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    ‘60 Minutes’ Rebukes Paramount On-Air Over Executive Producer’s Exit

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    The show’s top producer abruptly said last week he was quitting. “Paramount began to supervise our content in new ways,” the correspondent Scott Pelley told viewers.In an extraordinary on-air rebuke, one of the top journalists at “60 Minutes” directly criticized the program’s parent company in the final moments of its Sunday night CBS telecast, its first episode since the program’s executive producer, Bill Owens, announced his intention to resign.“Paramount began to supervise our content in new ways,” the correspondent, Scott Pelley, told viewers. “None of our stories has been blocked, but Bill felt he lost the independence that honest journalism requires.”A spokesman for Paramount had no immediate comment, and has previously declined to comment on Mr. Owens’s departure.Mr. Owens stunned the show’s staff on Tuesday when he said he would leave the highest-rated program in television news over disagreements with Paramount, CBS’s corporate parent, saying, “It’s clear the company is done with me.”Mr. Owens’s comments were widely reported in the press last week. The show’s decision to repeat those grievances on-air may have exposed viewers to the serious tensions between “60 Minutes” and its corporate overseers for the first time.Shari Redstone, the controlling shareholder of Paramount, has been intent on securing approval from the Trump administration for a multibillion-dollar sale of her media company to a studio run by the son of Larry Ellison, the tech billionaire.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jay North, Child Star Who Played ‘Dennis the Menace,’ Dies at 73

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      Mr. North was best known for playing the towheaded Dennis Mitchell on the television series, which ran on CBS from 1959 to 1963.Jay North, who played the well-meaning, trouble-causing protagonist of the popular CBS sitcom “Dennis the Menace” from 1959 to 1963, died on Sunday at his home in Lake Butler, Fla. He was 73.His death was confirmed by Laurie Jacobson, a friend of Mr. North’s for 30 years. The cause was colorectal cancer, Ms. Jacobson said.Mr. North played the towheaded Dennis Mitchell, who roamed his neighborhood, usually clad in a striped shirt and overalls, with his friends, and often exasperated his neighbor, a retiree named George Wilson, who was played by Joseph Kearns. Herbert Anderson played Dennis’s father, and Gloria Henry played his mother.Dennis winds up causing lots of trouble, usually by accident.In one episode, a truck knocks over a street sign, and Dennis and a friend stand it up — incorrectly. Workmen then dig a gigantic hole, meant to be a pool for a different address, in Mr. Wilson’s yard.The show, which was adapted from a comic strip by Hank Ketcham, presented an idyllic, innocent vision of suburban America as the 1950s gave way to the tumultuous ’60s.But things were not easy for Mr. North behind the scenes.Many years after “Dennis the Menace” ended, Mr. North said that his acting success came at the cost of a happy childhood.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump and Paramount Seek Mediator for CBS News Lawsuit

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      The move is another indicator that the two sides are exploring ways to resolve the case, over the editing of a “60 Minutes” interview, out of court.Lawyers for Paramount and President Trump have agreed to appoint a mediator in his $20 billion lawsuit against CBS, according to two people with knowledge of the decision.The move to bring in a mediator is another indicator that the two sides are trying to resolve the case, over the editing of a “60 Minutes” interview with Vice President Kamala Harris, out of court. A mediator could help them reach a settlement, but whether they will do so remains far from certain.Paramount declined to comment. Ed Paltzik, a lawyer for Mr. Trump, said in a statement: “President Trump will pursue this vital matter to its just and rightful conclusion.”Mr. Trump sued CBS days before the 2024 election, accusing the company of deceptively editing the interview with his Democratic opponent. He later amended the suit to include Paramount as a separate defendant.Paramount, CBS’s parent company, began settlement talks with Mr. Trump this year. Those talks have created discord at Paramount, with employees at CBS News strongly opposed to any settlement. Bill Owens, the executive producer of “60 Minutes,” told the show’s staff this month that he would not apologize as part of any prospective settlement after The New York Times reported that the settlement talks with Mr. Trump were underway.The lawsuit has complicated Paramount’s merger with Skydance, a deal that would unite an up-and-coming media start-up backed by the tech mogul Larry Ellison with the gilded Hollywood studio behind “The Godfather” and “Rosemary’s Baby.” The multibillion-dollar deal, struck last year, would end the Redstone family’s decades-long run atop Paramount and anoint Mr. Ellison and his son, David, in their stead.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Emilia Pérez’ Tops Golden Globe Nominations

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      The movie received 10 nominations, the most of any movie. “Conclave,” “Wicked” and “Anora” will be among the other films contending for the top prizes.The point of the Golden Globes has become clearer in recent years: It’s a cash register masquerading as an awards show — an opportunity to sell advertising, promote winter movies and flog designer gowns.Celebrity attendance makes the whole thing run, of course, and so trophies are dangled as bait. On Monday, the companies behind the Globes announced the 2025 list of nominees, and — ka-ching! — there are a ton of stars on it, including Angelina Jolie, Timothée Chalamet, Zoe Saldaña, Nicole Kidman, Jamie Foxx, Jake Gyllenhaal, Ariana Grande, Keira Knightley, Pamela Anderson, Zendaya, Demi Moore, Glen Powell, Selena Gomez, Daniel Craig, Kate Winslet, Miley Cyrus and Denzel Washington.Netflix’s “Emilia Pérez,” a Spanish-language musical exploring trans identity, received 10 nominations, the most of any movie, including one for best comedy or musical. “The Brutalist,” “Conclave,” “Wicked” and “Anora” will be among the other films contending for the top prizes, with “The Bear,” “Shogun,” “Only Murders in the Building” and “Baby Reindeer” among the programs vying for the TV equivalents.[Read the full list of nominees.]Notable nominations included Winslet, a surprise nominee for best actress in a drama for her performance in “Lee,” a little-seen biographical drama with mediocre reviews. The best director category included Coralie Fargeat for her satirical body horror film “The Substance.”Some nominees are Globes warhorses. Kidman, nominated for best actress in a drama for her performance in “Babygirl,” an erotic thriller, has been nominated 18 times before. (She’s a six-time winner.) The comedian Nikki Glaser will host the 2025 Globes, which CBS and Paramount+ will broadcast live on Jan. 5.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Harris Cracks a Beer With Colbert and Talks Gaza, Trump and Putin

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      Vice President Kamala Harris took her message from campaign-speak to conversational during an interview with the late-night host Stephen Colbert on Tuesday night, as she acknowledged fading hopes for a cease-fire in Gaza while keeping up her attacks on former President Donald J. Trump for his relationship with Vladimir V. Putin of Russia.As if to underscore her growing confidence — after a three-day stretch in which Ms. Harris appeared in her most extended series of interviews of the campaign — she joined Mr. Colbert in cracking open a can of Miller High Life in front of his CBS studio audience in Manhattan.“The champagne of beers,” Ms. Harris joked, after Mr. Colbert noted that she had requested that brand of suds — which is brewed in the battleground state of Wisconsin.During her taped appearance on “The Late Show,” Ms. Harris also dealt with far weightier subjects. Asked about the war in Gaza, an issue that could threaten her chances of winning states like Michigan, she suggested the conflict was unlikely to end soon, even as she urged optimism.“We cannot lose some belief in the possibility” of a cease-fire, she said, adding that “the United States must work and not lose hope and not throw up our hands.”And she condemned Mr. Trump — for the second time on Tuesday — over reporting from a new book by the journalist Bob Woodward that claimed that Mr. Trump had sent rare Covid test machines to Mr. Putin in the early days of the pandemic.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How CBS Will Fact Check the Walz-Vance VP Debate

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      CBS is experimenting with a novel way to offer real-time fact-checking of the vice-presidential debate on Tuesday. Just don’t expect the moderators to frequently jump in.The journalistic dilemma of how to fact-check national candidates on the debate stage has cropped up again and again in the 2024 election.Should CNN’s moderators — who were relatively passive when President Biden debated former President Donald J. Trump in June — have been quicker to interject? Should ABC’s moderators — who politely but firmly clarified several of Mr. Trump’s outlandish claims at the second debate on Sept. 10 — have stayed quiet?Moderation is an art, not a science. But CBS News, host of Tuesday’s vice-presidential matchup between Senator JD Vance and Gov. Tim Walz, is using technology to try something new.A QR code — the checkerboard-like, black-and-white box that can be scanned by a smartphone — will appear onscreen for long stretches of the CBS telecast. Viewers who scan the code will be directed to the CBS News website, where a squad of about 20 CBS journalists will post fact-checks of the candidates’ remarks in real time.The code will appear only on CBS; viewers who tune in on a different channel will not see it. (Nearly every major network will simulcast the debate, starting at 9 p.m. Eastern) But it is a novel approach to guide viewers, already accustomed to watching TV while hovering over a smartphone or laptop, to supplemental journalistic material elsewhere.“The idea is to give people that second-screen experience,” said Claudia Milne, the senior vice president for standards and practices at CBS News, adding, “The audience can get the takeaway they need in a responsible and smart way.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Deal Talks Between Paramount and Skydance Heat Up

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      David Ellison, the founder of the Skydance media company, met with Paramount’s board of directors late last month to discuss the deal.Shari Redstone is getting one step closer to selling her media empire.Paramount, home to one of Hollywood’s most storied movie studios as well as CBS and cable networks like Nickelodeon, has been discussing entering into exclusive talks with the media company Skydance for a potential deal, according to four people with knowledge of the discussions. Moving to exclusive talks would be a significant step forward in a process that has been shrouded in uncertainty for months.Whether the two sides will agree to exclusivity remains to be seen, especially with other investors still pursuing Paramount. Apollo Global Management, an investment firm with more than $500 billion under management, has submitted an $11 billion offer to acquire the Paramount movie studio. Paramount’s board of directors, though, is seeking a deal for the entire company — including its cable channels and CBS — rather than pieces.Apollo continues to evaluate what proposal might most appeal to the company’s board, two people familiar with the situation said. Byron Allen, whose Entertainment Studios owns the Weather Channel, has also expressed interest in acquiring Paramount.Ms. Redstone, the controlling shareholder of Paramount, began negotiating with Skydance to sell her stake in the company last year. She controls Paramount through National Amusements, a holding company that owns her voting stock in Paramount. Ms. Redstone has held off on a sale for years, betting that the company’s fortunes would improve as its flagship streaming service, Paramount+, gained momentum.The terms of the deal being discussed would involve Skydance’s buying National Amusements and merging with Paramount. That deal hinges on approval from Paramount’s board, which has for weeks been weighing its options with the help of advisers.Late last month, David Ellison, the tech scion who founded Skydance, met with Paramount’s board committee to discuss his vision for a deal, according to two of the people familiar with the talks. Founded in 2010, Skydance is best known for shepherding blockbusters for Paramount, including movies in the “Mission: Impossible” and “Top Gun” franchises.Representatives for Paramount and Skydance declined to comment, and the financial terms of the deal couldn’t be learned.Paramount’s stock has fallen 18 percent since the start of the year amid headwinds for the media industry. The company is trading at a steep discount to the combined value of Viacom and CBS, which merged to form Paramount in 2019. Paramount+ is still losing money, but its losses have slowed and it continues to add subscribers.The ratings agency S&P Global downgraded Paramount’s debt to junk last week, citing “accelerating declines” in its traditional television business and continued uncertainty in its push toward streaming. Some analysts said that ratings action might make Paramount easier to acquire, since it could circumnavigate a provision that would require a buyer to immediately pay the company’s debt. More

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      Paramount Lays Off Hundreds of Workers

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      The company, which is moving away from traditional TV, lost more than $1 billion last year at its streaming division.Paramount, the owner of TV networks like Nickelodeon, MTV and Comedy Central, is laying off hundreds of employees, cutting costs as it continues its painful transition away from traditional television.About 3 percent of the company’s roughly 24,500 employees will be affected by the layoffs, according to a person familiar with the cuts, who spoke on condition of anonymity to discuss sensitive corporate information.Bob Bakish, Paramount’s chief executive, said in a memo to employees that the cuts were part of a bid to “return the company to earnings growth.”“While I realize these changes are in no way easy, as I said last month, I am confident this is the right decision for our future,” Mr. Bakish wrote. “These adjustments will help enable us to build on our momentum and execute our strategic vision for the year ahead — and I firmly believe we have much to be excited about.”Paramount is at a crossroads. The company’s controlling shareholder, Shari Redstone, is considering selling her stake in the company, a deal that could bring decades of family ownership to an end. Skydance, the media company that helped produce Paramount franchises like “Top Gun” and “Mission Impossible,” has expressed interest, but no deal has yet materialized.Like all its peers in traditional media, Paramount has struggled to keep pace with Netflix as streaming services supplant traditional TV and moviegoing. The company’s biggest streaming service, Paramount+, has not yet become profitable, putting a drag on the company’s profits. Paramount’s streaming division, which also includes the ad-supported service Pluto TV, lost more than $1 billion last year.Though viewership of Paramount’s cable networks is in decline, parts of its TV business remain resilient. Paramount’s CBS network, which broadcast the Super Bowl on Sunday, generated record ratings for the game, which saw the Kansas City Chief defeat the San Francisco 49ers in overtime. About 123.4 million people watched the game, according to Nielsen, up from 115.1 million the year before. More

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      Super Bowl Viewership Rose to 123.4 Million, a Record High

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      The figure easily exceeded last year’s 115.1 million, capping off a big year for N.F.L. ratings.Sunday night’s overtime Super Bowl shattered ratings records.An audience of 123.4 million watched the Kansas City Chiefs beat the San Francisco 49ers, according to preliminary figures from Nielsen and CBS, which broadcast the game. That figure easily eclipsed last year’s record high of 115.1 million, when Kansas City defeated the Philadelphia Eagles. Final Nielsen ratings for the Super Bowl will be issued on Tuesday,The figure is the total who watched on CBS, the Paramount+ streaming app, the Spanish-language channel Univision, N.F.L. digital channels or Nickelodeon, which aired a child-friendly telecast. The vast majority watched the game on CBS, which recorded 120 million viewers, according to Nielsen. The game had a lot going for it. It went into overtime, concluded with a game-winning touchdown pass (for a 25-22 final score) and featured an elite Kansas City team with a superstar quarterback, Patrick Mahomes. Travis Kelce, Kansas City’s starting tight end, also happens to be dating a megastar in Taylor Swift, who attended the game in Las Vegas.At a moment when traditional television ratings have been in free fall, the N.F.L., particularly the Super Bowl, has stood immune to massive viewership changes affecting the rest of the media world. Thirteen of the last 15 Super Bowls have drawn more than 100 million viewers, according to Nielsen, a bigger audience than in earlier decades.Sunday’s performance also capped off a big year for N.F.L. ratings.Viewership was up 7 percent, according to Nielsen, falling just shy of the record set in 2015. Several playoff games set ratings records, including the A.F.C. championship game on CBS, which scored more than 55 million viewers, and an A.F.C. divisional playoff game that drew more than 50 million. The N.F.C. championship game was a little short of a record.League officials have pointed to numerous close games this season — along with a playoff hunt that still included several teams toward the end — as big reasons that ratings jumped. (It’s less clear how much Ms. Swift helped boost viewership.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More