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    Book Review: ‘Children of the Ghetto: Star of the Sea,’ by Elias Khoury

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    Elias Khoury’s “Children of the Ghetto” series continues with a young man switching identities in a society seeking to erase him.CHILDREN OF THE GHETTO: Star of the Sea, by Elias Khoury. Translated by Humphrey Davies.“The beginning of life was the massacre and I have to gather together the scraps of its stories.”The speaker here is Adam Dannoun, the hero of the Lebanese writer Elias Khoury’s final work, the epic trilogy “Children of the Ghetto.” (Khoury died at 76 in Beirut on Sept. 15, shortly before the Israeli invasion of Lebanon.)Adam, who was a small child in the first volume, “My Name Is Adam” (2019), now appears as a teenager and young man in the second novel, “Star of the Sea.” The massacre Adam is referring to took place in 1948, inside what is now Israel. But this event is impossible to separate from today’s massacres in Gaza, or from the other crises — the mass expulsions, land thefts, imprisonment, historical appropriation and erasure — that constitute what Palestinians call the ongoing Nakba, or “catastrophe,” of their existence under occupation and in exile. The massacre is also, Khoury insists, impossible to separate from the Holocaust, the pogroms and the history of Jewish suffering that led to the creation of Israel.“Catastrophes,” Adam says bitterly, reflecting on his own experience within this hall of mirrors, “however tragic they may be, liberate their victims from the truth and drive them to find a justification for everything.”Adam has no choice about his own “liberation.” The son of a fallen resistance fighter, Hasan Dannoun, he’s rescued as a baby from the arms of his dead mother during the expulsion of Palestinians from the town of Lydda, in July 1948. He grows up with a foster mother, Manal, among the few Palestinians allowed to remain in a tiny quarter of the town, a ghetto surrounded by barbed wire.Seven years later, Manal marries an abusive man who takes them to live a safer, if still impoverished, life in an Arab enclave in Haifa. As soon as he’s able, Adam escapes the home, and immediately encounters a strange new reality. Fair-skinned and fair-haired, fluent in Hebrew and Arabic, he can effortlessly pass as a Jewish Israeli. In nearly every way, it’s easier for him to become one.“Children of the Ghetto” is a picaresque, though one without comic intentions: Like Tom Jones or David Copperfield, Adam is an orphan and a rogue, a survivor and a trickster, even a bit of a romantic. It’s also about racial shape-shifting, appropriation and invisibility; you could put it on the same shelf with “Passing” and “Invisible Man.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      2 Novels That Could Almost Be Diaries

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      Barry Gifford’s bohemian scrapbook; Elizabeth McCracken’s eulogy for a mother.Peter Stevenson for The New York TimesDear readers,Apparently, I was one of the last to learn that they don’t teach cursive anymore, at least not in New York City public schools. Maybe I am silly to mourn it; like milkmen and landlines, some things naturally see themselves out.Even my own longhand tends to cramp now when I try to write anything more substantial than a grocery list, the weakling muscles of a lost habit turning my words sloppy and serial killer-ish. (Beloved birthday-card recipients, please believe me! It’s an expression of love, not a ransom note.)Still, I miss the intimacy of analog communication; the low-stakes thrill of a voice unfiltered by Times New Roman or (sigh) Comic Sans. And the two selections in this week’s newsletter, while typeset like any other respectable novel, feel like book-length letters to me: chatty, confiding and charmingly digressive, like dispatches from an inordinately smart and waggish pen pal.—Leah“Landscape With Traveler,” by Barry GiffordFiction, 1980We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Book Review: ‘Lazarus Man,’ by Richard Price

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      “Lazarus Man” follows several characters in Harlem in the wake of a building collapse.LAZARUS MAN, by Richard PriceWe first meet Anthony Carter in a barroom, and the first thing he does is tell a lie. “I went there too,” he says to a woman he’s vaguely interested in picking up, referring to her Fordham Rams sweatshirt.The gambit goes nowhere — the woman borrowed the shirt from her cousin — and anyway Anthony never went to Fordham but to Columbia, where he was kicked out after a few months for dealing drugs. The expulsion was a waste, since he didn’t need the money. But it is the first of a long string of disappointments that have brought Anthony, now in his 40s, unemployed and separated from his wife and stepdaughter, to this bar on Lenox and 123rd in Manhattan because “it was one of those nights,” as the book’s first line has it.After tying one on at the bar, Anthony stops at a second-floor church where he is entranced and repulsed by a charismatic female preacher: “HE CAME IN BECAUSE HE HEARD THE NOISE, GOD.” He goes home and to bed, with a job interview for a retail position the next day.Anthony is one of four central characters Richard Price follows in his 10th novel, “Lazarus Man,” a book difficult to categorize because its tone and action are neither comic nor tragic. Unlike previous Price novels, it’s not a police procedural, though there is a detective looking for a missing person. A specific place and a broad sociological interest in its residents tie the book together, as do the Lower East Side in Price’s “Lush Life” (2008) and the fictionalized Jersey City (called Dempsey) in “Clockers” (1992) and other novels.In the Harlem of “Lazarus Man” it is the spring of 2008, a temporal interzone before the catastrophe of the financial crisis, the political ascent of Barack Obama (mentioned only once, near the end) and the advent of the smartphone. You might say, “It was one of those years.”The novel’s unifying event is the collapse of a tenement building that kills six residents and draws its protagonists to the smoldering rubble. Detective Mary Roe is among the police officers who report to the scene to account for the dead, the survivors and the missing. Felix Pearl hears the early-morning noise from around the corner and shows up with his camera. He’s a young man with an obsessive vocation as a photographer but only hazy notions of how to make a living at it, and how and why to become an artist: He at least knows he should be looking for the action. Royal Davis, a funeral director, is looking for clients because business has hit a rough patch, so he sends his young son Marquise to the collapse site to hand out business cards to the possibly bereaved.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jamie Oliver Pulls Children’s Book Amid Criticism of Insensitivity

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      The celebrity chef’s second children’s book, “Billy and the Epic Escape,” faced accusations that it stereotyped First Nations people in Australia.The British celebrity chef Jamie Oliver has halted sales of his children’s book around the world and issued an apology in response to accusations that the book stereotyped Australian Indigenous culture.The book, “Billy and the Epic Escape,” released in March by Penguin Random House UK, features aFirst Nations character named Ruby, who has mystical powers and is abducted from her home in Central Australia. Among the criticisms of the book was that its descriptions of the girl’s powers appeared to liken the First Nations’ complex spiritual beliefs to “magic” and failed to differentiate between their many languages and traditions. In one example, critics said, Ruby uses First Nations words that would not be realistic based on where her character was brought up. The book is a sequel to Mr. Oliver’s debut children’s book, “Billy and the Giant Adventure,” which was published in 2023. “Billy and the Epic Escape” follows the same group of children on a fantasy adventure during summer vacation.Calls to pull the book from shelves were led by the National Aboriginal and Torres Strait Islander Education Corporation, an educational group that works on behalf of First Nations communities in Australia. In a statement released this month, the group called Mr. Oliver’s depictions “irresponsible and damaging, reflecting a profound lack of understanding and respect.”The book’s depiction of Ruby’s abduction from her home in Australia — in a chapter titled “To Steal a Child” — was particularly insensitive, the group said. The country continues to reckon with the history of the so-called Stolen Generations, which refers to Aboriginal and Torres Strait Islander children who were forcibly taken from their families in the 20th century and placed in government-run assimilation programs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Bruce Degen, Who Drew ‘The Magic School Bus,’ Dies at 79

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      He memorably portrayed a frizzy-haired science teacher roping her elementary school class into adventures aboard a shape-shifting yellow bus.Bruce Degen, the illustrator of “The Magic School Bus” series of children’s books, died on Thursday at his home in Newtown, Conn. He was 79.The cause was pancreatic cancer, his family said.The main character of the books, a science teacher named Ms. Frizzle, shows her elementary school students that adventure awaits in understanding the biology, chemistry and physics of everyday life.Ms. Frizzle drives her yellow school bus up into the clouds, so that her students can hop inside raindrops and travel through their local water treatment system. On other occasions, she drives through the small intestine and across the surface of the sun.Joanna Cole, a children’s book author, was responsible for making those lessons educational, writing the text of Ms. Frizzle’s lessons and inventing plots that put her students inside a hurricane or a classmate’s nose. Ms. Cole gave Ms. Frizzle catchphrases like “take chances, make mistakes and get messy!”Mr. Degen (pronounced like the Major Deegan Expressway) made the visual world of the books by using the clear lines of pen and ink and also the childlike softness of watercolor. He rendered Ms. Frizzle’s hair red and wildly frizzy — but contained it all in a mostly tidy bun.Mr. Degen with Joanna Cole, who wrote the text for the “Magic School Bus” books.ScholasticWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Dorothy Allison, Author of ‘Bastard Out of Carolina,’ Dies at 75

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      She wrote lovingly and often hilariously about her harrowing childhood in a working-class Southern family, as well as about the violence and incest she suffered.Dorothy Allison, who wrote with lyrical, pungent wit about her working-class Southern upbringing — and about the incest and violence that shaped her — and whose acclaimed 1992 novel, “Bastard Out of Carolina,” based on her harrowing childhood, made her a literary star, died on Tuesday at her home in Guerneville, Calif., in Sonoma County. She was 75.Her death, from cancer, was announced by the Frances Goldin Literary Agency, her longtime representative.Ms. Allison was flat broke in 1989 when she decided to try to sell “Bastard Out of Carolina,” the novel she had been writing for nearly a decade, to a mainstream publisher. “Trash,” a critically praised collection of short stories, had already been published by Firebrand Books, a feminist publishing house; so had her collection of poetry, “The Women Who Hate Me,” which she first published herself as a chapbook in 1983. In both books, she tackled lust, the scrum of feminist politics and her chaotic, beloved family. Feminism had saved her life, she often said, and she was certain that because of her political convictions, the mainstream press would not welcome her.“Bastard Out of Carolina” was published in 1992 to almost unanimous acclaim and made numerous best-seller lists.No creditMs. Allison liked to describe herself, as she told The New York Times Magazine in 1995, as a “cross-eyed, working-class lesbian addicted to violence, language and hope.”But at the time, she and her partner, Alix Layman, a trombone player who had been kicked out of the Army for being gay, were living on grits. Ms. Allison, who was legally blind in one eye, had numerous other health concerns and medical debt, and she could no longer support her writing with part-time clerical jobs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Book Review: ‘Us Fools,’ by Nora Lange

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      “Us Fools,” by Nora Lange, is a tale of two sisters living through the diseased expanse of the country’s recent history.US FOOLS, by Nora LangeJoanne’s voice has always been in Bernadette’s head. The Fareown sisters can’t escape each other, even if they can escape their roots. Growing up on their Illinois farm in the 1980s, Jo and Bernie have learned to fend for themselves, largely by sticking together.Their parents, distracted by the farm crisis that is burying their neighbors and much of rural America with them, spend most of their time “lovingly fondling each other like a set of keys.” The girls are restless and hungry, sick of the bland food their chain-smoking mother serves them. Instead, they devour Nietzsche and Woolf, home-schooling each other in their attic.In “Us Fools,” Nora Lange’s tender, exquisitely funny and supremely strange debut novel about these sisters, nothing much happens. Also, everything happens. The story opens in 1987 with Jo, age 11, taking a leap from the family’s roof, to “experience falling.” She’s the charismatic older sister, prone to violence and performance art, and Bernie, our narrator, is nearly effaced by her sister’s outsize shadow. Bernie dreams of a different life, one in which she can afford vitamins and other modern luxuries, and she tries to fight the designation her sister gives them: “junk kids.” But, like most of Jo’s forceful visions, it proves irresistible.The opening pages inform us that we are looking back at their childhood from 2009, as Bernadette holes up in a Super 8 in Bloomington, Minn., to make sense of her family’s history, “examining the contents of our lives like receipts.” The sisters are grown, and Joanne, still unpredictable as ever, wants a baby.In between these two coordinates, we travel with the Fareowns from the farm to Chicago and then to Deadhorse, Alaska, as Bernie tries to cure herself of “love-loathing” her sister. Bernie goes to college, Jo goes to an institution. But these and other medium-size events — deaths, moves, breakups, jobs, the stuff of most novels — take place between commas. They are the clauses dependent on Bernadette’s enduring interests: grand observations and minute movements. “Back in the Midwest,” she recalls in an early chapter, “the rate of suicide rose, so too did the number of New Coke haters.”In almost every exhilarating sentence, Lange tries to plug the vast, diseased expanse of our country’s history into this particular set of characters it has doomed: “The term ‘nuclear family’ had been installed in America like the questionable electric wiring in our house, which would fail.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Uvalde’s Newspaper Kept Going, Despite Unimaginable Loss

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      Craig Garnett, the publisher of The Uvalde Leader-News, opens up about covering a tragedy that was — and is — too close to home.Craig Garnett played many roles as he drove around Uvalde, Tex. in his white pickup truck.He was a proud father, pointing to the stadium where his son played football before switching to golf. He was a local historian, describing how farmers sold angora fiber to be spun into mohair at a mercantile near the main drag. He was an amateur lepidopterist, gently waving away swarms of monarch and snout butterflies that were migrating through town for the second time this year.But, approaching Robb Elementary School, where 19 students and two teachers were gunned down in their classrooms on May 24, 2022, Garnett slipped into the role he’s best known for, as publisher and owner of The Uvalde Leader-News.Calmly, candidly, with a journalist’s eye for detail and a citizen’s disbelief, Garnett narrated the view: There was the drainage ditch where the shooter crashed his grandmother’s Ford F-150 before firing through the windows of the fourth grade wing. There was the door he walked through. The funeral home survivors fled to. The driveway where 376 law enforcement officers mobilized for 73 minutes before ending the carnage. The street where parents waited. The white crosses, one for each victim.“Devastating,” Garnett said. He pulled away from the gated, partially boarded-up building in silence.The offices of the Uvalde Leader-News are on the town square, across from a small park with a fountain.Christopher Lee for The New York TimesA memorial in a central plaza is bedecked with flowers, mementos and pictures of victims.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Try This Quiz on Books That Were Made Into Great Space Movies

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      Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about books that have gone on to find new life as movies, television shows, theatrical productions, video games and more. This week’s challenge is focused on fiction and nonfiction works about space exploration that were adapted into popular films.Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their movie versions. More