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    ‘It’s all very sad’: Trump’s attack on arts funding has a devastating effect

    On the afternoon of 3 May, arts organizations around the US began receiving cryptic emails from a previously unknown government email account. The missives declared that these organizations’ missions were no longer in line with new governmental arts priorities, which included helping to “foster AI competency”, “empower houses of worship” and “make America healthy again”.Chad Post, a publisher at Open Letter Books, a program of the University of Rochester that specializes in publishing translated literature, got his email just before entering a screening of Thunderbolts*. He put a quick post on Instagram, and when he came out of the movie his phone was full of responses. “I seemed to be the first one to receive this,” he recounted. “But then, all of a sudden, everyone was getting these letters.”Post told me that he had been in touch with 45 publishers who had had their NEA grants terminated, and he suspected that all 51 publishers receiving grants for 2025 supporting the publication of books and magazines had now received the letter. Although Open Letter expects to still receive funding for 2025, Post is convinced that no further money will be forthcoming from the National Endowment for the Arts.“According to rules of the email, we should get the money, although if you come back in two months and they never sent it, I wouldn’t be shocked,” he said. “The chilling part of that email is that they’re eliminating the NEA entirely. It lists all these insane things that are the new priority, and says our venture is not in line with the new priority, so we can’t ever apply again.”The grant termination won’t deal a lethal blow to Open Letter Books, but it will alter the kinds of literature that they are able to publish. Post said that he would have to give preference to books from nations that can offer funding – which tends to favor books from European languages and from wealthier countries.This sentiment was echoed by other arts organizations, who see the loss of NEA money as a significant blow, but not a deadly one. Kristi Maiselman, the executive director and curator of CulturalDC, which platforms artists that often are not programed at larger institutions, shared that NEA grants account for $65,000 of a roughly $1.1m budget. Thanks to proactive work between her team and the NEA, Maiselman received her grant this year, but does not expect any further such money. “It’s a pretty significant chunk of the budget for us,” she told me. “What has been hard for us this year is that we really do provide a platform for artists to respond to what’s going on in the world.” Continuing to promulgate those kinds of artists would be more difficult in future.View image in fullscreenAllegra Madsen, the executive director of the LGBTQ+-focused Frameline film festival, said that her grant funding had been in limbo ever since the inauguration of Donald Trump, and was ultimately terminated last week. “I think we could all kind of sense that it was going to go away,” she told me. “I think these blows that came this week are going to be felt very intensely by a lot of different organizations.”Frameline is housed in the same building as a number of other arts organizations dedicated to film, including the Jewish Film Institute, the Center for Asian American Media and BAVC Media, and it also sits adjacent to SF Film and the Independent Television Service, all of which Madsen says were affected by the termination of NEA grants. “We’ve all been hit, and we’re all just sort of figuring out what our next steps are.”One fear that Madsen raised was that many private funders take cues from the Federal government, and now with NEA grants terminated – and possibly the NEA itself getting axed – she is unsure if other donors will get cold feet. “This year we have a cohort of sponsors that are very much sticking by us, and I am incredibly thankful for those organizations standing up. But it is a bigger ask now, it’s a bigger risk for them.”Despite the often seemingly indiscriminate cuts made to the federal government by the unofficial “department of government efficiency”, the organizations the Guardian spoke with all believed that they had been targeted in some way because of the programming that they offer. “Just because it’s being done in mass, I don’t think that takes away from the idea that this is pointed and intentional,” Madsen told me. “Governments like this try to attack the populations that seem to have the least power, and right now they are mistakenly thinking that’s going to be our trans and gender-nonconforming siblings.”Taking a similar perspective, Maiselman sees these cuts as perpetuating a broader cultural turn away from arts programs, in particular those that significantly represent people of color and the queer community. “Prior to losing the NEA, we had lost about $100,000 in sponsorships this year,” she said. “We’re hearing from our sponsors that there are a lot of eyes on them. They’re not exactly saying no, but they are saying saying, ‘not right now’.”View image in fullscreenPost sees private money as a possible way to make up some of the lost NEA funding but fears that there will be a stampede of indie presses all toward the same few donors. “Everyone is feeling a little more broke and a little more strapped right now,” he said. “Arts orgs writ large are going to be competing for funds from the same few individuals and that just scares me.”He also argued that, while a press like Open Letter will be able to continue functioning without NEA money, organizations that only publish literary magazines may fold without significant infusions of private cash. “Those literary magazines don’t have the opportunity to rely on a book breaking out,” he said. “They’re not suddenly going to have an issue of the magazine take off. This might be a massive blow to literary magazines.”Although some arts organizations appear poised to survive the loss of NEA money, they nonetheless feel existentially frightened by the general turn of the political culture away from diversity and toward authoritarianism. “It’s hard right now to see any light at the end of the tunnel,” said Maiselman. “With the rate at which things are changing, it’s going to take years to course correct – that is, if and when the administration changes.”Maiselman further argued that the cultural shift brought in by the aggressive moves of the Trump administration had the potential to profoundly transform the landscape of the arts world. “There’s going to be a reckoning,” she told me. “A lot of organizations won’t survive this.”For her own part, Madsen struck a defiant tone, placing the current repressive political atmosphere in the context of other such threats to the LGBTQ+ community. “We will survive, we have the privilege of being an almost 50-year-old org,” Madsen said. “The LGBTQ+ community has been down this road before. We got through McCarthyism, we got through the Aids crisis, we’ll survive this.”In hopes of surviving, arts organizations are again turning toward one another, finding a community sentiment that many of the people I spoke to called reminiscent of the Covid years. “There are a lot of conversations right now about how we can help one another,” Maiselman told me. Post echoed that, positioning this as a time of collective grieving. “It feels like the end of something,” he said. “It’s sad, it’s all very sad, but we have to keep going somehow. We are damaged but not defeated.” More

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    Colbert on Trump administration’s ethos: ‘Take full responsibility and dump it on somebody else’

    Late-night hosts dug into the chaos at Newark airport leading to a cascade of cancellations, Donald Trump’s alleged Hollywood tariffs and the visit of the Canadian prime minister, Mark Carney, to the White House.Stephen ColbertOn Tuesday’s Late Show, Stephen Colbert looked into the cascade of delays at Newark airport this week, causing the cancellation of hundreds of flights. The culprit was a terrifying 90-second blackout during which air traffic controllers temporarily lost radar and communications with the aircraft under their control, making them unable to see, hear or talk to them. “Those are three fairly important things,” Colbert deadpanned.The blackout was caused by a fried piece of copper wire. “Unlike the other blackouts at Newark, which are caused by the grand coconut margarita at terminal A Chili’s Too,” Colbert joked.In response to the crisis, Trump’s transportation secretary, Sean Duffy, went on Fox News to, as Colbert put it, “take full responsibility and dump it on somebody else”.Duffy criticized old infrastructure in the US that hasn’t been updated in “30 or 40 years”, but said “this should’ve been dealt with in the last administration. They did nothing.”“Yes, this problem has been going on for years,” Colbert agreed. “Biden should’ve done something about it. Or really, the guy before him should’ve done something about it.”In truth, Biden did do something about it; in the 2021 infrastructure bill, he approved $25bn to improve airports. The upgrades began, but were partially derailed by Trump’s “department of government efficiency” (Doge) laying off more than 400 staffers at the Federal Aviation Administration shortly after taking office, including maintenance mechanics and employees who work on electrical issues. “Those are the people who do the stuff!” Colbert exclaimed. “There are plenty of useless people you could’ve fired, like the TSA agent who says you can’t bring in a snow globe. I hate having to chug my snow globe right before security.”Duffy claimed that he was going to spend the money on a new system, but warned that it would take three to four years. “Not exactly what you want to hear in a crisis,” Colbert noted.And it’s a crisis that probably won’t get better soon, as many air traffic controllers are now out on a 45-day trauma leave following the blackout. “Wait a second, there’s such a thing as trauma leave?” Colbert wondered. “Bye! I’m off to the tropics.”Jimmy KimmelIn Los Angeles, Jimmy Kimmel recapped the visit of the new Canadian prime minister, Mark Carney, to the White House, where Donald Trump insisted that “regardless of anything, we’re going to be friends with Canada”.“Poor Mark Carney had a helluva job today,” said Kimmel, noting that Trump keeps referring to Canada as the “51st state”. “It was like an Ewok going to a meeting on the Death Star.”But Carney “handled it well”, according to Kimmel. “In a friendly way, he made sure Trump knows they have no intention of becoming our 51st state.” Carney diplomatically told Trump that Canada is “not for sale, won’t be for sale”, to which Trump interjected: “But never say never!”“He doesn’t take no for an answer – in fact, he was found liable for it in a court of law,” Kimmel said, referring to a May 2023 verdict in which a New York court found Trump liable for sexual abuse and defamation of the writer E Jean Carroll, and ordered him to pay $5m.Kimmel also addressed Trump’s threat to (somehow) slap a 100% tariff on any movie made outside the US, “which caused every studio executive in Hollywood to double up on their Ativan yesterday,” he quipped. “No one seems to know what’s going on with these tariffs, including our own secretary of the treasury.“Remember how everyone said the main requirement to get a spot in his cabinet was to be good on TV? Well, here is our treasury secretary, Scott Bessent,” Kimmel continued before a clip of Bessent struggling to answer the basic question “who pays tariffs?” before Congress.“Try unplugging him and plugging him back in,” Kimmel laughed. “Scott Bessent has the demeanor of a headmaster at an all-boys school that’s under investigation.”Seth MeyersAnd on Late Night, Seth Meyers opened with Trump’s Truth Social post on Monday in which he claimed that he would order the government to reclaim and reopen the infamous Alcatraz prison. “I love that you can tell from his social media post what movie he watched on the plane,” said Meyers, referring to Clint Eastwood’s 1979 film Escape from Alcatraz, which played on public television in Florida while he was at Mar-a-Lago.Trump also joked with reporters about the possibility of becoming pope and said: “I would not be able to be married, though.”“And it looks like Melania has voted,” Meyers quipped next to a photo of white smoke.The Vatican’s conclave to elect a new pope is set to begin on Wednesday. “So just remember, black smoke means no decision, white smoke means a new pope and pink smoke means it’s a girl!” Meyers joked.The Late Night host also touched on reports that the US army is planning a parade to honor its 250th anniversary as well as Trump’s 79th birthday, including military vehicles, aircraft and nearly 7,000 soldiers. “And to honor Trump’s military service, he won’t be there,” Meyers quipped. 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    No Way Out: the 1987 thriller that prophesied a deeply corrupt US government

    In 1987 – right before he became the biggest movie star in the world with a five-year hot streak that included Field of Dreams, Dances with Wolves and The Bodyguard – Kevin Costner headlined two films that offered very different visions of America. The Untouchables assembles a group of plucky misfits to dole out frontier justice against those who would seek to extort the American dream – it’s brash, gung ho and morally transparent. A guaranteed classic.Far more interesting, though, is No Way Out, Roger Donaldson’s 1987 political potboiler that’s equal parts pulpy spectacle and damning critique of the US project. Functioning as a bridge between the conspiracy flicks of the 70s and the erotic thrillers of the 90s, the film starts with a sex scene in the back of a limo (complete with a perfectly timed cutaway to the Washington Monument) and ends with an unforgettable flourish.Adapted from Kenneth Fearing’s 1946 book The Big Clock (which also became a 1948 film), No Way Out transports its source novel’s action from a New York magazine house to the beating, bloody heart of cold war-era Washington.A baby-faced Costner plays Lt Cmdr Tom Farrell, a navy golden boy summoned to DC to work for the secretary of defense, David Brice (RIP Gene Hackman, fully stepping into his late-career “craven bureaucrat” mode). Brice’s special counsel/whipping boy Scott Pritchard (Will Patton, chewing every piece of available scenery as a textbook 80s “evil gay”) wants Farrell to help them derail an overly expensive stealth submarine program (shades of Aukus).The problem is that Farrell is in love with Brice’s kept woman, Susan Atwell (an infectiously delightful Sean Young, turning a potentially thankless role into the emotional centre of the movie). They happily continue their incredibly horny, incredibly doomed affair under Brice’s nose, until – spoiler warning – Brice learns that there’s another man in Atwell’s life and and lashes out.View image in fullscreenThis prompts Pritchard to go full Iago as he concocts a plan to get his boss off the hook. What if Atwell’s other lover was a long-rumoured Russian mole, codename: Yuri? What if the investigation into the attack on her became a Soviet witch-hunt instead? And what if their new dogsbody, Farrell, was in charge of the case? This is the ingenious narrative engine that propels the rest of the film: Farrell was at Atwell’s that night, right before Brice, making him the prime suspect in his own investigation. With all five walls of the Pentagon closing in on him, Farrell has to sabotage the manhunt and find the real villain before he’s framed.Donaldson (a Ballarat boy done good!) is one of those uber-reliable journeyman directors Hollywood doesn’t make any more; guys you wouldn’t recognise if you passed them on the street but whose films you’ve watched a thousand times at 11pm on 7mate: Cocktail, Species, Dante’s Peak, Thirteen Days. No Way Out is highly competent entertainment but it also portrays a deeply corrupt US forever at war with both the world and itself – a nation where people are thrown under the bus at a moment’s notice to protect the vested interests of powerful men. Perhaps the only thing more impressive than No Way Out’s airtight thriller structure is its profoundly cynical view of US institutions – an outlook that feels almost radical in hindsight, given the chest-beating, self-congratulatory air of so much other Ronald Reagan-era Hollywood fare.You can understand why The Untouchables went on to become a jewel in the crown of Costner’s filmography while No Way Out has sat there, largely forgotten, for close to 40 years. In 2025, though, it’s clear which version of the US rings truer, right down to a defense secretary accused of sexual assault (not to mention those damn submarines). Ten years ago I would have considered parts of No Way Out painfully outdated – today it feels almost too close to the bone.

    No Way Out is streaming on Amazon Prime in Australia, the UK and the US. For more recommendations of what to stream in Australia, click here More

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    Trump announces 100% tariffs on movies ‘produced in foreign lands’

    Donald Trump on Sunday announced on his Truth Social platform a 100% tariff on all movies “produced in Foreign Lands”, saying the US film industry was dying a “very fast death” due to the incentives that other countries were offering to draw American film-makers.In his post, he claimed to have authorised the commerce department and the US trade representative to immediately begin instituting such a tariff.“This is a concerted effort by other Nations and, therefore, a National Security threat,” Trump said in the Truth Social post. “It is, in addition to everything else, messaging and propaganda!”“WE WANT MOVIES MADE IN AMERICA, AGAIN!” Trump added.Commerce secretary Howard Lutnick posting on X said: “We’re on it.” Neither Lutnick nor Trump provided any details on the implementation. It was not immediately clear whether the move would target production companies, foreign or American, producing films overseas.Film and television production in Los Angeles has fallen by nearly 40% over the last decade, according to FilmLA, a non-profit that tracks the region’s production. At the same time, governments around the world have offered more generous tax credits and cash rebates to lure productions, and capture a greater share of the $248bn that Ampere Analysis predicts will be spent globally in 2025 to produce content.Politicians in Australia and New Zealand said on Monday they would advocate for their respective film industries, after the president’s announcement.Australia’s home affairs minister Tony Burke said he had spoken to the head of the government body Screen Australia about the proposed tariffs. “Nobody should be under any doubt that we will be standing up unequivocally for the rights of the Australian screen industry,” he said in a statement.New Zealand prime minister Christopher Luxon told a news conference the government was awaiting further detail of the proposed tariffs. “We’ll have to see the detail of what actually ultimately emerges. But we’ll be obviously a great advocate, great champion of that sector in that industry,” he said.The announcement from Trump comes after he triggered a trade war with China, and imposed global tariffs which have roiled markets and led to fears of a US recession. The film industry has already been feeling the effects of the tariffs, as China in April responded to the announcements by reducing the quota of American movies allowed into that country.China is the world’s second largest film market after the US, although in recent years domestic offerings have outshone Hollywood imports.Former senior commerce department official William Reinsch, a senior fellow with the Center for Strategic and International Studies, said retaliation against Trump’s foreign movies tariffs would be devastating.“The retaliation will kill our industry. We have a lot more to lose than to gain,” he said, adding that it would be difficult to make a national security or national emergency case for movies. More

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    These activists are ‘flooding the zone with Black history’ to protest against Trump’s attacks on DEI

    A coalition of civil rights groups have launched a weeklong initiative to condemn Donald Trump’s attacks on Black history, including recent executive orders targeting the National Museum of African American History and Culture (NMAAHC) in Washington DC.The national Freedom to Learn campaign is being led by the African American Policy Forum (AAPF), a social justice thinktank co-founded by the law professor Kimberlé Crenshaw. Crenshaw is a leading expert on critical race theory (CRT), a framework used to analyze racism’s structural impact. She has fought against book bans, restraints on racial history teaching and other anti-DEI efforts since the beginning of the Republican-led campaign against CRT in 2020.“Our goal this week has been to flood the zone, as we call it, with Black history,” Crenshaw said about the campaign. “We have long understood that the attacks on ideas germinating from racial justice were not about the specific targets of each attack … [but are] an effort to impose a specific narrative about the United States of America, one that marginalizes, and even erases, its more difficult chapters,” she added.The weeklong campaign will conclude with a demonstration and prayer vigil in front of NMAAHC on 3 May.Leading up to the protest, AAPF, the NAACP’s Legal Defense Fund and six other advocacy groups signed onto a statement criticizing Trump’s “attempted mass erasure of Black history and culture”, according to a press release published 28 April. In March, Trump ordered an overhaul of the Smithsonian Institution, the world’s largest museum network, in order to demolish what he described as “improper, divisive or anti-American ideology”. He singled out NAAMHC, a museum that has been lauded since its opening in 2016.The coalition’s affirmation read, in part: “We affirm that Black history is American history, without which we cannot understand our country’s fight for freedom or secure a more democratic future. We must protect our history not just in books, schools, libraries, and universities, but also in museums, memorials, and remembrances that are sites of our national memory.”“I wasn’t shocked by it,” said Crenshaw of Trump’s executive order against NAAMHC. “I never did think that these attacks on civil rights, on racial equality, would find a natural limit because there is no limit.”Within this week’s movement, AAPF has led sessions to educate people on Trump’s dismantling of diversity, equity and inclusion efforts, an element of the broader campaign. About 1,500 people attended a virtual event titled Under the Black Light: Beyond the First 100 Days: Centering Racial Justice and Black History in Our Fight for Democracy. There, panelists, including civil rights leaders and academics, discussed how attendees could organize against Trump’s mounting censorship of history. Coffee meetups and a sign-making session were organized as additional parts of the campaign, providing further conversations between participants and academics about how Trump’s initial executive orders connect to a larger thread of eroding racial justice.The group has also launched a “Black history challenge” where participants are encouraged to find a historical site or artifact and “put it into memory”, or recognize it, “as part of Black history’s role in American history”. As a part of the challenge, Crenshaw posted a video on social media of Bruce’s Beach, in Manhattan Beach, California. There, in 1912, a Black couple purchased oceanfront property and built a resort for Black people. The property was later seized by the city under the auspices of eminent domain. “It’s important to tell these stories so people understand that it’s not a natural reality that many Black folks don’t have beachfront property or that we don’t have transnational hotel chains owned by Black people,” said Crenshaw. “These things are actually created by the weaponization of law to impose white, exclusive rights and privileges.”The weeklong campaign comes as the Trump administration has attempted to eliminate diversity, equity and inclusion (DEI) efforts at all levels of local and federal government since the start of his second term. Trump has threatened to withhold federal funding from any public schools that do not end their DEI programming. He later signed executive orders to crack down on diversity efforts at colleges and universities.skip past newsletter promotionafter newsletter promotionCrenshaw added: “If you want to sustain this idea of making America great again, then you’ve got to erase the ways that it wasn’t great all along. We’ve always understood that what the end game was, was the elimination of any recognition that our country has had and still has challenges with respect to racial and other forms of justice.”In response, advocacy groups have come together to channel their outrage into the collective action of the campaign and protest. “We want to be sure that we can preserve, beyond artifacts, the true experiences of those that have [undergone] the oppressive past of African Americans, and how that experience of resilience is important today,” said Reverend Shavon Arline-Bradley, president of the National Council of Negro Women (NCNW).A partnership, especially given the importance of the NMAAHC, felt like the most significant way forward, said Arline-Bradley. “This really is a collective, multiracial, multicultural, multi experience, coalition that is saying no. When you take away our history, when you take away African American history, then you really are trying to take away culture.” More

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    ‘Protest can shape the world’: Rebecca Solnit on the fight back against Trump

    On 5 April, millions of people rallied against the Trump administration and its campaigns of destruction. In small towns and big cities from Alaska to Florida, red counties and blue (and a handful of European cities), they gathered with homemade signs full of fury and heartbreak and sarcasm. Yet the “Hands Off” protests received minimal media coverage, and the general response was that they didn’t do anything, because they didn’t have immediate and obvious, and most of all quantifiable, consequences. I’ve heard versions of “no one cares”, “no one is doing anything” and “nothing came of it” for all my activist life. These responses are sometimes a sign that the speaker isn’t really looking and sometimes that they don’t recognise impacts that aren’t immediate, direct or obvious. Tracking those indirect and unhurried impacts, trying to offer a more complex map of the world of ideas and politics, has been at the heart of my writing.For more direct impact, at least when it came to the rally I attended in San Francisco, you could have walked six or seven blocks to the Tesla dealership. Weekly protests there since February, like those across the country and beyond, have helped tank the Tesla brand and Tesla shares. They remind Elon Musk that he’s in retail, where the customer is always right – and right now the customer would like him and his Doge mercenaries to stop dismantling the US government the way a hog dismantles a garden.Tesla aside, activists sometimes really do have tangible results and even immediate ones. The protests around the world and in Seattle, where we blockaded the 1999 World Trade Organization meeting, encouraged the global south nations inside to stand up and refuse a raw deal from the global north and corporations. At that very meeting that very week. It might be the most immediately and obviously effective protest I ever attended, in fortysomething years of attending protests (even if protesting this version of corporate globalisation under the rubric “free trade” is hard to explain during a catastrophic tariff crisis).View image in fullscreenBut that was an exception. Mostly protests, campaigns, boycotts and movements do a lot, but do it in less tangible and direct ways than these. They influence public opinion, make exploitation and destruction and their perpetrators more visible, shift what’s considered acceptable and possible, set new norms or delegitimise old ones. Because politics arises from culture, if culture is our values, beliefs, desires, aspirations shaped by stories, images – and yeah, memes – that then turns into politics as choices and actions that shape the world.If you want to measure impact you need more sophisticated tools and longer timeframes than the many versions of “where’s the payoff for this thing we just did”. Take the Green New Deal, advocated for passionately by the young climate activists in the Sunrise Movement, starting around 2018. The simple story to tell about it is that, as legislation cosponsored by congresswoman Alexandria Ocasio-Cortez and senator Ed Markey, it did not pass. The complex story is that it shifted the frameworks in which we think about climate and economics in consequential ways. In other words, it was very effective, just not directly. It strongly influenced the Biden campaign’s platform in 2020. His administration sought to pass it as Build Back Better and succeeded in doing so with the watered-down but still impactful Inflation Reduction Act, which influenced governments in other countries to amplify their own climate policies. (The Trump administration is dismantling some of it, but some will survive.)The Green New Deal as a proposal and campaign moved us beyond the old jobs-versus-the-economy framing that had plagued environmental activists for decades, making it clear that doing what the climate requires is a jobs-creation programme, and you could care about both. I don’t hear the old framework any more, and one of the hardest things to detect in the department of indirect consequences is the thing that doesn’t happen or the frame that no longer circulates. Jobs v environment is one. Another is the many stereotypes-become-slurs that treated female rape survivors as inherently dishonest and unreliable, deployed to protect countless rapists. This blanket discrediting is not part of the culture the way it was before the feminist insurrections that began in 2012-13. Seeing what’s no longer there or what didn’t happen is also an art, whether it’s seeing the persecution that ceased or the forest that wasn’t cut down.One of the aphorisms I have been coming back to for at least half my lifetime is “everything should be as simple as possible, but not simpler”, attributed to Einstein and useful for almost everything. Because we get explanations of how things work – big things such as politics, change, history, human nature – that themselves don’t work when they fail to account for the complexities, ambiguities, uncertainties and indirect and delayed influences and consequences. It’s like hacking off all the limbs of a tree because you’d rather call it a log or because you haven’t quite figured out what leaves and branches do. Or looking at a tree today and saying it isn’t growing, since it hasn’t visibly changed since yesterday. Which, put that way, sounds infinitely ridiculous and yet in speech – which, ideally, reflects thought – people do it all the time.As I write in my forthcoming essay anthology No Straight Road Takes You There: Essays for Uneven Terrain, “It’s not that I have anything against the easy, the immediate, the obvious, the straightforward, and the predictable. It’s just that I think much of what we face and endeavour to achieve requires an embrace or at least a recognition of its opposite. So I have chased after the long trajectories of change as both the often forgotten events and ideas leading up to a rupture, a breakthrough, or a revolution, and the often overlooked indirect consequences that come afterward. I’ve celebrated how a movement that may not achieve its official goal may nevertheless generate or inspire those indirect consequences that matter sometimes as much or more than the original goal. I’ve also noticed how often a movement is dismissed as having failed during the slow march to victory, when victory comes. So much activism has, on the sidelines, people telling us we can’t win, who routinely vanish if and when we do.”One of the curiosities of American political life is that Republicans refuse to acknowledge the complexities and interconnections as ideology, but are very good at working with them practically, while the opposite is true of the Democrats. Republicans and the far right famously built power from the ground up, getting their people to run for school board and other low-level positions at the state and local level, working hard on winning state legislatures to pass voter-suppression measures that would help Republicans broaden their power even while they narrowed their support. They played the long game, patiently building power, pushing propaganda, recruiting – and of course did so with hugely wealthy foundations and billionaire donors who could afford to underwrite such efforts and provide the stability for such campaigns.View image in fullscreenIn other respects, Republicans deny that everything or anything is connected to everything else, that actions and policies have consequences, that the shape of a life is not entirely up to that individual but is influenced by economic and social forces, that everything exists in relationship. It’s convenient for rightwing ideology to deny the reality of environmental impacts, be it mining and burning fossil fuel or spreading toxins, because acknowledging the impact of individual and corporate actions would justify the regulations and collective responsibilities that are anathema to their deregulated free-enterprise rugged individual ethos. Likewise, it’s convenient to claim that poverty and inequality are the result of individual failure, that the playing field is level and everyone has equal opportunity, because if you acknowledge that discrimination is real – well, discrimination is itself a system, and they prefer to deny systems exist.Democrats on the other hand have long recognised the existence of systems, including the systems that are the environment and climate, as well as the ugly systems of discrimination that have permeated American life such as racism, misogyny, homophobia and so forth. But they’re remarkably bad at building political frameworks to address this, failing where Republicans succeed when it comes to the long game of building power from the ground up, being on message, having a long-term strategy and sometimes, it seems, any strategy at all.So we live in an environment of conflicting and confusing information, furthered by the way the mainstream media too often see background and context on what just happened as editorialising and bias, so tend to present facts so stripped of context that only those who are good at building context themselves can find meaning in them. Media outlets routinely play down protest and when they cover it often do so dismissively. Media critic and former Washington Post columnist Margaret Sullivan writes of the thin coverage of the Hands Off rallies: “Organizers said that more than 100,000 demonstrators came to the protests in both New York and Washington DC. Crowd estimates are always tricky, but that certainly seems like a big story to me.” She points out that for many months news outlets have commented on how the public resistance to Trump is so much quieter than in 2017. “But when the protests did happen, much of the media reaction was something between a yawn and a shrug. Or, in some outlets, a sneer.”skip past newsletter promotionafter newsletter promotionProtests against Trumpism in 2017, which were probably sneered at and dismissed at the time, are now being used to dismiss 2025 protests. But the most precise calibrators of these protests, Erica Chenoweth and colleagues at the Crowd Counting Consortium, write: “And since Jan. 22, we’ve seen more than twice as many street protests than took place during the same period eight years ago … In February 2025 alone, we have already tallied over 2,085 protests, which included major protests in support of federal workers, LGBTQ rights, immigrant rights, Palestinian self-determination, Ukraine, and demonstrations against Tesla and Trump’s agenda more generally. This is compared with 937 protests in the United States in February 2017.”The Consortium counted 686 protests on 21 January, 2017, with total participation above 3 million, making the Women’s March the biggest one-day protest in US history. Meanwhile more than 1,300 US rallies happened on 5 April this year. This is part of why it’s hard to recognise the impact of such events; they’re so often written out of the story of change. Mostly the story of change we get is that great men hand it down to us, and we should admire and be grateful to them and periodically implore them for more crumbs.This is built into how history narrows down the civil rights movement and all the crucial work done by women into a few great men, into how the decades of dedicated work by the abolitionist movement are written out of the version in which Abraham Lincoln freed the slaves out of the blue. It’s built into the superhero movies in which problems are solved by musclebound men deploying violence to definitively defeat evil, when the real superheroes of our time mostly look like scruffy stubborn people who build alliances and networks and movements over years, with an occasional burst of drama in the legislatures, courts and streets (but mostly through stuff that looks like office work, even if it’s administration for liberation). The language of “save the whales/children/country” suggests some kind of finality, and so do the plots of action movies. But evil comes back, so you have to keep defending your reproductive rights, your freedom of speech, your marriage equality, your forests and rivers and climate, even though maintenance is not as exciting as conflict.The phrase “theory of change” has become popular in recent years, as in “what’s your theory of change?” Mine is that categories are leaky and anomalies abound. That change happens in complex, sometimes unpredictable ways, that it often unfolds with slow and indirect consequences, and that what ends up in the centres of power often begins in the margins and shadows. That stories have profound power and changing the story is often the beginning of changing the world.Something the current crisis in the US demonstrates is that power is rarely as simple as it’s supposed to be. We see those who are supposed to be immensely powerful – captains of industry, prestige law firms, Ivy League universities – cringe and cave in fear while ordinary people (including lawyers and professors) stand on principle and judges mete out the law without intimidation. As for the unpredictability, I find hope in the fact that we’re making the future in the present, and while you can’t predict it with the certainty too many self-anointed prophets seem afflicted with, you can learn a lot from the patterns of the past – if you can remember the past and view events on the scale of those patterns that spread across decades and centuries.Places popular with tourists often put out maps that oversimplify the terrain on the assumption that we visitors are too dumb to contend with the real lay of the land, but those maps often mislead, literally, so you wander into a sketchy neighbourhood or a marsh that’s not on the map. What I’ve tried to do as a writer is give people maps adequate to navigate the rocky, uneven territory of our lives and times. More

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    Seth Meyers on looming recession: ‘We all knew Trump was bad with money’

    Late-night hosts pondered a possible recession under Donald Trump, as the US economy contracted during the first quarter of 2025.Seth MeyersThe US economy officially contracted during the first quarter of 2025, with -0.3% growth that seemed to surprise even newscasters. “It’s very sweet that the news anchors are acting so surprised,” said Seth Meyers on Wednesday evening, “but come on – we all knew Trump was bad with money. He bankrupted casinos, lost a billion dollars and he dresses like a guy selling watches in a dark alley. Also everyone said what Trump was doing was bad for the economy, and it was bad for the economy.“We’ve seen recessions before,” the Late Night host continued, “but we haven’t seen this specific confluence of factors – rising prices, negative growth – in a long time. And what makes it so much worse is that just a few months ago, we had an economy that was considered the strongest in the world.“But who cares about the economy?” he added. “Trump is doing the important stuff anyway, like renaming the Gulf of Mexico the Gulf of America, not that anyone could afford new maps with these tariffs.”During the now-halcyon days of the Biden presidency, Trump took credit for the booming economy, attributing stock market gains to expectations that he would win the election. But now, Trump is blaming Biden for a possible oncoming recession. “I get it now – when the economy is good under Biden, it’s because of you. But when the economy is bad under you, it’s because of Biden,” said Meyers. “You know, Harry Truman had a sign on his desk at the Oval Office that said, ‘the buck stops here,’ which let people know the value of taking responsibility. I wouldn’t be surprised if Trump had one that says, ‘get that fucking buck away from me! I’ve never seen that buck before in my life!!!’“Thanks to Trump’s policies, we’re now staring down the prospect of rising prices and possibly even barren shelves, and his team is basically just shrugging and hoping for the best,” Meyers summarized. When asked about 145% tariffs on China, which will raise prices for most products for American consumers, Trump simply answered without merit: “China will have to eat those tariffs.“China will not eat those tariffs. We will eat them,” said Meyers. “Literally, we will have to eat tariffs because we won’t be able to afford the mangos.”Jimmy Kimmel“Sixty per cent of economists who were polled believe there is a high or very high chance of a recession, so the president now is distancing himself from himself,” said Jimmy Kimmel.On Truth Social, Trump posted: “This is Biden’s stock market, not Trump’s … our country will boom, but we have to get rid of the Biden ‘Overhang.’” He also added: “BE PATIENT!!!”“What happened to the guy who promised it would all happen on day one?” Kimmel laughed. “What happened to the guy who less than 100 days into his first presidency crowed” about $3.2tn in gains just because he won the election.“The buck stops wherever he wants it to stop,” he added. “And consumer confidence is at its lowest level since May of 2020. You remember what happened in May of 2020? We were fighting old ladies for toilet paper in May of 2020.”Kimmel also talked about Trump’s frightening interview with ABC, which Kimmel called “the most disturbing moment yet” of his presidency. “Trump says crazy stuff every day. But most of the time, you know he’s full of it – he’s bragging, lying or whatever, just throwing crap on to his vision board.” But the ABC interview on Tuesday “went off that rails” when Trump showed the interviewer a mock-up image trying to justify the unlawful and erroneous deportation of Kilmar Ábrego García to a prison in El Salvador.“This couldn’t look worse even if Trump had written it in a Sharpie himself,” said Kimmel. “Our president is falling for Facebook memes.”Stephen ColbertAnd on the Late Show, Stephen Colbert reacted to the report that the US economy contracted in the first quarter of 2025, shrinking 0.3% – much worse than economists projected. “And that’s saying a lot, because economists did not have high expectations,” said Colbert. “This is like your girlfriend’s review of the Phish concert: I didn’t know any of the songs going in and I don’t like that kind of music, and once I got there I actually hated it.”On Truth Social, Trump tried to deflect blame, posting: “This is Biden’s stock market, not Trump’s.”“OK, but when Biden was president and the market was good, back then Trump posted ‘this is the Trump stock market, because my polls against Biden are so good that investors are projecting that I will win,’” said Colbert.“It’s Freaky Friday rule,” he mocked. “When Biden is president, it’s actually me and when I’m president, it’s actually Jamie Lee Curtis.” More

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    ‘100-year timeframe’: how Project 2025 is guiding Trump’s attack on government

    David A Graham doesn’t say he read Project 2025 so you don’t have to, but it might be inferred.The Atlantic staff writer’s new book, The Project: How Project 2025 Is Reshaping America, is a swift but thorough overview of the vast far-right plan for a second Trump administration that achieved notoriety last year. Over just 138 pages, a passing dream next to the Heritage Foundation’s 922-page doorstop, Graham considers the origins of Project 2025, its aims and effects so far.There’s a reason Project 2025 came out so long.“They’re looking at a 100-year timeframe,” Graham said. “They’re looking at things from the New Deal and saying, ‘This is where the government went wrong, and we need to fix these things. We need to change them permanently and reframe what the government does and what its relationship with every American is.’”The New Deal is the name given to the vast expansion of the federal government under Franklin D Roosevelt in the 1930s, in response to the Great Depression and laying the foundation of the modern US state.Project 2025 was published in 2023. As the 2024 election loomed, Democrats raised alarms about its hardline policy recommendations on issues including climate, LGBTQ+ rights, reproductive healthcare and more. Incendiary rhetoric raised awareness too. Kevin Roberts, Heritage president and author of the Project 2025 foreword, said he and his allies were “in the process of the second American Revolution, which will remain bloodless if the left allows it to be”, then peppered his own book with images of fire and destruction. In praise of Roberts, JD Vance, Donald Trump’s running mate, said it was time to “load the muskets”.To Graham, such bellicose rhetoric was “terrifying” but also, in retrospect, a clear signpost to things to come. “To say that publicly before the election is really a strange public relations choice. It’s such a chilling thing to say. But you know, it told us what they wanted.”Amid controversy, Trump tried to distance himself from Project 2025 and its authors. But then he won the election. At the outset of his second term, he duly unleashed slashing cuts to federal staffing and budgets and a barrage of executive orders advancing policies directly linked to Project 2025 or firmly in its spirit.Graham is an award-winning reporter, used to working fast. He started writing The Project “at the very end of November”, weeks after Trump defeated Kamala Harris, “and turned the book in in mid-January”.He wrote the book, he said, because “we the press, we the American public, had talked a lot about Project 2025 during the election, and it felt like it had kind of gone away – but it remained really relevant. And I felt like there was a lot in it that I didn’t understand, and a lot that had been missed.”During the 2024 election, experts did indeed advise that such policy plans for possible administrations have existed for decades but have rarely been enacted. The sheer size of Project 2025 might also have lulled some into a false sense of security. Like many reporters, Graham “had dabbled in parts of it”. Unlike many, he found “it was a different experience to read the whole thing altogether.“I think it is both more radical in some ways than it came across – like, when you’re just reading atomized policies, you don’t get what a social program it is – [but] one of the other things that I think is interesting is how there are ideas that I think are either [only] fairly objectionable or might have widespread appeal, right next to ones that are totally out in right field. You’ll be in the same paragraph or in the same chapter.“And the third thing I think is interesting is the way there are disagreements within the text, either between the authors or between the authors and Donald Trump. Those cleavages within the right I think are worth paying attention to now.”Trump opponents looking for cleavages will not find them in the influential office of management and budget, now directed by Russ Vought, a Christian nationalist, advocate of “traumatizing” political enemies, and Project 2025 co-author. The original director of Project 2025, Paul Dans, fell victim to political necessity in 2024, forced out of the Heritage Foundation as Trump came under pressure – but remains a true believer, recently declaring Trump’s actions in office to be beyond his “wildest dreams”.But there is also Elon Musk. The world’s richest man has led Trump’s so-called department of government efficiency, or Doge, in attacking federal agencies and departments with startling speed and recklessness.“This is one of the places I have been most surprised,” Graham said, “because I think the methods that they lay out [in Project 2025] are really important. I thought that an important part of this was going to be how deeply people like Russ Vought had thought about, ‘OK, how can we work within the bounds of the law to achieve these things? How can we rework the bureaucracy?’ And in fact, Musk came in and just blasted right through it and made it a lot easier for them, and a lot faster. I certainly didn’t expect that. It’s not contemplated in the book or in the original document.”Nor are Trump’s beloved tariffs much loved by Project 2025 and its free-trade-loving authors.Graham said: “There are these big differences within Project 2025. The most obvious place is the chapters on tariffs … they [also] disagree with Trump on Ukraine. They’re much more hawkish on Ukraine, and anti-Russia. You have this sort of standard, ‘We stand up for Israel, We oppose Iran,’ sort of thing, but foreign policy is barely mentioned. It’s all about China. And Trump talks the talk on China, but then many of the things he’s doing, like tariffs, which are discussed in Project 2025 but not as a major priority, are alienating the rest of the world, which makes it very hard to take on China.“But then, even something as small as how to handle childcare, you have different people having different views [within Project 2025]. One of the things that jumps out at me is they did a really good job of figuring out how to meld these longstanding social and religious conservative priorities on to Maga. They find places where they can work with Trump.Trump is very interested in talking about trans rights and Democrats, and men are very interested in fighting back much more broadly on gender norms, LGBTQ+ rights, and so … Project 2025 becomes sort of like a tip of the spear to get Trump’s attention. They care about “wokeness”, and DEI, maybe for different reasons than he does, but they’ll attack that, and it gets him onboard.On another key issue of Trump’s second term, Graham sees the White House and the ideologues of Project 2025 much more closely aligned.Project 2025 is “very focused on illegal immigration, but also on legal immigration. Overall, the point is to have fewer people who are born overseas in the US, by whatever means necessary. And so they talk about mass deportation, and they talk about detention centers, but they also talk about reducing the number of visas that people get and trying to … find people who have lied on their citizenship applications, to revoke citizenship, denaturalization.“There are things where you see maybe not a direct correlation but the same spirit. So we see in Project 2025 an argument that we need to crack down on student visas from quote, unquote, unfriendly countries, and use student visas as a sort of tool of political warfare.”Trump may not be implementing Project 2025 word for word but its authors have much to delight them. Conversely, Graham’s book is sprinkled with lines that prompt grim laughter.Consider the case of James Sherk, a Trump adviser on civil service and labor issues in the first term who drafted “Schedule F”, a proposal to reclassify about 50,000 civil service jobs as political, thereby allowing a president to fire such people at will. Under Joe Biden, Schedule F was shelved. Ahead of Trump’s second term, Project 2025 advocated putting it swiftly to use.Last year, Sherk spoke to ProPublica. “The notion we’re going to can 50,000 people is just insane,” he said. “Why would you do that? That would kneecap your ability to implement your agenda.”Under Trump, more than 260,000 government workers have been fired, taken buyouts or retired early.

    The Project is published in the US by Random House More