More stories

  • in

    Trump-Allied Prosecutor Sends Letters to Medical Journals Alleging Bias

    An interim U.S. attorney is demanding information about the selection of research articles and the role of N.I.H. Experts worry this will have a chilling effect on publications.A federal prosecutor has sent letters to at least three medical journals accusing them of political bias and asking a series of probing questions suggesting that the journals mislead readers, suppress opposing viewpoints and are inappropriately swayed by their funders.The letters were signed by Edward Martin Jr., a Republican activist serving as interim U.S. attorney in Washington, D.C. He has been criticized for using his office to target opponents of President Trump.Some scientists and doctors said they viewed the letters as a threat from the Trump administration that could have a chilling effect on what journals publish. The health secretary, Robert F. Kennedy Jr., has said he wants to prosecute medical journals, accusing them of lying to the public and colluding with pharmaceutical companies.One of the letters was sent to the journal Chest, published by the American College of Chest Physicians. The New York Times obtained a copy of the letter.The Times confirmed that at least two other publishers had received nearly identically worded letters, but those publishers would not speak publicly because they feared retribution from the Trump administration.In the letter to Chest, dated Monday, Mr. Martin wrote, “It has been brought to my attention that more and more journals and publications like CHEST Journal are conceding that they are partisans in various scientific debates.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Liz Moore on ‘Long Bright River’ and the Slow Burn of Success

    Suddenly Liz Moore blazed, comet-like, onto small screens and best-seller lists. But her writing career has been a slow burn.No matter how you slice it, Liz Moore has arrived.This month, an adaptation of her blockbuster novel “Long Bright River” started streaming on Peacock. And her next book, “The God of the Woods,” now on the best-seller list for 36 weeks (and counting), will soon hit the million mark in sales — a distinction normally reserved for celebrities and novelists recognizable by last name alone.Moore isn’t one of those authors. But, over the past two decades, she’s proved to be “a writer who can do anything,” as her editor Sarah McGrath put it.Moore taps into an elusive sweet spot between literary and commercial fiction, populating vividly drawn settings with characters who seem to live, breathe and make terrible mistakes along with the rest of us. Her novels can be enjoyed by, say, a teenage girl and her 50-something father, defying genre and categorization to such an extent that, from one to the next, a reader might not register that they’re written by the same person.“I get messages saying, I loved your new book. Do you have any others?” Moore, 41, said during an interview at a cafe in Philadelphia. “Or they’ll call ‘The God of the Woods’ my second book because ‘Long Bright River’ was my first that broke out.”In fact, “The God of the Woods,” a mystery about siblings who disappear 14 years apart, is Moore’s fifth book. She wrote her first, “The Words of Every Song,” while she was a student at Barnard College. Shortly after she graduated in 2005, she signed on with an agent who’d come to campus for a panel on the publishing industry.“I reached out and said, ‘I have this manuscript of interconnected stories about the music industry. Would you be interested in looking at it?’ She said yes,” Moore recalled. “Only in retrospect do I realize what a lucky break that was.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    At 83, Anne Tyler Has a New Novel. She’d Rather Talk About Anything Else.

    While many of her contemporaries are playing canasta, she’s releasing her 25th book. There’s no mystery to it, Tyler says: Start on Page 1, then keep writing.Anne Tyler and I sat facing one another on a couch overlooking a man-made pond at her retirement community outside of Baltimore. She moved there in 2022 and likes the place well enough, with its woodsy walking trails, salt water pool and art studio.But when I asked Tyler, who is 83, what clubs or activities she’s joined at the sprawling facility, her answer was an apologetic “Nothing?”Tyler is too busy writing books. Her 25th novel, “Three Days in June,” comes out on Feb. 11, and she’s already percolating another.“I absolutely have to pick up a pen every weekday morning,” she said, opening a drawer to show her collection of Uni-Ball Signos in black ink. “They’re non-friction. I used to wear a Band-Aid on my finger, and now I don’t need one.”This is what passes for a revelation from Tyler, who rarely gives interviews and gracefully dodges questions about work. It’s not that she’s secretive or superstitious about her “craft” (a word she’d never use in this context). She just doesn’t understand what the hoopla is about: She established a writing routine and stuck with it, simple as that.Tyler has now been a fixture of the literary world for more than 60 years.When her first book, “If Morning Ever Comes” was published in 1964, the Times’s critic described it as “an exceedingly good novel, so mature, so gently wise and so brightly amusing that, if it weren’t printed right there on the jacket, few readers would suspect that Mrs. Tyler was only 22.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Books About Everyone, for Everyone

    This is part of an Opinion series on The New York Times Communities Fund, which assists nonprofits that provide direct support to people and communities facing hardship. Donate to the fund here. .g-goldbergseriesinfo a { text-decoration: underline; color: inherit; text-decoration-thickness: 1px; text-underline-offset: 2px; } .g-goldbergseriesinfo{ position: relative; display: flex; overflow: hidden; box-sizing: border-box; padding: 1.125rem […] More

  • in

    What to Know About Supreme Court Justices’ Book Deals

    For the justices, selling books remains one of the few ways to earn income outside the court.For Supreme Court justices, books deals have become a highly lucrative way to shape the public narrative of their lives and legacies.The money brought in by those deals, one of the few ways that they can supplement their income, often far eclipses their salaries, roughly $300,000.A majority of the current justices have published books, most recently Justice Ketanji Brown Jackson. Her memoir, “Lovely One,” which traces the arc of her family from the segregated Jim Crow South to her rise to the Supreme Court, was released this week and shot up Amazon’s best-seller list.Here’s a closer look.Which justices have written books?Six of the nine justices have written books or currently have book deals.Justice Jackson joins Justices Sonia Sotomayor and Clarence Thomas in publishing moving accounts of their childhoods and paths to the court. Justice Sotomayor has also written several children’s books.Justice Neil M. Gorsuch has focused on the law, publishing books describing the ethical and legal issues raised by assisted suicide and euthanasia. His most recent, published this summer, is a series of stories drawn from court cases that he uses to argue that administrative overreach and the increasing number of laws have harmed ordinary Americans.Two of the newest justices — Amy Coney Barrett and Brett M. Kavanaugh — have book deals in place. Justice Barrett’s book has been described as her views about keeping personal feelings out of judicial rulings. Justice Kavanaugh’s is expected to be a legal memoir that is likely to touch on his bruising confirmation fight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Reagan Arthur Returns to Hachette

    Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint.Reagan Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint, Hachette said Thursday.Her appointment comes weeks after Arthur was let go from her position as publisher of Knopf, one of the most prestigious imprints at Penguin Random House, a move that surprised many in the publishing industry.At Hachette, Arthur will launch and oversee a new publishing line within Grand Central Publishing Group, and will also edit prominent authors at other imprints. Arthur’s own imprint, as yet unnamed, will release between four and six books a year.In an interview, Arthur said she envisioned her new imprint as a place to further develop the kinds of books she’s long published, putting out a selective list of literary and commercial fiction and narrative nonfiction.“I get to build something that will have a lot of care and focus,” she said. “I’m excited about bringing in new voices as well as writers that I’ve admired for a long time.”Arthur is known for her keen commercial instincts. Before moving to Knopf, she was the publisher of Little, Brown, a Hachette imprint, where she edited and published a string of best-selling and award-winning works, including books by Elin Hilderbrand, Michael Connelly, Malcolm Gladwell, James Patterson, Kate Atkinson, Eleanor Catton and David Sedaris.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    A Romance Bookstore Boom

    The arrival — and success — of brick-and-mortar romance stores.There’s a boom in romance bookstores. More than 20 of them have sprung up around the United States in the past few years — up from just two in 2020 — and more are on the way.They have quirky names like the Ripped Bodice, Tropes & Trifles, Love’s Sweet Arrow, and Kiss & Tale. They’re sprinkled across the country, from Alaska to Maine. They’re largely owned and operated by women, and have become vibrant community hubs for romance fans.As a reporter who covers publishing, I’ve been following the soaring sales for romance, which is by far the top-selling fiction genre. But the arrival of brick-and-mortar romance stores struck me as something new, and surprising.For a story in The Times, I visited romance stores in South Florida and Brooklyn, and talked to booksellers, publishers and fans of the genre, to find out why romance bookstores are suddenly thriving.How readers fell for romanceRomance writers and their fans point out that, about a decade ago, there wasn’t much enthusiasm for the genre in independent bookstores. Even though romance has long been a major moneymaker for publishers, the literary world tended to look down on it as frothy and unserious, or worse, as smut.Rebecca Zanetti told me that after she started publishing paranormal romance in 2011, it was hard for her to book a signing at a store, even though her novels were best sellers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Cover Art for ‘Harry Potter’ Sold at Auction for $1.92 Million

    The watercolor was painted in 1996 by a recent art school graduate from Britain who was working at a bookstore. He was paid $650.The original cover art for the first edition of “Harry Potter and the Philosopher’s Stone” sold for $1.92 million at auction on Wednesday, becoming the most expensive item related to the series, decades after its illustrator was paid a commission of just $650.The watercolor painting, which depicts the young wizard Harry going to Hogwarts from Platform 9¾ at King’s Cross station, was part of the private library of an American book collector and surgeon, Dr. Rodney P. Swantko, whose other rare items were auctioned at Sotheby’s in New York this week.The year before the novel came out in 1997, its publisher, Bloomsbury, hired a 23-year-old from England who had just graduated from art school to design the book jacket, the auction house said. The artist, Thomas Taylor, would go on to establish the world’s conception of Harry Potter, with his iconic round glasses and lightning bolt scar.“It’s kind of staggering, really,” he said about the sale of his painting in an interview on Thursday. “It’s exciting to see it fought over.”Mr. Taylor was working at a children’s bookstore when he submitted sample drawings of wizards and dragons for the publisher in London to review, he said in a 2022 podcast interview. When he was selected, he said, “I was over the moon.”The cover was Mr. Taylor’s first professional assignment. And, at the time, “J.K. Rowling was as unknown as I was,” he wrote in his blog, referring to the novel’s British author.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More