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    Geoff Nicholson, Author of Darkly Comic Novels, Dies at 71

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    In more than a dozen books, he created characters who were obsessed with maps, urban walking, sexual fetishes and Volkswagen Beetles.Geoff Nicholson, whose darkly comic literary novels and eclectic nonfiction were full of characters defined by their obsessions — with cartography, Volkswagen Beetles, urban walking, jokes and sexual fetishes, many of which were enduring interests of Mr. Nicholson himself — died on Jan. 18 in Colchester, England, northeast of London. He was 71.His death, in a hospital, was from chronic myelomonocytic leukemia, his partner, Caroline Gannon, said. It is a rare bone marrow cancer, though, as Mr. Nicholson mordantly observed, “not rare enough, obviously.”In novels with far-fetched plots, characters who often flirted with the cartoonish and stylized, noirish dialogue, Mr. Nicholson wrote with verve and biting wit, and he attracted a dedicated, if not large, readership for his prolific output.His Facebook profile once had a list of “liked” books whose first two titles were “Gravity’s Rainbow” and “The Big Sleep,” a thumbnail distillation of his own oeuvre of highbrow plundering of lowbrow culture.Mr. Nicholson was a verbal jokester, whether in ambitious fiction or in more prosaic writing. For the “About” page of his website, he annotated his own Wikipedia entry. In response to Wikipedia’s assertion that his work was “compared favorably” to that of Kingsley and Martin Amis, Will Self and Zadie Smith, Mr. Nicholson wrote, “I don’t recall anybody ever comparing me to Kingsley Amis, but I suppose they might have.”One person who did compare him to Kingsley Amis, the midcentury British satirist, was the New York Times critic Michiko Kakutani, writing a 1997 review of Mr. Nicholson’s best-known novel, “Bleeding London.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      2 Books From Other Shores

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      A memoir of Italy; notes on Canada.Mike Belleme for The New York TimesDear readers,I’m not going to get into the various reasons you might have for wanting to go somewhere else right now — somewhere, let’s say, on the other side of an international border. The fact is that Americans have always been eager tourists and willing expatriates, game to study the histories and decode the customs of neighboring and far-flung places.There are more and less benign versions of this roving impulse, but let’s not get into that either. Also, with due respect to hard-typing globetrotters, travel writing exhausts me. What I’m in the mood for is a scrappy, burrowing cosmopolitanism, books that dig down into the soil of a place and emerge with local dirt under their fingernails. Here are two of those, one a memoir of life in a foreign land, the other an extended excursion into an exotic literature.—A.O.“Images and Shadows: Part of a Life,” by Iris OrigoNonfiction, 1970Not long before he died, Origo’s father — an American diplomat married to an Anglo-Irish aristocrat — wrote that he wished his daughter to grow up “free from all this national feeling that makes people so unhappy.” He wanted her “to be a little ‘foreign,’ too, so that, when she grows up, she really will be free to love and marry anyone she likes, without its being difficult.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Harper Lee’s Early Short Stories to Be Published for the First Time

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      Before she published “To Kill a Mockingbird,” Lee had written short stories in which she explored some of its themes and characters.For years before she published “To Kill a Mockingbird,” Harper Lee wrote short stories with themes that she would later explore in that now-classic novel: small town gossip and politics, tender and tense relationships between fathers and daughters, race relations.She tried and failed to get them published. Scholars and biographers have long thought the stories were lost or destroyed.But Lee was a meticulous archivist. She stashed the typescripts of the stories, along with the rejection letters, in her New York City apartment, where her executor discovered them after her death in 2016.This fall, those stories will be published for the first time in a collection titled “The Land of Sweet Forever.” The book, out on Oct. 21 from Harper, includes eight previously unreleased stories and eight pieces of nonfiction that Lee published in various outlets between 1961 and 2006, including a profile of her friend, the writer Truman Capote, a cornbread recipe and a letter to Oprah Winfrey.Lee’s nephew, Edwin Conner, said that he and other members of her family were thrilled that the stories were preserved, and can now reach a wide audience. The estate decided to publish them in 2024, according to Harper.“She was not just our beloved aunt, but a great American writer, and we can never know too much about how she came to that pinnacle,” Conner said in a statement released by Harper.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      2 Books for Jazz Age Enthusiasts

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      A Scott and Zelda roman à clef; a photo collection of 1920s Paris.Museum of the City of New YorkDear readers,The Museum of the City of New York recently unveiled the refurbished Stettheimer Dollhouse, the decades-long creation of Carrie Stettheimer — who, with her sisters Florine (a painter) and Ettie (a writer), hosted notable salons for the 1920s avant-garde in their vast suite of apartments at a Midtown apartment building called Alwyn Court.I have been to see the house (“dollhouse” is almost a misnomer) a number of times since the museum brought it back on display, and have admired the miniature Marcel Duchamps and Gaston Lachaises as well as the fabulous interiors. It’s a true work of art in its own right. And it’s sent me down a rabbit hole.—Sadie“Parties: Scenes From Contemporary New York Life,” by Carl Van VechtenFiction, 1930Any discussion of the New York 1920s avant-garde must include Van Vechten — music critic, drama critic, photographer, novelist, Florine Stettheimer subject, and friend and editor to Gertrude Stein, among many, many other things. Van Vechten is frequently described as a champion of the Harlem Renaissance and is often credited with sparking interest among white bohemians (and bored socialites) with jazz and Black culture. For a full and nuanced portrait of his contradictory and wildly prolific life and career, I implore you to read his collected correspondence with Langston Hughes as well as Edward White’s excellent 2014 biography, “The Tastemaker: Carl Van Vechten and the Birth of Modern America.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      2 Books Chock-Full of Worthwhile Ideas

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      A study of human fatigue; a cranky travel memoir.The Museum of Modern Art/Licensed by SCALA, via Art Resource, NYDear readers,If the retail price of a book were pegged to the number of high-quality ideas it contained, the two books below would sell for downright goofy sums. And by the same logic, a book that contained zero ideas or — worse — lazy or unsupported ones would owe the reader money for squandered time. This is my platform. Vote Molly for president.—Molly“The Human Motor: Energy, Fatigue, and the Origins of Modernity,” by Anson RabinbachNonfiction, 1990Why did Red Bull sell 12.7 billion cans of energy drink last year? Why is it a common and accepted practice to track one’s daily steps? Why did a German chemist named Wilhelm Weichardt attempt to invent a vaccine for fatigue in the early 20th century and — crucially — if he was successful, where can we present our upper arms for immediate injection?These questions are answered in “The Human Motor,” if only implicitly as regards the first two. Rabinbach, who died recently at the age of 79, had loftier concerns than the state of Red Bull’s market share.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Book Club for Bewildered Democrats

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      One thing is even more demoralizing than President Trump’s apparent lawbreaking and kowtowing to Vladimir Putin. It’s that weeks of outrages have not significantly dented Trump’s popularity.Trump’s favorability ratings ticked down slightly in recent days but remain higher now than when he was elected in November. So let’s acknowledge a painful truth: Now that American voters have actually seen Trump trample the Constitution, pardon violent insurrectionists and side with the Kremlin against our allies, after all this, if the election were held today, Trump might well win by an even wider margin than he did in November.Democrats have been ineffective so far at holding Trump accountable, and he will do much more damage in the coming years unless we liberals figure out how to regain the public trust.Maybe Trump’s overreach will catch up with him. But a Quinnipiac poll last month showed the lowest level of approval for Democrats (31 percent) since Quinnipiac began asking the question in 2008.Part of the problem, I think, is that many educated Democrats are insulated from the pain and frustration in the working class and too often come across as out of touch. Instead of listening to frustrated workers, elites too often have lectured them, patronized them or dismissed them as bigots.That sense of our obliviousness is amplified when Trump takes a sledgehammer to the system, and we are perceived as defenders of the status quo. This will be a challenge to navigate, and I don’t pretend to have all the answers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Let Students Finish the Whole Book. It Could Change Their Lives.

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      Veronyka JelinekIn her memoir, Dorothy Allison writes, “Two or three things I know for sure and one of them is that telling the story all the way through is an act of love.”Throughout my teaching career at independent schools, which began during the Clinton administration, I’ve also been telling students that reading a story all the way through is an act of love. It takes stillness and receptivity to realize this, it takes a willingness to enter the life of someone you’ll never meet, and it requires great practice.It’s easy to join the hand-wringing chorus, blaming TikTok’s corn drill challenge, Jake Paul and their ilk for the diminuendo of Dickens. But we cannot let reading become another bygone practice. In their more than eight hours of screen time a day, on average, students navigate a galaxy of mediated experiences; schools need to be a bastion of the analog experience of the physical book.The study of English involves more than reading. It includes written expression and the cultivation of an authentic voice. But the comprehension of literature, on which the study of English is based, is rooted in the pleasure of reading. Sometimes there will be a beam of light that falls on a room of students collectively leaning into a story, with only the scuffing sounds of pages, and it’s as though all our heartbeats have slowed. But we have introduced so many antagonists to scrape against this stillness that reading seems to be impractical.The test scores released at the end of last month by the National Assessment of Educational Progress reveal disturbing trend lines for the future of literacy in our country. Thirty-three percent of eighth graders scored “below basic” on reading skills, meaning they were unable to determine the main idea of a text or identify differing sides of an argument. This was the worst result in the exam’s 32-year history. To make matters worse, or perhaps to explain how we got here, the assessment reported that in 2023 only 14 percent of students said they read for fun almost every day, a drop of 13 percentage points since 2012.In its attempt to make English more relevant, the National Council of Teachers of English — devoted to the improvement of language arts instruction — announced in 2022 that it would widen its doors to the digital and mediated world. The aim was to retreat from the primacy of the written word and invite more ideas to be represented by images and multimedia. “It behooves our profession, as stewards of the communication arts, to confront and challenge the tacit and implicit ways in which print media is valorized above the full range of literacy competencies students should master,” the council said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Book Review: ‘Beartooth,’ by Callan Wink

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      In Callan Wink’s new novel, two brothers struggling to make ends meet are forced to turn to shady ventures.BEARTOOTH, by Callan WinkAny reader seeking a refreshing corrective to the soap opera version of the American West offered by Paramount’s TV hit “Yellowstone” would be well advised to pick up Callan Wink’s new novel, “Beartooth.” Although both are set in Montana, their perspectives are radically different.Whereas “Yellowstone,” channeling “Dallas” and “The Godfather,” focuses on a rich and powerful ranching clan that defends its immense landowning interests through coldblooded violence and high-level political skulduggery, “Beartooth” shows us the struggles of two ordinary members of the rural precariat: the brothers Thad and Hazen, trying without much success to make ends meet after the death of their father. There are no prize stallions, private helicopters or cowboy hats to be found in “Beartooth” and no patriotic paeans to private property either.Wink offers instead a rawer, much less melodramatic version of the contemporary West in which the main challenge is not to conserve power and perpetuate a dynasty but to put new tires on the old truck, fill the propane tank for winter and fix the leaking roof.Plunged into debt by the cost of their father’s medical treatments, Thad and Hazen, who usually get by cutting and selling wood, are forced to resort to more lucrative but less legal ways of earning money. The novel opens with them hunting black bears out of season in order to harvest their gallbladders for the Asian market, a scheme suggested by a sinister local fixer called the Scot.As the story develops, the growing conflict between Thad and the Scot, an odd character who has a murderous past, wears a kilt and plays a set of bagpipes he has fashioned himself from bog oak and elk hide, generates most of the novel’s dramatic energy, while the sudden and unexpected arrival of the brothers’ previously absent mother, a hippyish van dweller named Sacajawea (after Lewis and Clark’s guide), provides a more emotionally nuanced domestic subplot.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      At 83, Anne Tyler Has a New Novel. She’d Rather Talk About Anything Else.

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      While many of her contemporaries are playing canasta, she’s releasing her 25th book. There’s no mystery to it, Tyler says: Start on Page 1, then keep writing.Anne Tyler and I sat facing one another on a couch overlooking a man-made pond at her retirement community outside of Baltimore. She moved there in 2022 and likes the place well enough, with its woodsy walking trails, salt water pool and art studio.But when I asked Tyler, who is 83, what clubs or activities she’s joined at the sprawling facility, her answer was an apologetic “Nothing?”Tyler is too busy writing books. Her 25th novel, “Three Days in June,” comes out on Feb. 11, and she’s already percolating another.“I absolutely have to pick up a pen every weekday morning,” she said, opening a drawer to show her collection of Uni-Ball Signos in black ink. “They’re non-friction. I used to wear a Band-Aid on my finger, and now I don’t need one.”This is what passes for a revelation from Tyler, who rarely gives interviews and gracefully dodges questions about work. It’s not that she’s secretive or superstitious about her “craft” (a word she’d never use in this context). She just doesn’t understand what the hoopla is about: She established a writing routine and stuck with it, simple as that.Tyler has now been a fixture of the literary world for more than 60 years.When her first book, “If Morning Ever Comes” was published in 1964, the Times’s critic described it as “an exceedingly good novel, so mature, so gently wise and so brightly amusing that, if it weren’t printed right there on the jacket, few readers would suspect that Mrs. Tyler was only 22.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More