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    What is the Smithsonian Institution and why is it important?

    On Thursday, President Donald Trump signed an executive order targeting the Smithsonian Institution, a behemoth of a research and museum organization that operates more than 20 museum and research centers and is visited by millions of people each year, mainly in Washington DC and New York City. The museums include the National Museum of African Art, the National Portrait Gallery, the National Museum of the American Indian and the National Museum of African American History and Culture (NMAAHC), which Trump name-checked in his executive order. Trump’s executive order instructs Vice-President JD Vance to “eliminate improper, divisive or anti-American ideology” from the Smithsonian’s museums.The Smithsonian has already come under scrutiny by Trump and his allies. Earlier this year, the institution was forced to close its diversity office and froze all federal hiring.But what is the Smithsonian Institute, and why is it important?What is the Smithsonian Institution? Envisioned in the 19th century by James Smithson, a British scientist who bequeathed his estate in hopes of establishing an institution to “the increase and diffusion of knowledge”, the Smithsonian Institution had a budget last year that exceeded $1bn. Per its website, it is the “world’s largest museum, education, and research complex”. The Smithsonian Institution’s collection holds more than 150m items, including historical artefacts, scientific specimens, fossil flora and fauna, art and other objects and materials.The institution is not a government agency, but a “trust instrumentality” of the United States, which means that it was created by Congress. It is overseen by a board of regents that includes the chief justice of the supreme court, the vice-president, three members of each house of Congress and nine appointed citizens. The order seeks to appoint new “citizen members” to the board, who are “committed to advancing the policy of this order”.What is included in the Smithsonian collection?The Smithsonian Institution’s collection is vast – less than 1% of the collection is on display at any given time, and some parts of it are available online. The Smithsonian Institution’s total collection includes works of art spanning 6,000 years and across different cultures; an oral history collection; sculptures; historical artefacts; full-size planes, missiles and spacecraft; algae, flowering plants and microscopic plants; marine animals; mammals; fossils and much more. Many of the collections are utilized solely for research purposes.Are specific Smithsonian museums under attack?Trump’s executive order specifically targets the American Women’s History Museum, which currently exists only as an online exhibition, with plans for a physical museum in the future. The order criticized the Smithsonian American Art Museum (SAAM), for its exhibit The Shape of Power: Stories of Race and American Sculpture, which “examines for the first time the ways in which sculpture has shaped and reflected attitudes and understandings about race in the United States”. The order also targets the NMAAHC, which opened in 2016 under the leadership of the historian Lonnie G Bunch III, the Smithsonian’s first Black American secretary.In 2017, Trump toured the NMAAHC and celebrated its existence.“I’m deeply proud that we now have a museum that honors the millions of African American men and women who built our national heritage, especially when it comes to faith, culture and the unbreakable American spirit,” he said. “I know President [Barack] Obama was here for the museum’s opening last fall. And I’m honored to be the second sitting president to visit this great museum.”Earlier this year, Bunch spoke about America’s upcoming 250th anniversary, and the then-upcoming Trump administration.“It’s really clear that the Smithsonian, by its very nature … is always driven by the best scholarship. But it’s important to recognize that if you explore art, history, culture, science – by definition, you’re going to deal with controversy. By definition, you’re going to deal with multiple points of view. The goal here is never, ever to create a sense of self-censorship in the Smithsonian, but to recognize that the Smithsonian has to educate a whole lot of people, some who believe exactly in the interpretations you do, others who are diametrically opposed, and you’ve got to be able to serve both.”Has the Smithsonian Institution faced censorship attempts before?In 2010, the Smithsonian’s National Portrait Gallery pulled a video called A Fire in My Belly, which was produced at the height of the Aids epidemic, after the Catholic League and some members of the House of Representatives, including John Boehner and Eric Cantor, spoke out against its inclusion.Last year, LGBTQ+ employees at the Smithsonian Institution said that the organization had canceled multiple previously planned drag shows, following a House of Representatives oversight hearing. More

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    FCC to investigate Disney and ABC over potential violation in diversity practices

    The US’s top media regulator on Friday said it was opening an investigation into the diversity practices of Walt Disney and its ABC unit, saying they may violate equal employment opportunity regulations.Brendan Carr, the Federal Communications Commission (FCC) chair, wrote to the Disney CEO, Robert Iger, in a letter dated on Thursday that the company’s diversity, equity and inclusion (DEI) efforts may not have complied with FCC regulations and that changes by the company may not go far enough.“For decades, Disney focused on churning out box office and programming successes,” Carr wrote in the letter. “But then something changed. Disney has now been embroiled in rounds of controversy surrounding its DEI policies.“I want to ensure that Disney ends any and all discriminatory initiatives in substance, not just name,” Carr wrote.He has sent letters to Comcast and Verizon announcing similar investigations into diversity practices.Disney has come into conflict with Republicans in recent years. In 2023 the Florida governor, Ron DeSantis, clashed with Disney over its opposition to the state’s so-called “don’t say gay” law and rightwingers have attacked the company for being “woke” – most recently for the casting of Rachel Zegler, an American actor of Colombian descent, in the titular role of its Snow White reboot.“We are reviewing the Federal Communications Commission’s letter, and we look forward to engaging with the commission to answer its questions,” a Disney spokesperson said.Disney recently revised its executive compensation policies to remove diversity and inclusion as a performance metric, adding a new standard called “talent strategy”, aimed at upholding the company’s values.Carr said the FCC’s enforcement bureau would be engaging with Disney “to obtain an accounting of Disney and ABC’s DEI programs, policies, and practices”.Carr, who was designed chair by Donald Trump on 20 January, has been aggressively investigating media companies.In December, ABC News agreed to give $15m to Trump’s future presidential library to settle a lawsuit over comments that anchor George Stephanopoulos made on air involving the civil case brought against Trump by the writer E Jean Carroll.Days after Carr took over as chair, the FCC reinstated complaints about the 60 Minutes interview with Harris, as well as complaints about how ABC News moderated the pre-election TV debate between then president Joe Biden and Trump.It also reinstated complaints against Comcast’s NBC for allowing Harris to appear on Saturday Night Live shortly before the election.Trump has sued CBS for $20bn, claiming that 60 Minutes deceptively edited the interview in order to interfere in the November presidential election, which he won.Reuters contributed reporting More

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    ‘There was no place for me in American society’: an ex-Black Panther cub speaks out

    Hello and welcome to The Long Wave. This week, Guardian Documentaries has released a short film about the life and legacy of the Black Panthers with a focus on the group’s children. It was released alongside a Long Read by Ed Pilkington in the US on the wider group. I spoke to one of those cubs in the film, Ericka Abram, about her childhood within the activist community in the 1970s, and how her life was shaped by the experience. But first, the weekly roundup.‘I lived in a protected Panther bubble’View image in fullscreenThe first thing I notice about Ericka is that she is deliberate in her articulation and her responses are meticulously considered. She is also warm and quick-witted, with a flair for a killer line. She will not argue with people online about Donald Trump, she says, because it’s a waste of time to engage with a “bot, a baby or a bigot”.Ericka is the daughter of Elaine Brown, a former chair of the Black Panther party, and Raymond Hewitt, one of its leaders. She spent her early years in Oakland, California, and the Black Panther party she grew up in was not only a political organisation, but also a social one. The cubs lived in dormitories and had their own school. At weekends, they could return to a home where adult members of the party lived together and played an equal role in their care – “comrade moms” is how she describes the women she lived with.Ericka had no idea her childhood was anything out of the ordinary. Even though reporters showed up at their schools, and she had seen her mother and Huey Newton, the co-founder of the Black Panthers, on television, she did not have a sense of how outsiders perceived the party. I ask her if she was aware of the risks involved for her family and the wider network. “It just felt like family,” she says. Despite this, she shares a chilling story about her mother’s bodyguard stopping a seven-year-old Ericka from opening the door of their house and rebuking her, because he was the first person who should walk out, in case someone shoots.The full picture did not start to become clear until she was in high school, years after her mother left the party and took Ericka with her. She recalls someone once telling her: “Your mother is the only woman in US history to lead a paramilitary organisation.” Ericka says it was “strange” to hear her mum being described like that.She recalls a community that was deeply activist but also, perhaps counterintuitively, apolitical. Ericka tells me it often shocks people that she not only had no insights on the internal politics of the Black Panthers, but she had almost no idea what the party actually was. “The Black Panther party and the reasons it existed were unknown to me. [This is] because I wasn’t suffering racism or sexism; I lived in a protected Panther bubble.” The group participated in boycotts with farmworkers, who successfully secured better working conditions and union rights, and Ericka “hated” that party members couldn’t eat grapes and things she thought were delicious. But the boycotts were explained to her in such a way that she grasped that there were overlords who needed to be forced to play fair. She says from an early age she understood capitalism as synonymous with greed.View image in fullscreenLeaving that bubble was a sharp adjustment. When Ericka was eight her mother left the party and moved to Los Angeles, and the experience of attending a non-Black Panther school for the first time was full of conflict. “I had fights frequently – arguments with my teachers – most of it was about injustice. One teacher put me out of class because I said Australia was founded by prisoners and bigots or something like that. I was in seventh grade.” Another time she was ejected from class for sitting quietly during the pledge of allegiance. “I might not have understood the values that were raising me, but as soon as I was removed from them I needed them most,” she says.I ask how she adjusted to living in the mainstream. Her answer is unequivocal: “There was no place for me in American society.” That might have led to her finding refuge in drugs, says Ericka, who started using cocaine when she was 15. “I was trying to medicate a pain I didn’t understand. And living a life I hadn’t any intention of living.” As a child, she had assumed she would one day become a Black Panther. When that life did not come to pass, a profound sense of effacement took hold. “I developed this idea that unless I die for the people, my life was worthless,” she says. Growing up in an organisation with such a clear purpose raised the hurdle so high that one may as well not try to scale it. That’s what comes “from being raised by people who knew what they were willing to die for”, she says.I suggest that she is describing a sort of nihilism and erasure. Well, yes, is her answer. Ericka has always believed that individuals do not matter. “We were raised to believe we were precious – but we were precious for a purpose. I went to school with a kid called Bullet. I mean, there’s no pressure there.” Ericka says at times she felt she did not live up to expectations. As a teenager “I felt I had failed my mother,” she admits casually. I stop her. Why? “Because when we left [the Black Panther party] there was nothing to protect us from America. I thought I could protect her but I didn’t understand what that meant.”skip past newsletter promotionafter newsletter promotionWith such a legacy, I wonder if she harbours any resentment towards her mother, or indeed that generation of Black Panther parents, for not preparing their children for life outside the party? “No,” she says, before I finish the question. “I didn’t feel resentment. But I remember I was about to start my sophomore year when Huey Newton was killed. I felt so alone. And I realised that I wasn’t mourning his death but that, even at the age of 19, some part of me thought that as long as he was alive, someone would still come and tell me what to do.” As she holds back tears, there is such plaintiveness and loss in her voice. For a moment, she is again that 19-year-old faced with figuring life out on her own.And it feels as if she has. Ericka’s sense of failure has been replaced by an understanding that what the Black Panthers signed up to was something exceptional. She refuses to call herself a cub, because a cub grows up to be a Panther. And she is not that. “They really did promise their lives to an ideal,” she says.The values she grew up with are serving her well during a tumultuous time in US political history. “I know that I see the world in a unique way,” Ericka says when I ask how the Black Panthers shaped her life. She understands now that the difference between “activists and revolutionaries is what you are willing to risk” – and that without solidarity, nothing can be achieved. The Black Panthers were not just seeking racial equality but interconnection between all who are suffering the depredations of state and capital. There is in Ericka a clear understanding that what it takes to stabilise politics in a country roiled by a second Trump administration is a combination of empathy but also resolve – action guided by love.The Black Panther Cubs: When the Revolution Doesn’t Come is out now. For more on this story read Ed Pilkington’s in-depth essay, here. And for an exclusive behind-the-scenes look at the Guardian’s latest films as they release, sign up here to the Guardian Documentaries newsletter.To receive the complete version of The Long Wave in your inbox every Wednesday, please subscribe here. More

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    Jon Stewart on GOP’s obsession with free speech: ‘It’s such blatant hypocrisy’

    Late-night hosts talked conservatives’ hypocrisy over free speech and the Trump administration accidentally texting an Atlantic editor its war plans.Jon StewartJon Stewart was back in old-school Daily Show mode on Monday evening, pointing out the hypocrisy of Republicans in power. But first, he mocked the defense secretary, Pete Hegseth, whose group text on Signal regarding the administration’s plans to bomb Houthi targets in Yemen accidentally included Atlantic editor Jeffrey Goldberg.“Back in my day if you were a journalist who wanted leaked war documents, you had to work the sources, meet them in a dark garage, earn the trust, pound the pavement,” Stewart said. “Now? Just wait for the national security adviser to be distracted by The White Lotus while he’s setting up his Bomb Yemen group chat.”Stewart went on: “There are certain hypocrisies and absurdities that we find in our cultural moment that make for great fodder for humorous dialogue: a facial expression, a nod and a wink. Then there are pronouncements by our elected officials, other actions by our government that are so baldly bullshit, even though you know it will have no effect, and that these powerful creatures have been genetically modified to resist shame or self-reflection of any kind, you just can’t help yourself but to go old-school Daily Show gotcha.”He specifically referred to conservatives’ obsession with “free speech” and the liberal “thought police”, while arguing in the same breath for CNN to be banned from the airwaves, among other proposed cancellations and censorship.“Generally, you’ve gotta search the archives for contradictions on one’s stated principles, dig through policy papers to uncover private actions that are undermined by someone’s public stance, but this is so blatant,” said Stewart. “I can’t wrap around it. It’s not even the hypocrisy, it’s that they so fetishize free speech, this thing that they do not in any way actually practice.”Stewart cited Trump banning the AP from the White House for refusing to rename the Gulf of Mexico to “the Gulf of America”, and the detainment of Columbia student protester Mahmoud Khalil.“These guys don’t give a fuck about free speech,” he said. “They care about their speech. It’s such blatant hypocrisy.”Stephen Colbert“Our nation is a beautiful pastry spread of freedom and opportunity,” said Stephen Colbert on The Late Show. “And yesterday, I got a closeup look at one of the donuts that Trump has been licking” at the Kennedy Center in Washington DC. Colbert and a number of comedians attended in support of Conan O’Brien, who received the Mark Twain prize for American humor.“It was a great night full of life and love and laughs,” he said, but the mood in DC was “still grim”. Last week, Trump held his first official meeting with “all of his hand-picked flunkies” that appointed him to the board of the Kennedy Center, “so he knows that they’re all 100% loyal to him”.During the meeting, which was recorded and leaked to the press, Trump said he wanted to make the Kennedy Center programming “slightly more conservative” and feature more “non-woke musicals”. “Non-woke musicals, also known as any musical you take your dad to,” Colbert joked.Besides rambling on about his love for the musical Cats, Trump also put his name forward as a potential host for the annual Kennedy Center Honors. “Man alive, you could’ve given me a thousand guesses, and that would’ve been all of them,” said Colbert, himself a three-time former host of the ceremony. “I tell you what, sir, I’m willing to trade – you host the Kennedy Center Honors, I’ll be president.”Jimmy KimmelAnd in Los Angeles, Jimmy Kimmel also mocked the administration putting sensitive military information in a group chat with Goldberg. “In other words, our national security is being guarded by a bunch of doofs you wouldn’t trust to throw your cousin a surprise party,” he said. “No one on the chain thought to ask: ‘Who is JG? What are these initials?’ They could’ve been leaking secrets to Jeff Goldblum, for all they knew.”“If Joe Biden’s top military team accidentally texted these plans to a journalist, Laura Ingraham’s erection would be so rock strong, it would break through the wall like the Kool-Aid man,” he added.“This is a crazy mistake by any definition, but you have to remember: Pete Hegseth, our secretary of defense, three months ago was a weekend host on Fox & Friends.” So his former cohost “looked at the bright side” of the story on-air.As Fox’s Will Cain put it: “What you will see is dialogue between vice-president JD Vance, secretary of defense Pete Hegseth and many more, in a very collaborative, open, honest, team-based attempt to come to the right decision after years of secrecy and incompetence. If you read the content of these messages, I think you’ll come away proud that these are the leaders making these decisions in America.”“If you read the content of these messages – the point is we’re not supposed to read the content of these messages!” Kimmel exclaimed. “That is a real beauty of a spin.” More

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    Trump chose the wrong hill to DEI on | Stewart Lee

    In the second world war, Navajo code talkers transmitted sensitive US military information in their own undocumented language. Which was nice of them, as their immediate ancestors had been dispossessed and destroyed by white settlers, and then had all their water poisoned with uranium. “Were it not for the Navajos,” concluded major Howard Connor, at the time, “the marines would never have taken Iwo Jima.” And that famous photo of the American soldiers raising a flag would just have shown some Japanese boy scouts letting off a party popper.But last month Trump’s defence secretary, Pete Hegseth, said: “I think the single dumbest phrase in military history is ‘our diversity is our strength’.” Predictably, some Navajo code talkers had to have bodyguards to protect them from white American servicemen who thought they were Japanese. Plus ça change, as they say over there in that Europe.The Navajos’ efforts went unrecognised. When the son of one of the code talkers got to live the American dream by opening a Burger King in Kayenta on Navajo lands in 1986, he made the building a partial museum of his father’s unit. I visited it 30 years ago, with the comedian Kevin Eldon (Narvi the dwarf smith in TV’s The Lord of the Rings: The Rings of Power), and it remains the most edifying fast food restaurant I ever ate in. It was even better than that KFC near Bletchley Park that does that delicious Alan Turing chicken strips and alphabetti spaghetti meal deal ™ ®.The Kayenta Burger King also has a more extensive archive of code talker artefacts than any official government repository. Especially since, last week, videos, photos and stories of the Navajo code talkers were temporarily removed online as part of Trump’s assault on diversity. A page commemorating corporal Ira Hayes, a Pima of the Gila River Indian Community, and one of the servicemen photographed raising that Stars and Stripes at Iwo Jima, also disappeared for a while in Trump’s thwarting of the woke. Boris Johnson must be delighted. But I wonder if Trump’s actions please the British daytime TV treasure Lorraine Kelly?Kelly’s interview in the Times on 14 March, culled from a book promotion appearance on Times Radio, seemed to suggest she believed gender and racial diversity are wrongly prioritised in the workplace at the expense of offering opportunities to the (presumably white) working class. The headline spoke for itself: “Lorraine Kelly: Diversity push is leaving working-class people behind.” Was our Lorraine an unexpected supporter of Trump’s anti-diversity agenda?Probably not. This is the rightwing press, or the press as I call it, that we’re talking about, and Kelly didn’t quite espouse the view the headline implies. Even the elements of the radio interview that the paper chose to transcribe show a Lorraine Kelly principally concerned about how the cost of living affects working-class access to media jobs, and she made explicit that she hoped to see diversity initiatives tackle exclusion on the basis of class in addition to concentrating on gender and race. It’s a subtly different position and an example of the nuanced thought that has made Kelly the Socrates of the sofa, while her competitor Richard Madeley stares out of his kitchen window at a donkey in a field while thinking about bread.But this is how papers work. For two decades I was lucky enough to review records (remember them?) for the Sunday Times. So when they asked me, 20 years back, to write an insider comedian’s view of attempts to boycott the Edinburgh comedy awards because the sponsor, Perrier, was owned by Nestlé, which pushed unsafe formula milk initiatives to the developing world, what could possibly go wrong? And the money didn’t hurt either!I wrote a balanced piece about how the boycott was morally the right thing to do, with the appended caveat that high-profile supporters were asking a lot of young broke performers to walk away from a cash bung of £10,000 that might shift at least some of their debts. The headline? “‘Emma Thompson needs to grow up’, says comedian Stewart Lee”, which wasn’t anything I said, but perhaps fitted the paper’s agenda better, and left me apologising, cap in hand, to the charity Baby Milk Action and Miss Thompson herself, who has conspicuously failed to cast me in any of her hit films since.Despite the fun-size fascism we’re seeing across the Atlantic, the woke folk panic still sells papers and farms online engagement. The Times got what it wanted out of massaging Kelly’s quotes, and in the US the fourth estate is finished, jeopardising democracy worldwide. Maybe it’s time for writers to work out what they believe and stand up for it. But the British press is staffed by a class of professionals happy to drift between the Times, the Telegraph, the New European and yes, even the last liberal papers, refining their opinions as required by their offshore billionaire employers. It’s as easy as changing the look of your byline photo from sensible suit and tie to a beatnik polar neck jumper and beard. And that’s just the women. These days.Ironically, some wag at the Times has chosen to illustrate Kelly’s interview with an old photo of her GMTV colleague, the black fitness expert Mr Motivator, holding her aloft on the roof of a building. Presumably there were dozens of more motivated white working-class Mr Motivators, but the woke agenda meant they never got the opportunity to lift a Scottish woman. Let’s see if we can’t see a white working-class TV fitness instructor raising Lorraine Kelly high above their head by the end of 2025, but ideally let’s do it without playing into the divisive playbook of Trump, Musk, Vance and Farage, apportioning blame to the disadvantaged, while consolidating their own chrome-plated futures. More

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    After America: can Europe learn to go it alone without the US?

    The German ­electronics firm Hensoldt has a backlog of orders for its technology, ­including radars that protect Ukraine from Russian airstrikes. Meanwhile, Germany’s car industry is struggling with low European demand and competition from China.As Europe worries about how it can weather the economic and ­political turmoil unleashed by Donald Trump, executives from Munich and Düsseldorf say they have at least a partial answer.In January, Hensoldt offered to take on workers laid off by the car parts suppliers Bosch and Continental. The defence giant Rheinmetall made a similar ­proposal last year, and in February announced it would repurpose two automotive component factories.It was a pivot that offered hope amid America’s rapid ­dismantling of the postwar global order – ­protecting jobs and Germany’s industrial base as access to US ­markets shrinks, while ramping up Europe’s capacity to protect itself.As politicians around the world try to work out how best to ­protect their countries from Trump’s ­capricious policymaking, the one constant in all their calculations for the future is a diminished American role in their countries. Trump has mooted plans for a 25% tariff on EU goods, including cars, and has already put duties at that level on steel and aluminium from the bloc.In February, his vice-president, JD Vance, launched a blistering attack on European democracy in Munich, questioning whether it was worth defending.In his first term, Trump touted decoupling from China as a way to bolster US jobs and the economy against a rapacious rival. Now, in his second term, he is pursuing a much broader decoupling from the ­country’s historical allies – a shift that few had anticipated or were prepared to face.The new US administration is sealing off its markets, retreating from America’s global security role, and cutting soft-power projects that aimed to shape the world through research, aid and culture.The only form of greater American presence beyond the country’s ­current borders that seems to ­interest Trump is ­territorial ­expansion – ­encouraging, ­perhaps, for a dictator such as Vladimir Putin as he wages an ­imperial war in Ukraine, but ­unwelcome and ­alarming elsewhere.“The idea of the US ­abandoning western Europe was ­unimaginable even a decade ago, because its role there also secures broader American influence in the world,” said Phillip Ayoub, a professor of international relations at University College London.“There is a comparative ­advantage to strong alliances because they make you richer in trade and safer because they deter other powers.”Trump’s vision of the world rejects that view, casting his ­country as a naively magnanimous ­superpower that has for decades funded and policed the world while getting little more than debt and ingratitude for its troubles.View image in fullscreenYet if postwar American ­presidents did not pursue the ­territorial empire that Trump now dreams of, they wielded an ­imperial power not reflected on maps. Decisions made in Washington DC reshaped countries from Chile to Iraq without the participation or consent of their populations.And the global order he is ­tearing down made the country so rich and powerful that for a brief, heady moment around the turn of the ­millennium, the US elite embraced the idea that history was over, and that human society had reached its peak and permanent form in the ­liberal democracy embodied in their constitution.The details of the new American relationship with the world are still being worked out day by day in court battles at home and trade and diplomatic negotiations abroad, but the impact of Trump’s presidency will last long into the future.“An election could change ­policy in Washington DC. But the new ­reality is that from government to government you could have a ­different attitude to the US’s place in the world,” Ayoub said. “This retreat will be factored into policymaking everywhere now.”For now, the ­immediate priority in most ­countries is limiting the extent of tariffs and the impact of US cuts, in areas ranging from aid to defence.Geography and the impact of ­previous free trade deals have ­combined to make neighbours of the US extremely vulnerable to its tariffs. Exports to the US account for a quarter of Mexico’s GDP. In Canada, where all other potential trading partners are an ocean or half a continent away, they are about a fifth of GDP.European countries may be less immediately vulnerable to a trade squeeze, with exports to the US accounting for less than 3% of the European Union’s GDP.But budgets from London to Warsaw are also strained by the need to ramp up defence ­spending to make up for the US retreat, both from immediate support for the Ukrainian forces battling Russia, and from the longer-term backing of European defence. Even ­optimistic assessments suggest it will take the best part of a decade before the continent’s own defence ­capacity can match the protection currently offered by the US, excluding its nuclear deterrent.The pain of breaking up or reshaping major relationships does not only fall on one party – ­something even Trump has ­admitted. The cost of some tariffs will be passed on to US ­consumers, and American businesses may lose customers.One early high-profile casualty could be Lockheed Martin, which produces F-35 jet fighters. Contracts allowing the US to restrict how the planes are used by allies caused little debate during friendlier times. Now, in Berlin and other capitals, defence ministers are worrying about a ­possible “kill switch” and hesitating over major new orders.Longer term, Trump could also fuel a ­cultural “decoupling”, with attacks on the arts and academia ­driving highly talented ­individuals to flee the US or avoid it.Several artists have cancelled tours, and the concert pianist András Schiff last week said last week he would no longer work in the US because of Trump. He had already boycotted Russia.Academics at elite British ­universities say they have seen a surge in job applications from US-based colleagues, many ­willing to lose tenure and take a ­considerable pay cut in order to move across the Atlantic. A French university that offered ­“sanctuary” to US researchers said it had received 40 applications, and one academic moved this month.As with the economy, the US’s ­cultural standing is not under direct threat. American music – much of it made by ­people who publicly oppose Trump – will be consumed worldwide. The Oscars are likely to remain the most ­coveted prize for cinema, the Emmys for ­television, the Pulitzers for ­journalism. Yet an exodus would still be ­damaging in a country where research and the creative arts are key drivers of growth, and benefit the places they settle instead – the long-term US allies that Trump sees as threats.The US president has promised voters that where his economic policies cause pain it will be short-term, and pave the way for long term prosperity in America.To critics, they look like a ­template for a poorer, more ­dangerous and fragmented world, where any limited benefits of ­decoupling are as likely to be reaped by a British university or a German defence firm as by Americans.View image in fullscreenCultureThe hit to America’s creative ­sector, from budget freezes and threats to the federal bodies and national schemes that fund ­museums, ­galleries, theatres and libraries, is set to take a toll on its income from tourism – and send visitors to Britain and Europe instead.In response to the second Trump presidency, some international ­artists are already pulling out of ­appearances in American venues, or at music festivals, and the likely knock-on effect is a reduction in ­visits from abroad.Last week, the Canadian singer/songwriter Leslie Hudson cancelled her American tour, saying on social media: “Like a lot of Canadians, and so many others, I no longer feel safe to enter the country.” The German violinist Christian Tetzlaff cancelled a spring tour in protest at the new administration’s policies, with particular reference to Ukraine.In Pittsburgh, Pennsylvania, the managing director of City theatre, James McNeel, has ­spoken of a growing funding threat. “What we need more than anything is stability,” he says.Prior to the pandemic, the US Travel Association ­valued the total spending of the near-80 million tourists who came into the US at about $2 trillion (£1.5tn).This was supported by federal investment in ­infrastructure and the ­airline industry, but travel experts also traced back much of this tourism success to the diverse image of many of its cities. Art tourism was a big part of this, with art fans who ­travelled to North America in 2023 ­accounting for more than a ­quarter of the global total. Cities such as New York, Los Angeles, and Chicago boast ­celebrated museums and ­galleries, and the rise of immersive art and public installations has broadened this appeal. The attraction of art fairs such as Art Basel Miami has also grown internationally. In 2023, it was reportedly visited by more than 79,000 people.But Trump has made rapid and determined cuts to all museum ­projects tied to diversity, equity and inclusion (DEI) initiatives, ­affecting the Smithsonian Institution, which has closed its DEI office. The National Gallery of Art also closed its office of belonging and inclusion, while exhibitions across the ­country have been cancelled. The biggest impact may well be on cultural ­tourism associated with LGBTQ+ communities and climate activism.Trump at one point intended for 2026 to be a bumper year for American tourism, with a ­“special one-time festival” planned for “­millions of people from around the world” at the Iowa State Fairground to mark 250 years since ­independence.The level of ­international advance booking will be watched.Likewise, a new status for London, Berlin and Paris as “refuge cities” for American artists is being predicted.British and European ­institutions might also soon have to make room for American artwork. The Washington Post has reported that large collections of public art have been left without professional ­security or conservationists.View image in fullscreenEconomicsShould the UK government decide to untangle the economy’s many ties with the US, it would need to tread carefully. America is the single ­largest market for Britain’s exports, ranging from the most sophisticated components in US navy submarines to artisan scented candles.Official figures show total trade in goods and services – exports plus imports – between Britain and the US was £294bn in the year to 30 September, 2024. The stock of investment by US companies in the UK stood at £708bn in 2023, or 34% of total of foreign direct investment.Jonathan Reynolds, the business secretary, is hoping to sign a limited trade deal with his counterparts in Washington that covers digital services and commits both countries to secure supply chains for vital goods.But a deal with any scope or ­judicial oversight will need Congress to agree, and that is far from certain to happen.UK manufacturers could begin to wean themselves off US raw ­materials and components, but the presumption must be that they traded with the Americans in the first place because they provided the best products. Exports could be directed back at the EU, though without rejoining the single ­market and customs union, the benefit would be limited.It would be a harder job switching services exports away from the US. The common language may often divide the two nations, but in ­practice the sector is a huge boon.In Brussels, officials believe any kind of trade deal with the US is off the agenda.As Donald Trump is only too well aware, the EU has a large trade ­surplus with America. In 2014 the surplus was about €100bn. By last year the gap had grown to almost €200bn. For this reason, the EU has already adopted a more ­confrontational stance.The British Chambers of Commerce says almost two-thirds of factory owners that export to the US are worried. European ­manufacturers have revealed similar concerns in recent surveys.Some are comforted by figures showing the US has a trade surplus in goods with the UK and how, in practice, trade and investment relationships exist well away from the White House and remain robust.However, businesses thought the same about Brussels after the vote to leave the EU. It didn’t happen and a breakdown in relations ensued.That said, rekindling relations with the EU can be part of the answer. Reset talks are under way and there is a leaders’ summit on 19 May that should address at least some trade barriers. The UK might find that food exports become easier and it gains access to a wider range of raw ­materials and ­components by rejoining the Pan-Euro-Mediterranean convention.Still, the US will remain a major trading partner and upsetting the Trump White House could have huge consequences.View image in fullscreenDefenceDonald Trump’s abandonment of Europe’s defence and disdain for Nato marks one of the most ­profound and influential breaks with longstanding US policy, even for a supremely disruptive leader.Many US presidents have grumbled about European over-reliance on American deterrence in recent decades, with predecessors including Barack Obama demanding allies spend more on their own armies.But their frustrations were rooted in concern that European defence cuts undermined an ­alliance that almost everyone in Washington – across the political divide – saw as critical to American global leadership.Trump, in contrast, appears to be seeking European spending to replace or supersede Nato, not strengthen it. He says Washington’s defence priorities are now deterring China in Asia and fighting organised crime at home.In his first term, he touted the idea of withdrawing America from the alliance, which was formed in 1949 for protection against the Soviet Union. This time he has opted to undermine it from within.The president himself has ­publicly contemplated ignoring Article 5, the core mutual defence clause at the heart of the transatlantic ­alliance, which requires Nato ­countries to come to the aid of any member that is attacked. It has only been invoked once – by the US after the 11 September attacks on Washington and New York in 2001.Trump said the US might ­condition any support for other members on military spending, and questioned if US allies would come to the country’s aid if in need. His administration is considering giving up the Nato command role inaugurated by war hero president Dwight D Eisenhower and held by America ever since, NBC reported last week.Europe was already scrambling to increase defence spending and ­coordination when the US halted military aid shipments to Ukraine, and intelligence-sharing with Kyiv earlier this month.Trump’s decision came after a spectacular on-camera showdown in the Oval Office with Ukraine’s president, Volodymyr Zelenskyy. But his willingness to cut loose a force that Washington has trained, armed and backed, and which is fighting a major US rival, stunned even some of his own political allies.European governments who have also spent billions on Ukraine’s defence, and have been dealing with covert Russian sabotage and spy operations across the continent, were not informed in advance.The flow of weapons and aid has now resumed, but the message was clear. Major European military powers, including the UK and Germany, are now reportedly racing to put together a five- to 10-year plan for a managed transfer of European defence, to stave off any more abrupt moves from Washington.Trump’s unpredictability has been heightened by his choice of ­leaders for key security roles, ­including a former Fox television host, Pete Hegseth, as defence secretary, and Tulsi Gabbard, who has a long ­history of pro-Russian views, as director of national intelligence.Security experts warn that ­turmoil in the leadership and ­management of intelligence agencies may also lead to a less visible but highly ­damaging defence decoupling – of the relationship between America’s spies and the secret services of its allies.View image in fullscreenDiplomacyThe votes in the United Nations marking the third anniversary of Russia’s invasion of Ukraine ­provided a bleak snapshot of the yawning diplomatic divide between Donald Trump’s America and the country’s traditional allies.On February 25, the US joined international pariahs Russia, Belarus and North Korea to vote against a resolution condemning Russia as an aggressor state and calling on it to remove its troops from Ukraine.The wording rejected by Trump’s diplomats had been put forward by Ukraine, whose defence the US has funded, and the European Union, Washington’s partner in that effort. It passed in the general assembly with backing from 93 countries.The isolationist bent of Trump’s politics extends beyond the ­economy and defence, into international diplomacy. He has ordered the US to withdraw from a host of global organisations and initiatives, from the World Health Organization to the Paris climate agreement.The process of taking the world’s second biggest emitter of planet-heating pollution out of the accord to tackle global ­emissions will take about a year. As with the UN vote on Ukraine, that move puts the world’s most ­powerful democracy in unusual ­company, with Iran, Libya and Yemen as the only countries outside the deal.Trump imposed sanctions on officials at the International Criminal Court over arrest warrants it had issued for the Israeli prime minister Benjamin Netanyahu and Yoav Gallant, who was the country’s defence minister at the time.His predecessor Joe Biden had also criticised the court, but such a direct attack on an institution ­established with broad international support was unprecedented.Several former British ambassadors to Washington warned this month that there has been a seismic and perhaps permanent shift in the so-called “special relationship” between the two countries, meaning that the UK will need to seek out other allies.“It’s difficult to find either a conceptual area in ­international relations or a particular geographical area where our interests are really converging at the moment,” Nigel Sheinwald, the ­ambassador from 2007 to 2012, told a ­parliamentary committee.“On more or less any big ­foreign policy issue that we’re dealing with today, we don’t agree with the United States… whether that is the Middle East, whether it’s Iran, whether it’s climate change, China, but above all on Europe itself,” Sheinwald said. 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    What does Maga-land look like? Let me show you America’s unbeautiful suburban sprawl | Alexander Hurst

    In 1941 Dorothy Thompson, an American journalist who reported from Germany in the lead-up to the second world war, wrote an essay for Harper’s about the personality types most likely to be attracted to Nazism, headlined “Who Goes Nazi?” “Those who haven’t anything in them to tell them what they like and what they don’t – whether it is breeding, or happiness, or wisdom, or a code, however old-fashioned or however modern, go Nazi,” Thompson wrote.Talia Lavin, a US writer, recently gave Thompson’s idea an update on Substack with an essay of her own: “Who Goes Maga?”The essay has since been taken down (I’m not sure why), but in it Lavin reimagined Thompson’s original dinner party setting, with various archetypes in attendance, offering in one or two paragraphs a brief but empathetic explanation for why each person has or has not “gone Maga”.Eventually arriving at Mr I, an academic and a frequent traveller to France with family money, Lavin wrote: “Nonetheless, he will never go Maga and would spend his days in exile even if he got cut off from the family purse … because … he is a true devotee of beauty.” He finds in Maga “a hatred of things that are beautiful and strange, as all the things he loves are. Power holds no attraction for him, only beauty.”Of course, power often tries to use aesthetics, and its own definition of beauty, to further its own purposes. Fascists and authoritarians are deeply aware of the ability of art to propagate ideas or oppose them. From architecture to rallies, Hitler and Mussolini favoured a type of massiveness, an imposing nature and uniformity to evoke a sense of the imperial eternal. Soviet aesthetics – though meant to be futurist rather than focused on a glorified past – also fell back on the idea of massiveness and uniformity to subjugate the individual and elevate the state. And, of course, all three authoritarian regimes repressed art, artists and aesthetics that were dissident.Trumpism, too, has an aesthetic. Allow me to pretentiously, subjectively, declare it not beautiful. The aesthetic of Trumpism is sprawl – which had already infected the United States long before the Maga movement metastasised.Last September I drove nearly 2,000 miles in the US with a French friend, Guillaume, zigzagging our way from DC to New Orleans and tracing, in part, the footsteps of Alexis de Tocqueville. (“It might be our last opportunity to observe democracy in America,” I had said to him.) Through his non-American eyes, I saw even more poignantly the ways the physical manifestation of Hannah Arendt’s “atomisation” are scarred into the suburban and rural US landscape itself.Like fish in water, I wonder if Americans are even aware of how they swim in it. The hours-long stretches of chain stores in single-storey, flat-topped buildings. The cluster of gas stations, with functionally and aesthetically similar convenience stores selling rows and rows of sugary food and drinks. The big box chain stores, some of them matryoshka dolls that house other chains within – rectangular islands of stuff surrounded by parking lots leading to other little islands of fast food, also surrounded by parking lots, filled with rows and rows of the most enormous pickup trucks imaginable.And then, just as it starts to dwindle, another on-ramp/off-ramp, and the whole shebang starts all over again, until you’ve cycled through all of the possible chain permutations and you begin to repeat. Wherever there is grass, it will be impeccably mowed.No matter where you are in America’s 3.8m sq miles, with its 340 million inhabitants, the sprawl will have followed the same driving logic as the chains it hosts – an utterly nondescript, completely indistinguishable look, feel and experience. Somehow, there is always still traffic on these six-lane roads, a trailing line of enormous vehicles that require parking lots that spill out like muffin tops, and with double-wide parking spaces. Everything about sprawl slumps outwards, like warmed jelly that can no longer hold its shape. There is no height except for the height of the signs advertising the chains; those rise several storeys into the sky, enough to be visible from the highway.View image in fullscreenSomewhere along the line, the American Dream became to live alone, surrounded by all of this, rather than living in connection with other people.In somewhat cryptic lines, the poet Keats put forward a nexus that goes beyond the subjective nature of what we, individually, find aesthetically pleasing. “Beauty is truth, truth beauty. That is all ye know on earth, and all ye need to know,” he wrote. He was hardly the only one to interrogate the two at the same time. Plato and Plotinus sought to link beauty to an equally ineffable truth that lingered somewhere beyond our material reality; Kant, too, placed beauty beyond taste, as a disinterested thing that radiated outward. In theology, Saint Augustine and Hans Urs Von Balthasar draw the two back to the same divine origin, as critical components to any human attempt to understand the transcendent.And if that’s all too mystical for you, the British theoretical physicist Tom McLeish argues: “As indications of the road forward rather than destinations achieved, beautiful experiments and theoretical ideas can, and even must, be celebrated, their aesthetic appeal unashamedly enjoyed.”I would add a third vector to the one between beauty and truth: art, which in his 1934 book, Art As Experience, John Dewey sees as something that is inherent in the everyday experience of life rather than something necessarily pushed into museums. As long as that living is authentic. “Experience in the degree in which it is experience is heightened vitality,” writes Dewey.Perhaps there is something authentic to suburban sprawl when experienced as spectator and anthropologist. But as everyday life, sprawl is deadening, ugly, fake. Devoid of art, beauty and truth alike. The United States has long bought into the idea that freedom is endless expansion. But slouching across land simply because it is there uplifts neither the land nor the people on it. In this instance in particular, abundance did a disservice to the US by drawing it into an absence of experience. What surprise that a moribund ideology would take root in physical spaces that radiate the peculiar desolation of too much?Given the number of artists, photographers, cinematographers and architects who have been willing to serve nefarious political movements, it would be simplistic for me to claim that artists are somehow immune to them. But art is an attempt to capture – and convey – something true about the world, and the human emotional experience of it. When the rational world has committed itself to a path that leads to destruction, perhaps those dedicated to beauty can, with what Keats called a “negative capability” to perceive truth, bring us back to both.

    Alexander Hurst is a Guardian Europe correspondent More

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    Semisonic denounces White House use of ‘Closing Time’ in deportation video

    The band Semisonic has said the Donald Trump White House “missed the point” of its hit Closing Time “entirely” when the administration used the Emmy-nominated song in a social media post showing a shackled person being deported.A statement from Semisonic also said the White House did not have permission to use the song in that manner.The White House’s post included a video of a man handcuffed at the waist while being patted down at an airport, captioned with the song’s signature lyrics: “You don’t have to go home, but you can’t stay here.”“We did not authorize or condone the White House’s use of our song ‘Closing Time’ in any way,” the band, which formed in Minneapolis, said in its own Facebook post after the video was circulated widely. “And no, they didn’t ask. The song is about joy and possibilities and hope, and they have missed the point entirely.”The US Customs and Border Protection agency retweeted the White House’s post with the caption: “It’s closing time. We are making America safe again.”The White House press secretary, Karoline Leavitt, said on Monday that “our entire government clearly is leaning into the message of this president” when asked about the song.Closing Time appeared on Semisonic’s 1998 album Feeling Strangely Fine, which peaked at No 43 on the Billboard 200 and earned a Grammy nomination for best rock song.skip past newsletter promotionafter newsletter promotionSemisonic joins a growing list of artists objecting to Trump’s unauthorized use of their music, including Abba, Bruce Springsteen, Rihanna, Phil Collins, Pharrell, John Fogerty, Neil Young, Panic! at the Disco, REM, Guns N’ Roses, Céline Dion and Adele.In 2024, Dion’s management and Sony Music Canada rebuked the unauthorized use of My Heart Will Go On at a Trump campaign rally in Montana. A statement – alluding to the hit’s presence on the soundtrack of the 1997 film Titanic and published on her social media – read: “In no way is this use authorized, and Celine Dion does not endorse this or any similar use.… And really, THAT song?”Rihanna had a similar response in 2018 when Don’t Stop the Music played at a Trump rally. She said that her music should not be used for political purposes.Artists including Steven Tyler and Neil Young have sent cease-and-desist letters demanding their songs not be used at campaign events. In May 2023, Village People also sent a cease-and-desist letter and threatened legal action after Trump used their song Macho Man and other hit songs without their permission. More