Deaths (Obituaries)

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      Mildred Thornton Stahlman, Pioneer in Neonatal Care, Dies at 101

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      She developed one of the first modern intensive care units for premature babies, helping newborns to breathe with lifesaving new treatments.Dr. Mildred Thornton Stahlman, a Vanderbilt University pediatrician whose research on fatal lung disease in newborns led to lifesaving treatments and to the creation, in 1961, of one of the first neonatal intensive care units, died on Saturday at her home in Brentwood, Tenn. She was 101.Her death was confirmed by Eva Hill, the wife of Dr. Stahlman’s nephew George Hill.On Oct. 31, 1961, Dr. Stahlman fitted a premature baby who was gasping for breath into a miniature iron lung machine, also known as a negative pressure ventilator, the kind used for children with polio. The machine worked by pulling the baby’s frail chest muscles open to help draw in air. The baby survived.That initial success, along with findings from Dr. Stahlman’s studies on newborn lambs, helped launch a new era of treating respiratory lung disease, a leading killer of premature babies. Immature lungs lack surfactant, a soapy chemical that coats air sacs. Without surfactant, the tiny sacs collapse.Shortly after her first success, Dr. Stahlman reported that, by 1965, she had used the iron lung machine, augmented with positive pressure, to save 11 of 26 babies at Vanderbilt. By the 1970s, negative pressure tanks were jettisoned for positive pressure machines that worked by inflating the lungs. In the 1990s, the use of surfactants extracted from animal lungs dramatically improved the survival of babies with severe disease who required mechanical ventilation. “Millie was one of the first to push the limits of viability of premature infants in a careful and scientific way,” said Dr. Linda Mayes, a Yale professor of child psychiatry, pediatrics and psychology and chair of the Yale Child Study Center who trained under Dr. Stahlman. “She was a physician-scientist long before that phrase was popular.”In the early days of neonatology, Dr. Stahlman was one of the few doctors in the world who knew how to thread tiny catheters into the umbilical vessels of newborns to monitor blood oxygen, wrote Sarah DiGregorio in her book, “Early: An Intimate History of Premature Birth and What It Teaches Us about Being Human.” The procedure was vital to ensuring enough oxygen to keep the babies alive but not so much that it might trigger blindness.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ann Lurie, Nurse Who Became a Prominent Philanthropist, Is Dead at 79

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      A former hippie who chafed at wealth, she married a Chicago real estate titan and, after his death, donated hundreds of millions in her adopted city and beyond.Ann Lurie, a self-described hippie who went on to become one of Chicago’s most celebrated philanthropists, in one instance giving more than $100 million to a hospital where she had once worked as a pediatric nurse, died on Monday. She was 79.Her death was announced in a statement by Northwestern University, to which Ms. Lurie, a trustee, had donated more than $60 million. The statement did not say where she died or specify a cause.An only child raised in Miami by a single mother, Ms. Lurie protested the Vietnam War while in college and planned to join the Peace Corps after she graduated. In interviews, she said she chafed at the trappings of wealth even after marrying Robert H. Lurie.Mr. Lurie had built a real estate and investment empire as a partner in Equity Group Investments, teaming up with a former fraternity brother from the University of Michigan, Sam Zell, whose portfolio came to include The Chicago Tribune, The Los Angeles Times and the Chicago Cubs. Mr. Lurie held stakes in the Chicago Bulls and the Chicago White Sox.He died of colon cancer in 1990 at 48, leaving an estate worth $425 million. By 2007, Ms. Lurie had donated $277 million, according to The Chicago Sun-Times.In recognition of the care Mr. Lurie received at Northwestern University’s cancer center, the couple endowed the Robert H. Lurie Comprehensive Cancer Center of Northwestern University to expand its treatment and research capabilities.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Martin Mull, Comic Actor Who Starred in ‘Mary Hartman,’ Dies at 80

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      Mr. Mull was also known for his roles in “Clue,” “Roseanne” and “Veep.”Martin Mull, the comedic actor, musician and artist who gained widespread attention in the 1970s in shows such as “Mary Hartman, Mary Hartman” and “Fernwood 2-Night,” and remained active in television and film over the next half-century, died on Thursday at his home in Los Angeles. He was 80.His wife, Wendy Mull, confirmed his death. He died after a long illness, his family said. No cause was given.In “Mary Hartman,” Mr. Mull played Garth Gimble, a domestic abuser who met his demise by being impaled on the star atop an aluminum Christmas tree.He starred in the show’s subsequent spinoff, “Fernwood 2-Night,” a parody of talk shows that aired in 1977. He played the talk-show host Barth Gimble, the twin brother of Garth Gimble.The actors Fred Willard, Martin Mull and Frank De Vol on “Fernwood 2-Night” in 1977.Everett Collection“With an undistinguished blond mustache, which may or may not be intended as a joke, Barth copes manic‐depressively with a shaky job situation and some hazy allegations about charges pending against him in Florida,” The New York Times wrote in a review in 1977 of the show’s opening week. “Barth will say only that his lawyer thinks he has ‘a pretty darn good case for entrapment.’”He was also known for his roles in “Clue” (1985) and the television shows “Roseanne” and “Arrested Development.” He also played the character Bob Bradley, an aide to the main character in the political sitcom “Veep.”More recently, Mr. Mull appeared in the Fox television series “The Cool Kids,” about a group of rule-breaking friends living in a retirement community.Martin E. Mull was born on Aug. 18, 1943, in Chicago to Harold and Betty Mull. He earned degrees from the Rhode Island School of Design. His work appeared in gallery shows and in the Whitney and Metropolitan museums.In addition to his wife, he is survived by a daughter, Maggie Mull.In a 2018 interview with The Times, he described his approach to his art as “going back and finding old Life and Look magazines, people’s family photos and things like that, and then I collage from those, make my own images and then paint them.”A full obituary will follow.Alain Delaquérière More

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      Kaz Hosaka, 65, Dies; Led Two Poodles to Westminster Glory

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      He began handling dogs in his native Japan and then became a poodle specialist, leading Spice and Sage to Best in Show victories.Kaz Hosaka, a prominent Japanese-born dog handler who guided two miniature poodles to Best in Show victories at the Westminster Kennel Club Dog Show — the second one just last month — died on Sunday in Langhorne, Pa. He was 65.His wife, Roxanne Wolf, said the cause was a traumatic brain injury as a result of a fall.Mr. Hosaka was a masterly handler for more than 40 years. Edge, a lifestyle magazine, recently said he was “to the poodle world what Michael Jordan is to basketball. Smooth, clever, elegant and nearly unbeatable.”In a profile in The New York Times in 2009, he was described as “an artist who tends his poodles’ poufs as if they were bonsai trees from his native Japan.”Mr. Hosaka radiated intensity, from the backstage grooming area to the green carpeted show rings, said David Frei, a former voice of the televised Westminster show and the club’s former communications director.“When he’d walk in someone’s ring, other handlers would say, ‘Oh,’” Mr. Frei said in an interview, “and judges would say that must be a pretty good dog if he’s handling it.”Mr. Hosaka was a poodle specialist who handled all three size varieties: miniatures, toys and standards. He showed the winningest toy poodle in breed history, Ch. Smash JP Win a Victory, also known as Vikki, to 108 Bests in Show and to the ranking of No. 1 dog in the country in 2007. The tiny exemplar of canine topiary also won the toy group at Westminster in 2007 and 2008, although she lost in the Best in Show competition each year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Silvano Marchetto, Owner of Glitzy Greenwich Village Trattoria, Dies at 77

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      Da Silvano was a celebrity hangout, drawing boldface names like Madonna, Barry Diller and Yoko Ono. It was often referred to as the downtown Elaine’s.Silvano Marchetto, an Italian restaurateur whose Greenwich Village trattoria, Da Silvano, opened in 1975 and became a star-studded canteen and a Page Six fixture, died on June 4 in Florence, Italy. He was 77.His daughter, Leyla Marchetto, said the cause was heart failure.For four decades, akin to a downtown Elaine’s, Da Silvano was one of New York’s reigning haunts for the art, fashion, media and film crowds. And Mr. Marchetto, a hard-living Tuscan who parked his Ferrari ornamentally outside his establishment, was its rustic host and mascot.He wore Hawaiian shirts and yellow pants, and his wrists were covered in silver bracelets and jewelry. After he fired waiters in fits of passion, he soon missed them, sending emissaries to lure them back. And when everyone from Rihanna to Barry Diller to Patti Smith frequented his restaurant, he greeted them with a friendly growl as he nursed a glass of wine.Before social media democratized the public’s access to the lives of celebrities, tabloids like The New York Post and The Daily News relied on Da Silvano as a source of juicy gossip. The patio tables beneath its yellow awning were coveted seating for those who wanted to be seen, and the pictures snapped by the paparazzi posted up along the sidewalk outside notified New Yorkers about how their favorite celebrities dated, argued, wheedled and canoodled.“Page Six covered us so much people asked if I owned The New York Post,” Mr. Marchetto (pronounced MARK-et-oh) once said. “But it was good for Da Silvano, whatever they wrote.”Mr. Marchetto’s roster of regulars included Calvin Klein, Anna Wintour, Lindsay Lohan, Joan Didion, Madonna, Yoko Ono, Harvey Weinstein, Susan Sontag, Lou Reed, Salman Rushdie, Stephanie Seymour and Larry Gagosian.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ron Simons, Who Brought Black Stories to Broadway, Dies at 63

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      He left a career in tech and found success as a producer, winning four Tonys. His mission: staging productions about underrepresented communities.Ron Simons, who left his job as an executive at Microsoft to pursue his dream of acting but later found his métier as a theatrical producer — one of the relatively few Black ones on Broadway — and won four Tony Awards, died on June 12. He was 63.His death was announced by Simonsays Entertainment, his production company. A spokesman declined to say where he died or provide the cause of death.Mr. Simons had been acting for about a decade, but was unhappy with the roles he was being offered, when he started producing in 2009. He believed that his experience as an actor and businessman would serve him well as a producer.“I’ve found that many businesspeople can handle the question of financial viability but can’t judge a good story, so as an artist I also have that area of expertise,” he told DC Theater Arts in 2020. “Plus, even if it’s a good story, it has to be crafted to take it to the stage, so the leadership must understand how to get it there.”Success came quickly. He was a producer of “The Gershwins’ Porgy and Bess,” starring Audra McDonald and Norm Lewis, which won the Tony for best revival of a musical in 2012. Mr. Simons won a second Tony a year later for best play for “Vanya and Sonia and Masha and Spike,” a comedy by Christopher Durang about three middle-aged siblings.Audra McDonald, center, in the musical “The Gershwins’ Porgy and Bess,” which Mr. Simons produced.Sara Krulwich/The New York TimesFrom left David Hyde Pierce, Kristine Nielsen and Sigourney Weaver in the Tony-winning “Vanya and Sonia and Masha and Spike.”Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Remembering Willie Mays as Both Untouchable and Human

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      Mays, who died on Tuesday at 93, had been perfect for so long that the shock of seeing baseball get the best of him was the shock of seeing a god become mortal.At the end, the Say Hey Kid looked nothing like the extraordinary force who had been at the center of the American imagination for much of the 20th century.The Kid — Willie Mays — struggled at the plate and stumbled on the basepaths. A line drive arced his way, easily catchable for Mays during most of his career. But he fell. Another outfield mistake caused the game to be tied in the ninth inning.He was a creaky-kneed 42 years old on that October afternoon, Game 2 of the 1973 World Series — Mays’s New York Mets in Oakland facing the A’s. On the grandest stage, the ravages of time had settled upon the game’s most gilded star.That he would redeem himself at the plate three innings later is often forgotten. The unthinkable had happened. Mays had not only failed, he had appeared lost, clumsy and out of sorts.The shock of seeing him that way would linger long past his playing days as a warning: Don’t be like Willie Mays, sticking around too long, stumbling in center field, a shadow of his former self. Such became the axiom, uttered in so many words by everyone from politicians to business leaders to commentators weighing in on great athletes who yearn to play into their twilight.Quit before it is too late.In retirement, Mays, who died on Tuesday at 93, did his best to ignore the game that would be his last. But there is another way to view its echoes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Angela Bofill, R&B Hitmaker With a Silky Voice, Dies at 70

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      Starting in the late 1970s, she scored multiple hit singles, including “This Time I’ll Be Sweeter” and “I Try,” but multiple strokes in the 2000s ended her career.Angela Bofill, a New York-bred singer whose sultry alto propelled a string of R&B hits in the late 1970s and early ’80s before strokes derailed her career in the 2000s, died on Thursday in Vallejo, Calif. She was 70.Her death, at the home of her daughter, Shauna Bofill Vincent, was announced in a social media post by her manager, Rich Engel. He did not specify a cause.With a silky blend of Latin, jazz, adult-contemporary and soul, Ms. Bofill is best remembered for jazzy love songs like “This Time I’ll Be Sweeter” and funk-inflected pop numbers like “Something About You.” Armed with a three-and-a-half-octave range, her voice was “as cool as sherbet, creamy, delicately colored, mildly flavored,” as Ariel Swartley wrote in Rolling Stone magazine in 1979.Starting in 1978, Ms. Bofill logged six albums in the Top 40 of the Billboard R&B charts, with five of them crossing over to the Top 100 of the pop charts. She also scored seven Top 40 R&B singles, including “Angel of the Night,” (1979) and “Too Tough” (1983).Angela Tomasa Bofill was born on May 2, 1954, in New York City to a Puerto Rican mother and a Cuban father and grew up in the Williamsburg neighborhood of Brooklyn, in Manhattan and in the West Bronx. She started writing songs as a child.By her teens, she was already showing off her vocal chops in a duo with her sister Sandra and a group called the Puerto Rican Supremes, and also as a member of the prestigious All-City Chorus, a group composed of top high-school singers in the city’s five boroughs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More