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    Paul Tazewell Is First Black Man to Win Oscar for Best Costume Design for ‘Wicked’

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    Paul Tazewell became the first Black man to win the Oscar for best costume design Sunday. Honored for his work on the Broadway musical adaptation “Wicked,” Tazewell stepped to the dais and said, “I am the first Black man to receive the costume design award.” The remark prompted a standing ovation as Tazewell continued with his brief acceptance speech, in which he thanked “my Oz-ian muses, Cynthia and Ariana,” referring to the actresses Cynthia Erivo and Ariana Grande.In 2019, Ruth E. Carter became the first Black designer to win the Oscar for costume design, for her work on “Black Panther.” More

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      How Heidi Klum Transformed Into E.T. for Halloween

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      The model and television host dressed as the alien from Steven Spielberg’s 1982 film for her annual New York City costume party.This Halloween, Heidi Klum is wearing an adult diaper.It’s a first for her, the model and former “Project Runway” host said.Ms. Klum, who has become known for her elaborate Halloween costumes, transformed into the character E.T. this year for her annual bash held at the Hard Rock Hotel in New York City.The costume, inspired by the alien from Steven Spielberg’s 1982 film “E.T. The Extra-Terrestrial,” included a glowing fingertip and motorized headpiece with a movable mouth and eyes, controlled remotely by a member of Ms. Klum’s team. The red carpet was also built several feet in the air, so when Ms. Klum stood on the ground behind it, her brown, knobby, otherworldly toes appeared to be on the floor.“Maybe I never need to use the diaper, but at least that way I don’t have to think about it,” Ms. Klum said, explaining that the look, is difficult to put on and take off.The idea for the costume came to Ms. Klum a few weeks after last year’s event, she said, explaining that “E.T.” was one of her favorite movies as a child. (Coincidentally, Janelle Monáe, another celebrity with a fondness for Halloween, also dressed as E.T. this year.)“They have no genitals,” Ms. Klum said of the aliens in Mr. Spielberg’s movie. “I like the whole idea of, like, we’re all the same.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      China’s Latest Security Target: Halloween Partygoers

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      Last year, the Shanghai government said Halloween celebrations were a sign of “cultural tolerance.” This year, the police rounded up people in costume.Social media videos verified by The New York Times showed police in Shanghai escorting away people dressed in costumes.The police escorted the Buddha down the street, one officer steering him with both hands. They hurried a giant poop emoji out of a cheering dance circle in a public park. They also pounced on Donald J. Trump with a bandaged ear, and pushed a Kim Kardashian look-alike, in a tight black dress and pearls, into a police van, while she turned and waved to a crowd of onlookers.The authorities in Shanghai were on high alert this past weekend, against a pressing threat: Halloween.Officials there clamped down on Halloween celebrations this year, after many young people turned last year’s festivities into a rare public outlet for political or social criticism. People had poured into the streets dressed up as Covid testing workers, to mock the three years of lockdowns they had just endured; they plastered themselves in job advertisements, amid a weak employment market; they cross-dressed, seizing the opportunity to express L.G.B.T.Q. identities without being stigmatized.At the time, many on Chinese social media celebrated the revelries as a joyous form of collective therapy. The Shanghai government even issued a news release saying the celebrations were proof of the city’s “cultural tolerance” and the “wisdom of its urban managers.”“There is an absence of festivals in China solely dedicated to the simple pleasures of having fun,” it said. “Halloween has filled the void.”But the authorities have grown increasingly restrictive toward personal expression in recent years, including seemingly apolitical expression. They are also wary of impromptu crowds, especially after the anti-lockdown protests in 2022. And so, for all their praise last year, this year they seemed determined to prevent a repeat.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Anthea Sylbert, Costume Designer Who Became a Producer, Dies at 84

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      Her career unfolded in three phases: as the creator of costumes for movies like “Chinatown,” as a studio executive and as a producer, largely with her friend Goldie Hawn.Anthea Sylbert, the Oscar-nominated costume designer of the films “Chinatown” and “Julia,” who left Hollywood fitting rooms to be a studio executive and, later, Goldie Hawn’s producing partner, died on June 18 at her home on the Greek island of Skiathos. She was 84.Robert Romanus, her stepson, said the cause was complications of emphysema.Ms. Sylbert began designing costumes for films in 1967. Over the next decade, she collaborated with A-list directors like Mike Nichols, Roman Polanski and Elaine May and conceived what Jack Nicholson wore when he starred in “Chinatown,” “The Fortune” and “Carnal Knowledge.”“Jack Nicholson actually gave me the best compliment I ever got as a costume designer,” she said in “My Life in 3 Acts,” a forthcoming documentary about Ms. Sylbert directed by Sakis Lalas. “He said, ‘When “The Ant” does your clothes, you don’t have to act as much.’” (“The Ant” was short for Anthea, she explained.)Ms. Sylbert envisioned Jake Gittes, the natty, determined private detective played by Mr. Nicholson in “Chinatown” (1974), as a dandy.“I thought he would be interested in fashion,” she told Sam Wasson for his book “The Big Goodbye: ‘Chinatown’ and the Last Years of Hollywood” (2020). “The one who would be noticing what the stars were wearing when he went to the races.”Deborah Nadoolman Landis, chair of the David C. Copley Center for the Study of Costume Design at the School of Theater, Film and Television at the University of California, Los Angeles, recalled a vivid scene in “Chinatown” in which Gittes and Evelyn Mulwray, played by Faye Dunaway, sit together in a red restaurant banquette.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More