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    NYT Crossword Answers for March 26, 2024

    Laura Dershewitz and Katherine Baicker make their collaboration debut in The New York Times.Jump to: Today’s Theme | Tricky CluesTUESDAY PUZZLE — A handful of clues in today’s crossword, which was constructed by Laura Dershewitz and Katherine Baicker, share almost identical wording — a nod, perhaps, to a different kind of matching contained in the puzzle’s theme — so, let’s take a minute to talk about twin clues. Actually, since the wording of pairs in this puzzle isn’t completely identical, we’ll call them fraternal twin clues.Newer solvers may wonder why, if a clue like “Fairy tale monster” (36D) solves to OGRE, a later clue reading “Fairy tale monsters” (47D) doesn’t solve to “ogres,” but to GIANTS. The answer is anticlimactic, but I’m going to say it anyway: “Ogres” would be too easy. Clues never repeat by accident, and repetition exists only to misdirect you or to add variety. In the case of “Get moving” (1A) and “Get moving?” (6A), we have to interpret the same words in two different ways. To “Get moving,” as in to travel with some urgency, is to SCOOT. But “Get moving?” uses a question mark to indicate an unlikely, more forceful use of the phrase: to PROD someone — a cow, perhaps — to go somewhere.Now, shall we get solving?Today’s ThemeWhether you learned about the art of “fallacious argument” (34A) on your high school debate team or by listening to American politicians speak, I hope you were able to employ it here as a phonetic “hint to the answers to the starred clues.”At 17-Across, a “Mint on a pillow, maybe?” is our first of these clues. We find such an amenity most often in a HOTEL SUITE — and it happens to be a SWEET. That makes it a HOTEL SUITE SWEET, for those following along. And wouldn’t you consider “Pippi Longstocking” (27A) a kind of PIGTAIL TALE?I trust you’re liking the sound of this. Ms. Dershewitz and Ms. Baicker have deployed an AD HOMINEM (34A) attack on our senses by adding homonyms to each starred entry. My favorite of these was the spanner at 57A: “Mother superior?” is a SECOND-TO-NONE NUN.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    NYT Crossword Answers for March 25, 2024

    Shannon Rapp and Will Eisenberg make their New York Times collaboration debut.Jump to: Today’s Theme | Tricky CluesMONDAY PUZZLE — Spring has finally sprung in New York. Its gentle thaw may be restorative enough for some, but I tend to treat it as a mere preamble to the season that follows. The sight of blossoms budding on park trees drives me into a frenzy of excitement for summer’s arrival. Those are the true dog days of bicycle rides, beach trips and group outings to games of a certain spectator sport — represented in today’s crossword — whose season begins this week.This puzzle is the first collaboration between Shannon Rapp and Will Eisenberg in The New York Times, and it is also Mr. Eisenberg’s Times debut. It has plenty of shorter fill to ease beginner solvers into the week, along with a few longer zingers to whet the appetites of experts — and a seasonally appropriate theme, to boot. I don’t want to spoil anything by using a figure of speech, but what the heck: They knocked it out of the park.Today’s ThemeAbsent a helpful revealer, or visibly themed clues — denoted, say, by special formatting or symbols — you can usually spot the theme set of an early-week puzzle by the longest Across entries. In today’s puzzle, those are 20-, 29-, 47- and 56-Across.The “Woven creation of the Ojibwe people” (20A) is a DREAM CATCHER, and “Thick liquid poured on a hot griddle” (29A) is PANCAKE BATTER. Any patterns come to mind yet? How about if we toss in “Emma Stone’s co-star on Showtime’s ‘The Curse’” (47A), NATHAN FIELDER? Here’s a hint: Take a look at the second words of each entry.The CATCHER, BATTER and FIELDER are all players in a baseball game. Now see if you can score the last entry on your own; otherwise, click to reveal it below.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    NYT Crossword Answers for March 22, 2024

    Mansi Kothari makes her New York Times Crossword debut in a collaboration with Erik Agard.Jump to: Tricky CluesFRIDAY PUZZLE — If you solve crosswords regularly and have wondered what it would be like to make one of your own — perhaps you would like to see your byline in a publication such as The New York Times one day — you should know that there are experienced constructors who are happy to mentor new puzzle makers. They volunteer their time so that a wider range of voices and worldviews will be present in our crosswords, and that is a good thing. In fact, I think these constructors provide a noble service, right up there with the person who eventually ends daylight saving time so we can all get more sleep.Learning the ropes from an experienced constructor is important, especially if you would like to see your creation published within the next decade, because puzzle making is not an intuitive art. There are a lot of rules that need to be followed and broken as well. Part of the art is in knowing whether breaking a particular rule is a good idea or whether it’s an idea that will land your puzzle on the reject pile — a mentor can help you with that. Take my word for it, this will save you a lot of time.Erik Agard, a constructor for The New Yorker and former editor of the USA Today crossword, mentors aspiring puzzle makers, but he also contributes something else: He believes puzzles should be made conscientiously, with the intent to educate.Some solvers just want an escape from the world to go with their morning coffee, and there is nothing wrong with that. But there is also nothing wrong with learning something from solving a crossword. Awareness is the first step toward understanding, and understanding solves a whole host of problems.This is Mansi Kothari’s Times Crossword debut, and she acknowledges Mr. Agard in her constructor notes for demonstrating the importance of including entries that make people think. I liked the mix of trivia, pop culture and clues about social topics like the ones in 10D and 34A.Well done, Ms. Kothari. I hope to see more from you soon.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    NYT Crossword Answers for March 21, 2024

    Joe Marquez’s theme is about my favorite type of puzzle.Jump to: Today’s Theme | Tricky CluesTHURSDAY PUZZLE — The following is simply my thoughts about today’s puzzle. As always, your mileage may vary.After solving crosswords for many years, I’ve come to the realization that, even when I come across a puzzle that is perfectly enjoyable, there is probably a similar one I’ve already solved that was — I don’t want to say “better,” just closer to what I had hoped for in today’s theme.That’s the problem with having a lot of grids under one’s belt. You start to compare them. And I try very hard not to do that. Sometimes I fail.Joe Marquez’s theme is tight and impressive, but it’s just not the May 29, 2011, puzzle by Tony Orbach and Jeremy Newton (Here’s the Wordplay column if you’re interested.) It didn’t have exactly the same theme, but the mechanics of Mr. Orbach and Mr. Newton’s crossword were exemplary and turned the solve into something that felt alive. Of course, the 2011 puzzle was a 21×21 Sunday, so there was more room to play around with design. But something like that in Mr. Marquez’s similarly themed puzzle would have really elevated it.Maybe this is just me, but if you’re going to make a puzzle about this topic, and it runs on a Thursday — the day that is more likely to contain a trick than others — I feel as if there should be some sort of interactive feature to solve it.I liked Mr. Marquez’s puzzle, and if I were a new solver I would have been happy with it. But that’s the downside of experience: I have the solving skills, but I also know what’s possible.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    NYT Crossword Answers for March 20, 2024

    E. M. Capassakis makes calculated choices in her New York Times debut.Jump to: Today’s Theme | Tricky CluesWEDNESDAY PUZZLE — If I have occasionally joked about my slight distaste for math-related clues and entries in the daily crossword, it’s only because I think of numbers and language as standing somewhat at odds with each other. One represents pure logic, the other creative expression. How can you love both in equal measure?E. M. Capassakis offers one possible answer to this question via today’s crossword puzzle. In her New York Times debut, numbers and language not only coexist but are codependent. Solving the grid may invite you to consider whether we need to separate the two at all.Ready to go? I’ll count us in.Today’s ThemeRevealerless puzzles are sneaky but fun, because they leave us to identify patterns and crack the theme. In today’s grid, a series of numerical clues — at 17-, 19-, 31-, 47-, 62- and 64- Across — add up to our answer.The clue “101” is shorthand for a beginner’s understanding of a subject — an INTRO CLASS (17A), in other words. And “007” is a longtime code name for James BOND (19A). These automatic associations are no accident: Numbers double as words. We can say “420” and refer to CANNABIS (31A), euphemize “666” with THE BEAST (47A) and so on.Tricky Clues16A. The “End of a noodle?” isn’t a slurp: It’s an IDEA, since this refers to the kind of noodling done with the mind.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    NYT Crossword Answers for March 19, 2024

    Lynn Lempel stares into the space between.Jump to: Today’s Theme | Tricky CluesTUESDAY PUZZLE — To explain what makes Lynn Lempel’s crossword theme so clever, I’d like to take a brief detour from the crossword and talk about Spelling Bee; I hope you’ll forgive the digression. The Bee, for those unfamiliar, features a honeycomb grid with seven letters and challenges solvers to find the pangram, a word that uses every available letter in the grid.I can’t seem to solve compound pangrams. When faced with jumbled letters, my brain doesn’t want to conceive of two words as one. Airflow? Gumdrop? Windfall? All invisible to me. It’s only when someone else looks at the grid and identifies the term that I can see it plainly.In her puzzle, Ms. Lempel put words together so slyly that the theme acted on my brain in much the same way that those compound pangrams do. I couldn’t have conceived of what she was up to without the revealer, but now that I’ve figured it out I’m wondering how I didn’t see it.Today’s ThemeUnlike professional sports, crosswords have no built-in “Game break” (63A) — that is unless you happen to be solving Ms. Lempel’s latest puzzle, in which HALFTIME not only exists but also serves as “a hint to interpreting the first parts of 17-, 26-, 36-, and 52-Across.”The clue at 17-Across is “Parent dressed up at a pride parade, perhaps?” and the answer, at first, seems to be MAIN DRAG. But taking the first part of this answer and halving it turns it to MA IN DRAG. The “Choice between a haircut and manicure?” is not DOORNAILS, but DO OR NAILS. And so on. See what I meant about putting words together in sly ways?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    NYT Crossword Answers for March 18, 2024

    Trent H. Evans sends out a few letters.Jump to: Today’s Theme | Tricky CluesMONDAY PUZZLE — Most crosswords that appear in The New York Times are themed grids, with the exception of Fridays and Saturdays. These themes come in all shapes and sizes. They may make use of puns or anagrams — or, in the occasional devilish Thursday puzzle, require the solver to enter more than one letter per square. In each case, cracking the code is up to the solver.In today’s crossword, Trent H. Evans gives us the runaround, using a distinctive theme style. The pattern is subtle, and takes no great pains to identify. Sam Ezersky, a puzzle editor for The New York Times, described it as “simple, but also executed very elegantly.”The theme’s simplicity is, notably, what makes this a perfect Monday puzzle. Mr. Ezersky encouraged those who are anxious about crosswords, themed or otherwise, to give this one a shot: “This puzzle is just the sort of puzzle I want to point to future solvers and say, ‘See, you can do this!’”Today’s ThemeMr. Evans’s themed entries struck me as having a certain cinematic quality: They seemed to be zooming out with each passing row.We begin in a close-up, with 17A: “In Europe, it’s known as a ‘twin town.’” That’s a SISTER CITY. Our frame widens with the “Hotly contested area in a U.S. election” (29A), better known as a PURPLE STATE. “France, for the 2024 Olympics” (45A) takes us wider with HOST COUNTRY, and we end on an aerial view with “Extraterrestrial’s home, to us” (60A), an ALIEN WORLD. Credits roll.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Entering the ‘Matrix of Language’ With a Crossword Puzzle Fiend

    Anna Shechtman’s new memoir-history hybrid, “The Riddles of the Sphinx,” explores the gender politics behind one of the world’s most popular word games.Anna Shechtman was 15 when she started building crossword puzzles, and 19 when her first puzzle was published in The New York Times. She later helped to found The New Yorker’s crossword section where, as one of very few female puzzle creators, she has been part of an ongoing effort to diversify the field.Now 33 and a resident scholar at Cornell, Shechtman has spun her experience and her deep knowledge of puzzles into a book, “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle,” published earlier this month. Part history, part memoir, part feminist reconsideration, it offers a sweeping overview of the American crossword puzzle over the last century, told primarily through the stories of four pioneering women who were integral to its evolution.A significant portion of the book is also an intimate chronicle of Shechtman’s struggle with anorexia, which began around the same time her interest in puzzles emerged. She sees the two as tightly linked — attempts to “retreat from the hard fact of [my] embodiment into a world of words, into its order and disorder.”“The Riddles of the Sphinx” poses questions — What kinds of intellectual work is considered worthy of our attention? What boxes have women historically been permitted to fill? — only to consistently invert and twist them. What emerges is a surprising and ambitious investigation of language and the varied ways women resist the paradoxes of patriarchy both on and off the page.In an interview that has been edited and condensed for clarity, Shechtman discussed her investigation of this legacy and the revelations, both personal and political, that came from finding her place within it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More