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    At 83, Anne Tyler Has a New Novel. She’d Rather Talk About Anything Else.

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    While many of her contemporaries are playing canasta, she’s releasing her 25th book. There’s no mystery to it, Tyler says: Start on Page 1, then keep writing.Anne Tyler and I sat facing one another on a couch overlooking a man-made pond at her retirement community outside of Baltimore. She moved there in 2022 and likes the place well enough, with its woodsy walking trails, salt water pool and art studio.But when I asked Tyler, who is 83, what clubs or activities she’s joined at the sprawling facility, her answer was an apologetic “Nothing?”Tyler is too busy writing books. Her 25th novel, “Three Days in June,” comes out on Feb. 11, and she’s already percolating another.“I absolutely have to pick up a pen every weekday morning,” she said, opening a drawer to show her collection of Uni-Ball Signos in black ink. “They’re non-friction. I used to wear a Band-Aid on my finger, and now I don’t need one.”This is what passes for a revelation from Tyler, who rarely gives interviews and gracefully dodges questions about work. It’s not that she’s secretive or superstitious about her “craft” (a word she’d never use in this context). She just doesn’t understand what the hoopla is about: She established a writing routine and stuck with it, simple as that.Tyler has now been a fixture of the literary world for more than 60 years.When her first book, “If Morning Ever Comes” was published in 1964, the Times’s critic described it as “an exceedingly good novel, so mature, so gently wise and so brightly amusing that, if it weren’t printed right there on the jacket, few readers would suspect that Mrs. Tyler was only 22.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Books About Everyone, for Everyone

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      This is part of an Opinion series on The New York Times Communities Fund, which assists nonprofits that provide direct support to people and communities facing hardship. Donate to the fund here. .g-goldbergseriesinfo a { text-decoration: underline; color: inherit; text-decoration-thickness: 1px; text-underline-offset: 2px; } .g-goldbergseriesinfo{ position: relative; display: flex; overflow: hidden; box-sizing: border-box; padding: 1.125rem […] More

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      What to Know About Supreme Court Justices’ Book Deals

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      For the justices, selling books remains one of the few ways to earn income outside the court.For Supreme Court justices, books deals have become a highly lucrative way to shape the public narrative of their lives and legacies.The money brought in by those deals, one of the few ways that they can supplement their income, often far eclipses their salaries, roughly $300,000.A majority of the current justices have published books, most recently Justice Ketanji Brown Jackson. Her memoir, “Lovely One,” which traces the arc of her family from the segregated Jim Crow South to her rise to the Supreme Court, was released this week and shot up Amazon’s best-seller list.Here’s a closer look.Which justices have written books?Six of the nine justices have written books or currently have book deals.Justice Jackson joins Justices Sonia Sotomayor and Clarence Thomas in publishing moving accounts of their childhoods and paths to the court. Justice Sotomayor has also written several children’s books.Justice Neil M. Gorsuch has focused on the law, publishing books describing the ethical and legal issues raised by assisted suicide and euthanasia. His most recent, published this summer, is a series of stories drawn from court cases that he uses to argue that administrative overreach and the increasing number of laws have harmed ordinary Americans.Two of the newest justices — Amy Coney Barrett and Brett M. Kavanaugh — have book deals in place. Justice Barrett’s book has been described as her views about keeping personal feelings out of judicial rulings. Justice Kavanaugh’s is expected to be a legal memoir that is likely to touch on his bruising confirmation fight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Reagan Arthur Returns to Hachette

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      Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint.Reagan Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint, Hachette said Thursday.Her appointment comes weeks after Arthur was let go from her position as publisher of Knopf, one of the most prestigious imprints at Penguin Random House, a move that surprised many in the publishing industry.At Hachette, Arthur will launch and oversee a new publishing line within Grand Central Publishing Group, and will also edit prominent authors at other imprints. Arthur’s own imprint, as yet unnamed, will release between four and six books a year.In an interview, Arthur said she envisioned her new imprint as a place to further develop the kinds of books she’s long published, putting out a selective list of literary and commercial fiction and narrative nonfiction.“I get to build something that will have a lot of care and focus,” she said. “I’m excited about bringing in new voices as well as writers that I’ve admired for a long time.”Arthur is known for her keen commercial instincts. Before moving to Knopf, she was the publisher of Little, Brown, a Hachette imprint, where she edited and published a string of best-selling and award-winning works, including books by Elin Hilderbrand, Michael Connelly, Malcolm Gladwell, James Patterson, Kate Atkinson, Eleanor Catton and David Sedaris.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Romance Bookstore Boom

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      The arrival — and success — of brick-and-mortar romance stores.There’s a boom in romance bookstores. More than 20 of them have sprung up around the United States in the past few years — up from just two in 2020 — and more are on the way.They have quirky names like the Ripped Bodice, Tropes & Trifles, Love’s Sweet Arrow, and Kiss & Tale. They’re sprinkled across the country, from Alaska to Maine. They’re largely owned and operated by women, and have become vibrant community hubs for romance fans.As a reporter who covers publishing, I’ve been following the soaring sales for romance, which is by far the top-selling fiction genre. But the arrival of brick-and-mortar romance stores struck me as something new, and surprising.For a story in The Times, I visited romance stores in South Florida and Brooklyn, and talked to booksellers, publishers and fans of the genre, to find out why romance bookstores are suddenly thriving.How readers fell for romanceRomance writers and their fans point out that, about a decade ago, there wasn’t much enthusiasm for the genre in independent bookstores. Even though romance has long been a major moneymaker for publishers, the literary world tended to look down on it as frothy and unserious, or worse, as smut.Rebecca Zanetti told me that after she started publishing paranormal romance in 2011, it was hard for her to book a signing at a store, even though her novels were best sellers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Cover Art for ‘Harry Potter’ Sold at Auction for $1.92 Million

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      The watercolor was painted in 1996 by a recent art school graduate from Britain who was working at a bookstore. He was paid $650.The original cover art for the first edition of “Harry Potter and the Philosopher’s Stone” sold for $1.92 million at auction on Wednesday, becoming the most expensive item related to the series, decades after its illustrator was paid a commission of just $650.The watercolor painting, which depicts the young wizard Harry going to Hogwarts from Platform 9¾ at King’s Cross station, was part of the private library of an American book collector and surgeon, Dr. Rodney P. Swantko, whose other rare items were auctioned at Sotheby’s in New York this week.The year before the novel came out in 1997, its publisher, Bloomsbury, hired a 23-year-old from England who had just graduated from art school to design the book jacket, the auction house said. The artist, Thomas Taylor, would go on to establish the world’s conception of Harry Potter, with his iconic round glasses and lightning bolt scar.“It’s kind of staggering, really,” he said about the sale of his painting in an interview on Thursday. “It’s exciting to see it fought over.”Mr. Taylor was working at a children’s bookstore when he submitted sample drawings of wizards and dragons for the publisher in London to review, he said in a 2022 podcast interview. When he was selected, he said, “I was over the moon.”The cover was Mr. Taylor’s first professional assignment. And, at the time, “J.K. Rowling was as unknown as I was,” he wrote in his blog, referring to the novel’s British author.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Little, Brown, a Hachette Imprint, Lays Off Seven People

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      The shake up at the Hachette Book Group imprint comes at a time when publishers are feeling pressured by sluggish print sales and rising supply chain costs.Hachette Book Group laid off seven employees at its Little, Brown imprint on Wednesday, according to the company, in a shake-up that was the latest example of turmoil in the publishing industry.The layoffs, which the company described as part of a corporate restructuring, come as major publishing companies have been buffeted by sluggish print sales and rising supply chain costs, and have struggled to find new ways to get books in front of customers who have migrated online.The seven people being laid off include the editors Tracy Sherrod, Pronoy Sarkar, Jean Garnett and Ben George, according to a person with knowledge of the situation who wasn’t authorized to discuss personnel matters.To many industry observers, the departure of Sherrod, a high-ranking Black editor, is a troubling sign that publishers are faltering in their promise to diversify their companies, particularly within their executive ranks.A Hachette spokeswoman said the restructuring was part of an effort to better serve readers and was not a cost-cutting measure. As part of the restructuring, the company said, it will hire in new roles. The news was reported earlier by Publishers Weekly.Last month, Penguin Random House let go of two publishers of its most prestigious literary imprints, casting off Reagan Arthur, the publisher of Alfred A. Knopf, and Lisa Lucas, who was the publisher of Pantheon and Schocken and had been the first Black publisher at Pantheon in its 80-year history. Their departures were part of a cost-saving restructuring, according to a person in publishing familiar with the decision.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kevin Kwan, Author of ‘Crazy Rich Asians,’ Talks About His New Novel

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      A reader of Kevin Kwan’s books could be forgiven for expecting him to make a grand entrance at lunch in Beverly Hills — in a Lamborghini, perhaps, or wearing a slick pair of shades.Instead, on an unseasonably brisk Tuesday in April, Kwan walked into the private dining at Crustacean with a tentative tilt to his head, as if clearing a low roof. He wore tortoiseshell glasses, a blue cardigan and hair cut for maximum pensive tucking behind ears. Picture David Foster Wallace minus the bandanna.Kwan immediately moved a vase of white roses from one table to another — “Do you mind? So we can see each other?” — then hugged Crustacean’s chef, “the great Helene An,” whose garlic noodles make a cameo in his new book, “Lies and Weddings,” coming out on May 21.To understand Kwan’s reputation for fabulousness, consider his oeuvre. His debut novel, “Crazy Rich Asians,” published in 2013, has sold more than 5 million copies worldwide and been translated into over 40 languages. A Broadway musical is in development. The movie version was the first since “The Joy Luck Club” to feature a majority Asian cast.Kwan’s next three novels covered similar territory: wealthy people behaving decadently and questionably, but usually with heart and always with panache. They were best sellers too. At one point, the “Crazy Rich Asians” trilogy occupied the top three spots on the paperback list, landing Kwan in an elite clique of authors including Colleen Hoover.The Times’s film critic described “Crazy Rich Asians” as “a busy, fizzy movie winnowed from Kevin Kwan’s sprawling, dishy novel.”Sanja Bucko/Warner Bros.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      C.J. Sansom, Mystery Novelist Drawn to Tudor England, Dies at 71

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      He wrote a popular series of books revolving around a hunchbacked detective, Shardlake, whose troubles echo the author’s experiences of childhood bullying.“Oh, goody! An 800-page novel about the peasant uprisings of 1549!” Marilyn Stasio, the longtime mystery and crime reviewer for The New York Times Book Review, began a column in 2019.It was an assessment of “Tombland,” the seventh work of historical fiction by C.J. Sansom to feature Matthew Shardlake, a hunchbacked lawyer-turned-detective whose exploits solving chilling murders in Tudor England come steeped in suspense and granular historical detail. Readers are made privy to the court intrigues of Thomas Cromwell and King Henry VIII, eavesdrop on women arguing in a market stall, and inhale the stench of London streets.Ms. Stasio’s enthusiasm was real, not snarky. “Sansom describes 16th-century events in the crisply realistic style of someone watching them transpire right outside his window,” she wrote.Mr. Sansom, who earned a Ph.D. in history and a law degree before turning to writing in his late 40s, quickly becoming one of Britain’s most popular historical novelists, died of cancer in hospice care on April 27. He was 71.His death was announced by his publisher, Pan Macmillan, which did not say where he died. In 2012, Mr. Sansom disclosed that he had multiple myeloma, a blood cancer, but said it was in remission after treatment. The disease returned during his work on “Tombland,” forcing him to quit writing for six months. He eventually resumed working two hours a day and finished the book, his last to be published.“Sansom describes 16th-century events in the crisply realistic style of someone watching them transpire right outside his window,” a Times critic wrote in 2019 in reviewing Mr. Sansom’s seventh Shardlake novel. Mulholland BooksWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More