More stories

  • in

    With Kimmel’s suspension, the FCC chair has made himself Trump’s comedian-in-chief | Sidney Blumenthal

    Who’s the comedian? Brendan Carr, the Federal Communications Commission chairperson, pressured the Disney company to indefinitely suspend Jimmy Kimmel, the late-night talkshow host on ABC, for a remark he made about the right wing’s attempts to shape perceptions about the murderer of the far-right political operative Charlie Kirk. (Kimmel is now back on the air.) It was the opening riff of Carr’s stand-up routine.Carr’s choice of venue to issue his threat – a hard-right podcast – indicated the kind of media of which he approves. His pressure against Kimmel is no isolated gesture, but the execution of a calculated plan he himself helped hatch to eradicate critical political speech. But Carr’s exploitation of the death of Charlie Kirk to serve as the trigger for Trump’s repression only succeeded in turning Jimmy Kimmel into a free speech symbol before his return to television on Tuesday.“Free speech is the counterweight – it is the check on government control,” Carr wrote as an FCC commissioner in 2023. “That is why censorship is the authoritarian’s dream.” Then, on 17 September, he told the podcast: “We can do this the easy way or the hard way.“These companies can find ways to change conduct to take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead.”Now, Carr was fulfilling “the authoritarian’s dream”. He seems indifferent to his duplicity, boldly tossing aside pretense. Dealing with Kimmel, he posed as a stereotypical gangster speaking in clichés from a 1930s movie: “the easy way or the hard way.” Carr seems excited by his own rough language. His display of brass knuckles, however, demolishes his legitimacy to wear a badge. As the violator of free speech, he betrays his office as a protector. He also destroys conservative posturing as the special victim of speech suppression.Carr is using government power to eliminate criticism. He is implementing a policy of censorship he himself authored in the Heritage Foundation’s Project 2025 playbook. Even when he imitates a mobster, he does not issue his threats in a raised voice. His tone does not rise to the histrionics of Stephen Miller. Carr is a zealot of a certain type, the rightwing Leninist with the grim resolve of a commissar, the bureaucrat rigorously checking off boxes – in this case, purging late-night comedians – to fulfill the larger ideological agenda.The operation of Trump’s purge involves not the slightest bit of persuasion, debate or discussion. Carr is executing the will of the leader who is not to be questioned and above all never to be ridiculed. “We’re not done yet” with the changes in “the media ecosystem”, Carr told CNBC on 18 September. He called the erasure of Kimmel a “market correction”. Carr is incapable of comprehending when he is unintentionally funny in a way that is self-undermining. He’s not only Trump’s executioner. He’s Trump’s straight man.Before the identity, let alone the motive, of the Kirk assassin was known, Stephen Miller, Trump’s deputy chief of staff, raged against “an ideology at war with family and nature”. Weeks before, on Fox News, he had already declared the Democratic party “a domestic extremist organization”. Now, after Kirk’s assassination, taking Miller’s cue, the rightwing site the Federalist stated: “After a long history of condoning, advocating, and participating in political violence, it is time to designate the Democrat party a domestic terrorist organization.”The influential anti-woke activist Christopher Rufo tweeted: “The last time the radical Left orchestrated a wave of violence and terror, J Edgar Hoover shut it all down within a few years. It is time, within the confines of the law, to infiltrate, disrupt, arrest, and incarcerate all of those who are responsible for this chaos.”JD Vance threatened: “We are working very hard to ensure that the funding networks for leftwing violence, that the radicalization networks for leftwing violence – that if you encourage or fund your fellow Americans or anybody else to commit acts of violence because you disagree with political speech, you are going to be treated like a terrorist organization and we are going to go after you.”Trump went on Fox & Friends to point his finger: “The radicals on the left are the problem – and they are vicious and horrible and politically savvy.”All of this occurred before Jimmy Kimmel’s ouster.Meanwhile, gaggles of feverish far-right influencers, whose stock-in-trade is conspiracy theories, tried to debunk one fantasy spinning around the internet that threatened to boomerang on them. Within the Maga hothouse, Kirk had faced backlash in 2019 from the Groypers, led by Nick Fuentes, who once dined with Trump at Mar-a-Lago, and accused Kirk of being too moderate. Kirk later shifted his position to the hard right on immigration. “I’ve noticed people like Charlie Kirk … are now calling for an immigration moratorium,” Fuentes said in June. “That means they want to shut down all immigration. And suffice to say, the Groypers have won. It’s just not even a question at this point.”The theory spread like wildfire that the killer’s cryptic inscriptions on shell casings could be Groyper messages. If they were, he would be an errant rightwing extremist, not a leftwing one. Those etched messages, however, apparently referred to a range of things, including gaming memes. No evidence has emerged that Tyler Robinson, the suspect, had political connections to any group or the involvement of anyone else in his act.But with the far-right’s history of heated factional warfare flaring in the background, Jimmy Kimmel said in his monologue on 15 September : “The Maga gang [is] desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it.”Kimmel’s comment condensed, into a line that was not a joke, a complicated and fraught situation, down the rabbit hole of the far right, involving the frenzied Maga effort to pin the blame on the “radical left” and by extension the whole Democratic party, and to deflect scrutiny of their own infighting. Kimmel’s remark assumed a lot of arcane knowledge on the part of his audience.At the same time, the FCC, which Carr chairs, was considering a $6.2bn merger between Nexstar Media, a large owner of TV stations, and the Tegna media company.Within days of Kimmel’s rather innocuous comment, Carr stated that the comedian was “appearing to directly mislead the American public”. Nexstar announced it would no longer broadcast Jimmy Kimmel’s show. Disney followed by suspending him from ABC. Carr praised Nexstar “for doing the right thing”.Ironically, during the Red Scare, in 1950, when Gypsy Rose Lee, soon to be the host of an ABC radio gameshow called What Makes You Tick?, was accused of being a Communist by the American Legion and Red Channels, a conservative publication seeking to root out subversives in the media, ABC executives stood by her. CBS, on the other hand, demanded all of its employees sign a loyalty oath. Gypsy Rose Lee said about the efforts at censorship: “This may be all right for Russia, but I hope not for us.”Sinclair, a rightwing-controlled media outlet that broadcasts ABC shows, announced that suspension of Kimmel was insufficient and that it would pre-empt his program until further notice. But even that was not enough. Sinclair demanded that Kimmel “make a meaningful personal donation to the Kirk Family and Turning Point USA”. Instead of airing the show, Sinclair said, it would offer to its affiliates a “remembrance” of Kirk, “who boldly and tirelessly defended biblical values and truth as he challenged a new generation to stand firm for Christ”. The piece was sanitized of his racist, nativist, antisemitic and misogynist views, and his assertion that Joe Biden “should honestly be put in prison and/or be given the death penalty for his crimes against America”. Kirk, extolled as an exemplar of free speech and debate, had in fact created a “Professor Watchlist” to blacklist liberal academics across the board. Sinclair made Kirk, touted as an advocate of free speech, into a symbol of its suppression. But, after further stoking the firestorm, Sinclair put its “remembrance” on YouTube and instead ran an episode of Celebrity Family Feud. Once Disney restored Kimmel’s show, Sinclair and Nexstar stated their affiliates would not air it.Carr launched his attack on Kimmel on a podcast called The Benny Show, hosted by Benny Johnson, the former chief creative officer at Kirk’s Turning Point USA. Carr had plunged down a deep rabbit hole of the right with a dubious character.Johnson was fired from BuzzFeed in 2014 after being accused of plagiarism. He was later associated with a political consulting firm called Arsenal Media – “a chaotic working environment, rife with internal bullying, toxic HR practices, and an intense culture of secrecy”, where some contractors said they were not paid, according to an investigative report in the Verge. (Johnson’s own website described him as a co-founder and chief creative officer of the site until April 2022, according to the report, but a spokesperson for Johnson told the Verge in April 2022 that he “is not currently, nor has ever been an owner, executive, or even employee of Arsenal Media”.) Johnson was also exposed last year to be among a group of six rightwing influencers who were funneled $10m from two Russian agents indicted by the justice department. Johnson and the others claimed to have been duped.When Pam Bondi, the attorney general, created an uproar, including on the right, by stating: “We will absolutely target you, go after you, if you are targeting anyone with hate speech,” Jonathan Karl, the former ABC White House correspondent, asked Trump his reaction.“She’ll probably go after people like you, because you treat me so unfairly,” Trump replied to Karl. “You have a lot of hate in your heart. Maybe they will come after ABC. ABC paid me $16m recently for a form of hate speech. Your company paid me $16m for a form of hate speech, so maybe they will have to go after you.” Trump was referring to his suit against ABC for This Week anchor George Stephanopoulos’s comment coming out of the E Jean Carroll trial describing Trump’s sexual violence. It was generally believed that ABC would have won the case, but the prospective threat to the Disney company from the Trump administration prompted its first capitulation.Trump, on his state visit to Britain, slammed Kimmel at a press conference with Keir Starmer, saying the host had been “fired because he had bad ratings” and was “not a talented person”. The old reality-TV host’s jealousy for an actual show-business star shone through. In fact, Kimmel’s show was rated No 1 with the highly valued young adult demographic.On Air Force One, Trump suggested that the FCC look into revoking the licenses of other networks, saying: “They give me only bad publicity or press. I mean, they’re getting a license. I would think maybe their license should be taken away.”If there are further attempts at impertinent humor, they will be met with even more severe punishments. Will Carr issue a full report to meet the crisis, perhaps to a newly created House committee on the weaponization of humor, the Trump era version of the Red Scare’s House un-American activities committee? Will witnesses be subpoenaed from the writers’ room? Will comics be permitted to sign confessions regretting their past gags? What about the audience members, fellow travelers all, who laughed? An inquisition of comedy would take everyone’s minds off the Epstein files. Are you now or have you ever been a comedian? No joking! That’s an order – an executive order.

    Sidney Blumenthal is a Guardian US columnist More

  • in

    Jimmy Kimmel says silencing comedians is ‘anti American’, as his show returns to air after suspension

    Jimmy Kimmel returned to air on Tuesday night, calling government threats to silence comedians “anti American”, as he broke his silence about the suspension from ABC which ignited a national debate over free speech and outcry over the bullying tactics of the Trump administration.“This show is not important” Kimmel said during his first monologue since Disney, which owns ABC, suspended his late-night show from the network last week under pressure from Trump officials over his comments on the shooting of right-wing activist Charlie Kirk. “What is important is that we get to live in a country that allows us to have a show like this.”Kimmel’s comments come one day after Disney, facing backlash from Hollywood stars, unions, media hosts and even Republicans such as Ted Cruz, allowed Jimmy Kimmel Live! to resume production.The company had indefinitely suspended the show after right-wing outcry over Kimmel’s 15 September monologue, in which he said that “the Maga gang [is] desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it.”On Tuesday night, Kimmel thanked his fellow late night hosts for their support and thanked his audience and supporters.“And most of all I want to thank the people who don’t support my show and what I believe, but support my right to share those beliefs anyway” Kimmel added.“I do want to make something clear, because it’s important to me as a human and that is, you understand that it was never my intention to make light of the murder of a young man,” Kimmel said. “I don’t think there’s anything funny about it.”“Nor was it my intention to blame any specific group for the actions of what – it was obviously a deeply disturbed individual” he said. “That was really the opposite of the point I was trying to make, but I understand that to some that felt either ill-timed or unclear, or maybe both. And for those who think I did point a finger, I get why you’re upset. If the situation was reversed, there’s a good chance I’d have felt the same way.”Later in the monologue, Kimmel hit out against Trump, saying that the president “did his best to cancel me” but that “instead, he forced millions of people to watch the show.”Kimmel added that “the president of the United States made it very clear he wants to see me and the hundreds of people who work here fired from our jobs. Our leader celebrates Americans losing their livelihoods because he can’t take a joke.”“One thing I did learn from Lenny Bruce and George Carlin and Howard Stern, is that a government threat to silence a comedian the President doesn’t like is anti American” he added.Kimmel closed his monologue by reflecting on remarks made by Erika Kirk, the widow of Charlie Kirk, at her late husband’s memorial service over the weekend.“Erika Kirk forgave the man who shot her husband” Kimmel said. “That is an example we should follow.”“It touched me deeply” he added. “And if there’s anything we should take from this tragedy to carry forward, I hope it can be that, not this.”Kimmel’s comments on the shooting of Kirk angered Trump supporters and officials who have vowed to avenge the death of the conservative activist. Last Wednesday, the Trump-appointed chair of the Federal Communications Commission (FCC), Brendan Carr, threatened ABC’s affiliate licenses if Disney did not “take action” against the host. Two broadcast groups that own hundreds of affiliate stations – Nexstar, which is currently seeking FCC approval for a $6.2bn merger, and Sinclair – then refused to air the program, leading Disney CEO Bob Iger and Disney Entertainment co-chair Dana Walden to suspend production.The move drew intense backlash from the Hollywood community and free speech advocates and prompted boycotts and protests against both ABC and Disney.Around an hour before Kimmel’s return on Tuesday, Trump lashed out at Kimmel and criticized ABC for allowing the comedian’s show back on air.“I can’t believe ABC Fake News gave Jimmy Kimmel his job back” Trump wrote on Tuesday night. “The White House was told by ABC that his Show was cancelled! Something happened between then and now because his audience is GONE, and his ‘talent’ was never there.”“I think we’re going to test ABC out on this,” Trump added.“Let’s see how we do. Last time I went after them, they gave me $16 Million Dollars. This one sounds even more lucrative,” Trump said, seemingly referring to the settlement he reached with ABC News last year in a defamation lawsuit Trump filed against the network.On Monday, hours before Disney announced Kimmel’s return, the American Civil Liberties Union (ACLU) released an open letter signed by over 400 Hollywood stars condemning Disney’s decision as “a dark moment for freedom of speech in our nation.” Signees included Jennifer Aniston, Meryl Streep, Tom Hanks, Ben Affleck and Robert De Niro.In a statement on Monday, the company said the decision to pre-empt Kimmel’s show was made “to avoid further inflaming a tense situation at an emotional moment for our country.”“It is a decision we made because we felt some of the comments were ill-timed and thus insensitive,” the statement continued. “We have spent the last days having thoughtful conversations with Jimmy, and after those conversations, we reached the decision to return the show on Tuesday.”Although Kimmel’s show returned to ABC on Tuesday, it did not return to ABC affiliate networks owned by Sinclair. The company, which is known to promote conservative talking points, said it would not allow the late-night show to air until Kimmel apologized to Kirk’s family and made a donation to his conservative activist group Turning Point USA.“Beginning Tuesday night, Sinclair will be preempting Jimmy Kimmel Live! across our ABC affiliate stations and replacing it with news programming,” the company said, which has the nation’s largest number of ABC affiliate stations.“Discussions with ABC are ongoing as we evaluate the show’s potential return,” the group added in a statement late Monday.Nexstar also confirmed that it will continue to pre-empt Jimmy Kimmel Live! on its stations in 22 states. “We made a decision last week to pre-empt Jimmy Kimmel Live! following what ABC referred to as Mr Kimmel’s ‘ill-timed and insensitive’ comments at a critical time in our national discourse,” the company said. “We stand by that decision pending assurance that all parties are committed to fostering an environment of respectful, constructive dialogue in the markets we serve.”The two companies’ continued pre-emption means that Jimmy Kimmel Live! did not air on almost a quarter of ABC affiliate stations. The show continues to be available online as well as on the streaming services Hulu and Disney+. More

  • in

    The rise and fall of Disney: how the company found then lost its backbone

    The Walt Disney Company is probably hoping that upon viewing the new trailer for the upcoming Star Wars film The Mandalorian and Grogu, audiences feel a swell of nostalgia. No, not for 1977, when Star Wars was fresh and wondrous; after all, Disney didn’t even own it then. Not even for a decade ago, when the company brought the film series roaring back with 2015’s The Force Awakens, still the highest-grossing movie in US box office history. Rather, the trailer, consciously or not, hopes to transport viewers, and presumably profits, back to the halcyon days of … 2019.They would probably settle for any time before their brief but tumultuous suspension of Jimmy Kimmel from ABC became national news. But 2019 would be preferable. That year, Disney’s exercised almost unprecedented box office domination, boasting an astonishing seven of the year’s 10 biggest hits – and an eighth featuring Spider-Man, a Disney-owned character in a movie produced by Disney’s Marvel Studios (but released by Sony). Remakes of Aladdin and The Lion King, sequels to Toy Story and Frozen, two to three Marvel installments (depending on how to count Spider-Man), and a new Star Wars movie added up to around $10bn in global grosses. If the Star Wars movie The Rise of Skywalker landed a little soft compared to its better-reviewed predecessors, even that cloud had a silver lining: the late 2019 debut of The Mandalorian on the then new Disney+ streaming service was an instant sensation. Even genuinely rapacious corporate moves, like Disney’s purchase of 20th Century Fox, were greeted in some fan corners with unthinking delight, because it meant some errant licensed Marvel characters could be in the MCU.As the Covid-19 pandemic (as well as relatively bare franchise cupboards) made replicating those 2019 profits impossible over the next few years, the company at least attempted to burnish some goodwill from contemporary audiences in other ways. In particular, Disney’s various entertainment brands/fiefdoms – Pixar, Marvel, Lucasfilm, etc – seemed to keep the company’s most evil (or equivocating) corporate instincts at bay. In 2022, Pixar and Marvel employees helped push back against the company’s initial silence on Florida’s “don’t say gay” bill prohibiting discussion of sexual orientation or gender identity in elementary school classrooms, which the company eventually condemned. Those companies were also beginning, after a long delay, to diversify their slate of movies, shows and characters, with projects such as Black Panther, Captain Marvel, Turning Red and The Acolyte.But the mixed reception to some of these projects, as well as a general mortal terror that they couldn’t somehow make a Frozen, Toy Story, Star Wars and Avengers movie happen every year in perpetuity, seemed to spook Disney somewhere in the transition period from supposedly brilliant CEO Bob Iger to stumblebum replacement Bob Chapek back to Iger again. Despite his savior status, Iger himself exposed that fear when he spoke with corporate-coded cowardice about future projects not putting forward “any kind of agenda”, a pledge in deference to meaninglessness that made even the more craven “exclusively gay moments” or long-delayed female-led Marvel movie seem fiery by comparison. Corporate skittishness over including gay or minority characters that might offend vague “international audiences” was now policy.View image in fullscreenIn some ways, the company was probably just catching some blowback from the much-delayed revelation that CEOs are largely useless figureheads. Yet a series of clumsy, cowardly decisions seemed to transcend boardroom drama. Disney has been carrying out Iger’s edict in a sloppy panic. Seemingly rattled by the ire of random YouTubers, the vagaries of a post-pandemic world and the re-ascension of Donald Trumpo, this year alone the company’s removed all references to a transgender character’s identity on a Pixar streaming show; completed the bowdlerization of the Latino-driven Pixar movie Elio, which originally featured a queer-coded character; reoriented (and renamed) their corporate DEI initiatives to emphasize the generation of that old fan favorite, profit; dumped Black-led Marvel show Ironheart out in a single binge despite using a weekly release model for its marquee shows; and yanked Jimmy Kimmel off the air for expressing skepticism over the Maga-world reaction to the murder of Charlie Kirk, before eventually backtracking. (ABC affiliates under Sinclair Broadcast Group and Nexstar ownership will continue to pre-empt the show until further notice.) In an elegant cherry of bad PR, Disney apparently decided the time was also right for a streaming-service price increase, its third in three years.Of course, as with any massive corporation, Disney’s earlier diversity focus was probably more for the sake of public image and accompanying business interest than genuine empathy. It’s worth asking, then, whether any of these decisions did, in fact, make money for the company especially compared to the profits generated by the Black Panther movies, or a more diverse Star Wars trilogy. The revised Elio could scarcely have made much less at the box office; it’s the lowest-grossing Pixar movie other than those directly affected by the pandemic. Are any Disney+ subscriptions attributable to de-transing a supporting character on an eight-episode miniseries? On the other hand, plenty of people did seem to cancel their subscriptions over the Kimmel battle, and the company’s stock price dipped over the past week. If the idea for any of this was winning back Maga folks in the long run, well, good luck with that. They’re still fuming over the same-sex kiss in Lightyear or girls being in Star Wars or Black people being in anything. The plain truth is, there’s a certain Maga demographic that accepts nothing less than full capitulation to their preferences and values – and you can’t dabble in full capitulation.That’s why Disney’s real wish must be for a 2019 revival. Back then, there might have been little teapot-level tempests here and there from audience segments who complain that a remake is too woke or, on the less rabid side, who regard the inclusion of, say, queer supporting characters as mild (and cynical) concessions, but $10bn buys executives a lot of confidence (even if it’s apparently not enough for actual courage). After all, that’s an environment where no one’s favorite Star Wars film can still eke out a billion dollars worldwide.Disney isn’t alone in facing a tough entertainment landscape where movies don’t gross quite as much and streaming services can easily tip into overspending. But it’s the company that now seems most terrified of this new world, maybe because its late-2010s surge somehow created the impression that endless and unbeatable growth on the backs of perma-beloved nostalgia brands would be possible. It’s not, and if there’s an upside to Disney’s morally checkered year, it’s the revelation that brands are not bulletproof spine protection. No one mad about Jimmy Kimmel’s suspension (or mad about his words to begin with) seems to be taking solace in the upcoming release of another Zootopia movie. The Mandalorian movie looks fun, fan-friendly, perfectly watchable … and that’s not enough to save anyone. More

  • in

    Jimmy Kimmel is coming back. It’s proof that you still have power | Robert Reich

    ABC says Jimmy Kimmel Live! will return to the airwaves next Tuesday – less than a week after Trump’s henchman Brendan Carr, chair of the Federal Communications Commission, said on a podcast that Kimmel’s remarks were part of a “concerted effort to lie to the American people”.Carr threatened that the FCC could “do this the easy way or the hard way” – suggesting that either ABC and its parent company, Walt Disney, must remove Kimmel or the regulator would have “additional work” to do.Why Walt Disney Company’s turnaround? As it limply explained: “Last Wednesday, we made the decision to suspend production on the show to avoid further inflaming a tense situation at an emotional moment for our country. It is a decision we made because we felt some of the comments were ill-timed and thus insensitive.”But now, apparently, all is well.“We have spent the last days having thoughtful conversations with Jimmy, and after those conversations, we reached the decision to return the show on Tuesday.”How lovely. How reasonable. How, well, kumbaya. All it took were some “thoughtful conversations with Jimmy” and everything returned to normal.Don’t believe it. In the days since ABC’s decision, the blowback against Disney has been hurricane level.At least five entertainment industry unions, with at least 400,000 workers, spoke out, with the screenwriters’ union charging Disney with “corporate cowardice”.Celebrities Tom Hanks and Meryl Streep called out “government threats to our freedom of speech”.Kimmel was supported by his late-night peers including Stephen Colbert, Jimmy Fallon, Seth Meyers, and John Oliver, all of whom blasted Disney and ABC with rapier-like humor.Jon Stewart devoted his show to a takedown of Disney’s cowardice.Disney talent was up in arms. Damon Lindelof, a creator of ABC’s Lost, threatened that if Kimmel’s show did not resume, he could not “in good conscience work for the company that imposed it”.Michael Eisner, a former Disney CEO, added a rare public rebuke.Even the rightwing Republican senator Ted Cruz expressed concern, suggested Carr was speaking like a mafioso and calling his threats to retaliate against media companies “dangerous as hell”.“We should not be in this business,” Cruz said. “We should denounce it.”By Monday, Carr himself was busy minimizing his role in the whole affair – denying he had threatened to revoke the licenses of ABC stations (it “did not happen in any way, shape or form”) – and putting the onus on Disney for having made a “business decision” in response to negative feedback from viewers.“Jimmy Kimmel is in the situation that he’s in because of his ratings, not because of anything that’s happened at the federal government level,” Carr claimed.But the most intense pressure came from us – from Disney viewers and customers – who immediately began to cancel subscriptions to Disney+ and Hulu and threaten a broader consumer boycott.Some stars, such as Tatiana Maslany, star of Marvel’s Disney+ series She-Hulk: Attorney at Law, and Rosie O’Donnell urged people to cancel their subscriptions.But the consumer boycott seems to have begun almost immediately.Shortly after Kimmel’s suspension was announced, Disney stock dipped about 3.5%. It continued to trade lower in subsequent days. The loss in market value has amounted to about $4bn.Investors got the message. Consumers were upset, which meant they’d buy fewer Disney products and services – which meant lower profits.There’s never one single reason for the ups and downs in the value of a particular firm’s shares of stock, but the timing here has been almost exact.Bottom line: We consumers have extraordinary power. We’re the vast majority. Like every other big corporation – especially one selling directly to consumers – Disney relies on us.Even if we can’t count on our elected politicians to protect our first amendment rights, we can rely on ourselves. When our outrage translates into withholding our consumer dollars, a big corporation like Disney is forced to listen – and respond.Next time you’re feeling powerless, remember this.

    Robert Reich, a former US secretary of labor, is a professor of public policy emeritus at the University of California, Berkeley. He is a Guardian US columnist and his newsletter is at robertreich.substack.com. His new book, Coming Up Short: A Memoir of My America, is out now More

  • in

    Ted Cruz compares threats to ABC by FCC chair to those of mob boss

    Senator Ted Cruz, a Texas Republican, compared Federal Communications Commission chair Brendan Carr’s threats to revoke the broadcast licenses of ABC stations over late-night host Jimmy Kimmel’s commentary to “mafioso” tactics similar to those in Goodfellas, the 1990 mobster movie.“Look, Jimmy Kimmel has been canned. He has been suspended indefinitely. I think that it a fantastic thing,” Cruz said at the start of the latest episode of his podcast Verdict with Ted Cruz. There were, however “first amendment implications” of the FCC’s role, the senator, a Harvard Law School graduate who clerked for US supreme court chief justice William Rehnquist, added.Cruz, a formerly fierce political rival of Donald Trump turned strong supporter, called Carr’s comments “unbelievably dangerous” and warned that government attempts to police speech could harm conservatives if Democrats return to power.“He threatens explicitly: ‘We’re going to cancel ABC’s license. We’re going to take him off the air so ABC cannot broadcast any more’ … He says: ‘We can do this the easy way, but we can do this the hard way.’ And I got to say, that’s right out of Goodfellas. That’s right out of a mafioso coming into a bar going, ‘Nice bar you have here. It’d be a shame if something happened to it,’” Cruz said.“I hate what Jimmy Kimmel said. I am thrilled that he was fired,” Cruz also said. “But let me tell you: if the government gets in the business of saying, ‘We don’t like what you, the media, have said. We’re going to ban you from the airwaves if you don’t say what we like,’ that will end up bad for conservatives.”During an Oval Office event on Friday, when Trump was asked about Cruz’s comments on Carr, the president raised the issue of licenses and suggested stations might be “illegally” using the airwaves to broadcast critical coverage of him in news reports.“When you have networks that give somebody 97% bad publicity,” the president said, “I think that’s dishonesty.”“I think Brendan Carr is a patriot. I think Brendan Carr is a courageous person. I think Brendan Carr doesn’t like to see the airwaves be used illegally and incorrectly,” Trump said. “So I disagree with Ted Cruz on that.”skip past newsletter promotionafter newsletter promotionThe president’s claim that news coverage on ABC, NBC and CBS was almost entirely negative appears to have been based on a subjective analysis of “the networks’ spin” by NewsBusters, a conservative media watchdog group founded by Trump’s nominee to serve as US ambassador to South Africa, the activist L Brent Bozell III. More

  • in

    For comedians around the world, the laughs often end as democracy fades

    The exiled Egyptian comedian Bassem Youssef has experienced firsthand how intolerant governments can silence political satire. And he had a short message this week for those living in an age of Donald Trump’s free speech clampdown: “My Fellow American Citizens,” he wrote on X. “Welcome to my world.”In his attacks on the most prominent of American satirists, the US president has joined a cadre of illiberal and sensitive leaders around the world who will not tolerate a joke.The latest target of what critics say is a campaign to silence dissenting voices was Jimmy Kimmel, who had his late-night ABC talkshow suspended after government pressure. The removal, weeks after the rival network CBS cancelled Stephen Colbert’s satirical show, follows other Trump-led crackdowns on media and academia.Political foes of the US president say the diminishing space for free speech shows Trump’s America is moving towards authoritarianism. Senator Bernie Sanders, speaking to MSNBC, said the country was on a path towards becoming more like oppressive regimes in Russia and Saudi Arabia. “This is just another step forward,” he said.From Egypt’s military ruler, Abdel Fatah al-Sisi, to India’s populist prime minister, Narendra Modi, the laughs often end for comedians as democracy dwindles.One of the most famous global comedians to have his life turned upside down by his political satire is Youssef, who first found fame with a TV show panning the Egyptian regime.Known as the “Egyptian Jon Stewart” in reference to the US talkshow host whom he was inspired by (and looks like), Youssef is a former heart surgeon who became a household name.But his satire made him the target of two opposing governments. He was first arrested in April 2013, accused of insulting Islam and Egypt’s then president. Months later, when Sisi took power by force, Youssef had to cancel his show and flee the country.View image in fullscreenYoussef has said his struggle was as much against Egypt’s cloying, conservative culture as its repressive leaders. “We didn’t have a space for satire in Egypt. We carved out our own space. We had to fight for it,” he said in a 2015 interview.“And because there’s no platform, no space or infrastructure for that kind of satire to be accepted, we were basically pushed out … We are up against generations of people who don’t have this kind of mindset. That’s why it was an uphill battle for us.”Comedians elsewhere have often found themselves caught up in nationalist fervour.In India, which has a history of a lively and relatively free public discourse, critics of Modi argue space to criticise the policies of his rightwing nationalist government is shrinking.Comedians and comedy venues have increasingly been caught in the crosshairs since the rise of his Hindu Bharatiya Janata party (BJP), which has ruled for more than a decade.A Muslim comedian was detained by police for weeks in 2021 for allegedly vulgar jokes insulting Hindu gods – despite never having performed at the show. The comedian Vir Das faced a backlash later the same year and police reports filed by BJP officials after a monologue that dealt with the country’s contradictions on women’s rights and religion.View image in fullscreenPolice in Mumbai registered a criminal case against a comedian in 2017 over a tweet of a photo of Modi modified by Snapchat’s popular dog filter, giving him a canine nose and ears.Similar cases have come out in Russia, including a standup of Azerbaijani origin and a citizen of Belarus, Idrak Mirzalizade, who was detained for 10 days and later banned from the country for a joke about open racism in Russia.Comedy, it seems, can also be treated by some as a transnational crime.The Turkish government asked for the prosecution of a German comedian in 2016 for performing a satirical poem about its president. In the late-night programme screened by the German state broadcaster ZDF, Jan Böhmermann sat in front of a Turkish flag beneath a small, framed portrait of Recep Tayyip Erdoğan, reading out a poem that accused the president of repressing minorities and “kicking Kurds”.View image in fullscreenErdoğan’s lawyer Michael Hubertus von Sprenger wanted to enforce a complete ban on the poem, and Angela Merkel, the German chancellor at the time, was widely criticised for appearing to give in to Ankara’s demands.Böhmermann said at the time he felt Merkel had “filleted me [and] served me up for tea” to Erdoğan, and that she risked damaging freedom of speech in Germany. Charges brought against him were later dropped and he was given police protection. More

  • in

    What does Donald Trump think free speech means? – podcast

    Archive: CBS, Good Morning America, The Charlie Kirk show, ABC News, Katie Miller Pod, CBS Austin, PIX11 News, Fox News
    Listen to Science Weekly’s episode on the data behind political violence
    Listen to Politics Weekly, all about Trump’s state visit to the UK
    Purchase Jonathan Freedland’s new book, The Traitor’s Circle, here
    Send your questions and feedback to politicsweeklyamerica@theguardian.com
    Support the Guardian. Go to theguardian.com/politicspodus More

  • in

    ‘Censor-in-chief’: Trump-backed FCC chair at heart of Jimmy Kimmel storm

    “The FCC should promote freedom of speech,” Brendan Carr, now the chair of the Federal Communications Commission, wrote in his chapter on the agency in Project 2025, the conservative manifesto that detailed plans for a second Trump administration.It’s a view he’s held for a long time. He wrote on X in 2023 that “free speech is the counterweight – it is the check on government control. That is why censorship is the authoritarian’s dream.”And in 2019, in response to a Democratic commissioner saying the commission should regulate e-cigarette advertising, Carr wrote that the government should not seek to censor speech it does not like. “The FCC does not have a roving mandate to police speech in the name of the ‘public interest’,” he wrote on Twitter at the time.But Carr has found himself at the center of the much-criticized decision by ABC to indefinitely cancel Jimmy Kimmel’s late-night show over comments the host made about Charlie Kirk’s killing. Despite the decision being, on its face, in opposition to free speech, Carr has used his position as chair of the commission, tasked with regulating communications networks, to go after broadcasters he deems are not operating in the “public interest”.Before he was named chair, Carr said publicly that “broadcast licenses are not sacred cows” and that he would seek to hold companies accountable if they didn’t operate in the public interest, a vague guideline set forth in the Communications Act of 1934. He has advocated for the FCC to “take a fresh look” at what operating in the public interest means.He knows the agency well: he was nominated by Trump to the commission in 2017 and was tapped by the president to be chair in January. He has also worked as an attorney at the agency and an adviser to then-commissioner Ajit Pai, who later became chair and appointed Carr as general counsel.Tom Wheeler, a former FCC chair appointed by Democratic president Barack Obama, said Carr is “incredibly bright” and savvy about using the broad latitude given to the chairman, “exploiting the vagaries in the term ‘the public interest’.”Instead of the deregulation Trump promised voters, the administration “delivered this kind of micromanagement”, Wheeler said.“It’s not the appropriate job of the FCC chairman to become the censor-in-chief,” Wheeler said.Since Kimmel’s suspension, Carr has said Kimmel’s comments were not jokes, but rather attempts to “directly mislead the American public about a significant fact”. During Monday’s show, Kimmel said that the “Maga gang” was “desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and with everything they can to score political points from it”. The comments came before charging documents alleged the shooter had left-leaning viewpoints.Kimmel is just Carr’s latest target. As chair, he has used the agency’s formal investigatory power, and his own bully pulpit, to highlight supposed biases and extract concessions from media companies who fear backlash from the Trump administration if they don’t pre-emptively comply.The commission itself hasn’t directly sought these actions from broadcasters. Carr has instead said publicly what the commission could do – for instance, signaling he would not approve mergers for any companies that had diversity policies in place – and companies have responded by doing what he wants.Nexstar, a CBS affiliate operator which first said it would not air Kimmel’s show on the local channels it owns, wants to buy Tegna.Carr is honing a playbook, and so far it’s working. “It’s rinse and repeat,” Wheeler said. “I think we’ll continue to see it for as long as he can get away with it.”Top Democrats on Thursday called for Carr’s resignation, and some suggested they would find a way to hold Carr accountable, either now or if they regain power in Congress.The lone Democrat on the FCC, Anna Gomez, criticized Carr for “using the weight of government power to suppress lawful expression”. Gomez called ABC’s decision “a shameful show of cowardly corporate capitulation” that threatens the first amendment, and said the FCC is operating beyond its authority and outside the bounds of the constitution.“If it were to take the unprecedented step of trying to revoke broadcast licenses, which are held by local stations rather than national networks, it would run headlong into the first amendment and fail in court on both the facts and the law,” Gomez wrote in a statement. “But even the threat to revoke a license is no small matter. It poses an existential risk to a broadcaster, which by definition cannot exist without its license. That makes billion-dollar companies with pending business before the agency all the more vulnerable to pressure to bend to the government’s ideological demands.”Trump has cheered Carr as he collected wins against the president’s longtime foes in the media. On Wednesday, Trump called Kimmel’s suspension “Great News for America” and egged on NBC to fire Jimmy Fallon and Seth Meyers, their late-night hosts.“Do it NBC!!!” Trump wrote on Truth Social.Amid the criticism of Carr, Trump said the FCC chair was doing a great job and was a “great patriot”.Breaking norms at the FCCAt the FCC, the chair has wide latitude and operates as a CEO of the agency, Wheeler said. There are four other commissioners, but the chair sets the agenda and approves every word of what ends up on an agenda, he said. The commissioners are by default in a reactionary position to the power of the chair.“What Chairman Carr has raised to a new art form is the ability to to achieve results without a formal decision by the commission and to use the coercive powers of the chairman,” Wheeler said.Without a formal decision by the commission, he said, there can’t be appeals or court reviews, one of the key ways outside groups have sought to hold the Trump administration accountable for its excesses.The agency has historically been more hands-off about the idea of the “public interest”. On the FCC’s website, for instance, it notes that the agency has “long held that ‘the public interest is best served by permitting free expression of views’” and that instead of suppressing speech, it should “encourage responsive ‘counter-speech’ from others.”In Trump’s first term, when Pai was chair, the president called for the agency to revoke broadcast licenses. At the time, Pai said, “the FCC does not have the authority to revoke a license of a broadcast station based on the content”.Wheeler and a former FCC chair appointed by a Republican, Al Sikes, noted in an op-ed earlier this year that Trump has also used executive orders to undermine the independence of the FCC, instead making it into a “blatantly partisan tool” subject to White House approval rather than an independent regulator.What Carr is trying to doIn an appearance on conservative host Benny Johnson’s show that proved fateful for Kimmel, Carr alluded to ways the commission could take action against the late-night host. Carr carefully explained that he could be called upon to judge any claims against the broadcasters while also calling Kimmel’s comments “some of the sickest conduct possible.”“But frankly, when you see stuff like this, I mean, look, we can do this the easy way or the hard way,” Carr said. “These companies can find ways to change conduct and take action, frankly, on Kimmel or, you know, there’s going to be additional work for the FCC ahead.”The companies could handle it by issuing on-air apologies or suspending Kimmel, Carr said. He cited the idea of the “public interest” but also claimed there was a case that Kimmel was engaging in “news distortion”. In further comments to Johnson, he talked about the declining relevance of broadcast networks and credited Trump for “smash[ing] the facade”.“We’re seeing a lot of consequences that are flowing from President Trump doing that,” Carr said. “Look, NPR has been defunded. PBS has been defunded. Colbert is retiring. Joy Reid is out at MSNBC. Terry Moran is gone and ABC is now admitting that they are biased. CBS has now made some commitments to us that they’re going to return to more fact-based journalism.“I think you see some lashing out from people like Kimmel, who are frankly talentless and are looking for ways to get attention, but their grip on the narrative is slipping. That doesn’t mean that it’s still not important to hold the public interest standard.” More