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    In Paris, Using Dance to Uncover Hidden History

    Benjamin Millepied, an organizer of La Ville Dansée — a daylong event in Paris and its environs — wants “to tell the invisible stories of the city.”Benjamin Millepied thinks big.La Ville Dansée, a free festival of outdoor dance on Saturday, is the first large-scale initiative from Millepied’s Paris Dance Project. Starting at 11 in the morning and ending after midnight, it involves 12 choreographers and seven commissions; 10 neighborhoods in Paris and its outlying suburbs; podcasts, screenings and live streams. The Paris Dance Project, which Millepied formed last year with Solenne du Haÿs Mascré, is not a dance company, but an organization that creates educational programs and accessible performances. La Ville Dansée (“the dancing city”), part of the Cultural Olympiad — a program of arts events around the Olympics — is its biggest splash yet, intended to show Paris and its environs not just as gorgeous settings for performance, but as places with hidden or forgotten histories.Millepied returned to live in Paris last year after a decade spent mostly in Los Angeles. His last Parisian sojourn, 2014-2016, included a brief, contentious, term as the director of the Paris Opera Ballet, which he said provided some seeds for the idea of La Ville Dansée.“I was running the best-funded institution in France, but only a fraction of society felt invited,” Millepied said in an interview in Paris in May. “It made me think about how much segregation there is, how people can have a very different experience in the same place. I decided we would commission works to tell the invisible stories of the city to gather people together who would never go to the theater, to build empathy and community.”Millepied and du Haÿs Mascré gathered a small core team that included, unusually, a political theorist, Françoise Vergès, and a sociologist, Fabien Truong, as well as the dramaturg Christian Longchamp. Over months of weekly meetings, they discussed and identified sites for dance — some famous, like the Eiffel Tower and the Jardin du Luxembourg; others little known, like an abandoned supermarket in the town of Grigny and Saint-Bernard de la Chapelle, a church that was the site of a notable police raid on migrants in 1996.Millepied researched and chose the diverse group of choreographers. Then came the logistics of raising money, getting permissions and coordinating technical teams across the city.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Hors Pistes’ Is an Arts Festival About Sports, for People Who Don’t Like Sports

    A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.When it comes to the biggest sports show on earth, many Parisians have reached the stage of begrudging acceptance. The level of disruption — and metro price hikes — to get the city ready for this summer’s Olympic Games hasn’t exactly endeared the event to locals, especially those who favor culture over sports.“The Olympics are coming — whether we like it or not,” a curator from the Pompidou Center, Linus Gratte, said as he introduced a performance there this past weekend as part of the “Hors Pistes” festival. The audience chuckled.“Hors Pistes” (meaning “Off-Piste”), a festival the Pompidou Center says is devoted to “moving images,” came with an Olympic-ready theme this year: “The Rules of Sport.” It is part of the Cultural Olympiad, the program of arts events that is now a part of the Olympic experience in every host city.For the Paris Cultural Olympiad — spearheaded by Dominique Hervieu, an experienced performing arts curator — the city has opted to go big. Any cultural institution could apply for the “Olympiad” label, leading to a sprawling lineup of sports-related exhibitions and performances, which started back in 2022. This has led to a degree of confusion over what, exactly, the Olympiad stands for: Its official website currently lists no fewer than 984 upcoming events.And quite a few of them end up exploring a paradox, because art and sports rarely mix in France. As a rule, the country’s artistic output leans toward intellectualism rather than the virtuosity embodied by high-level athletes. The Pompidou Center, a flagship venue for contemporary art, telegraphs as much in its “Hors Pistes” publicity material, which says the festival’s goal is “to question and subvert the rules of sport, and to imagine new interpretations of them.”While the Pompidou is primarily an art museum, and “Hors Pistes” comes with a small exhibition, the festival features a significant number of performances, onstage in the center’s theater, or in its galleries. Some of these struggled to find coherent common ground with sports, however, like Anna Chirescu and Grégoire Schaller’s “Dirty Dancers,” an hourlong dance performance staged in the exhibition space, with sports-style bleachers for the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More