Crossword Puzzles

Taylor Johnson and Rafael Musa are veteran constructors who are collaborating on a New York Times Crossword for the first time.Jump to: Tricky CluesFRIDAY PUZZLE — I have collaborated on the construction of a crossword puzzle only once, and it was a fantastic experience. But, like all group projects, there was a certain amount of give-and-take. This exchange of ideas can be hard sometimes because there will always be disagreements: An entry you love may be nixed by your collaborator, or a clue that the other person loves may strike you as a bit off.That’s why I always love to hear about constructing teams that are on the same wavelength. Today we are solving Taylor Johnson and Rafael Musa’s first New York Times Crossword collaboration, a lively puzzle with 10-letter stacks that I really enjoyed. A brief commentary on a particular entry follows, after the spoiler alert.Spoiler Alert!

Spoilers No Spoilers GIFfrom Spoilers GIFs tenor.comHow can you not love a puzzle grid that has a fabulous entry like ARE YOU KIDDING ME plunging through its center?Tricky Clues14A. The clue [Takeoff announcement?] may make you think about buckling your seatbelt on an airplane, but the answer, I HAVE TO RUN, is simply about leaving.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Brad Wiegmann’s puzzle theme is hard to pronounce.Jump to: Today’s Theme | Tricky CluesTHURSDAY PUZZLE — Constructors and puzzle editors are very good at writing tricky clues that misdirect solvers, but what do they do when they want you to pay attention to something specific in a puzzle?Today’s grid, constructed by Brad Wiegmann, offers a good example. I’ll talk more about that in the theme section.Today’s ThemeConstructors and editors have multiple ways to direct our attention to a special clue. Some clues include asterisks, some are capitalized and some are bolded. When you see a clue that fits one of those categories, assume that something tricky is up.Mr. Wiegmann’s theme consists of five phrases that are clued in unusual ways. How is an entry like EMMY AWARDS an answer to [MEDALS]? The last time I checked, Emmys were statuettes.But the puzzle makers wouldn’t just leave you hanging. There will always be a path to the correct answer. Try pronouncing the first two letters of each theme clue separately.M + E = EmmyNow look at the second word in the answer, AWARDS. [MEDALS] are types of AWARDS.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Stacey Yaruss McCullough makes her New York Times debut.Jump to: Today’s Theme | Tricky CluesWEDNESDAY PUZZLE — There are situations in which it pays to read between the lines, but a crossword theme with no revealer is not often one of them. So when you start to see the pattern in Stacey Yaruss McCullough’s crossword — her first puzzle for The New York Times — don’t think too hard about it. I speak from experience, having the capacity to overthink just about everything: crossword themes, text-message reactions, side eye from retail workers that I am certain means they dislike me.No such mental acrobatics are required here. Ms. McCullough’s theme is merely a guileless celebration of rhyme in the English language, which acts as a perfect counterweight to the challenge of the puzzle itself.Today’s ThemeRhyming makes everything just a little more whimsical, and Ms. McCullough has managed to have it on both sides of the crossword equation: Her themed clues rhyme, as do their entries. At 17A, [Gathering for a lathering?] is a RUB-A-DUB CLUB. [Jewels for fools?] at 26A could be called DING-A-LING BLING.You probably won’t hear anyone calling a [Fryer piled higher?] a CHOCK-A-BLOCK WOK, or a [Cup to drink up?] a CHUG-A-LUG MUG, but that can be the greatest gift of a crossword puzzle: We get to see and hear words combined in ways that they might never be otherwise. It’s dreamy stuff when you think about it.Tricky Clues36A. [Events at which you try not to lose track?] are MEETS (think track and field).60A. When you see “not” in a clue, its entry is often an opposite of the word provided. That gets tricky when a word’s meaning is ambiguous. Here, [Not out] means HOME. In a different puzzle, the same clue might have an answer like “safe” (as in baseball) or “secret.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Sam Buchbinder shares a few of his favorite things.Jump to: Today’s Theme | Tricky CluesTUESDAY PUZZLE — There’s nothing wrong with using the “Check” feature to probe a puzzle for mistakes. It can help you identify a false square, or isolate a specific entry that’s troubling you. Even Deb Amlen, my Wordplay colleague and one of the sharpest crossword solvers on the Games desk, recently reiterated her preference for solving the Crossword with Autocheck turned on.I admit that I’ve had trouble allowing myself to use the feature in the past. I convinced myself that, as long as a machine never identified my mistakes, it would be as though I hadn’t made any. My solving report card was unblemished.That all changed in today’s crossword, constructed by Sam Buchbinder, when the completion text insisted that I was at least one square off. I scanned my work over and over, but I couldn’t identify an error. Finally, I swallowed my pride and checked the puzzle, at which point I discovered that I had made a pair of wrong (but plausible) guesses at the intersection of 47-Down and 50-Across. Would you like to know what they were? I’ve laid out my embarrassment for all to see in the Tricky Clues section below.Today’s ThemeIf clever puns strike a chord with you, then you’ll really like what this puzzle has in store.Mr. Buchbinder has used the title of the [Best Picture winner of 1965] — THE SOUND OF MUSIC — as a witty descriptor for three entries in the grid, because the ends of those entries sound like the names of musical instruments. A [Superscript by a brand name], for instance, is a TRADEMARK SYMBOL (17A). The end of this term is a homophone for “cymbal.”I’ll leave you to identify the remaining homophones in 30- and 45-Across. Hint: They belong in the horn and string sections of an orchestra.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

What does Kenneth Cortes look for in a good crossword? Location, location, location.Jump to: Today’s Theme | Tricky CluesMONDAY PUZZLE — Anyone who has tried to lease an apartment in New York City has probably learned to translate brokers’ euphemisms for crummy real estate. An “open concept” one-bedroom? That’s a studio. A place that’s “close to transportation” can just mean that it’s within earshot of subway tracks. You’ll love this “quiet” pad — all of your windows face brick walls!Kenneth Cortes, who constructed today’s puzzle, takes certain liberties in describing the grid’s real estate — but the use of language is clever rather than crooked. Today’s ThemeEach of this grid’s four sides has its own witty theme pair, with the inner entry giving us a hint to the outer entry’s location and meaning. At 17A, for example, a [Prime cut of beef … or 5-Across, literally?] is a TOP SIRLOIN. 5A is at the TOP of the grid, so we head up there for the clue [Texas Roadhouse specialty]. It solves to STEAK, which can be a cut of SIRLOIN.Let’s move east for one more example. At 11D, [One of four for a square … or 32-Down, literally?] is a RIGHT ANGLE. On the RIGHT side of the grid, at 32D, we need a word that suggests an ANGLE or a [Biased point of view]: SLANT.Keep moving clockwise to find the entries at the bottom and the left of the grid.Tricky Clues28A. [Eloquence] is known as the gift of GAB, which feels like a mismatch. Shouldn’t a word denoting eloquence be fancier? The gift of gabardine, maybe.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Kate Hawkins opens our solving weekend.Jump to: Tricky CluesFRIDAY PUZZLE — This is purely anecdotal, but Kate Hawkins has managed to do something that I imagine few constructors can pull off. Once constructors are published, they sometimes create subsequent crosswords that stick to a certain part of the week: Some tend to be Monday constructors, while others love to make themeless puzzles that run toward the end of the week.This is Ms. Hawkins’s 14th published puzzle in The New York Times, and she has come very close to hitting for the full-week cycle. She needs only a Tuesday and a Sunday puzzle to have published one on every day of the week.Contributing 14 crosswords to a single outlet is an accomplishment in itself, but constructors who hit for the cycle must also become adept at making a variety of puzzles that follow different rules.Monday, Tuesday and Wednesday puzzle formats are similar, but the difficulty level of the clues must increase as the week goes on, either by virtue of the clue trickiness and wordplay or because of a visual element in the grid.Friday and Saturday puzzles are themeless and more open, which means the constructor must collect longer entries that pique the solvers’ interests, as well as come up with clues that are both entertaining and designed to fool even the veterans among us. And making Sunday puzzles? That’s simply an exercise in stamina and perseverance.Being able to design good puzzles for every day of the week requires skill, dedication and practice. I believe that Ms. Hawkins has developed all of these, and I enjoy her puzzles very much.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More