Fall Guy.”Ryan Gosling stars as a stuntman named Colt Seavers alongside Emily Blunt as a cinematographer, Jody Moreno. In this flashback, the two have a flirty conversation over the radio about having a drink after work as Colt prepares for a stunt on set.For the scene, which involves Gosling’s character falling several stories inside a building, the “Fall Guy” director David Leitch said they opted to create the moment practically and have Gosling perform the stunt himself.This meant hooking the actor to a rig called a descender, used to drop a stunt performer off a building, and then a mechanism provides deceleration for the final 10 feet.Read the “Fall Guy” review.Learn about the filmmakers’ campaign for an Oscar for stunts.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

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    Emily Blunt and Florence Pugh’s Oscar Dresses Raise Some Eyebrows

    Emily Blunt showed up to the Academy Awards, arm in arm with her husband, the actor John Krasinski, while her dress rejected the premise: Her straps refused to touch her arms. The neckline floated, as if it had been lifted from her Oscar-nominated shoulders by invisible fingers.Those fingers, in theory, would have belonged to Daniel Roseberry, the creative director of French fashion house Schiaparelli. The dress initially appeared on the runway of Schiaparelli’s spring-summer 2024 couture show, in a collection inspired by space, astrology and the heavens. (One model carried a robot baby.)Around Ms. Blunt’s pelvis, the gown — already covered in nude sequins — featured a trompe l’œil outline of men’s boxer shorts in silver sequins. Fashion commentators on E! kept referring to the champagne dress as “sporty,” given the tank-top straps.Then came Florence Pugh, who starred alongside Ms. Blunt in “Oppenheimer.” Her straps similarly stood up straight, jutting off her shoulders, from a gown made by the young Milanese brand Del Core (although her hovering straps weren’t quite as sculpturally rigid as those on Ms. Blunt’s dress).Designer Daniel Del Core said in September, when the gown debuted on the runway, that he was “fascinated by architectural structures, just as much as I am by natural forms and their relations.” The rest of Ms. Pugh’s dress was reminiscent of a sea organism, with its foamy blue-gray color, curling reef-like bodice and glassy embellishments that resembled water drops.Your eyes do not deceive you, Florence Pugh’s top is supposed to look like it might fall off her shoulders.Jutharat Pinyodoonyachet for The New York TimesThe red carpet of the Academy Awards tends to be pretty traditional — think long trains, bejeweled strapless gowns and other romantic silhouettes associated with Old Hollywood glamour. So it was jolting to see such an unusual design element on Ms. Blunt, and even more surprising to see it replicated on Ms. Pugh.There were a few other bold necklines on Sunday night. Best actress nominee Sandra Hüller’s off-shoulder sleeves were villainously sharp, and fellow nominee Lily Gladstone’s strapless neckline was trimmed with quilt made in collaboration by Gucci and Joe Big Mountain of Ironhouse Quillwork. For Ms. Blunt and Ms. Pugh, their floating necklines injected a little subversion into their predictably shiny looks.Not everyone liked the straps, though. The gowns were polarizing on social media. But they stood out. The word that came to mind, quite literally, was elevating. More