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      Life, from New York

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      Our comedy columnist reflects on 50 years of “Saturday Night Live.”Like “Saturday Night Live,” I turn 50 this year. In fact, I was born only one week after its premiere, which means that along with being a comedy revolution, a career launchpad and a pop culture juggernaut, the show is also a good way for me to keep track of time.Every cast represents a different era in my life. I missed the storied original group — including Chevy Chase and Jane Curtin, both of whom will appear on a prime-time 50th anniversary special tonight — as I was busy learning how to walk, talk and eat solid food. And yet its jokes (“It’s a floor wax and a dessert topping”) were repeated in my house enough to make their way into my consciousness.It wasn’t until I was 10 that I stayed up to watch “S.N.L.,” during the strange and spectacular season starring Billy Crystal and Christopher Guest. I was the perfect age to appreciate Martin Short’s Ed Grimley, a giddy, prancing innocent who exuded the nervous energy of childhood. But it was the next hit era, featuring Phil Hartman, Jan Hooks and Dana Carvey, that got me hooked on sketch comedy. The cable-access spoof “Wayne’s World” showed up just after puberty. Perfect timing.Mike Myers and Dana Carvey during a “Wayne’s World” skit in 2015.Dana Edelson/NBCUniversal, via Getty ImagesJust as teenagers rebel against their parents, “S.N.L.” fans eventually start rolling their eyes at the show. In my 20s, I first indulged in the popular tradition of loudly lamenting that it wasn’t as funny as it used to be. I stopped watching and missed some of the best years of Chris Farley and Adam Sandler. I returned for the Tina Fey era, which ended in my 30s, and became a devoted fan of the cast that featured Bill Hader, Kristen Wiig and Andy Samberg. In recent years, the perspective and mellowing of middle age have helped me enjoy some less-than-perfect seasons. Yet my kids watch those same episodes with an excited fandom and snorting exasperation that I can no longer muster.The celebration of half a century of “Saturday Night Live” is a major event because the show transcends comedy. More than 26 million people watched its 40th anniversary special. This one feels even more significant, one of the last gasps of the monoculture. “S.N.L.” has been culturally relevant for so long that it’s woven into the background of our lives — continually reinventing itself, always there. The New York Times has tried to capture its impact on the culture in the past few weeks. We’ve singled out the show’s 13 greatest ad parodies, its 38 most important musical moments and 50 catchphrases it has ushered into our vocabulary. I explored how its cast members’ extensive history of breaking character has become an unlikely signature of its sketch comedy.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      S.N.L. Is for Me and All the Other Outsiders

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      In December 2019, when my children were in third and fifth grade, I decided to show them a “Saturday Night Live” sketch that, decades before, my three siblings and I had loved: Jan Hooks and Nora Dunn as the Sweeney Sisters singing a Christmas medley at a party. I had trouble finding this particular sketch, but as my kids and I inhaled, via YouTube, a random assortment of other ones from over the years — among them such classics as “NPR’s Delicious Dish: Schweddy Balls” and “The Love Toilet” — I inadvertently yet happily created what would become our 2020 hobby, while quarantined in our Minneapolis home. I also welcomed my offspring into a time-honored tradition: watching “S.N.L.” when you’re a little too young for it.I myself began doing this in the mid-80s, in my friend Annie’s attic, when her older brothers introduced us to “Choppin’ Broccoli,” “A Couple of White Guys” and “The Church Lady.” As it happens, “S.N.L.” and I are the same age. I arrived in August 1975, and “S.N.L.” debuted in October. It’s therefore a little brain-scrambling to me that “S.N.L.” is now, with deserved fanfare, celebrating 50 years while I’m not quite 49 and a half, but apparently a TV show’s first season starts immediately, while a human’s first season starts when she turns 1.In any case, when I think of being too young for “S.N.L.” and enjoying it anyway, I don’t exactly mean because of the risqué content. Admittedly, as my family started watching entire episodes in reverse order of their airing — we especially enjoyed the golden age of Kate McKinnon and Aidy Bryant — my husband and I occasionally fast-forwarded through sketches not because they were crude (bring on “Undercover Office Potty”) but because they were innocence-destroying (the intentionally misogynistic “Guy Who Just Bought a Boat”).But I suspect that for a child watching “S.N.L.,” the joke itself doesn’t necessarily matter. If you’re 8 or 10, you might never even have heard of the politician or cultural trend being mocked. But you still know that you’re watching something funny; the magic of “S.N.L.” is that with its costumes and collaboration and the cast members regularly cracking up themselves and one another, it makes adulthood itself seem fun.My parents had friends and attended and threw parties, but even so, there was something about adulthood that struck me as serious when I was a kid — adults spent their days getting their oil changed, filling out paperwork, going to funerals — and the sheer silliness of “S.N.L.” seemed charmingly, enticingly at odds with that. If you were lucky, perhaps you could build a life around silliness. As it turned out, I did and I didn’t: I’m not a comedian, but as a novelist, I did build a life around making stuff up, reconstituting what the culture offers.Back in Minneapolis, the pandemic dragged on, and eventually my family was joined on our TV-watching couch by a rescue Chihuahua named Weenie. As we all watched episode after episode, it dawned on me that in addition to being a kid’s festive idea of adulthood, “S.N.L.” embodies several other elusive and aspirational ideas: an idea of New York for people who, like me, have never lived there; an idea of having hilarious friends or co-workers instead of annoying ones; an idea of being able to metabolize political instability into biting jokes instead of feeling helpless about it; an idea of glamorous after-parties that we want to want to attend when most of us don’t really want to stay up that late. (Though here I might just mean me. My kids are now teenagers and go to bed after I do. But my family has never watched “S.N.L.” live; we usually watch it on Sunday around 7 p.m.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Malcolm in the Middle’ Is Getting a Four-Episode Revival on Disney+

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      The return of “Malcolm in the Middle,” which aired from 2000 to 2006, will follow Malcolm as he helps his parents celebrate their 40th wedding anniversary, Disney+ announced.One of America’s wackiest families is making a comeback.“Malcolm in the Middle,” the hit television show from the early 2000s, will get a revival on Disney+ with four new episodes, the company announced on Friday. Frankie Muniz, who played Malcolm Wilkerson, helped tease the comeback in videos posted on Disney+ social media accounts.“I have been waiting for this moment for 18 years,” Muniz said in one video, referring to the show’s finale in 2006. “Let’s find out where Malcolm and his family are now.”The post also featured videos of Bryan Cranston, who went on to star in “Breaking Bad,” and Jane Kaczmarek, who will be reprising their roles as Malcolm’s parents, Hal and Lois.“What a delight that I get to yell at that kid again,” Kaczmarek said. “We are very, very excited about coming back together.”According to Deadline, Linwood Boomer, the show’s creator, will be a writer on the four episodes. Ken Kwapis, one of the directors of the original show, will direct all four episodes.The new episodes follow Malcolm’s return home with his daughter to help his parents celebrate their 40th wedding anniversary.It’s unclear whether Christopher Kennedy Masterson, Justin Berfield and Erik Per Sullivan, who played Muniz’s brothers on the show, will reprise their roles. Sullivan, who played the youngest brother, Dewey, left Hollywood after the show ended.“Malcolm in the Middle,” which aired on Fox from 2000 to 2006, tracked Malcolm, a young genius, navigating life with his dysfunctional family of scheming, bickering brothers and unconventional parents.In just its second week, the show became the most-watched comedy on television at the time, drawing 23.2 million viewers, The New York Times reported in 2000.Unlike other sitcoms at the time that were filmed with multiple cameras in front of a studio audience, “Malcolm in the Middle” was produced like a movie and used a single camera for a more realistic look. It also lacked a laugh track.But beyond aesthetics, “Malcolm in the Middle” was built on a cast of characters that were unpredictable and funny, with Malcolm often serving as the narrator and speaking directly to the camera.The show was nominated for 33 Emmys and won seven times in categories including outstanding directing for a comedy series and outstanding writing for a comedy series.Muniz largely stepped away from acting after the show ended and went on to become a professional racecar driver. But in interviews over the years, Muniz teased about the possibility of a “Malcolm in the Middle” reunion, saying his co-star Cranston was working on reviving the show.Variety reported that a premiere date has not been set. More

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      On ‘S.N.L.,’ Luigi Mangione Is Busting Out All Over

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      As Chris Rock hosts, the man charged in the UnitedHealthcare shooting dominates this week’s riffs on the news.The 50th season of “Saturday Night Live” continues to provide the show with opportunities to revive many of its long-running characters. Last week, it was the Church Lady; this week, it was Nancy Grace, the TV personality and frequently outraged true-crime commentator, who has been frequently impersonated on “S.N.L.” over the years by cast members including Ana Gasteyer and Amy Poehler.On this outing, Grace was played by Sarah Sherman as she commented on the outpouring of online support for Luigi Mangione, who was charged in the fatal shooting of the UnitedHealthcare chief executive Brian Thompson.“What is going on in this country?” Sherman declared. “Y’all, this man is not a sex icon, OK?”She added, “And yet, folks online are posting things like — am I reading this right? — ‘Luigi got that BDE.’ Really? I hope ‘BDE’ stands for Behavior Dat’s Evil.”Sherman went on to interview guests including Kenan Thompson, playing a regular customer at the Pennsylvania McDonald’s where Mangione was arrested.“Well, Nancy, I’ve been eating McDonald’s every day for three years,” Thompson said. “I got Type 10 diabetes. Blue Cross? Bitch, I got blue foot. You know what my health insurance plan is called? Hoping it goes away.”Asked if he had ever tried alternative medicine, Thompson replied in the affirmative, “When they tell me how much the procedure costs, I go, ‘what’s the alternative?’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jim Abrahams, 80, Dies; One of Trio Behind ‘Airplane!’ and ‘Naked Gun’

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      Along with David and Jerry Zucker, he revolutionized film comedy with a style of straight-faced, fast-paced parody.Jim Abrahams, who with the brothers David and Jerry Zucker surely comprised one of the funniest trios of comedy writers in film history, layering on the yucks in classics like “Airplane!” and “Naked Gun,” died on Tuesday at his home in Santa Monica, Calif. He was 80.His son Joseph said the death was from complications of leukemia.Mr. Abrahams and the Zucker brothers — often known around Hollywood as the “men from ZAZ” — revolutionized film comedy with their brand of straight-faced, fast-paced parodies of self-serious dramas like 1970s disaster films and police procedurals.Along the way they littered pop culture with a trail of one liners seemingly custom-cut to drop into daily conversation: “Have you ever seen a grown man naked?” “Looks like I picked the wrong week to stop sniffing glue.” And “Nice beaver!”Their films spawned an entire genre of spoof comedy, many of them pale, scruffy comparisons to the tight scripts and cleverly paced plots that gave the ZAZ films their punch.The trio shared writing credits on five films, starting with “Kentucky Fried Movie” (1977), a compilation of parody sketches that grew out of a comedy show they developed after college in Madison, Wis., and took to Los Angeles in 1972.The idea for their second film, “Airplane!” (1980), came after watching a 1957 thriller called “Zero Hour!” about an ill-fated passenger plane on which the crew are stricken with food poisoning, forcing one of the passengers, a psychologically scarred ex-pilot, to take control.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      On ‘S.N.L.,’ a Peaceful Transition to Trump’s Cabinet of Curiosities

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      Sarah Sherman plays Matt Gaetz as well as the widow of P’Nut, the conservative darling of the rodent world, while Charli XCX and pals serenade a mom-to-be.An amicable White House transition meeting between President Biden and President-elect Donald J. Trump provided the template for the opening sketch of this weekend’s “Saturday Night Live,” and it also gave “S.N.L.” another opportunity to rearrange its musical chairs of who’s playing whom in the Trump administration, with new roles for Sarah Sherman (as Matt Gaetz) and Alec Baldwin (as Robert F. Kennedy Jr.).Dana Carvey, the “S.N.L.” alum who has lately been impersonating Biden on the show, returned to play the part, promising a “respectful conversation” with Trump, played by James Austin Johnson.“Yeah, get a load of me,” Johnson said. “Instead of being rude and crazy like usual, I’m doing quiet and serene. Which, in many ways, is a lot scarier.”After shooing away the reporters who were covering their meeting, Johnson said forlornly to Carvey that he was not looking forward to returning to the White House. “So many of the carpets are stinky and sticky at the same time,” he explained. “Sort of like being at a Regal Cinemas. Now I have to live here for the next four years. Possibly longer.”Carvey responded that he had many wonderful memories of his time there: “Dr. Jill hosting foreign leaders,” he said. “My dog attacking every single one. I brought my party together so much they teamed up and kicked me out. Wait a minute — maybe I hate it here, too.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Judge John Hodgman on Humorous Bathroom Signs

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      If you make the request funny, can you tell your guests how to use your toilet?Anonymous writes: At my mother’s suggestion/command, my brothers and I have always peed sitting down, to minimize splashing. I continue that practice, and I would like my guests to as well. I want to hang a humorous sign in the bathroom instructing guests to sit down, but my wife says that it would be rude.I think you can ask this of your own close family, but your brothers are already in the good-boy club. Otherwise, I agree with your wife. It may seem strange that it’s OK, for example, to require your guests to take their shoes off but impolite to ask them not to pee all over your floor. But the gracious host presumes innocence. A guest might inadvertently step in mud, but it’s infantilizing to suggest — even via jokey sign — that they can’t handle their own waste without Mother’s special training. If a guest misses the target from time to time, that’s the cost of inviting other bodies into your world, and you owe them the grace of not reminding them how gross we all are during a nice dinner. More

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      The Onion Buys Alex Jones’s Infowars Out of Bankruptcy

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      The satirical news site planned to turn Infowars into a parody of itself, mocking “weird internet personalities” who peddle conspiracy theories and health supplements.The Onion, a satirical publication that skewers newsmakers and current events, said on Thursday that it had won a bankruptcy auction to acquire Infowars, a website founded and operated by the conspiracy theorist Alex Jones.The Onion said that the bid was sanctioned by the families of the victims of the mass shooting at Sandy Hook Elementary School, who in 2022 won a $1.4 billion defamation lawsuit against Mr. Jones and his company, Free Speech Systems.Everytown for Gun Safety, a nonprofit dedicated to ending gun violence that was founded in the aftermath of the Sandy Hook shooting, will advertise on a relaunched version of the site under The Onion.The publication plans to reintroduce Infowars in January as a parody of itself, mocking “weird internet personalities” like Mr. Jones who traffic in misinformation and health supplements, Ben Collins, the chief executive of The Onion’s parent company, Global Tetrahedron, said in an interview.Family members of the victims of the Sandy Hook shooting, which claimed the lives of 20 first graders and six educators, sued Mr. Jones in Connecticut Superior Court in 2018 after he spread the baseless claim that the rampage was a fabricated pretext for confiscating Americans’ firearms.The Onion declined to disclose the price it paid for Infowars and its assets, including its production studio and diet supplement business. Mr. Jones could not immediately be reached for comment, but he said on the social media platform X this week that he planned to continue producing his online program, “The Alex Jones Show,” until he was forced to stop.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More