Books and Literature

Subterms

    More stories

    • 88 Shares169 Views

      in Elections

      A Bronx Teacher Asked. Tommy Orange Answered.

      by

      When the author received an impassioned email, he dropped everything to visit the students who inspired it.Tommy Orange sat at the front of a classroom in the Bronx, listening as a group of high school students discussed his novel “There There.”A boy wearing blue glasses raised his hand. “All the characters have some form of disconnection, even trauma,” Michael Almanzar, 19, said. “That’s the world we live in. That’s all around us. It’s not like it’s in some faraway land. That’s literally your next-door neighbor.”The class broke into a round of finger snaps, as if we were at an old-school poetry slam on the Lower East Side and not in an English class at Millennium Art Academy, on the corner of Lafayette and Pugsley Avenues.Orange took it all in with a mixture of gratitude and humility — the semicircle of earnest, engaged teenagers; the bulletin board decorated with words describing “There There” (“hope,” “struggle,” “mourning,” “discovery”); the shelf of well-thumbed copies wearing dust jackets in various stages of disintegration.When Orange spoke, students paid close attention. Many identified with the characters in Orange’s book “There There” and with the world it portrayed. Hiroko Masuike/The New York TimesHis eyebrows shot up when a student wearing a sweatshirt that said “I Am My Ancestors’ Wildest Dreams” compared the book to “The Road,” by Cormac McCarthy. When three consecutive students spoke about how they related to Orange’s work because of their own mental health struggles, he was on the verge of tears.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares119 Views

      in Elections

      Entering the ‘Matrix of Language’ With a Crossword Puzzle Fiend

      by

      Anna Shechtman’s new memoir-history hybrid, “The Riddles of the Sphinx,” explores the gender politics behind one of the world’s most popular word games.Anna Shechtman was 15 when she started building crossword puzzles, and 19 when her first puzzle was published in The New York Times. She later helped to found The New Yorker’s crossword section where, as one of very few female puzzle creators, she has been part of an ongoing effort to diversify the field.Now 33 and a resident scholar at Cornell, Shechtman has spun her experience and her deep knowledge of puzzles into a book, “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle,” published earlier this month. Part history, part memoir, part feminist reconsideration, it offers a sweeping overview of the American crossword puzzle over the last century, told primarily through the stories of four pioneering women who were integral to its evolution.A significant portion of the book is also an intimate chronicle of Shechtman’s struggle with anorexia, which began around the same time her interest in puzzles emerged. She sees the two as tightly linked — attempts to “retreat from the hard fact of [my] embodiment into a world of words, into its order and disorder.”“The Riddles of the Sphinx” poses questions — What kinds of intellectual work is considered worthy of our attention? What boxes have women historically been permitted to fill? — only to consistently invert and twist them. What emerges is a surprising and ambitious investigation of language and the varied ways women resist the paradoxes of patriarchy both on and off the page.In an interview that has been edited and condensed for clarity, Shechtman discussed her investigation of this legacy and the revelations, both personal and political, that came from finding her place within it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares169 Views

      in Elections

      2 Novels to Make You Sweat and Shiver

      by

      A love affair between jurors; reclaiming a classic.Jenn Ackerman for The New York TimesDear readers,Could I interest you in a literary field trip to the sauna? The oak branch whipping is optional. The cold plunge is not.Every so often these shocks to the system are tremendously welcome: a way to clear the mind, heart and qi, even if the dry sauna is filled with groaning men in a midlife trance. Even if the ice bath is really a repurposed meat freezer with no apparent filtration system.The novels I recommend here come close to replicating these extremes — a sudden shove from humid to arctic that stuns the senses. As with any good water circuit, you’ll be marveling at the effects for days.—Joumana“The Body in Question,” by Jill CimentFiction, 2019We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares179 Views

      in Elections

      Guernica Magazine Retracts Essay by Israeli as Staffers Quit

      by

      An Israeli writer’s essay about seeking common ground with Palestinians led to the resignation of at least 10 staff members at Guernica.Guernica, a small but prestigious online literary magazine, was thrown into turmoil in recent days after publishing — and then retracting — a personal essay about coexistence and war in the Middle East by an Israeli writer, leading to multiple resignations by its volunteer staff members, who said that they objected to its publication.In an essay titled “From the Edges of a Broken World,” Joanna Chen, a translator of Hebrew and Arabic poetry and prose, had written about her experiences trying to bridge the divide with Palestinians, including by volunteering to drive Palestinian children from the West Bank to receive care at Israeli hospitals, and how her efforts to find common ground faltered after Hamas’s Oct. 7 attack and Israel’s subsequent attacks on Gaza.It was replaced on Guernica’s webpage with a note, attributed to “admin,” stating: “Guernica regrets having published this piece, and has retracted it,” and promising further explanation. Since the essay was published, at least 10 members of the magazine’s all-volunteer staff have resigned, including its former co-publisher, Madhuri Sastry, who on social media wrote that the essay “attempts to soften the violence of colonialism and genocide” and called for a cultural boycott of Israeli institutions.Chen said in an email that she believed her critics had misunderstood “the meaning of my essay, which is about holding on to empathy when there is no human decency in sight.”“It is about the willingness to listen,” she said, “and the idea that remaining deaf to voices other than your own won’t bring the solution.”Michael Archer, the founder of Guernica, said that the magazine would publish a response in the coming days. “The time we are taking to draft this statement reflects both our understanding of the seriousness of the concerns raised and our commitment to engaging with them meaningfully,” he wrote in a text.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 75 Shares119 Views

      in Elections

      Book Review: ‘Devout,’ by Anna Gazmarian

      by

      In “Devout,” an author who grew up in the evangelical church recounts her struggle to find spiritual and psychological well-being after a mental health challenge.DEVOUT: A Memoir of Doubt, by Anna GazmarianAnna Gazmarian did everything that millennial evangelicals were supposed to do: She wore a purity ring, listened to sanctioned bands and avoided Harry Potter. And yet, she believed, her faith was inadequate.Jo Lindsay CoIn “Devout,” Anna Gazmarian writes of being given a Christmas present she found impossible to keep: a pendant necklace holding a tiny seed. It was a reference to the passage in Matthew where Jesus tells his apostles that faith the size of a mustard seed can move mountains.Gazmarian, struggling with bipolar disorder and an accompanying affliction of doubt, threw the necklace into the trash. It didn’t matter that it had been a gift from her well-meaning mother — what it symbolized was of no use to her. “I wanted a faith as large as a deeply rooted oak tree,” she writes, “the kind where you had to lean back to see the highest branches in the sky.”The evangelical Christianity Gazmarian had been raised in, which had taught her to see depression as a symptom of spiritual weakness — possibly even the work of the Devil — could not help her realize this vision, and in “Devout” she tells of how she eventually found healing for both mind and soul.In this, her first book, she does not condemn what wounds her. “I’ve been breaking down and rebuilding my concept of faith, searching for a faith that can exist alongside doubt, a faith that is built on trust rather than fear,” she writes in the preface. “A faith with room for prayer and lament.” “Devout” is both of these, “offered in the hope of restoration.”The memoir begins shortly after Gazmarian, having started college in her native North Carolina, receives a diagnosis of bipolar II disorder. She takes this as yet another sign that her faith is at fault — despite having done all the things that millennial evangelicals were told to do. She’d worn a purity ring, listened to the sanctioned bands and stayed away from the supposedly occult- glorifying Harry Potter books.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares189 Views

      in Elections

      Malachy McCourt, Actor, Memoirist and Gadabout, Dies at 92

      by

      Playing the professional Irishman, he returned from Limerick to New York, where he tended bar, appeared in soap operas, wrote a best seller, and, with his family, scattered “Angela’s Ashes.”Malachy McCourt, who fled a melancholic childhood in Ireland for America, where he applied his blarney and brogue to become something of a professional Irishman as a thespian, a barkeep and a best-selling memoirist, died on Monday in Manhattan. He was 92.His death, in a hospital, was confirmed by his wife, Diana McCourt.In 1952, when he was 20, the Brooklyn-born Mr. McCourt reunited with New York.He embarked from Ireland with a ticket paid for with $200 in savings sent by his older brother, Frank McCourt, who had emigrated earlier and was working as a public school English teacher. Frank would also become a late-blooming author, whose books included the Pulitzer Prize-winning autobiographical work “Angela’s Ashes” (1996).Malachy left school in Limerick when he was 13, two years after his heavy-drinking father deserted the family, leaving his mother, Angela, to raise the four of their surviving seven children. The family, Malachy would write, was “not poor, but poverty-stricken.”“Coming out of that life, the things that get you are the two evils of shame on one shoulder, the demon fear on the other,” he told The New York Times in 1998. “Shame says you came from nothing, you’re nobody, they’ll find you out for what you and your mother have done. Fear says what’s the use of bothering, drink as much as you can, dull the pain. As a result, shame takes care of the past, fear takes care of the future and there’s no living in the present.”In the mid-1980s, he gave up drinking and smoking.The barrel-chested, red-bearded Mr. McCourt appeared regularly on soap operas — notably “Ryan’s Hope,” on which he had a recurring role as a barkeep — and played bit parts in several films. In the 1950s, he opened what was considered Manhattan’s original singles bar: Malachy’s, on the Upper East Side.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares99 Views

      in Elections

      William Whitworth, Revered Writer and Editor, Is Dead at 87

      by

      After writing memorable character sketches and fine-tuning others’ copy at The New Yorker, he spent two decades as editor in chief of The Atlantic Monthly.William Whitworth, who wrote revealing profiles in The New Yorker giving voice to his idiomatic subjects and polished the prose of some of the nation’s celebrated writers as its associate editor before transplanting that magazine’s painstaking standards to The Atlantic, where he was editor in chief for 20 years, died on Friday in Conway, Ark., near Little Rock. He was 87.His daughter, Katherine Whitworth Stewart, announced the death. She said he was being treated after several falls and operations in a hospital.As a young college graduate, Mr. Whitworth forsook a promising career as a jazz trumpeter to do a different kind of improvisation as a journalist.He covered breaking news for The Arkansas Gazette and later for The New York Herald Tribune, where his colleagues eventually included some of the most exhilarating voices in American journalism, among them Dick Schaap, Jimmy Breslin and Tom Wolfe.In 1966, William Shawn, The New Yorker’s decorous but dictatorial editor, wooed Mr. Whitworth to the venerated weekly. He took the job although he had already accepted one at The New York Times.At The New Yorker, he injected wit into pensive “Talk of the Town” vignettes. He also profiled the famous and the not so famous, including the jazz greats Dizzy Gillespie and Charles Mingus (accompanied by photos from his former Herald Tribune colleague Jill Krementz) and the foreign policy adviser Eugene V. Rostow. He expanded his profile of Mr. Rostow into a 1970 book, “Naïve Questions About War and Peace.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares119 Views

      in Elections

      Petra Mathers, Author Whose Children’s Stories Soared, Dies at 78

      by

      Her winsome animal characters and their comic adventures expressed universal truths and feelings, rendered in a naïve and often surrealistic style.Petra Mathers, a German-born children’s book illustrator and author whose kindly, often bumbling animal characters were nonetheless quietly heroic and often risked much for love, died on Feb. 6 at her home in Astoria, Ore. She was 78.Patty Flynn, her executor, said that Ms. Mathers and her husband, Michael Mathers, a photographer, who was 79, took their own lives. There did not appear to be an obvious health concern that precipitated their act, though they had often told friends that they could not live without each other. They were a private, devoted couple, and the timing of their deaths remains a mystery.With spare, naïve images rendered in ink, pencil and watercolor, Ms. Mathers’s stories — whose subjects included a soulful museum guard (an alligator) who falls in love with the subject in a painting (another alligator) and a warmhearted chicken named Lottie and her best friend, Herbie, a duck — were just as sparely written, but imbued with sly humor and wit, captivating both her 8-and-under audience and their parents.The first book Ms. Mathers wrote, “Maria Theresa,” was the story of a dreamy fowl who has all sorts of adventures.HarperCollins“Here is the story of a chicken who flees the coop,” Carol Brightman wrote in 1985 in a New York Times review of Ms. Mathers’s first book, “Maria Theresa,” the tale of a dreamy fowl who has all sorts of adventures. “You know the type. No ordinary laying hen, this one sometimes stops ‘in mid-peck as if listening to faraway voices.’”Ms. Mathers’ prose and her “flat, old-fashioned cutout Surrealism” combined “an attention to both the commonplace and the arcane which marks the best of children’s literature,” Ms. Brightman wrote. “The book’s final tableau of circus folk (and fowl) dancing the Tango Argentine outside Miss Lola’s Airstream is a triumph of this vision. What else but a hopelessly romantic chicken, one that never forgets to lay the morning egg, could bring us such a show.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More