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      White people, black authors are not your medicine | Yaa Gyasi

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      In 2018, two other novelists and I were being driven back from a reception in Grosse Pointe, Michigan, to our hotel in downtown Detroit, when we saw a black man getting arrested on the side of the road. The driver of our car, a white woman who had spent the earlier part of the drive ranting about how Coleman Young, Detroit’s first black mayor, had ruined the city, looked at the lone black man surrounded by police officers with their guns drawn and said: “It’s good they’ve got so many on him. You never know what they’ll do.”
      Two years before, I had published my first novel, Homegoing, a book that is, among other things, about the afterlife of the transatlantic slave trade. The book thrust me into a kind of recognition that is uncommon to fiction writers. I was on late-night shows and photographed for fashion magazines. I did countless interviews, very little writing. The bulk of my work life was spent touring the country giving various readings and lectures. I spent about 180 days of 2017 either at an event, or travelling to or from one. By the time that car ride in Michigan came around, I was exhausted, not just by the travel but by something that is more difficult to articulate – the dissonance of the black spotlight, of being revered in one way and reviled in another, a revulsion that makes clear the hollowness of the reverence.
      The next morning, I delivered my address to a room full of people who had gathered for a library fundraiser, an address where I insisted, as so many black writers, artists and academics have before me, that America has failed to contend with the legacy of slavery. This failure is evident all around us, from our prisons to our schools, our healthcare, our food and waterways. I gave my lecture. I accepted the applause and the thanks, and then I got into another car. It was a different driver, but it was the same world.
      I was thinking about that driver’s words again last summer as news poured in about the killings of George Floyd, Ahmaud Arbery and Breonna Taylor. I was thinking about the way in which white people, in order to justify their own grotesque violence, so often engage in a kind of fiction, an utterly insidious denialism that creates the reality it claims to protest. By which I mean an unwillingness to see the violence that is actually happening before you because of a presumption of violence that might happen, is itself a kind of violence. What exactly can a man with a knee on his neck do, what can a sleeping woman do to deserve their own murder? To make room for that grotesqueness, that depraved thinking, to believe in any murder’s necessity, you must abandon reality. To see a man with several guns aimed at him, his hands on his head, as the problem, you must leave the present tense (“It’s good they’ve got so many on him”) and enter the future (“You never know what they will do”). A future, which is, of course, entirely imagined.

      I make my living off my imagination, but this summer, as I watched Homegoing climb back up the New York Times bestseller list in response to its appear­ance on anti-racist reading lists, I saw again, with no small amount of bile, that I make my living off the articulation of pain too. My own, my people’s. It is wrenching to know that the occasion for the renewed interest in your work is the murders of black people and the subsequent “listening and learning” of white people. I’d rather not know this feeling of experiencing career highs as you are flooded with a grief so old and worn that it seems unearthed, a fossil of other old and worn griefs.
      When an interviewer asks me what it’s like to see Homegoing on the bestseller list again, I say something short and vacuous like “it’s bittersweet”, because the idea of elaborating exhausts and offends me. What I should say is: why are we back here? Why am I being asked questions that James Baldwin answered in the 1960s, that Toni Morrison answered in the 80s? I read Morrison’s The Bluest Eye for the first time when I was a teenager, and it was so crystalline, so beautifully and perfectly formed that it filled me with something close to terror. I couldn’t fathom it. I couldn’t fathom how a novel could pierce right through the heart of me and find the inarticulable wound. I learned absolutely nothing, but some minor adjustment was made within me, some imperceptible shift that occurs only when I encounter wonder and awe, the best art.
      To see my book on any list with that one should have, in a better world, filled me with uncomplicated pride, but instead I felt deflated. While I do devoutly believe in the power of literature to challenge, to deepen, to change, I also know that buying books by black authors is but a theoretical, grievously belated and utterly impoverished response to centuries of physical and emotional harm. The Bluest Eye was published 51 years ago. As Lauren Michelle Jackson wrote in her excellent Vulture essay “What is an anti-racist reading list for”, someone at some point has to get down to the business of reading.
      And it’s this question of “the business of reading”, of how we read, why we read, and what reading does for and to us, that I keep turning over in my mind. Years ago, I was at a festival with a friend, another black author, and we were trading stories. She said that the first time she did a panel with a white male author she was shocked to hear the questions he was asked. Craft questions. Character questions. Research questions. Questions about the novel itself, about the quality and the content of the pages themselves. I knew exactly what she meant. More

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      in US Politics

      This is the Fire review: Don Lemon's audacious study of racism – and love

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      Don Lemon’s new memoir is an audacious and improbable book by a remarkable man. “We must summon the courage to love people who infuriate us, because we love the world we share,” he writes, near the start.

      Relatively young, a short 20 years ago, the CNN anchor was almost unknown. How then, without seeming arrogant or pompous, does he place his life and his experience beside the best-known champions from the pantheon of Black freedom fighters? Invoking the zeal and courage of Dr King and Sojourner Truth, portraying even the proscribed accomplishments of Hattie McDaniel and Butterfly McQueen in the same light of heroic survival, his is a voice as essential for our time as Ta-Nehisi Coates and as compelling as Caroline Randall Williams.
      Lemon was initially a Republican, he tells us, from a time in his Louisiana homeland when Republicans were still pro-civil rights. He has taken a circuitous route to ardent Black activism. He revealed three sensational secrets in a 2011 memoir, Transparent, and seemed destined to become a media star akin to Oprah Winfrey. But his nightly broadcasts as the only African American anchor in prime time, his Zoom chats and podcast on racism have been calculated towards his rise. Affectingly, he appeals to a growing fanbase by relating that success notwithstanding, his was a life as troubled as their own.
      For one thing, his parents hadn’t been legally wed. His mother, working for his dad as a legal secretary, was married to another man, his father to another woman. His dad died when Lemon was nine and his divorced mom remarried. His family were loving and even his relationship with his stepfather was good. But he realized he was a “double negative” – gay and Black – living in the south, undoubtedly confused by childhood sexual assaults at the hands of a friend of his mother. He overcame all of this but one media instructor later told him: “I don’t know why you’re here. You’ll never be a newscaster.”
      But he was, and he took off. And then, around 2014, he seemed to change. Out of the blue, he was hectoring Black youth on air to “pull up their pants!” Denouncing a rebel fashion which endures on account of its effectiveness at pissing off old people, particularly old white authority figures? One wondered, was he embracing Bill Cosby’s “respectability” political stand? Admonishing youth about the importance of being married before starting a family, even endorsing the value of New York’s discriminatory stop-and-frisk policing, many reasoned Lemon must be trolling for ratings from the enemy. Some denounced him as an “Uncle Tom”.
      The change of Lemon’s disappointing trajectory began before Trump. Certainly the threat the former president posed helped to radicalize someone who often seems happiest finding and presenting both sides. Trump’s recurring slur of “stupid”, alternating with, “the stupidest!”, was consistently met with good-natured laughter and ever more incisive analysis. Trump was Lemon’s trial by fire. White-hot, through it he was refined. From a mere Black pundit he was transformed into a tested, un-cowed combatant in the struggle for civil rights.
      Beginning with a cautionary letter to his nephews and nieces with his white fiance, Tim Malone, Lemon purposefully emulates his hero, James Baldwin. Explaining the killing of George Floyd, Lemon deliberately imitates a letter Baldwin wrote to his nephew in 1963. It is a preamble to a plea to learn all one can about the past. He warns of the omnipresence of patriarchal white supremacy, the west’s original sin.
      “Racism is a cancer that has been metastasizing throughout the land ever since Columbus showed up,” he states, making an excellent argument for replacing all memorials to Columbus with tributes to Frank Sinatra.
      Elucidating on the extent to which the wealth and might of America was derived from land appropriated from Native Americans and labor coerced from red, brown and especially enslaved Black Americans, he notes that even enterprises not directly involved in slavery benefited from the exploitative system. More

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      in World Politics

      Ken Burns’ Misunderstanding of Pronouns

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      Last week, David Marchese interviewed filmmaker Ken Burns for The New York Times. It came on the occasion of yet another in the growing series of Burns documentaries about the iconic people, objects and trends that most Americans recognize as the pillars of their culture. They include baseball, jazz, the Roosevelts, the Civil War, the Brooklyn Bridge and the war in Vietnam, among many others. The latest, which will premiere next month, is on Ernest Hemingway.

      Marchese detects an underlying motive in Burns’ work: the wish to affirm and highlight the importance of certain historical artifacts, if only to remind sometimes forgetful Americans that they possess a common culture. Burns is engaged in a valiant effort to convince Americans that they must recognize a powerful cultural identity capable of uniting them. Burns wants his fellow citizens to believe that military might and monetary clout are not the only forces that define American exceptionalism. He believes that the soft power conveyed by remembering the cultural icons and important moments of the past may endow the nation with a new source of vigor.

      As Marchese notes, Burns wishes to correct the impression that the nation is condemned to flounder in an increasingly complex set of culture wars that, to all appearances, have undermined the once vibrant national spirit. Burns, a 67-year-old baby boomer, admits his attachment to the feelings of pride he experienced in his youth when, despite the obvious contradictions that emerged with the Vietnam War and a “turned on” counterculture, there was a sense among white, middle-class Americans — regardless of their political preferences — that the nation was engaged in the noble mission of fulfilling the project its founders had imagined nearly two centuries earlier. 

      Ron Johnson’s Binary Thinking

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      Burns was 7 years old when John F. Kennedy stirringly called people to “ask not what your country can do for you, but what you can do for your country” — and the entire nation seemed to agree that that was a good idea. Sixty years later, the slogan in most people’s minds has become: Grab whatever you can for yourself because no one out there is going to help you.

      Marchese asks Burns whether his optimistic project isn’t “quixotic.” Burns replies enigmatically that he has “made films about ‘us.’ All of the intimacy of that two-letter lowercase plural pronoun and all the majesty and contradiction of the U.S. But the thing that I’ve learned is that there’s no ‘them.’ This is what everybody does: make a distinction about ‘them.’ It’s just us.”

      Today’s Daily Devil’s Dictionary definition:

      Them:

      The most impersonal of the personal pronouns in the English language, particularly prized by people with a paranoid cast of mind. In US culture, the pair “they/them” has come to mean those who are not like us and who should therefore be thought of as a threat.

      Contextual Note

      Burns stresses the fact that the two letters, “U” and “S” spell not just the name of the nation but the people who compose it in their collective identity: “us.” He appeals to the idea of solidarity in the midst of diversity, in conformity with the Latin motto that appears on the nation’s Great Seal: e pluribus unum. Out of many, one. The one, according to Burns, is “us.”

      Embed from Getty Images

      When Marchese suspects the denial of the existence of “them” may sound naive in a clearly fragmented nation, Burns defines his position as a categorical moral imperative that all Americans should embrace. He calls it “a nonreactive state, which is the state of observation.” In his role as a cultural journalist, he even appears to believe that it’s “part of a journalistic discipline.” It means struggling with oneself to avoid categorizing other people as “them.” At one point, he evokes John Keats’ concept of “negative capability,” which he interprets as meaning listening to all sides. Keats might have found Burns’ interpretation somewhat superficial. In any case, American culture has always preferred positive force to negative capability.

      Burns attempted to put negative capability into practice in his series of films on the war in Vietnam. Though the media critics acclaimed the film for its inclusive breadth, the historian Andrew Gawthorpe, writing for the Journal of Strategic Studies, judged that “Burns and Novick’s superficial telling of the history of the war fails to get to grips with the deeper ideas and structures of belief that led the USA into the Vietnam debacle in the first place – and which, if not tackled, threaten to lead it down similarly unwise paths in the future.”

      In the conclusion of his article, Gawthorpe describes the nature of that delusion that consists of believing in the capacity of a documentary filmmaker to transform the perception of “them” into “us.” “The ‘national healing’ Burns wished for implies not a useful confrontation and interrogation of these controversies and errors, but rather a soothing return to the status quo,” he writes. Throughout his work, Burns generously hopes that the divisions created by past and present traumas may be healed. But at a moment in history when belief in the nation’s institutions is crumbling, redefining the warring groups as a potentially unified “us” resembles a form of voluntary blindness.

      Historical Note

      Andrew Gawthorpe notes that Ken Burns’ hankering for a return to a comfortable status quo evident in his Vietnam War documentary reflects the mentality that “has led the USA to recently repeat in Iraq and Afghanistan many of the same mistakes made in Vietnam and gives us no reason to suspect it will not do so again in the future.” As a final thought, he adds: “[A] superficial rendition of [history] presents us with the risk that we will treat only the symptoms of what ails us and not the deeper malady.” The “us” Gawthorpe refers to is suffering from a “deeper malady.” For a nation that has never managed to create a functional health care system, this becomes particularly worrying.

      Ironically, former President George W. Bush proved to have a more secure sense of history and a better understanding of the concept of “them” than Burns. During his first presidential campaign in 2000, Bush offered this thought, framed in his inimitable style: “When I was coming up, it was a dangerous world, and you knew exactly who they were. It was us vs. them, and it was clear who them was. Today, we are not so sure who the they are, but we know they’re there.”

      Bush understood that since the Second World War, the US economy and political system depends on its fear of a threat from some group that can be labeled “them.” The glorious expansion of the economy during the Cold War existed thanks to the stability of Americans’ perception of the Soviets as the indispensable “them.” The permanence of the Soviet threat (real or imaginary) justified a series of aggressive actions across the globe as well as the imposition of standards and cultural memes — American soft power — that no one dared argue with.

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      Today, the vast majority of Americans, encouraged by the media, have been taught to believe that the Taliban, the Iranians, the Venezuelan “socialists” and the Chinese are not people and nations, but simply “them.” They are perceived not just as others to whom we can be indifferent, but as a threat to America’s being and its values. Thanks to the confusion of the 2016 US presidential election, the Democrats and their media have elected the Russians as the dominant them.

      The difference between the media-induced perception of foreign policy during the Cold War and today is that we now have multiple “thems.” That is the ultimate effect of the consumer society that celebrates choice and encourages the affirmation of personal identity not only through the brands each consumer adopts, but through the choice of an enemy each citizen or group of citizens is free to make.

      Focusing on the nation itself, Burns hopes that Americans will not treat one another as belonging to a group of threatening “thems.” He believes that if Americans at least occasionally listen to Louis Armstrong and read Ernest Hemingway while attempting to admit only to forget their foreign policy blunders of the past (such as the Vietnam War), all will be well again in the consumer empire.

      *[In the age of Oscar Wilde and Mark Twain, another American wit, the journalist Ambrose Bierce, produced a series of satirical definitions of commonly used terms, throwing light on their hidden meanings in real discourse. Bierce eventually collected and published them as a book, The Devil’s Dictionary, in 1911. We have shamelessly appropriated his title in the interest of continuing his wholesome pedagogical effort to enlighten generations of readers of the news. Read more of The Daily Devil’s Dictionary on Fair Observer.]

      The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. More

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      in US Politics

      Chaos Under Heaven: Trump as raging bull in a China policy shop

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      Covid-19 has left more than 530,000 Americans dead and China’s standing with the US at a historic low. Only Iran and North Korea fare worse. US opinion is no outlier. China’s reputation has taken a beating in Australia, the UK, Sweden, the Netherlands and Germany. Images of tanks rolling through Tiananmen Square in summer 1989 have been supplanted by Beijing stonewalling on the origins of the plague.In Chaos Under Heaven, the Washington Post reporter Josh Rogin reminds us that under Xi Jinping, China halted the export of personal protective equipment made by US companies, sent defective PPE to the Netherlands and barred Australian beef exports after Canberra called for an inquiry into the genesis of Covid-19. In Rogin’s telling, China’s “mask diplomacy” was a blunt instrument, designed to still criticism abroad and sow fear at home.Rogin delivers a needed modicum of clarity. Under the subtitle Trump, Xi and the Battle for the Twenty-First Century, he lays out what the US and its allies got wrong about China over decades, strife within the Trump administration and personal financial conflicts that affected US policy. Mitch McConnell, the Senate minority leader, and Jared Kushner and Ivanka Trump feature heavily. But Hunter and James Biden bear watching too.McConnell’s wealth is tethered to his wife’s family interest in Chinese shipping. Angela Chao, his sister-in-law, is chief executive of the business and sits on the board of the Bank of China. Most recently, the US transportation department inspector general reported that Elaine Chao, McConnell’s wife and Trump’s transportation secretary, escaped criminal investigation after the justice department weighed in.If the Chinese were to invade Taiwan, Trump said, ‘there isn’t a fucking thing we can do’. So much for US policyIn fall 2019, McConnell and Trump thwarted progress on the Hong Kong Human Rights and Democracy bill, which had cleared the Senate foreign relations committee, then controlled by Republicans. Back in 1992, McConnell backed legislation enacted in connection with the autonomy of Hong Kong. As late as summer 2019, he wrote an op-ed in support. Time – and perhaps marriage – can change perspective.Rogin has longtime interests in human rights and the far east. He spent the early days of his career at the Asahi Shimbun, a Japanese daily, and more recently rubbed shoulders with an informal group of opponents to the Chinese regime, which he calls the “Bingo Club”. One member was Peter Mattis, a former CIA analyst and nephew of James Mattis, Trump’s first defense secretary. During the 2016 Republican convention, Rogin broke the story of the Trump campaign “gutting” the GOP’s anti-Russia platform on Ukraine.Chaos Under Heaven moves quickly, is well-written and draws the reader in. Rogin makes clear that tension between Beijing and Washington will probably remain for the foreseeable future. China’s economy and military continue to grow, America’s social chasms remain on display. Under Xi, don’t expect the Middle Kingdom to back down.One of Rogin’s central points is that Trump correctly identified the threat and challenge posed by China yet proved incapable of formulating a coherent strategy and sticking with it. Much of the time, he conflated personal relationships with the national interest. As his approach to North Korea showed, not everyone was buying what he was selling. His effort to draw China into that quagmire was a bust. The art of the deal is way harder than Trump trumpeted.On the ground, the food fights of 2016 carried over to the White House. The West Wing was riven with factions. Wall Street transplants, military veterans and diehard Maga-ites exchanged verbal blows. The former reality show host zigged and zagged, blowing hot and cold as TV and his moods took him.During the 2016 transition, Trump accepted a congratulatory phone call from Tsai Ing-wen, president of Taiwan. Not surprisingly, China was angered – it regards the island as its own. Ambiguity toward Taiwan was central to US rapprochement with China in the 1970s. Trump walked his words back, invited Xi to Mar-a-Lago and treated him to the “most beautiful piece of chocolate cake that you’ve ever seen”.As for Trump’s take on Taiwan, he told a senator it was “like two feet from China” and the US was “8,000 miles away”. Trump chillingly added that if the Chinese were to invade, “there isn’t a fucking thing we can do about it”. So much for US policy.Trump’s inability to forge working alliances hampered US responses. Confronting China required playing well with others. Trump proved unable to set aside personal pique and drive a consensus forward. At times he caved on the technological threat China posed, for the sake of scoring an elusive trade deal.On the plus side of the ledger, the conduct of Beijing during the pandemic made governments realize “their dependence on China was a political vulnerability”. The UK reversed course and banned Huawei, the Chinese communications Goliath, from its networks.No book about Trump is complete without at least one salacious morsel. Chaos Under Heaven conveys that Trump came to believe an unfounded rumor that Gen HR McMaster, his second national security adviser, was conducting an extramarital affair. As expected, Trump could not keep the news to himself.At a crowded Oval Office staff meeting, the former president queried: “Have you heard who McMaster is fucking?” Ever the puritan, Trump warned: “He’s gonna get us all in trouble if he can’t keep his dick in his pants.” The Manhattan district attorney is still investigating all things Trump, including payments to Stormy Daniels and Karen McDougal.Rogin observes that Trump was “great at flipping over the chess board but he couldn’t set the board back up again”. That said, he had “shifted the conversation about China in a way that cannot be undone”. More

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      in World Politics

      Violence Against Women in Mexico Rises

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      Home is not a safe space for many women around the world and coronavirus-era quarantines and lockdowns have increased the risk of gender-based violence. In Mexico, statistics reflect this reality and women additionally face the rising risk of becoming targets amid violent drug crime and the militarization of the state security forces.

      According to the Secretariat of Citizen Security (SSPC) last year, 3,752 women were violently killed. Of these were 969 classified as femicides — defined as the violent death of a woman because of her gender — a slight increase on the previous year’s figure. According to data compiled by the Economic Commission for Latin America and the Caribbean, Mexico has the second-highest total number of femicides in the region — after Brazil — whilst nearby El Salvador and Honduras have the highest rates per capita. The prevalence of violent crime, a culture of machismo and weak implementation of measures designed to protect women mean Latin America is home to 14 of the 25 countries with the highest rates of femicide in the world.

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      The first months of the coronavirus pandemic were particularly dangerous for Mexican women, according to Maissa Hubert, the executive sub-director of Equis Justicia Para Las Mujeres, a Mexico City-based NGO. “During the first months of the pandemic, we saw a rise in various forms of gender-based violence,” she says. “In total, 11 women killed each day, compared to 10 per day at the start of 2020.”

      In March 2020, the emergency call centers received 26,000 reports of violence against women, the highest ever in Mexico. The number of women leaving their homes to take shelter in the National Refuge Network quadrupled.

      Outside the home, however, the continued growth of Mexico’s transnational criminal organizations and the militarized response of state security forces have further increased risks to women. While crime dropped in the first months of the pandemic, the security vacuum has increased clashes between 198 active armed groups in the country’s “hyper-fragmented criminal landscape,” according to International Crisis Group.

      Gangs and Militarized State Security

      “Organized crime has aggravated the situation with regards to the murder of women,” says Maria Salguero, a researcher who created the National Femicide Map. “The crime gangs use the dead bodies of women to send messages to their rivals. In states where there is a lot of organized crime, such as Juarez, Chihuahua, Guerrero and Naucalpan, we see high incidences of femicide, disappearances and rape.”

      The situation is exacerbated by the further militarization of state security. The Bertelsmann Transformation Index’s (BTI) country report on Mexico notes that “the army has been called upon to perform internal security tasks and is receiving large amounts of resources in the context of the war against drug trafficking.” It adds that the widening of the military’s mandate to include civilian tasks could have worrisome implications for consensus building in the country. As noted in the BTI report, President Andres Manuel Lopez Obrador‘s government risks losing public support if it cannot solve the challenges of corruption and violence in the country. It points out that “the fact that the army, which has so far not signified a threat to democracy, is required to undertake ever more tasks may be a threat in the future.” Such a breakdown in trust for institutions and the security forces could have knock-on effects for all violent crime.

      Embed from Getty Images

      On May 11, 2020, the Mexican armed forces and National Guard were given new authority to play a far greater role in policing violent crime in the country — giving them free rein to assume many of the police force’s duties — without any effective audit mechanism.

      The effect of this process on gender-based violence is only now coming to be understood. “The attitude of this government and its predecessors has been that a military response to the security situation will protect all of us and women in particular,” says Hubert. “But the reality is that the increased circulation of firearms has had a tremendous impact on women.”  

      Firearms were the weapon used in 60% of the total 1,844 murders committed against women in 2020. From 1998 to 2019, the number of women killed by firearms in Mexico rose by 375%. Over 2.5 million firearms have entered Mexico from the US over the last decade, and firearms accounted for the overwhelming majority of the total of 34,515 murders registered in Mexico in 2020, the highest number since 2015.

      An Overlooked Issue

      The continued emphasis on militarized security is sapping state funds at a time when resources for programs addressing violence against women in Mexico are being cut. In recent years, Mexican public policy has had a mixed record with respect to gender-based violence. It took until December last year for President Lopez Obrador to talk about gender-based violence, having previously avoided using the word femicide or acknowledge that women faced specific security concerns. In May 2020, he said that 90% of domestic violence-related 911 calls were false. His team failed to provide evidence to support this claim when requested to by NGOs.

      Despite this intransigence at the executive level, in recent years, there has been greater recognition of the problem at the federal and ministerial level, according to Hubert, with many long-lasting public policies proposed by the National Institute of Women, founded in 2001. However, many of the preventative and reactive policies introduced to tackle gender-based violence have been subject to cuts in government spending as a result of the pandemic.

      “We analyzed the activity of the courts at the start of the pandemic, and we found gender-based violence was not being prioritized,” says Hubert. “Issues such as divorce and alimony are crucial for a woman looking to free herself from a violent situation, but they weren’t being attended to by the courts.” 

      For Saguero, the priority is to keep recording the names and identities of the victims of Mexico’s “shadow pandemic” of gender-based violence. “Only by making the victims visible can we really make the scale of the problem visible,” she says, “but we have a lot of work to do because the numbers remain high.”

      The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. More

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      in US Politics

      'A breath of fresh air': readers on women who changed the world in 2020

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      Amanda Gorman‘She was a breath of fresh air on inauguration day’She is a young, intelligent and brilliant woman who will accomplish great things for good causes such as feminism, [and fighting] marginalisation, oppression, racism, etc. Our world today needs women and men of this calibre in order to live better together. In this difficult period, with the Covid-19 pandemic, it was so wonderful to get a breath of fresh air on Joe Biden’s inauguration day, and the accompanying enthusiasm to maintain good mental and physical health. Young people, especially, need hope for a future that looks so bleak. Nicole Dorion Poussart, retired historian, Quebec City, CanadaGreta Thunberg‘She dedicated her childhood to defend this planet’She dedicated her childhood to defend this planet. She is still very young but knows how to address the public and express her ideas and ideals. I don’t know how she came to be so dedicated – it’s outstanding! We need people who can persuade politicians to do something and cut emissions, save our flora and fauna and the land.Australia could become a desert if we don’t do something about water and stop the multinational companies from making millions from destroying this environment. We have a beautiful country and lots of people I know want to keep it beautiful, but it is difficult. We need people like Greta – I hope she lives for ever! Nathalie Shepherd, 79, originally from Holland but living in Adelaide, AustraliaAlexandria Ocasio-Cortez‘She is a political powerhouse’AOC is a Democratic representative from New York’s 14th congressional district. She is a political newcomer and a rising star because of her popular democratic-socialist policies and ideas. It’s ideas like the “green new deal”, tuition-free public college, affordable housing and many more that have gained traction among the working class and future generations.Love her or hate her, you’ve got to admit AOC is a political powerhouse. She works tirelessly to amplify progressive voices that have been neglected by our government for decades. It feels really good having a member of the government actually care about the people rather than the handouts they receive from oil companies and evil corporations. Never has a member of Congress been so transparent and supportive of effective political reform. Abdullah Chaudhry, 19, student, Texas, USZelda Perkins‘She’s been really brave in speaking out against Harvey Weinstein’She has been really brave in speaking out about her regret around the NDA she signed [in 1998] after allegations against Harvey Weinstein, who was convicted of rape and sexual assault in 2020 and sentenced to 23 years in prison. Breaking the NDA, and the debate this sparked about how pernicious they are in enabling abusive behaviour to go unchecked, makes her a really important figure and unsung hero in the post-#MeToo landscape.She’s really committed and brave, and clearly not in it for the fame. She has articulated really well the hold that men like Weinstein have on the women who have come into contact with them, and why this is not just about Weinstein, but addressing a toxic power imbalance. Ruth, 45, LondonStacey Abrams‘She’s been nominated for the Nobel peace prize for her work in the 2020 US election’She is a US democratic politician, lawyer, author and voting-rights activist who played a significant role in getting the state of Georgia to vote for Joe Biden and Kamala Harris in the 2020 US presidential election. She was also largely instrumental in ensuring that the new Democrat government had a working majority in the Senate by getting Raphael Warnock and Jon Ossoff elected in the runoff election that took place in January 2021. She has recently been nominated for the Nobel peace prize for her work in the 2020 election.In this time of political turmoil, I am inspired by Abrams because she has shown what is lacking in so many of our politicians in the UK and US – intelligence, honesty, bravery, transparency, decency, pragmatism, hard work and a wonderful sense of humour. She has shown that an individual can make a difference, and without cynicism. We should thank her, for we owe her a lot. John Glasser, 74, retired computer consultant, Tring, HertfordshireHannah Gadsby‘She touches on topics such as abuse and autism and puts them in easy words’She’s an Australian standup who has done two Netflix comedy specials. Her second one, which was released in May last year, was on her autism. It’s super-funny, but at the same time touches on so many important topics and subjects that are usually quite hard to explain. I’ve watched both her shows at least 10 times so far and I will probably watch them again at some point, because they don’t get boring.She inspires me by putting subjects such as abuse and autism in easy words and explaining feminist concepts so well. It’s highly educating and encourages me to fight my own feminist battles, to put my own struggles in words and explain them to others. I’m still much less agreeable than she is when I’m talking about feminism, so I hope I will be able to put things into words as lightly and at the same time convincingly as she does. Anna, Berlin, Germany More

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      'It's a moral decision': Dr Seuss books are being 'recalled' not cancelled, expert says

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      A leading expert on racism in children’s literature has said the decision by the Dr Seuss Foundation to withdraw six books should be viewed as a “product recall” and not, as many claim, an example of cancel culture. Philip Nel, a professor of English at Kansas State University, is the author of Was The Cat in the Hat Black? The Hidden Racism of Children’s Literature and the Need for Diverse Books. He told the Guardian the six titles by Theodor Geisel published between 1937 and 1976 that Dr Seuss Enterprises said it would cease printing contained stereotypes of a clearly racist nature.“Dr Seuss Enterprises has made a moral decision of choosing not to profit from work with racist caricature in it and they have taken responsibility for the art they are putting into the world and I would support that,” Nel said.The titles in question are And to Think That I Saw It on Mulberry Street, If I Ran the Zoo, McElligot’s Pool, On Beyond Zebra!, Scrambled Eggs Super! and The Cat’s Quizzer. Dr Seuss books have sold some 700m copies globally.They’re not being banned. They’re not being cancelled. It’s just a decision to no longer sell themAfter this week’s announcement, amid uproar eagerly stoked by conservatives in the media and Congress, Dr Seuss books swiftly dominated sales charts. On Friday, the House minority leader, Kevin McCarthy, went so far as to share a video of himself reading from Green Eggs and Ham, a perennial strong seller.“I still like Dr Seuss, so I decided to read Green Eggs and Ham,” McCarthy said, inviting viewers to respond “if you still like him too!”Geisel’s stepdaughter, Lark Grey Dimond-Cates, told the New York Post there “wasn’t a racist bone in that man’s body”, but also said suspending publication of the six titles was “a wise decision”. But the controversy left many perplexed, since the decision was made by Dr Seuss Enterprises and not as a result of public pressure that has preceded other such decisions.Nel said the decision to no longer publish titles including caricatures of people of African, Asian and Arab descent showed just one way to address problematic material.“[The books are] not going to disappear,” he said. “They’re not being banned. They’re not being cancelled. It’s just a decision to no longer sell them.”Geisel died in 1991. Later in life, he made efforts to tone down racial stereotypes in some of his books. Such revisions “were imperfect but will-intentioned efforts that softened but did not erase the stereotyping”, Nel said, noting that Geisel also made a joke of the changes, “which served only to trivialise the importance of the alterations”.Moves to correct dated or offensive cultural material take different forms. Turner Classic Movies, for example, has introduced Reframed: Classic Films in the Rearview Mirror, a series devoted to “problematic” films. TCM identified 17 films that five hosts will discuss, among them Gone With the Wind, Guess Who’s Coming to Dinner, Tarzan, Breakfast at Tiffany’s, The Searchers and Psycho.“We are hearing more and more from audiences about moments they are really puzzling over, if not downright offended by, in light of all of the broader cultural and political conversations we are having,” the University of Chicago cinema studies professor Jacqueline Stewart, a Reframed host, told Variety.TCM’s decision to seek to contextualise the films but not alter or drop them may reflect the importance of the works and a more mature target audience. Nel said placing contentious work in a larger context and inviting discussion can be risky when the work is directed at a younger consumers.“Children understand more than they can articulate,” he said. “If you inflict racist images on them before they can express what they’re articulating they may endure a harm they cannot process.”In the case of Dr Seuss, Nel said, that “is itself a reason to withdraw the books or to bring in books or art that counter stereotypes with truth.”He pointed to statistics that show the publishing industry still has a way to go. According to a recent Diversity in Children’s Books study, only 22% of children’s books published in 2018 featured non-white characters.Nel pointed to The Indian in the Cupboard series by Lynne Reid Banks, Penguin Random House titles about a toy figure of a Native American that comes alive, first published in 1980, as an example of a book that remains in print without comment or apology.“There’s a lot of examples of contemporary as well as older work that the publishing industry should address,” he said, “and there are different ways to do that. There’s a debate on what the response should be but there should be a response.”Merely putting the question of what a child can or cannot see to parents would not be an adequate solution, Nel said.“Parents may not have training in anti-racist education,” he said, “or may not know how to have these conversations. So in the case of Dr Seuss it’s a way of addressing the gap in what one might hope a responsible adult would know and what we can expect a responsible adult to know.“Either way, children’s book publishing is facing a reckoning, as indeed it has been for some time. This decision, and all the attention it has received, I hope will create a broader reckoning in the publishing industry – the need for more diverse books and to address the problems in current books being published.” More

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      in US Politics

      Lucky review: how Biden beat Trump – and doubters like Obama and Hillary

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      Seven million votes more was almost not enough. Had 45,000 gone the other way in Arizona, Georgia and Wisconsin, Donald Trump would still be president. Calls to defund the police nearly cost Joe Biden victory and led to a more than a dozen-seat loss for House Democrats.
      Biden had “separated himself from the orthodoxies of his party’s base” but “had no coattails” to spare, Jonathan Allen and Amie Parnes write. As always, culture counts – even amid a pandemic.
      But “Unwoke Joe”, as the authors call him, was the one Democrat whose empathy and instincts matched the demands of the times. Lucky is an apt title for Allen and Parnes’s third book.
      “In 2016, Trump had needed everything to go wrong for Hillary Clinton to win,” they write. “This time, Biden caught every imaginable break.”
      Their joint take on Biden is a prism and scorecard that gives added understanding to the seemingly never-ending war of 2020. Allen is a veteran political writer at NBC News digital, Parnes reports for the Hill. They deliver.
      Subtitled How Joe Biden Barely Won the Presidency, Lucky is the first full-length campaign postmortem. It makes the silent parts of the conversation audible and reminds the reader the past is always with us.
      The authors convey the cultural dimensions of Biden’s win. He was an old-time north-eastern pol who repeatedly bore witness to personal tragedy. So long in the Senate, he prided himself on his capacity to compromise and reach across the aisle, a trait that Allen and Parnes report elicited scorn from Elizabeth Warren.
      Biden also sought to maintain a “close relationship with the police and the civil rights community”, in his own words. It was no accident South Carolina emerged as Biden’s firewall in the primary, or that James Clyburn, a 15-term congressman and the most senior Black member of the House, was pivotal in digging Biden out of a deep hole.
      In the election’s aftermath, Clyburn attributed Democratic underperformance to the move to defund the police and the mantras of the left.
      “I’ve always said that these headlines can kill a political effort,” he told NBC. For good measure, Clyburn added: “Sometimes I have real problems trying to figure out what progressive means.”
      On the other hand, Hillary Clinton and Barack Obama come across as out of sync. We are told that Clinton, the “vampire in the bullpen”, harbored thoughts of another run – until late 2019.
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      The fact Clinton lost in 2008 and 2016 had not totally dulled her capacity to believe she could unify party and country. Lucky captures Biden in 2016, calling the former secretary of state a “horrible candidate” who failed to communicate what she actually stood for.
      Unlike Clinton, Biden understood that simply drawing a contrast with Trump would not be sufficient. Yet Clinton did see that the 2020 Democratic nominee, whoever it was, would be in a fight for “the very soul of the nation”. Charlottesville provided that epiphany to Biden.
      Obama too does not fare too well, a fair-weather friend to his vice-president on several occasions, overly concerned with protecting his own legacy. He got some very important stuff wrong. Biden was more attractive and viable than the 44th president and his coterie thought.
      In the authors’ telling, Obama was temporarily enamored with Beto O’Rourke. Like Kamala Harris, the former Texas congressman’s candidacy was over before the first primary. For both, stardom did not translate into staying power.
      Then, at an event with Black corporate leaders in the fall of 2019, Obama amplified Warren’s chances and trash-talked Pete Buttigieg, then mayor of South Bend, Indiana. Obama reportedly said: “He’s the mayor of a small town. He’s gay, and he’s short.” Unlike Buttigieg, Warren never won a primary. She also finished third in Massachusetts – her own state.
      As for Biden, one source describes Obama’s support as “tepid at best”. Obama tacitly backed Biden just days before Super Tuesday in March. Months later, he took his time congratulating Biden on his election win.
      Biden’s so-called “brother” failed to call him “on election day, or the next day, or the next, or the next”, according to Allen and Parnes. Obama waited until Saturday 7 November, “the day the networks had finally called the election”. The audacity of caution. More