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    What Trenton Doyle Hancock Learned From Philip Guston

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    The Jewish Museum pairs the Texas artist with a 20th-century master. Together they confront racism with horror — and humor.When Trenton Doyle Hancock discovered the artist Philip Guston, it was a revelation. Hancock had just transferred from junior college in his hometown, Paris, Texas, to nearby East Texas State University. He was taking a printmaking class and working with a haunting photograph he’d made of himself partially cloaked in a white sheet with a noose around his neck. The rope wound around his body, including his semi-bare right arm, which holds up a hammer. Titled “The Properties of the Hammer” (1993), it probed the dark contradictions of being a Black man in America.Hancock’s printmaking teacher, Thomas Seawell, asked if he knew about Philip Guston, the New York School artist. Guston had (very controversially) left behind Abstract Expressionism in the 1960s to make figurative, cartoonish paintings of objects like books and shoes, which hearkened back to the Holocaust, as well as hooded Ku Klux Klan figures. Seawell saw a kinship between Guston’s work and Hancock’s, but Hancock had never heard of Guston. So Seawell lent him a book, and the student fell in love.“The forms were so rich, bulbous and tangible,” Hancock, 50, recalled recently. “When you put a colorful toy in front of a child, they want to eat it. That’s how I felt about those paintings: I just wanted to eat them. I didn’t even know you could make work that looked like this. It was totally new to me.”In “The Studio” (1969), Philip Guston’s hooded protagonist is an artist painting his own effigy. The artist was exploring “what would it be like to be evil?” Trenton Doyle Hancock recalled: “The forms were so rich, bulbous and tangible.” The Estate of Philip Guston; via Metropolitan Museum of Art, New YorkIf you’ve never had the urge to eat a painting, you’re not alone, but meeting Hancock or seeing his art helps make that impulse understandable. He is a voracious consumer of culture, and his work has an intense physicality — in the bodies that are forever bending, stretching and breaking in his images, and in the cutout and collaged surfaces of his paintings. Hancock’s world is a profusion of colors, of media, of characters in his ever-expanding multiverse.His studio in a Houston suburb bears this out. Rooms of the two-story house are devoted to various collections, including sketchbooks dating back to childhood, scraps and detritus (literally dirt swept off the floor of past studios), and plastic bottle caps sorted by color.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Ragtime’ Crushed Brandon Uranowitz’s Dream. Now It’s Healing His Wounds.

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      Nearly 30 years after being let go from the Broadway-bound show, this Tony Award winner is taking a lead role in a new revival at City Center.In 1997, Brandon Uranowitz was a 10-year-old from West Orange, N.J., who dreamed of being on Broadway. He got one small foot in the door that year when he replaced Paul Dano as the wide-eyed little boy Edgar in the musical “Ragtime” during its premiere in Toronto.A year later, “Ragtime” opened on Broadway, and the musical — about three families navigating America at the turn of the 20th century, based on E.L. Doctorow’s 1975 novel — featured most of the Toronto cast, a powerhouse roster that included Audra McDonald, Brian Stokes Mitchell, Peter Friedman, Marin Mazzie and Lea Michele. But Uranowitz wasn’t chosen to make the move. (Alex Strange was cast in the role instead.)That disappointment remains an “open wound,” Uranowitz, 38, said.“It was just, see ya, thanks for coming,” he added. “It felt unfinished.”Uranowitz, center, and other cast members during a rehearsal for the show, which begins performances on Wednesday.Amir Hamja for The New York TimesUranowitz eventually got to Broadway, making his debut in the short-lived musical “Baby It’s You!” and later appearing in “Falsettos,” “An American in Paris” and other shows. Last season, he won a Tony Award for his role in Tom Stoppard’s play “Leopoldstat.”Starting Wednesday, Uranowitz hopes to finally close that open wound when “Ragtime” is revived, not on Broadway but at City Center, where Lear DeBessonet’s new production is to begin performances. And Uranowitz, returning to the show for the first time since his Toronto run, will play the Jewish immigrant father-protector Tateh, the role for which Friedman received a Tony nomination.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Safekeep’ Is a Story in the Shadow of Anne Frank

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      In Yael van der Wouden’s debut novel, “The Safekeep,” the writer spins an erotic thriller out of the Netherlands’ failure to face up to the horrors of the Holocaust.The author Yael van der Wouden stood in her slippers at the front door of a canal house in the Dutch city of Utrecht. “Let me prepare you for the journey ahead,” she said, smiling. “There will be a lot of stairs.”She turned and led the way through a long darkened hallway, up a narrow staircase, to another winding hallway, and up more stairs to reach her attic-level apartment in the back of the building.“My landlady calls it ‘het achterhuis,’” said van der Wouden, once inside the cozy interior with slanting roof beams, decorated with books and bric-a-brac. “She’s about 90, and I don’t think she quite understands what that means to me.”“Het Achterhuis,” is the Dutch title of Anne Frank’s famous World War II diary. In English, it is often translated as “the secret annex,” referring to the storage space where the teen diarist and her family hid to escape the Nazis for more than two years. But “achterhuis” is also just a term for the back part of a house, and van der Wouden, who is Israeli and Dutch, does not fault her landlady for missing the reference.“It feels like just another part of existing invisibly, where no one quite thinks about the full effect of their words,” van der Wouden said.“The Safekeep,” van der Wouden’s debut novel and one of six books shortlisted for the 2024 Booker Prize, is full of such clashing perspectives. Words that mean one thing to a character can hold explosive charge for another. Seemingly innocuous objects like silver spoons, or a single shard of broken china, become emotional land mines.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Sunday Read: ‘The Blind Side’ Made Him Famous. But He Has a Different Story to Tell.

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      Emma Kehlbeck and Maddy Masiello and Listen and follow ‘The Daily’Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadioIt was an overcast Monday afternoon in late April, and Michael Oher, the former football player whose high school years were dramatized in the movie “The Blind Side,” was driving Michael Sokolove on a tour through a forlorn-looking stretch of Memphis and past some of the landmarks of his childhood.In the movie, Oher moves into the home of the wealthy white couple Leigh Anne and Sean Tuohy. They take him shopping for clothes, help him obtain a driver’s license, buy him a pickup truck and arrange for tutoring that helps improve his grades and makes him eligible to play college football. In real life, Oher went on to play eight seasons as a starting offensive tackle in the N.F.L. and won a Super Bowl with the Baltimore Ravens.Now, Oher is suing the Tuohys, claiming that they have exploited him by using his name, image and likeness to promote speaking engagements that have earned them roughly $8 million over the last two decades — and by repeatedly saying that they adopted him when they never did.There are a lot of ways to listen to “The Daily.” Here’s how.We want to hear from you. Tune in, and tell us what you think. Email us at thedaily@nytimes.com. Follow Michael Barbaro on X: @mikiebarb. And if you’re interested in advertising with ”The Daily,” write to us at thedaily-ads@nytimes.com.Additional production for The Sunday Read was contributed by Isabella Anderson, Anna Diamond, Sarah Diamond, Elena Hecht, Emma Kehlbeck, Tanya Pérez, Frannie Carr Toth and Krish Seenivasan. More

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      We Watched Tim Walz’s Old Debates. Here’s What We Learned.

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      He may not be a lofty orator, but he has shown an ability to deliver punchy critiques with Everyman appeal.Before he was known to the nation as an affable Midwestern dad and a vice-presidential nominee, Tim Walz was a fast-talking political long shot in an ill-fitting suit, spoiling, in his Minnesotan way, for a debate-stage fight.As he stood next to his opponent — a crisply dressed six-term Republican congressman — Mr. Walz, a teacher by training, offered viewers a stark contrast at that 2006 debate, hosted by KSMQ-TV. Mr. Walz cast their choice as one between a political insider focused on “moving up in elected office” and the alternative he said he represented: “I live in the world that most of you live in.”Mr. Walz sparred with Gil Gutknecht, then the Republican incumbent, in a 2006 congressional debate.KSMQ-TV, via C-SPANNearly two decades later, Mr. Walz is the one who has moved up in elected office, rising from congressman to governor and now, Vice President Kamala Harris’s running mate. He is set to face Senator JD Vance of Ohio, former President Donald J. Trump’s running mate, in a high-profile debate on Tuesday.Mr. Walz and his allies have tried to set expectations high for Mr. Vance, emphasizing his Yale Law School credentials. And Mr. Vance is a practiced verbal pugilist who seems to delight in combative exchanges on cable news and Sunday morning shows.But a review of a half-dozen recorded debates over Mr. Walz’s career makes clear that while the camo-wearing, car-tinkering man from Mankato may not be his party’s most stirring speaker, he is in fact a seasoned debater himself.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Hasan Nasrallah, Hezbollah Leader, Dead at 64

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      Hassan Nasrallah, the leader of the militant Hezbollah organization in Lebanon for more than three decades, building it into a domestic political force and a potent regional military power with ballistic missiles that could threaten Tel Aviv, was killed on Friday in heavy Israeli airstrikes near Beirut. He was 64.Both Hezbollah and Israel announced his death on Saturday. Israeli officials had said that Mr. Nasrallah was the target of the attack, which rocked the area known as the Dahiya, a dense urban area south of Beirut, with such violent force that residents fled in fear as a giant mushroom cloud rose over the city. For almost two decades, since Hezbollah fought a monthlong war against Israel in 2006, Mr. Nasrallah had largely avoided public appearances and eschewed using a telephone out of concern that he would be assassinated.In recent weeks, Israel had carried out repeated airstrikes in the same area to kill other top Hezbollah commanders, including some founding members who had been with the organization since it was established in the early 1980s to fight the Israeli occupation of southern Lebanon.Mr. Nasrallah took over the group in 1992, at 32, after an Israeli rocket killed his predecessor. Over the years, his black beard turned white beneath the black turban that marked him as a revered Shiite Muslim cleric and a sayyid, a man who can trace his ancestry back to the Prophet Muhammad.Mr. Nasrallah in 2002 during an interview with The New York Times.James Hill for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kevin Mazur, the Ultimate Celebrity Photographer

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      When Taylor Swift opened her Eras Tour in Glendale, Ariz., in March 2023, Kevin Mazur was granted full access to photograph the show.When Beyoncé opened her Renaissance Tour in Stockholm, Sweden, two months later, Mr. Mazur captured the performance from directly in front of the stage.That fall, when Madonna opened her Celebration Tour in London, Mr. Mazur was once again in position for the best shots.At the Met Gala and Vanity Fair’s Oscar party, Mr. Mazur, 63, roams freely while photographers from major news outlets are given a short amount of time to shoot the goings-on away from the red carpet.Bob Dylan has let him into the recording studio, Barbra Streisand has had him in her home, and Kurt Cobain invited him on a Nirvana tour. He took some of the last photographs of Michael Jackson, on the night before his death.His motto — “Why wouldn’t you want to make people look good?” — helps explain how he became the John Singer Sargent of live-action digital photography, a go-to chronicler of rock gods and movie stars.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Who Is Laura Loomer, the Far-Right Activist Who Traveled With Trump?

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      After fellow Republicans criticized her appearance on the trail, noting her history of offensive remarks, former President Donald J. Trump praised her but later said he disagreed with some of her statements.Five years ago Laura Loomer, a far-right activist with a history of expressing bigoted views and a knack for generating publicity, filed an application for a trademark to protect her work in “the field of political activism.”Ms. Loomer, 31, part of a generation of web-savvy right-wing influencers, decided to trademark the term she had coined for her signature move of ambushing people with unexpected, often embarrassing questions. She called it getting “Loomered.”Already a well-known figure among internet obsessives thanks to her anti-Muslim activism, undercover sting operations and web-savvy political stunts, Ms. Loomer found herself at the center of the presidential campaign this week when she traveled with former President Donald J. Trump. She went with him to Philadelphia for the presidential debate, and then accompanied him to Sept. 11 memorial events in New York City and Shanksville, Pa., which drew pointed criticism from Democrats and Republicans because she had previously called Sept. 11 “an inside job.”Here’s more about Laura Loomer.Why are politicians from both parties criticizing her?Ms. Loomer has made a number of racist, sexist, homophobic and Islamophobic comments in the past. She has described Islam as a “cancer,” used the hashtag “#proudislamophobe” and once seemed to celebrate the deaths of migrants crossing the Mediterranean. In 2018, after Twitter banned her for frequent anti-Muslim content, she handcuffed herself to the company’s headquarters in New York and wore a yellow Star of David similar to those Nazis forced Jews to wear during the Holocaust (Ms. Loomer is Jewish).After the billionaire Elon Musk bought Twitter, her account was reinstated, and she has since built up a following of more than 1.2 million people on the site (which Mr. Musk later renamed X) and has a web show. She often blasts out content praising Mr. Trump and viciously attacking anyone she might perceive as a rival.Two days before she traveled with Mr. Trump to the debate, she wrote in a post on X that if Vice President Kamala Harris, whose mother was Indian American, won the election, the White House would “smell like curry.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Risking His Own Extinction to Rescue the Rarest of Flowers

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      Carlos Magdalena, whose botanical adventures have shades of Indiana Jones, was a driving force in saving the world’s smallest water lily and finding the largest one. He has been called the “plant messiah.”In Australia, he went plant hunting by helicopter and waded in crocodile-infested waters to watch a water lily bloom. In Mauritius, he grabbed a plant specimen off the ledge of a cliff. Last month, while looking for lilies in a tributary of Colombia’s piranha-packed Orinoco River, he jumped from plank to plank in the pitch dark at 4 a.m. to get to a floating pontoon.“It’s not that I am that daring,” said Carlos Magdalena, a research horticulturalist at the Royal Botanic Gardens, Kew, in London. “These situations just arise, and they are not like Superman extreme. Sometimes it’s more Peter Sellers than Indiana Jones.”Mr. Magdalena’s main responsibility at Kew Gardens is tending tropical plants. But he is also known as “the plant messiah,” as anointed by a Spanish newspaper in 2010, for his work rescuing several plant species from the brink of extinction. That work has earned him enormous respect in the field of botany and made him somewhat of a celebrity in the horticulture world.His renown only grew when David Attenborough, the British doyen of nature documentaries, repeated the “plant messiah” tagline at the 2012 premiere of one of his films, which featured a scene of Mr. Magdalena propagating the pygmy lily.The attention, especially from a figure as venerated as Mr. Attenborough, initially dismayed Mr. Magdalena. “Imagine what happens when the God calls you the messiah,” he said, standing outside one of the graceful greenhouses at Kew Gardens.It is appropriate that Mr. Magdalena’s star moment in the documentary showed him working with lilies, the plant closest to his heart and the first one he grew as an 8-year-old on his parent’s finca, a plot of land in the Asturias region of northern Spain.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More