Deaths (Obituaries)

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      Elias Khoury, Master of the Modern Arabic Novel, Dies at 76

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      In his fiction and journalism, he sought to illustrate the story of the contemporary Middle East and his native Lebanon.Elias Khoury, a Lebanese writer whose sweeping, intricately rendered tales of postwar life in the Middle East won him praise as one of the greatest modern Arabic novelists, and whose editorial leadership of some of Lebanon’s leading publications made him an arbiter of his country’s turbulent political culture, died on Sunday in Beirut. He was 76.His daughter, Abla Khoury, confirmed the death, in a hospital, adding that her father had been in declining health for several months.Mr. Khoury’s writing, both fiction and journalism, often focused on the twin events that defined his world: the Lebanese civil war, from 1975 to 1990, and the plight of Palestinians after the founding of Israel, particularly the tens of thousands who fled to Lebanon in 1948 and after the Six-Day War of 1967.As a novelist, Mr. Khoury was often compared with the American writer James A. Michener, who in books like “Hawaii” (1959) and “Texas” (1985) attempted to capture epic swaths of history in an intimate narrative.But if his vision was Michenerian, his prose was Faulknerian, driven by interweaving, stream-of-conscious narratives. He also claimed Vladimir Nabokov and Italo Calvino as influences.Mr. Khoury in 2014. His novels often began with a single, sustained encounter before spinning outward, kaleidoscopically, into the past and across borders.Bilal Hussein/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Cathy Merrick, Advocate for Indigenous People in Canada, Dies at 63

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      She was on the front lines of dogged fights against injustices, including a recent series of murders of Indigenous women by a white man.Cathy Merrick, a towering figure in the fight for Indigenous rights in Canada and the first woman to be elected grand chief of the Assembly of Manitoba Chiefs, representing 63 First Nations, died on Sept. 6 in Winnipeg, the provincial capital. She was 63.The Assembly of Manitoba Chiefs announced her death in a statement.Ms. Merrick died while doing what she had dedicated her life to: advocating for Indigenous people. She had just attended the trial of a corrections officer who had been charged in the death of an Indigenous inmate. The man had been acquitted, and Ms. Merrick was standing on the courthouse steps expressing her disappointment to the news media when she suddenly collapsed.She was taken to nearby St. Boniface hospital, where she was declared dead. The cause was not immediately known, and an autopsy was to be performed.Ms. Merrick’s death was met with deep grief across Canada. Hundreds attended her wake as she lay in state last week at the Manitoba Legislative Building, only the sixth person and the first woman ever to receive that honor.“Grand Chief Cathy Merrick was a relentless and incredibly effective advocate for First Nations peoples, especially for those most vulnerable,” Prime Minister Justin Trudeau of Canada said in a statement.Catherine Ann McKay, whose traditional Cree name was Kameekosit Ispokanee Iskwew, was born on May 31, 1961, at Cross Lake, the English name for the Pimicikamak Cree Nation, in northern Manitoba. She was the adopted daughter of Hazel and Thomas Spence. Her mother was a nurse, her father a carpenter.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      R. Peter Munves, Master Marketer of Classical Music, Dies at 97

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      As an executive at Columbia and RCA Records, he popularized the classics for mass audiences by applying the same techniques used to sell pop music.R. Peter Munves, a record company executive who revolutionized the marketing of classical music, died on Aug. 19 in Glen Cove, N.Y. He was 97.His death, in a nursing home, was confirmed by his son Ben.Mr. Munves carved out a moneymaking niche in what for much of its history has been a low-margin, struggling industry, selling classical music to mass audiences by applying the techniques of pop music marketing.In the 1960s, while at Columbia Records, he created a series called “Classical Greatest Hits” that packaged bits of Brahms, Mozart, Bach and other composers onto single LPs. In 1968 he signed the electronic musician Wendy Carlos to record “Switched-On Bach” — pieces by Bach on the Moog synthesizer.Both ideas were big hits, commercially if not with the critics. Time magazine reported in a 1971 profile of Mr. Munves that the “Greatest Hits” series “scored a solid bull’s-eye in the market and rang up $1,000,000” in revenues. The “Switched-On Bach” album, Time said, was Columbia’s “all-time best classical seller.”In 1968, Mr. Munves signed the electronic musician Wendy Carlos to record an album of Bach compositions on the Moog synthesizer. It was said to be Columbia’s best-selling classical album of all time.Columbia/CBSIn 1981 Mr. Munves produced an album that compiled 222 well-known themes from classical music. One critic called it a “marketing masterpiece.”Columbia/CBSMr. Munves went on to produce an album called “Themefinder” — a compilation of 222 well-known themes from classical music that the New York Times music critic Edward Rothstein called a “marketing masterpiece” upon its release in 1981, adding that Mr. Munves was “an inspired producer.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mary McFadden, Celebrated Designer of Shimmering Dresses, Dies at 85

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      She took symbols from ancient cultures and translated them into intricate embroideries, beadings and paintings on clothes worn by the likes of Jacqueline Onassis.Mary McFadden, a fashion designer who was famous not just for her shimmering, pleated dresses, which cascaded freely to the floor, but also for her visage — stark white Kabuki-style makeup and bluntly cut ebony hair — died on Friday at her home in Southampton, N.Y. She was 85.Her brother John McFadden said the cause was myeloma dysplasia.Ms. McFadden took symbols from ancient cultures — the phoenix from China, shadow puppets from Indonesia — and translated them into intricate embroideries, beadings and paintings on her clothes.At Mary McFadden Inc., the company she ran from 1976 to 2002, she designed pleated dresses that she said she wanted to fall “like liquid gold” down a woman’s body. They were similar to those made by Mariano Fortuny and Henriette Negrin early in the 20th century, but they were made from a synthetic charmeuse that she sourced in Australia, dyed in Japan and machine-pressed in the United States — a fabric she patented in 1975 and called Marii.She designed dresses that resembled those worn by the women sculpted on the caryatids at the Acropolis in Greece, and her models imitated their poses for fashion shoots under the pediment of the New York Public Library. Jacqueline Onassis was among those who wore McFadden gowns.Ms. McFadden was the first female president of the Council of Fashion Designers of America. She served in that position from 1982 to 1983.The author, pianist and composer Christopher Mason said that he often ran into Ms. McFadden in the late 1980s and ’90s, and that he once found himself seated next to her at a dinner hosted by the Irish model Maxime de la Falaise for her daughter, Loulou.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Chad McQueen, ‘Karate Kid’ Actor, Dies at 63

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      Mr. McQueen, the son of Steve McQueen, is most widely recognized for his recurring role as Dutch in the 1980s cult classic franchise “The Karate Kid.”Chad McQueen, the actor best known for the role of “Dutch” in the “Karate Kid” movie franchise and son of the actor Steve McQueen, died on Wednesday at his home in Palm Desert, Calif. He was 63.His family announced his death in a post on social media, paired with a photo of him as a boy with his famous father. The cause was organ failure, his longtime attorney and friend, Arthur Barens, said.Chad McQueen was involved in more than 25 movies and television shows, as an actor, producer and other roles, but he is most widely recognized for his role as Dutch in the 1984 teen classic “The Karate Kid.”As Dutch, Mr. McQueen played a mean, troublemaking bully of the Cobra Kai dojo who ran with Johnny Lawrence (William Zabka) and his gang, showing no mercy and jumping up and down in excitement as they delivered a brutal beating to Daniel LaRusso (Ralph Macchio) on Halloween night.He reprised the role of Dutch in the sequel, “The Karate Kid Part II,” released in 1986.Mr. McQueen went on to appear in other films including “New York Cop,” a 1993 action film about a Japanese detective living illegally in the United States; and “Red Line,” a 1995 thriller about a car thief who is blackmailed.But Mr. McQueen did not stay in Hollywood for long after that, and he again followed in his father’s footsteps by switching to auto racing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Charles Biasiny-Rivera, Champion of Latino Photography, Dies at 93

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      A New Yorker of Puerto Rican descent, he helped start a collective that brought recognition to Hispanic photographers and illuminated life in the city’s barrios.To Charles Biasiny-Rivera, who worked as a street photographer in the barrios of New York City in the early 1970s, his craft was a matter of trust as much as eye.“You really do have to understand that when you enter a neighborhood, the neighborhood sees you as a stranger, because they know everybody, so you don’t want to become noticed,” he said in a 2022 video interview. “So you hang out a little bit,” he added, “smoke some cigarettes, say good morning, good afternoon to people.“If you created a rapport with them,” he said, “they wouldn’t be peering at you all the time. For those peeking from windows, “the shades would go up, the shades would go down.”A photograph by Mr. Biasiny-Rivera taken in 1974 at Benjamin Franklin High School in East Harlem. (The school closed in 1982.) The image was shown in the 2021 exhibition “En Foco: The New York Puerto Rican Experience, 1973-1974,” at El Museo del Barrio in Manhattan.Charles Biasiny-Rivera/Collection El Museo del Barrio, New York CityAs an aspiring photographer of Puerto Rican descent, Mr. Biasiny-Rivera saw street photography as one of the few paths open to him at a time when the handful of Latino photographers he knew were struggling to make a mark in the field. He spent the rest of his career working to change that.Mr. Biasiny-Rivera died at 93 on Aug. 10 at his home in Olivebridge, N.Y., a hamlet in the Catskill Mountains. His wife, Betty Wilde-Biasiny, said the cause was complications of lung cancer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Alberto Fujimori, Ex-Leader of Peru Imprisoned for Rights Abuses, Dies at 86

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      During his decade in power, he revived the economy and crushed two violent leftist insurgencies. But he was forced out in a corruption scandal and later imprisoned for human rights abuses.Alberto Fujimori, who during his decade-long presidency in Peru rebuilt the nation’s economy and quelled two deadly leftist insurgencies, but who was forced out by a corruption scandal and was later imprisoned for human rights abuses, died Wednesday. He was 86.His daughter Keiko Fujimori confirmed his death in a post on X. Mr. Fujimori, who suffered from arrhythmia and other ailments, died of cancer at Ms. Fujimori’s home in Lima, the capital.A son of Japanese immigrants, Mr. Fujimori was an obscure agricultural engineer and political novice when he ran for the presidency in 1990, famously campaigning aboard a tractor. He stunned the nation by placing a close second in a crowded field and then defeating the establishment favorite, the novelist Mario Vargas Llosa, in a runoff.In office, Mr. Fujimori tamed hyperinflation, unemployment and mismanagement; lifted economic growth and standards of living; and cracked down on drug trafficking. But he also showed little regard for Peru’s laws and institutions. He temporarily shut down Congress, governing by fiat for months. He was lauded for subduing the two insurgencies, Shining Path and the Túpac Amaru Revolutionary Movement, but the brutality of his methods ultimately drew global criticism and landed him a lengthy prison sentence.Mr. Fujimori waved the flag of Peru as he and former hostages of the Túpac Amaru Revolutionary Movement arrived at a military hospital in Lima in 1997. The hostages had been held at the Japanese ambassador’s residence before being freed by troops.Luis Chiang/ReutersHis downfall seemed as improbable as his ascent. Toppled in 2000 after a television channel broadcast a videotape showing his intelligence chief trying to bribe a congressman, Mr. Fujimori fled to Japan, where he submitted his resignation by fax from a hotel in Tokyo. After five years in exile, he traveled to Chile to try making a political comeback; instead, he was extradited to Peru.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      María Benítez, Dancer Who Championed Flamenco, Is Dead at 82

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      “People came from everywhere to see her shows,” an admirer said — including, on at least one occasion, the ballet superstar Mikhail Baryshnikov.María Benítez, an American dancer and choreographer who, as the founder of a popular Spanish dance troupe, played a major role in making New Mexico a hotbed for flamenco, died on Tuesday at her home in Santa Fe. She was 82.Her death was confirmed by her son, Francisco Benítez, who is her only immediate survivor and who did not specify a cause.Ms. Benítez was born in Minnesota, but she spent most of her childhood in Taos, N.M., where she began taking ballet classes at 10. At 18, she moved to Spain to study Spanish dance. There, in 1965, she met Cecilio Benítez, who was in charge of scenography and lighting at the Fontalba Theater in Madrid. They soon married, and she brought him back to her homeland, settling in New Mexico, where she started teaching and performing Spanish dance at El Nido, a bar in Santa Fe.The Benítezes formed a dance troupe, at first called the María Benítez Spanish Company and then later named the María Benítez Teatro Flamenco. In 1976, they moved to New York and began splitting their time between that city and Santa Fe. The company became the troupe in residence at the Lodge at Santa Fe and performed every summer in a cabaret theater that was modeled on the flamenco tablaos of Spain and was eventually named after her.“She helped make New Mexico a capital of flamenco, not just in the United States but on the global scale,” Nicolasa Chávez, who is the deputy state historian of New Mexico and the author of “The Spirit of Flamenco: From Spain to New Mexico” (2015), said in an interview. “People came from everywhere to see her shows” — including, Ms. Chávez recalled, the ballet superstar Mikhail Baryshnikov.Ms. Benítez and Ángel Muñoz in performance at the Joyce Theater in Manhattan in 1995. Ms. Benítez’s company, the María Benítez Teatro Flamenco, performed regularly at the Joyce in the 1980s and ’90s. Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More