Chalamet, Timothee (1995- )

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    Inside the 2025 Vanity Fair Oscars Party

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    Zoe Saldaña stood in the middle of Vanity Fair’s Oscars after-party Sunday night, holding an In-N-Out burger in one hand and her best supporting actress statuette in the other.She hugged Cynthia Erivo twice and then grinned for a selfie with Gayle King. Queen Latifah applauded as she twirled at the center of a dance circle.If Adrien Brody had similar moves, he kept them to himself. He brought along his Oscar for best actor and his parents, who were asked over and over about how proud they must be of their son.“We’re so ashamed,” his father, Elliot Brody, deadpanned.At Vanity Fair’s annual post-Oscars party, the ceremony’s victors and also-rans streamed in one after another for a stiff drink or a victory lap.Kim Kardashian, left, and Helena ChristensenParis HiltonHalle BerryDanielle Brooks, left, and Cynthia ErivoWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Best Dressed Men at the 2025 Oscars Skipped the Traditional Tuxedo

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      At last night’s Oscars the men who skipped the penguin suits stole the spotlight. Stylists and brands should pay attention.If you wish to fully grasp Timothée Chalamet’s Oscars suit, you may do better to consult a food reporter rather than a fashion critic.They might be able to tell you the outfit was a shade of French butter. Or was it egg yolk? Perhaps just lemon?Whatever the tint of his monochrome look, Mr. Chalamet’s effervescent not-a-tux was the consensus gotta-talk-about-it outfit of the evening. There was certainly much to scrutinize. The jacket was cropped like a maitre d’s uniform. A tie? Overlooked. In its place, a dot of a pearl collar. The pants, which weren’t even suit pants but were, in fact, shaped like five pocket jeans, puddled indifferently around his glossed black boots.Timothée Chalamet was nominated for his role in “A Complete Unknown.” Nina Westervelt for The New York TimesIt’s unclear if this outfit was nodding to an outfit Bob Dylan once wore, as some of Mr. Chalamet’s carpet looks have during this award’s season sprint, but his Oscars look at least had the spirit of Dylan. (This critic’s theory: It was “Blonde on Blonde” in outfit form.) This was a suit that smirked at ceremony but felt glamorous and elevated despite it’s provocation.The unusual red carpet outfit also provided a crucial preview for Givenchy, who made it specially for Mr. Chalamet.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Timotheé Chalamet and the Stars of ‘A Complete Unknown’ Pack NYC Premiere: Photos

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      “I saw him,” said Charlotte Barbié, 18, who stood outside the SVA Theater on Friday night, shaking from either the cold or the excitement. “He was blond.”She indicated her white Adidas sneaker had just been signed in black marker by the actor Timothée Chalamet.Ms. Barbié stood among a gaggle of young fans who shrieked when Mr. Chalamet arrived at the New York premiere of “A Complete Unknown,” the Bob Dylan biopic in which he stars that has been nominated for three Golden Globes.The premiere took place just down West 23rd Street from the fabled Manhattan hotel where Mr. Dylan had lived 60 years earlier. The film, directed by James Mangold, traces Mr. Dylan’s arrival in New York as a teenager and his ascent through the Greenwich Village music scene.Mr. Chalamet sang live in the movie and said he had spent five years working with a harmonica coach to nail the singer’s mannerisms. Although his dark hair is tousled to Dylanesque proportions in the film, on Friday, it was blond and straight, sticking out from a turquoise beanie. Mr. Chalamet appeared to be dressed as Mr. Dylan had at a Sundance Film Festival appearance in 2003 for the premiere of the film “Masked and Anonymous,” which the musician starred in and co-wrote.“A Complete Unknown,” which will be released in theaters on Dec. 25, is based on the 2015 book “Dylan Goes Electric!” by Elijah Wald, which recounts the years leading up to Mr. Dylan’s polarizing performance with electric instruments at the Newport Folk Festival in 1965.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gotham Awards Go to ‘A Different Man’ and ‘Sing Sing’

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      The kickoff to awards season has a mixed record but can help lift small films like the two surprise winners.“A Different Man,” a dark indie comedy starring Sebastian Stan, was the surprise best-feature winner at the 34th annual Gotham Awards, which took place Monday night at Cipriani Wall Street in New York.Directed by Aaron Schimberg, the film stars Stan as an actor with neurofibromatosis who undergoes an experimental surgery to remove tumors from his face, giving him a more conventional appearance. That makeover puts him in danger of losing a leading role to a local bon vivant (Adam Pearson) who also has neurofibromatosis but owns his appearance without shame.Though “A Different Man” is distributed by the hot studio A24, it was considered the lowest-profile contender in its category. Most pundits expected the Palme d’Or winner “Anora” to cruise to victory here and even Schimberg was caught off-guard by the win. “I think I’m not the only person in the room who’s totally stunned by this,” the director said onstage, admitting he had not prepared a speech in advance, fearing it would be “hubris” to do so.In a very fluid Oscar season, the Gotham win could raise the chances of Stan, who also stars in the Donald Trump biopic “The Apprentice,” and Pearson, a dark-horse supporting-actor candidate. Though the Gothams’ effectiveness as an Oscar bellwether can fluctuate, three of the four most recent films to triumph there — “Past Lives,” “Everything Everywhere All at Once” and “Nomadland” — also went on to be nominated for best picture at the Oscars.The Gothams are most valuable when it comes to helping smaller films like “A Different Man” that rely on an awards-season run to stay in the conversation. Though the ceremony recently lifted its $35 million budget cap for eligible contenders, its nominating juries, which are mostly made up of a handful of film journalists, still tend to favor movies that were made on a shoestring.That includes “Sing Sing,” a prison drama that won the night’s lead and supporting-performance honors for Colman Domingo and Clarence Maclin. (The Gothams are gender-neutral.) “Let’s keep doing work that really matters, that makes a difference,” Domingo, who starred in “The Color Purple” and “Rustin” last year, told the audience. “That’s what we can do right now. That can be a light in the darkness.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Dune: Part Two’ Draws Biggest Opening Since ‘Barbie’ at the Box Office

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      The science-fiction sequel sold an estimated $81.5 million in tickets in the United States and Canada, the biggest opening for a Hollywood film since “Barbie.”“Dune: Part Two” and its A-list cast jump-started moviegoing in North America after a dismal start to the year.The science-fiction sequel sold an estimated $81.5 million in tickets in the United States and Canada from Thursday night to Sunday, the biggest opening for a Hollywood film since “Barbie” in July. (Taylor Swift’s concert documentary arrived to $93 million in October.) “Dune: Part Two,” directed by Denis Villeneuve, collected an additional $97 million overseas. IMAX screenings were especially strong.Legendary Entertainment and Warner Bros. spent $190 million to produce “Dune: Part Two,” not including a megawatt marketing campaign that found Zendaya, Timothée Chalamet, Austin Butler, Anya-Taylor Joy, Javier Bardem, Josh Brolin and Florence Pugh trotting red carpets in Mexico City, London and New York.The movie had originally been scheduled for November, but Legendary pushed back the release date because of the actors’ strike: Without the buzzy young cast promoting the movie — Zendaya’s bottom-baring robot suit at the London premiere arrived on the internet as a sonic boom — Legendary feared that “Part Two” would not turn out audiences in big enough numbers to warrant the high budget. Sci-fi fans were likely to come one way or another. But Legendary also needed to sell the film’s more delicate story — a boy becoming a man, a guy falling in love — which would be more difficult without cast interviews.“It was a tough decision because I knew moving the movie out of the fall was going to cause a lot of pain for exhibition,” said Josh Grode, Legendary’s chief executive, using Hollywood jargon for theaters. “But when you have a cast like this one, you use it.”“We’re really, really happy,” Mr. Grode added.Ticket sales in North America had been down 20 percent this year compared with the same period last year. “Dune: Part Two” narrowed the decline to 13 percent. Theaters have struggled partly because studios have not released a steady flow of films; moviegoing begets moviegoing, analysts say, with trailers playing before titles on one weekend helping to fill seats the next. Marquees will be less sparse in March. “Kung Fu Panda 4,” “Ghostbusters: Frozen Empire” and Legendary’s “Godzilla x Kong: The New Empire” are all expected to be hits.Second place for the weekend went to “Bob Marley: One Love” (Paramount), with about $7.4 million in ticket sales, lifting its three-week domestic total to $82.8 million. The faith-based drama “Ordinary Angels” (Lionsgate) collected $3.9 million, for a two-week total of $12.6 million. More