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    What to Know About Supreme Court Justices’ Book Deals

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    For the justices, selling books remains one of the few ways to earn income outside the court.For Supreme Court justices, books deals have become a highly lucrative way to shape the public narrative of their lives and legacies.The money brought in by those deals, one of the few ways that they can supplement their income, often far eclipses their salaries, roughly $300,000.A majority of the current justices have published books, most recently Justice Ketanji Brown Jackson. Her memoir, “Lovely One,” which traces the arc of her family from the segregated Jim Crow South to her rise to the Supreme Court, was released this week and shot up Amazon’s best-seller list.Here’s a closer look.Which justices have written books?Six of the nine justices have written books or currently have book deals.Justice Jackson joins Justices Sonia Sotomayor and Clarence Thomas in publishing moving accounts of their childhoods and paths to the court. Justice Sotomayor has also written several children’s books.Justice Neil M. Gorsuch has focused on the law, publishing books describing the ethical and legal issues raised by assisted suicide and euthanasia. His most recent, published this summer, is a series of stories drawn from court cases that he uses to argue that administrative overreach and the increasing number of laws have harmed ordinary Americans.Two of the newest justices — Amy Coney Barrett and Brett M. Kavanaugh — have book deals in place. Justice Barrett’s book has been described as her views about keeping personal feelings out of judicial rulings. Justice Kavanaugh’s is expected to be a legal memoir that is likely to touch on his bruising confirmation fight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Reagan Arthur Returns to Hachette

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      Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint.Reagan Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint, Hachette said Thursday.Her appointment comes weeks after Arthur was let go from her position as publisher of Knopf, one of the most prestigious imprints at Penguin Random House, a move that surprised many in the publishing industry.At Hachette, Arthur will launch and oversee a new publishing line within Grand Central Publishing Group, and will also edit prominent authors at other imprints. Arthur’s own imprint, as yet unnamed, will release between four and six books a year.In an interview, Arthur said she envisioned her new imprint as a place to further develop the kinds of books she’s long published, putting out a selective list of literary and commercial fiction and narrative nonfiction.“I get to build something that will have a lot of care and focus,” she said. “I’m excited about bringing in new voices as well as writers that I’ve admired for a long time.”Arthur is known for her keen commercial instincts. Before moving to Knopf, she was the publisher of Little, Brown, a Hachette imprint, where she edited and published a string of best-selling and award-winning works, including books by Elin Hilderbrand, Michael Connelly, Malcolm Gladwell, James Patterson, Kate Atkinson, Eleanor Catton and David Sedaris.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Romance Bookstore Boom

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      The arrival — and success — of brick-and-mortar romance stores.There’s a boom in romance bookstores. More than 20 of them have sprung up around the United States in the past few years — up from just two in 2020 — and more are on the way.They have quirky names like the Ripped Bodice, Tropes & Trifles, Love’s Sweet Arrow, and Kiss & Tale. They’re sprinkled across the country, from Alaska to Maine. They’re largely owned and operated by women, and have become vibrant community hubs for romance fans.As a reporter who covers publishing, I’ve been following the soaring sales for romance, which is by far the top-selling fiction genre. But the arrival of brick-and-mortar romance stores struck me as something new, and surprising.For a story in The Times, I visited romance stores in South Florida and Brooklyn, and talked to booksellers, publishers and fans of the genre, to find out why romance bookstores are suddenly thriving.How readers fell for romanceRomance writers and their fans point out that, about a decade ago, there wasn’t much enthusiasm for the genre in independent bookstores. Even though romance has long been a major moneymaker for publishers, the literary world tended to look down on it as frothy and unserious, or worse, as smut.Rebecca Zanetti told me that after she started publishing paranormal romance in 2011, it was hard for her to book a signing at a store, even though her novels were best sellers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Cover Art for ‘Harry Potter’ Sold at Auction for $1.92 Million

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      The watercolor was painted in 1996 by a recent art school graduate from Britain who was working at a bookstore. He was paid $650.The original cover art for the first edition of “Harry Potter and the Philosopher’s Stone” sold for $1.92 million at auction on Wednesday, becoming the most expensive item related to the series, decades after its illustrator was paid a commission of just $650.The watercolor painting, which depicts the young wizard Harry going to Hogwarts from Platform 9¾ at King’s Cross station, was part of the private library of an American book collector and surgeon, Dr. Rodney P. Swantko, whose other rare items were auctioned at Sotheby’s in New York this week.The year before the novel came out in 1997, its publisher, Bloomsbury, hired a 23-year-old from England who had just graduated from art school to design the book jacket, the auction house said. The artist, Thomas Taylor, would go on to establish the world’s conception of Harry Potter, with his iconic round glasses and lightning bolt scar.“It’s kind of staggering, really,” he said about the sale of his painting in an interview on Thursday. “It’s exciting to see it fought over.”Mr. Taylor was working at a children’s bookstore when he submitted sample drawings of wizards and dragons for the publisher in London to review, he said in a 2022 podcast interview. When he was selected, he said, “I was over the moon.”The cover was Mr. Taylor’s first professional assignment. And, at the time, “J.K. Rowling was as unknown as I was,” he wrote in his blog, referring to the novel’s British author.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Little, Brown, a Hachette Imprint, Lays Off Seven People

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      The shake up at the Hachette Book Group imprint comes at a time when publishers are feeling pressured by sluggish print sales and rising supply chain costs.Hachette Book Group laid off seven employees at its Little, Brown imprint on Wednesday, according to the company, in a shake-up that was the latest example of turmoil in the publishing industry.The layoffs, which the company described as part of a corporate restructuring, come as major publishing companies have been buffeted by sluggish print sales and rising supply chain costs, and have struggled to find new ways to get books in front of customers who have migrated online.The seven people being laid off include the editors Tracy Sherrod, Pronoy Sarkar, Jean Garnett and Ben George, according to a person with knowledge of the situation who wasn’t authorized to discuss personnel matters.To many industry observers, the departure of Sherrod, a high-ranking Black editor, is a troubling sign that publishers are faltering in their promise to diversify their companies, particularly within their executive ranks.A Hachette spokeswoman said the restructuring was part of an effort to better serve readers and was not a cost-cutting measure. As part of the restructuring, the company said, it will hire in new roles. The news was reported earlier by Publishers Weekly.Last month, Penguin Random House let go of two publishers of its most prestigious literary imprints, casting off Reagan Arthur, the publisher of Alfred A. Knopf, and Lisa Lucas, who was the publisher of Pantheon and Schocken and had been the first Black publisher at Pantheon in its 80-year history. Their departures were part of a cost-saving restructuring, according to a person in publishing familiar with the decision.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kevin Kwan, Author of ‘Crazy Rich Asians,’ Talks About His New Novel

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      A reader of Kevin Kwan’s books could be forgiven for expecting him to make a grand entrance at lunch in Beverly Hills — in a Lamborghini, perhaps, or wearing a slick pair of shades.Instead, on an unseasonably brisk Tuesday in April, Kwan walked into the private dining at Crustacean with a tentative tilt to his head, as if clearing a low roof. He wore tortoiseshell glasses, a blue cardigan and hair cut for maximum pensive tucking behind ears. Picture David Foster Wallace minus the bandanna.Kwan immediately moved a vase of white roses from one table to another — “Do you mind? So we can see each other?” — then hugged Crustacean’s chef, “the great Helene An,” whose garlic noodles make a cameo in his new book, “Lies and Weddings,” coming out on May 21.To understand Kwan’s reputation for fabulousness, consider his oeuvre. His debut novel, “Crazy Rich Asians,” published in 2013, has sold more than 5 million copies worldwide and been translated into over 40 languages. A Broadway musical is in development. The movie version was the first since “The Joy Luck Club” to feature a majority Asian cast.Kwan’s next three novels covered similar territory: wealthy people behaving decadently and questionably, but usually with heart and always with panache. They were best sellers too. At one point, the “Crazy Rich Asians” trilogy occupied the top three spots on the paperback list, landing Kwan in an elite clique of authors including Colleen Hoover.The Times’s film critic described “Crazy Rich Asians” as “a busy, fizzy movie winnowed from Kevin Kwan’s sprawling, dishy novel.”Sanja Bucko/Warner Bros.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      C.J. Sansom, Mystery Novelist Drawn to Tudor England, Dies at 71

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      He wrote a popular series of books revolving around a hunchbacked detective, Shardlake, whose troubles echo the author’s experiences of childhood bullying.“Oh, goody! An 800-page novel about the peasant uprisings of 1549!” Marilyn Stasio, the longtime mystery and crime reviewer for The New York Times Book Review, began a column in 2019.It was an assessment of “Tombland,” the seventh work of historical fiction by C.J. Sansom to feature Matthew Shardlake, a hunchbacked lawyer-turned-detective whose exploits solving chilling murders in Tudor England come steeped in suspense and granular historical detail. Readers are made privy to the court intrigues of Thomas Cromwell and King Henry VIII, eavesdrop on women arguing in a market stall, and inhale the stench of London streets.Ms. Stasio’s enthusiasm was real, not snarky. “Sansom describes 16th-century events in the crisply realistic style of someone watching them transpire right outside his window,” she wrote.Mr. Sansom, who earned a Ph.D. in history and a law degree before turning to writing in his late 40s, quickly becoming one of Britain’s most popular historical novelists, died of cancer in hospice care on April 27. He was 71.His death was announced by his publisher, Pan Macmillan, which did not say where he died. In 2012, Mr. Sansom disclosed that he had multiple myeloma, a blood cancer, but said it was in remission after treatment. The disease returned during his work on “Tombland,” forcing him to quit writing for six months. He eventually resumed working two hours a day and finished the book, his last to be published.“Sansom describes 16th-century events in the crisply realistic style of someone watching them transpire right outside his window,” a Times critic wrote in 2019 in reviewing Mr. Sansom’s seventh Shardlake novel. Mulholland BooksWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      RuPaul Is Sending a Rainbow Bus to Give Away Books Targeted by Bans

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      The star, whose show “RuPaul’s Drag Race” has an international following, is one of the founders of a new online bookstore promoting underrepresented authors. The giveaways are part of its outreach.At a time of book bans and efforts by state legislatures to ban drag shows, the performer and television producer who is arguably the country’s most famous drag star, RuPaul, is the co-founder of a new online bookstore that will be sending a rainbow school bus from the West Coast to the South to distribute the very books targeted by those bans.He announced on Monday that he was one of three business partners behind the bookstore, Allstora, which will promote underrepresented authors and provide writers with a greater share of profits than other online booksellers do.RuPaul said that this sort of book website would fill an important gap, especially in “these strange days, we’re living in,” to support the ideas of people “who are willing to push the conversation forward.”In recent years, there has been a sharp rise in efforts to restrict access to books at libraries in the United States, and most of the challenged books are by or about L.G.B.T.Q. people or people of color, according to library and free speech organizations. Some libraries have received bomb threats, and others have faced closure over efforts to remove books. At the same time, states have tried to ban drag shows and restrict access to health care for transgender people.RuPaul with Eric Cervini, left, co-founder and chief executive of Allstora, and Adam Powell, co-founder and director of the Rainbow Book Bus.AllstoraEnter RuPaul. Drag has been in popular culture for decades, but his reality competition show “RuPaul’s Drag Race,” which is airing its sixteenth season and has more than a dozen international editions, has brought the work of hundreds, if not thousands, of drag performers to home audiences.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      It’s Alive! EC Comics Returns

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      Oni Press will revive the beloved horror and sci-fi name with new stories starting this summer.EC Comics, which specialized in tales of horror, crime and suspense, and was shut down in the “moral panic” of the 1950s, is making a comeback.Oni Press will publish two new anthology series under the EC Comics banner. The first, Epitaphs From the Abyss, coming in July, will be horror focused; Cruel Universe, the second, arrives in August and will tell science fiction stories. Hunter Gorinson, the president and publisher of Oni Press, said the new stories will interpret the world of today, much as EC Comics explored the American psyche of the 1950s. The cover designs will feel familiar to EC Comics fans: Running down the top left is a label declaring the type of story — “Terror” or “Horror” or “Science-Fiction” — and the logo evokes the bold colors and fonts of past series like “Tales From the Crypt” and “The Vault of Horror.”The series are a partnership between Oni and the family of William M. Gaines, the original publisher of EC Comics, who died in 1992. Gary Groth, the editor of The Comics Journal, told The New York Times in 2013 that EC Comics was “arguably the best commercial comics company in the history of the medium.”Cathy Gaines Mifsud, a daughter of William M. Gaines, who is also president of the family company, William M. Gaines Agent, said, “We’re very excited it is coming back for a whole new generation.” The new stories will be written by comics all-stars like Jason Aaron, Rodney Barnes, Cecil Castellucci and Matt Kindt. EC’s original subversive content brought it to the attention of the Senate Subcommittee on Juvenile Delinquency in 1954 and its hearings on whether comics were linked to moral decay. Gaines testified: “The truth is that delinquency is the product of the real environment in which the child lives and not of the fiction he reads.” The hearings resulted in comic book publishers founding the Comics Code Authority, to self-impose standards on what comics could depict. Gaines soon closed down EC and shifted his focus to his humor publication, Mad.EC has remained highly revered, and collected editions of its stories have been sold by various publishers over the years. The original art for one EC story, “Master Race,” about a postwar encounter between a Nazi war criminal and a Holocaust survivor, sold for $600,000 at Heritage Auctions in 2018.Along with the top-notch writers, the artists of the new stories include Peter Krause, Malachi Ward and Dustin Weaver. Covers will be drawn by Lee Bermejo, Greg Smallwood, J.H. Williams III, among others. More