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    Criticizing Trump, Harris Says Arlington Is ‘Not a Place for Politics’

    Donald J. Trump’s campaign filmed him at Arlington National Cemetery on Monday, which led to a confrontation between one of his political aides and a cemetery official. Vice President Kamala Harris excoriated former President Donald J. Trump on Saturday for his visit on Monday to Arlington National Cemetery, where his campaign’s filming of him in a heavily restricted area caused a confrontation between one of his political aides and a cemetery official. In her first public comments on the situation, Ms. Harris said that Mr. Trump had desecrated a solemn place that should be free of politics when he appeared there for a wreath-laying ceremony for 13 service members who were killed in a suicide bombing in Afghanistan during the withdrawal of U.S. troops three years ago. “Let me be clear: the former president disrespected sacred ground, all for the sake of a political stunt,” Ms. Harris wrote on X. Ms. Harris wrote that she had visited Arlington National Cemetery several times as vice president and that she would never attempt to use that setting for activities related to the campaign. “It’s not a place for politics,” she wrote. Mr. Trump, in recent days, has hit back hard at critics of his visit to the cemetery, saying that families of some of the fallen service members had asked him to take photos with them there. Soldiers at the Tomb of the Unknowns during former President Donald J. Trump’s visit, on Monday in Arlington, Va.Doug Mills/The New York TimesRepresentatives for the Trump campaign did not immediately respond to requests for comment on Saturday, but his allies rushed to his defense, including his running mate, Senator JD Vance of Ohio.“President Trump was there at the invitation of families whose loved ones died because of your incompetence,” Mr. Vance wrote on X, responding directly to Ms. Harris. “Why don’t you get off social media and go launch an investigation into their unnecessary deaths?”The Trump campaign has repeatedly criticized the chaotic withdrawal of American troops from Afghanistan in 2021 during the Biden-Harris administration, which the former president has sought to cast as weak and dysfunctional. President Biden made the final decision to end America’s nearly 20-year military occupation in Afghanistan. But it was Mr. Trump who clinched a deal with the Afghan Taliban, setting a timeline for the U.S. exit.At a campaign event on Thursday in Potterville, Mich., Mr. Trump said that he was honored to take photos with the family members of some of the fallen service members at the cemetery and that Mr. Biden and Ms. Harris had “killed their children” with their “incompetence.” More

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    Trump Campaign Filming at Arlington Cemetery Dismayed Family of Green Beret

    The family of a Green Beret who died by suicide after serving eight combat tours and is buried at Arlington National Cemetery expressed concern on Wednesday that Donald J. Trump’s campaign had filmed his gravesite without permission as Mr. Trump stood in an area where campaign photography isn’t allowed.Relatives of Master Sgt. Andrew Marckesano issued their statement two days after Mr. Trump’s visit, which also included a confrontation between members of the Trump campaign and an Arlington employee. The former president’s campaign took video in a heavily restricted section of the cemetery known as Section 60, which is largely reserved for the fallen veterans of the Iraq and Afghanistan wars.A woman who works at the cemetery filed an incident report with the military authorities over the altercation. But the official, who has not been identified, later declined to press charges. Military officials said she feared Mr. Trump’s supporters pursuing retaliation.Sergeant Marckesano died on July 7, 2020, after moving to Washington to begin a job at the Pentagon. He had three children, and friends said he had chronic post-traumatic stress disorder from his time in combat. He earned Silver and Bronze Stars during his service. His gravesite is adjacent to that of Staff Sergeant Darin Taylor Hoover, a Marine who was killed in the 2021 bombing at Abbey Gate outside the Kabul airport in Afghanistan.The Hoover family granted permission to the Trump team to film and take photographs at the gravesite; the Marckesano family did not, and filming and photographing at the gravesite for political purposes is a violation of federal law, according to cemetery officials. Yet Sergeant Marckesano’s grave was shown in photos from the visit that were published online. A video was posted to Mr. Trump’s TikTok account featuring footage from the Section 60 visit and the gravestones from behind, with narration criticizing the handling of the U.S. withdrawal from Afghanistan in 2021.In a statement from Sergeant Marckesano’s relatives after being contacted by The New York Times, his sister, Michele, said, “We fully support Staff Sergeant Darin Hoover’s family and the other families in their quest for answers and accountability regarding the Afghanistan withdrawal and the tragedy at Abbey Gate.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump Team Clashed With Official at Arlington National Cemetery

    Members of Donald J. Trump’s campaign team and an official at Arlington National Cemetery confronted each other during the former president’s visit to the cemetery on Monday, the military cemetery said in a statement on Tuesday.The altercation was prompted, according to Trump campaign officials, by the presence of a photographer in a section of the cemetery where American troops who were killed in recent wars are buried. The cemetery released a statement saying that federal law prohibits political campaigning or “election-related” activities within Army cemeteries, including by photographers.An official with the cemetery tried to “physically block” members of Mr. Trump’s team, Steven Cheung, a Trump campaign spokesman, said in a statement. Mr. Cheung added that the cemetery official was “clearly suffering from a mental health episode” and that the campaign was prepared to release footage of the confrontation to support its account of the clash. The campaign did not provide that footage after several requests.Chris LaCivita, a top Trump campaign adviser, added in a separate statement that the cemetery official was “a disgrace and does not deserve to represent the hollowed grounds of Arlington National Cemetery.”Cemetery officials did not provide their own account of the encounter, saying instead that “there was an incident, and a report was filed.”The cemetery added that it had “reinforced and widely shared” to the Trump campaign the federal laws prohibiting campaign activities by photographers “or any other persons attending for purposes, or in direct support of a partisan political candidate’s campaign.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What’s Hidden in Woodlawn’s Mausoleums? Extraordinary Stained Glass.

    On a sunny Bronx morning late last year, an all-star team of stained-glass experts prepared to enter a dank 1894 tomb at Woodlawn Cemetery that had been opened just once in the past century.The mausoleum at hand held the remains of José Maria Muñoz, a Panamanian-born New York merchant and son of a Spanish general. The scholarly tomb raiders were five energetic stained-glass conservators and art historians conducting an unprecedented survey of some 1,200 stained-glass windows that were installed in free-standing Woodlawn mausoleums from 1878 to the present.The 1894 mausoleum of José Maria Muñoz, a Panamanian-born New York merchant and son of a Spanish general.Jeenah Moon for The New York TimesWoodlawn sits on 400 rolling acres ornamented with 1,300 such private family mausoleums, including extravagant Gilded Age temples erected for captains of industry, robber barons and the merely very wealthy. These titans of affluence and their spouses often spent lavishly on the adornment of their final resting places — even if the interiors of these grand structures weren’t destined to be seen by more than friends and family.As soon as the team entered the mausoleum, shrieks could be heard bouncing off the interior stone walls. The experts had discovered a variety of stained glass none of them had ever encountered before.On the back wall of the sepulcher, behind the stone sarcophagus that filled most of the clammy chamber, a jeweled blue-glass orb protruded from the flat plane of a stained-glass window — breaking through into the third dimension. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Century Later, 17 Wrongly Executed Black Soldiers Are Honored at Gravesites

    More than a century ago, 110 Black soldiers were convicted of murder, mutiny and other crimes at three military trials held at Fort Sam Houston in San Antonio. Nineteen were hanged, including 13 on a single day, Dec. 11, 1917, in the largest mass execution of American soldiers by the Army.The soldiers’ families spent decades fighting to show that the men had been betrayed by the military. In November, they won a measure of justice when the Army secretary, Christine E. Wormuth, overturned the convictions and acknowledged that the soldiers “were wrongly treated because of their race and were not given fair trials.”On Thursday, several descendants of the soldiers gathered at Fort Sam Houston National Cemetery as the Department of Veterans Affairs dedicated new headstones for 17 of the executed servicemen.Just before he was executed, Private Hawkins wrote a letter to his parents, telling them: “Although I am not guilty of the crime that I’m accused of Mother, it’s God’s will that I go now and in this way.”Michael A. McCoy for The New York TimesThe new headstones acknowledge each soldier’s rank, unit and home state — a simple honor accorded to every other veteran buried in the cemetery. They replaced the previous headstones that noted only their name and date of death.(The families of the other two who were hanged reclaimed their remains for private burial.)The headstones were unveiled after an honor guard fired a three-volley rifle salute, a bugler played “Taps” and officials presented the descendants with folded American flags and certificates declaring that the executed soldiers had been honorably discharged.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Amid a Fraught Process, Penn Museum Entombs Remains of 19 Black People

    Skulls from a collection used to further racist science have been laid to rest. Questions surrounding the interment have not.There was very little that could be said about the 19 people who were eulogized on Saturday morning in a service at the University of Pennsylvania. Their names were lost, and not much about their lives was known beyond the barest facts: an old age spent in the poorhouse, a problem with cavities. They were Black people who had died in obscurity over a century ago, now known almost entirely by the skulls they left behind. Even some of these scant facts have been contested.Much more could be said about what led to the service. “This moment,” said the Rev. Jesse Wendell Mapson, a local pastor involved in planning the commemoration and interment of the 19, “has not come without some pain, discomfort and tension.”On this everyone could agree.The University of Pennsylvania Museum of Archaeology and Anthropology, like cultural and research institutions worldwide, has been grappling with a legacy of plunder, trying to decide what to do about artifacts and even human bones that were collected from people and communities against their will and often without their knowledge.Human remains, which are in the repositories of institutions all across the country, present a particularly delicate challenge. The Samuel G. Morton Cranial Collection, which has been at the Penn Museum since 1966, is an especially notorious example, with more than a thousand skulls gathered in furtherance of vile ideas about race.Drummers at the start of the commemoration service at the Penn Museum on Saturday.Kriston Jae Bethel for The New York TimesThe museum plans to repatriate hundreds of craniums from all over the world, but the process has been fraught from the beginning. Its first step — the entombment at a nearby cemetery of the skulls of Black Philadelphians found in the collection — has drawn heavy criticism, charged by activists and some experts with being rushed and opaque.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More