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      JD Vance Just Blurbed a Book Arguing That Progressives Are Subhuman

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      In a normal political environment, there would be little need to pay attention to a new book by the far-right provocateur Jack Posobiec, who is probably best known for promoting the conspiracy theory that Democrats ran a satanic child abuse ring beneath a popular Washington pizzeria. But “Unhumans,” an anti-democratic screed that Posobiec co-wrote with the professional ghostwriter Joshua Lisec, comes with endorsements from some of the most influential people in Republican politics, including, most significantly, vice-presidential candidate JD Vance.The word “fascist” gets thrown around a lot in politics, but it’s hard to find a more apt one for “Unhumans,” which came out last month. The book argues that leftists don’t deserve the status of human beings — that they are, as the title says, unhumans — and that they are waging a shadow war against all that is good and decent, which will end in apocalyptic slaughter if they are not stopped. “As they are opposed to humanity itself, they place themselves outside of the category completely, in an entirely new misery-driven subdivision, the unhuman,” write Posobiec and Lisec.As they tell it, modern progressivism is just the latest incarnation of an ancient evil dating back to the late Roman Republic and continuing through the French Revolution and Communism to today. Often, they write, “great men of means” are required to crush this scourge. The contempt for democracy in “Unhumans” is not subtle. “Our study of history has brought us to this conclusion: Democracy has never worked to protect innocents from the unhumans,” write Posobiec and Lisec.One of their book’s heroes is the Spanish dictator Francisco Franco, who overthrew the democratic Second Spanish Republic in the country’s 1930s civil war. The authors call him a “great man of history” and compare him to George Washington. They quote him on what doesn’t work against the unhuman threat: “We do not believe in government through the voting booth. The Spanish national will was never freely expressed through the ballot box.”Nakedly authoritarian ideas like this one are not uncommon in the dank corners of the reactionary internet, or among the sort of groups that led the Jan. 6 insurrection. “Unhumans” lauds Augusto Pinochet, leader of the Chilean military junta who led a coup against Salvador Allende’s elected government in 1973, ushering in a reign of torture and repression that involved tossing political enemies from helicopters.Pinochet-inspired helicopter memes have been common in the MAGA movement for years. And as the historian David Austin Walsh wrote last year, there’s long been a cult of Franco on the right. Nevertheless, it’s extremely unusual for a candidate for vice president of the United States to openly align himself with autocratic terror.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Pelosi Says She Pushed Biden to Step Aside Because of Need to Defeat Trump

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      A new book by the former speaker details her clashes with the former president, but it was written before her most recent exercise of political might: helping persuade President Biden to end his re-election bid.To hear Representative Nancy Pelosi tell it, her quiet but firm push to get President Biden to withdraw from the 2024 race was a simple matter of the ruthless political math that she has spent decades honing a talent for on Capitol Hill.“My goal is defeat Donald Trump,” Ms. Pelosi, the former speaker, said in a recent interview before the release this week of a book on her years in Congress. “And when you make a decision to defeat somebody, you make every decision in favor of that. You don’t mess around with it, OK? What is in furtherance of reaching that goal? I thought we had to have a better campaign.”The book, titled “The Art of Power,” is Ms. Pelosi’s retelling of major moments of critical decision-making during the Iraq War, a catastrophic financial meltdown, the passage of the Affordable Care Act and multiple clashes with former President Donald J. Trump, among other events.But it may be her most recent deft exercise of political finesse and muscle — one that took place well after the book was written — that will stand as a final testament to Ms. Pelosi’s stature as the Democratic Party’s premiere powerhouse of recent decades. In a formidable display of her enduring clout, she helped persuade the incumbent president to abandon his re-election bid to give her party a better chance of holding the White House in November.Ms. Pelosi plays down her role in nudging Mr. Biden aside and insists the decision was his alone to make. In her focus on polls and fund-raising and in private conversations with the president and rattled Democratic colleagues, she said, she was driven by the single imperative of beating Mr. Trump.The former speaker said she did not initiate calls with colleagues, trying to dispel claims that she had orchestrated the ouster of Mr. Biden, a longtime ally. But if Democrats triumph this fall after staring down the prospect of a resounding defeat, the maneuvering by Ms. Pelosi — along with personal appeals to Mr. Biden from the Democratic congressional leaders Senator Chuck Schumer and Representative Hakeem Jeffries, both of New York — may turn out to be among her most significant acts.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Can You Uncover the Hidden Book Titles?

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      The fever had dissipated but the six patients were having respiratory issues that were resistant to treatment and the next few hours were going to be precarious. Half the group had already crossed the line between serious and critical condition, as two of them were on oxygen and one was on life support.Meanwhile, as investigators examined the body of evidence in the case, their nexus of activity focused on the farm on Lakewood Road, where they would soon find a beautiful poison toadstool that someone had seamlessly blended in with the straw mushrooms for sale.The fever had dissipated but the six patients were having respiratory issues that were resistant to treatment and the next few hours were going to be precarious. Half the group had already crossed the line between serious and critical condition, as two of them were on oxygen and one was on life support.Meanwhile, as investigators examined the body of evidence in the case, their nexus of activity focused on the farm on Lakewood Road, where they would soon find a beautiful poison toadstool that someone had seamlessly blended in with the straw mushrooms for sale.The fever had dissipated but the six patients were having respiratory issues that were resistant to treatment and the next few hours were going to be precarious. Half the group had already crossed the line between serious and critical condition, as two of them were on oxygen and one was on life support.Meanwhile, as investigators examined the body of evidence in the case, their nexus of activity focused on the farm on Lakewood Road, where they would soon find a beautiful poison toadstool that someone had seamlessly blended in with the straw mushrooms for sale. More

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      Test Your Literary Knowledge of the Harlem Renaissance

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      Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s installment tests your knowledge of novels, poems and memoirs by writers connected to the Harlem Renaissance, a creative movement by Black authors, artists and musicians that crystallized into a cultural force a century ago. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books and other information if you’d like to do some further reading.3 of 5In 1930, Langston Hughes collaborated on a play called “Mule Bone,” which was never finished but was published in a new edition and produced on Broadway in 1991, long after both authors were dead. His co-writer, who was also an anthropologist, was the author of several fiction and nonfiction books, including an autobiography titled “Dust Tracks on a Road.” Who was it? More

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      Edna O’Brien: An Appreciation

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      Decades before Elena Ferrante’s Neapolitan novels, the Irish writer Edna O’Brien — who died at 93 on July 27 — provided her own searing portraits of an oppressive, violent society seen through the prism of female friendship.When we first meet them in 1960’s “The Country Girls,” Kate and Baba are teenagers, dreaming of a future beyond the confines of their rural Irish village and strict convent school. Its sequels — “Girl With Green Eyes” (1962), and the ironically-titled “Girls in Their Married Bliss” (1964) — follow them through their first taste of womanhood in Dublin, then to London, where they struggle to reconcile their romantic fantasies with the frustrations of real marital life.O’Brien was 29 when “The Country Girls” was published, living with two young sons and her then-husband, the writer Ernest Gébler, in a small house in a bleak south London suburb to which they’d moved, two years earlier, from Ireland. The novel took her only three weeks to write, the words having “tumbled out,” as she recalled in her 2012 memoir, “Country Girl,” “like the oats on threshing day that tumble down the shaft, the hard pellets of oats funneled into bags and the chaff flying everywhere, getting into the men’s eyes and their having to shout to be heard above the noise of the machine.”Although tame by today’s social mores, and praised on its publication by the English press, “The Country Girls” — with its candid portrayal of female sexuality and extramarital romance — sent shock waves through Ireland, where it was denounced by the church and banned by the Irish censorship board as “indecent.” Copies were even publicly burned.Overnight, O’Brien became Ireland’s most notorious exiled daughter, and its foremost chronicler of female experience. “No writer in English is so good at putting the reader inside the skin of a woman,” praised The Evening Standard of her fourth novel, “August Is a Wicked Month,” the story of a divorced mother aflame with desire. She “gave voice to a previously muzzled generation of Irish women,” declared the novelist Eimear McBride.O’Brien’s Ireland is “a land of shame, a land of murder and a land of strange sacrificial women,” as she describes it in her short story “A Scandalous Woman.” She describes how paternal violence — sanctioned by the misogynistic power of the Catholic Church — is woven into the fabric of life. Violence against women is an ordinary, everyday occurrence, as is their propensity to be punished for their sins.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gail Lumet Buckley, Chronicler of Black Family History, Dies at 86

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      She wrote two books about multiple generations of her forebears, including her mother, Lena Horne.Gail Lumet Buckley, who rather than follow her mother, Lena Horne, into show business, wrote two multigenerational books about their ambitious Black middle-class family, died on July 18 at her home in Santa Monica, Calif. She was 86.Her daughter Jenny Lumet, a screenwriter and film and television producer, said the cause was heart failure.Mrs. Buckley was inspired to chronicle her family history in the early 1980s, when her mother asked her to store an old trunk in her basement. It had belonged to Ms. Horne’s father, Edwin Jr., known as Teddy, and contained hundreds of artifacts that had belonged to relatives dating back six generations, to Sinai Reynolds, who had been born into slavery around 1777 and who in 1859 bought her freedom and that of members of her family.“There were photographs, letters, bills, notes,” Mrs. Buckley told The New York Times in a joint interview with her mother in 1986, as well as “speakeasy tickets, gambling receipts, college diplomas.”Those disparate paper fragments of history helped her structure “The Hornes: An American Family” (1986).Mrs. Buckley was inspired to chronicle her family history when she discovered, in an old trunk, hundreds of artifacts that had belonged to relatives dating back six generations.Alfred A. KnopfWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      From Naples to New Orleans, Murder and Mayhem

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      This month’s column is all about firsts — debut authors, new series beginnings or both. I make it a point to pick up books by new authors whenever I can. Sure, there’s pleasure to be had in discovering someone 10 books into a series and binge-reading them all, but I like embracing promising careers at the ground level, too.MAY THE WOLF DIE (Penguin Books, 359 pp., paperback, $20), the first book from Elizabeth Heider, a physicist and former U.S. Navy research analyst, bowled me over with its descriptions of Naples — seedy, beautiful, baroque — and the trials and tribulations of its main character, Nikki Serafino. Nikki, a liaison between the local police and the American military, works in a unit called Phoenix Seven where the men, when they aren’t “barraging her with sex jokes,” undermine and condescend to her at every turn. Nikki, “short and compact and muscular with a dynamic, interesting face,” can handle them just fine, thank you very much.Then, within 24 hours, she stumbles across two bodies. The first, submerged in water, is an American naval officer, and the other has connections to the military base, too. The investigation unfolds with all manner of surprises, and Nikki, to the chagrin of her Neapolitan colleagues, will be the one to solve it.Delia Pitts begins a new series with TROUBLE IN QUEENSTOWN (Minotaur, 312 pp., $28), which introduces Vandy Myrick. A private detective who’s recently returned to her New Jersey hometown, she’s working in the shadow of her former cop father, who now has dementia, and grieving the death of her daughter, Monica. The sleepy Queenstown that Vandy remembers as a child has changed; it’s now a nest of secrets, teeming with corruption and bigotry.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      2 Los Angeles Novels as Stylish and Wild as the City Itself

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      Elizabeth Stromme’s noir about a writer for hire; Karen Tei Yamashita’s magic realist dystopia.Beth Coller for The New York TimesDear readers,A few years ago I interviewed a writer who in a past life worked as a transcriber for people who had suffered traumatic brain injuries. Listening over and over to patients describe life-changing pain, she realized their realities bordered on the supernatural, and that adopting language more commonly found in science fiction or fantasy was the most honest way to convey their distress.I thought of her earlier this summer, around the time I realized my knowledge of the Los Angeles literary canon was basically nonexistent. It was stupid I’d never thought to approach the city — which despite my years of visiting family there has never felt like terra firma — through novels. The books I recommend today are both set in the region, but that’s almost incidental. More important: They convey a sense of place that had previously eluded me, using fantastical, intentionally stylistic language, and somehow rank among the truest things I’ve read.—Joumana“Joe’s Word: An Echo Park Novel,” by Elizabeth StrommeFiction, 2003This unsung stunner could credibly be called “pre-gentrification noir” — two words I wouldn’t normally put in the same room together, let alone the same clause.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More