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    Pamela Hayden, the Voice of Bart’s Friend Milhouse, Retires From ‘The Simpsons’

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    Ms. Hayden voiced many “Simpsons” characters since the show started in 1989. She’s most famously the voice of Bart’s awkward 10-year-old best friend.Pamela Hayden, who has voiced characters on “The Simpsons” since it began in 1989 and famously played Bart’s nerdy best friend Milhouse Van Houten, announced on Wednesday that she was retiring from the show.Ms. Hayden, 70, said on her Facebook page that after 35 years she would stop performing on “The Simpsons” and would “pursue other creative outlets.” Episode seven of season 36, scheduled to air on Nov. 24, will be her final episode.“One thing that I love about Milhouse is he’s always getting knocked down but he keeps getting up,” Ms. Hayden said in a tribute video posted on “The Simpsons” social media pages. “I love the little guy.”Credited with voicing dozens of Simpson’s characters, including one of Milhouse’s bullies, Jimbo Jones, Ms. Hayden’s most famous character is Milhouse. His blue hair and big eyes are accentuated with large, round glasses. The clumsy, shy 10-year-old is one of the most endearing characters in Springfield, thanks in part to his halting, sheepish voice and his stubborn resilience.Milhouse, named after former President Richard Milhous Nixon, often finds himself following his best friend, Bart, into trouble as a gullible sidekick. Throughout the show, Milhouse often cites his mother’s concerns for his safety as an excuse to not go on adventures. In one instance, Milhouse relayed that his mother “says solving riddles is an asthma trigger.”Hayden, left, has voiced the character of Milhouse and others for 35 years.FOXWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tim Walz and AOC Play Madden and Crazy Taxi and Talk Politics

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      Wearing a camouflage Vikings hat, Gov. Tim Walz of Minnesota joined Representative Alexandria Ocasio-Cortez, Democrat of New York, on Sunday to play Madden NFL 25 and talk about the election.“Are we going to play some ball? Are we ready to do it?” Mr. Walz said to the audience watching via the streaming platform Twitch, cautioning that he was prepared to lose. Ms. Ocasio-Cortez, who represents parts of the Bronx and Queens, played as the Buffalo Bills, while Mr. Walz, a former high school football coach, went with the Vikings.He and Ms. Ocasio-Cortez talked about the politics of Congress, where Mr. Walz served before he became governor and the Democrats’ vice-presidential nominee. They compared the House to “public school,” with the Senate being more like “private school.” The House, they agreed, is where policy for the nation is shaped, and Mr. Walz said he would have been proud to have voted for the Bipartisan Infrastructure Law, a signature achievement of President Biden’s administration.As the talk turned to the Senate and its procedures, Mr. Walz said knowingly to Ms. Ocasio-Cortez: “I don’t know where you stand, but I’m going to guess you and I are probably the same on the filibuster.”“Oh yeah, we have got to get rid of that thing,” Ms. Ocasio-Cortez responded.Ms. Ocasio-Cortez was an early proponent of removing the filibuster several years ago. Vice President Kamala Harris said in September that she would support ending the filibuster to codify Roe v. Wade. After the stream ended, a Walz campaign official said that Mr. Walz “shares the vice president’s position.”In their Bills-Vikings Madden matchup on Sunday, which Mr. Walz and Ms. Ocasio-Cortez played for just a scoreless first half, they discussed housing policy and she asked him about voters who might be frustrated by the huge sums of money in politics or by the Biden administration’s positions about the war in Gaza. Twitch showed that about 12,500 people were watching on Ms. Ocasio-Cortez’s channel.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Phoenix Springs: Computer Game as Philosophical Journey

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      The writer of the game Phoenix Springs says it touches upon two questions at the heart of Buddhism: What is the nature of death, and what is the nature of perception?Reflecting on mankind’s long history with technology, the British philosopher John Gray makes a bracing assertion in his book “Straw Dogs”: “Technology is not something that humankind can control. It is an event that has befallen the world. Once a technology enters human life — whether it be fire, the wheel, the automobile, radio, television or the internet — it changes it in ways we can never fully understand.”It’s an observation brought to mind by the new point-and-click computer game Phoenix Springs, an eye-catching, thought-provoking exploration of the unintended consequences that follow a society-wide embrace of biohacking.Players fall into the role of Iris, a veteran reporter, as she sits on a train with a desert looming through a window. The opening seconds, and an arresting dissolve from the sun-flooded train to a shadowy apartment, sets the tone for what follows — a slippery exploration of memory, time and space grounded in Iris’s quest to uncover the mystery of what happened to her brother.Phoenix Springs, by Calligram Studio, offers a refreshing take on the point-and-click genre whose heyday was the 1980s and 1990s. Instead of amassing items that need to be deployed throughout the game, Iris collects information — names, ideas, phrases — which she must apply to her surroundings to try to make sense of them.The game’s writer and designer, Jigme Ozer, said he tried to avoid “the key before door problem” baked into too many point-and-click games — where the player picks up an object lying around an environment and then looks for where it can be used. That’s not how it works in real life, Ozer observed. “If you have a problem,” Ozer said, “it stays in your head before you go looking for the solution.”Iris’s problem is unveiled in those early moments on the train.Clicking on Iris causes a squarish white overlay to appear with the name Leo Dormer. The window disappears when you click the name, and hovering the cursor over Iris causes a small text box to appear with both of their names next to each other.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Silent Hill 2 Was Clumsy, Brutal and Brilliant

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      A remake of the 2001 survival horror game sands down the unwieldy combat that made it a powerful, disturbing classic.The survival horror masterpiece Silent Hill 2 features some of the most ungainly combat ever included in a video game. You play as James Sunderland, a grieving widower who has received a letter that purports to have been written by his wife. You must make your way through a mysterious fog-enshrouded town while fending off the monsters that inhabit it, and you are barely up to the task.Your primary means of self-defense are a length of steel pipe and a flimsy wooden plank, both of which are awkward to wield. Winding up to swing takes an unreasonably long time. If you connect, you’re left defenseless while taking a moment to recover.When you eventually find a gun, you have little ammunition, and aiming is so delicate that you almost always miss. There’s not even much incentive to fight: Vanquished foes don’t drop items or power-ups, and defeating them doesn’t earn you experience points. Faced with an enemy in the 2001 game, it’s nearly always better just to run away.In its remake of Silent Hill 2 that was released for the PlayStation 5 and PC this week, the Polish developer Bloober Team has pointedly addressed this clumsiness.A glowing review in IGN explains that the remake “smoothly polishes down the rough edges of the original game’s combat” by integrating an over-the-shoulder targeting system and dodge and parry movements that allow James “to nimbly sidestep around lurching enemies or the streams of acidic bile they spew.” In keeping with other modern horror games, the new Silent Hill 2 makes players feel quick, agile and powerful.But this is not an improvement. In fact, it’s a betrayal of the original game and demonstrates a fundamental misunderstanding of what made it so compelling.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Overlooked No More: Mabel Addis, Who Pioneered Storytelling in Video Gaming

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      She was a teacher when she participated in an educational experiment with IBM. As a result, she became the first female video game designer.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.In the 1960s, Mabel Addis was an elementary-school teacher in a small town in New York State when she was offered a unique opportunity that would make history: Create an educational game with IBM.What resulted was the Sumerian Game, an early video game that taught the basics of economic theory to sixth graders. In it, a student would act as the ruler of the Mesopotamian city-state of Lagash, in Sumer, in 3500 B.C. In Level One, the primary focus was on growing crops and developing tools; Level Two oversaw a more diversified economy; and in Level Three, Lagash interacted with other city-states. In each round, students responded to prompts issued by Urbaba, the royal steward.The video game was text-based, but it is believed to be the first to introduce storytelling and characters, and the first in a genre now known as edutainment. It also made Addis the first known female video game designer, according to several game historians.The Sumerian Game “is pretty rudimentary by today’s standards, but the thing about being ‘first’ is that just existing at all becomes innovative,” Kate Willaert, the author of the blog “A Critical Hit!,” who has studied the game extensively, said in an email. Addis, she maintained, was the first video game writer ever.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      He Made a Game About a Joyous Journey. He Also Got a Bit Lost.

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      Anthony Tan was 16 when his idea for a video game about a deer caught the industry’s eye. Nine years later, he’s still working on it.Anthony Tan’s hands shook as he took his seat in a dark Los Angeles theater. The neon green lights sporadically illuminated the 7,000 faces around him.Tan, a solo video game developer, was just 20 years old. Yet a trailer for his game, Way to the Woods, was about to share screen time with dozens of other coming Xbox titles, including those from mega-franchises like Gears of War and Halo. Unlike those games, created by teams of hundreds with eight- or nine-figure budgets, Tan had built his alone in his spare time, buoyed by grant funding.By the time he sat down in the theater at Microsoft’s annual hype-building event, in June 2019, Tan had watched his trailer more than 100 times. He knew every note, every camera pan. As the lights dimmed and the screen faded to black, he was too nervous to look. Everyone else watched his game’s stars — a deer and a fawn — appear onscreen, pushing a railway handcar across a golden plain.Even before the event was over, Tan’s phone blew up with Twitter messages from strangers. Millions of people had been watching the livestream online. Some praised the game’s art style, which Tan said was inspired by the Studio Ghibli movies “Princess Mononoke” and “Spirited Away”; others were intrigued by its unusual main characters.Tan was now shaking from adrenaline, not nerves.“It was absolutely exhilarating,” he said.Tan’s game about animals navigating an abandoned world had struck a chord. The final seconds of his stylish, mysterious trailer made a promise, or as close to one as the world of video game development allows: “Coming 2020 … for real this time.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Saudi Arabia Extends Its Embrace of the World of Video Games

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      The fans flooded through the streets of Riyadh, Saudi Arabia, by the thousands, kept cool by mist machines in the 110-degree heat. A 30-foot-tall replica gold trophy towered over onlookers at the city’s center. For a moment, covered in beams of brightly colored light, a country defined by tradition looked futuristic.It was the inaugural Esports World Cup, a coming-out party for Saudi Arabia’s growing video game industry. As part of its plan to diversify its economy from oil, the Saudi government has said it will invest $38 billion in video games by 2030 through its Public Investment Fund, known as the P.I.F., a wealth fund that manages $700 billion.Crowds gathered for the opening ceremony of the tournament in Boulevard City, an entertainment and retail corridor in Riyadh, Saudi Arabia.Fireworks were part of the lavish opening ceremony.Visitors played with virtual reality headsets at a hall sponsored by Saudi Aramco, the national oil company of Saudi Arabia, at the tournament venue.The wealth behind that commitment was on full display in Riyadh, the Saudi capital, this month, but the country’s influence in video games now extends far beyond its borders. In what has been a financially difficult year for the industry, which has seen mass layoffs, many of the world’s largest video game companies and influencers have quietly partnered with the oil-rich Saudis.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Game Reviews: Escape the Heat by Ascending an Ocean Throne

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      Crab God is an alluring endeavor that’s instructive about real-world environmental challenges. Riven enters the 3-D era with a remake whose marvels are power hungry.During the early summer days of oppressive heat, Crab God, Riven and Rabbids: Legends of the Multiverse offer tantalizing virtual experiences in refreshing ocean biomes, a lush science fiction land and cool medieval villages.Crab GodIn a world of coral reefs, industrious sea creatures and dangerous predators, you are in debt to the eponymous Crab God. The offering begins as a Tamagotchi-style endeavor in which you must oversee round-eyed crablings with anthropomorphized names like Clawdette. They coo like babies as you hatch them, and then are given jobs to create a diverse aquatic biome.But there’s deep strategy involved. Five types of crabs are protecting the lair and a precious egg that will evolve into the next crab god. Crablings build, garden and pay homage to the leering crustacean who looms large in the background. It’s all an effort to help the colony thrive on the sea’s bottom.Because of the tactics and science involved, this 30-hour computer game is alluring in every way possible. I was drawn in by the balance needed to secure a thriving, stable ecosystem and details like the delightful sideways moves of a crabling holding a mallet.Crab God, by the studio Chaos Theory, is part of a genre of climate games that make you cognizant of real-world environmental challenges. It won a Unity for Humanity Award because a healthy chunk of it deals with ocean preservation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Elden Ring: Shadow of the Erdtree Review: Faith, Meet Futility

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      A new tier of knights, monsters and freaks often exceeds the most demanding late-game adversaries of Elden Ring. Belief in yourself will be stretched to its limit.One of the first landmarks you’ll come across in Shadow of the Erdtree is a tall, brilliantly shining cross. Intersected at its peak by a thin crescent — most likely a representation of the Golden Order, the dark fantasy world’s ruling theocracy — it feels bluntly referential to saints and prophets and resurrections.Shadow of the Erdtree, an expansion to the commercially successful, critically adored and deviously demanding action role-playing game Elden Ring, wants to know whose faith matters. And whether having the kind of blind faith required to follow a mysterious lord into unknown lands is a good thing after all.Expansions to FromSoftware games tend to be steep-walled gantlets, meant to provide a heightened challenge for experienced players. Shadow of the Erdtree is no different. You will be tested. Your faith in your abilities, your belief in yourself, will be stretched to its limit.You will need to trust, against facts and experiences, that you can take on tough enemies who would readily stomp you, that you can persevere against this new crop of knights, monsters and freaks, most of whom far exceed in rigor even the most demanding of Elden Ring’s late-game enemies.The big bag of tricks I had gathered in Elden Ring felt largely useless against this new tier of adversaries, who casually shrugged off my fully upgraded spear tips and carefully honed sword edges. Collecting Scadutree fragments, an expansion-specific resource, grants you a much-needed boost in power.The sad and beautiful shadow land is full of characters who have fled the ravaging oppression of the ruling theocracy in search of some safety and meaning.FromSoftwareWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More