Deaths (Obituaries)

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      Mike Pinder, Founding Keyboardist of the Moody Blues, Dies at 82

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      His expertise on the electromechanical Mellotron helped define the band’s progressive sound in the 1960s and ’70s on albums like “Days of Future Passed.”Mike Pinder, the last surviving founding member of the Moody Blues, whose innovative use of the Mellotron — a predecessor of the sampler — helped make the band a pioneer of progressive rock, died on Wednesday at his home in the Sacramento area. He was 82.His son Dan confirmed the death. He said that his father had breathing difficulties and had been in hospice care for a few days.The Moody Blues were formed in 1964, with a lineup of Mr. Pinder on keyboards, Denny Laine on guitar, Graeme Edge on drums, Ray Thomas on flute and Clint Warwick on bass. The group’s “Go Now!,” sung by Mr. Laine, rose to No. 10 on the Billboard Hot 100.The Moody Blues at the house they shared in South London in 1965. From left: Ray Thomas, Denny Laine, Graeme Edge, Clint Warwick and Mr. Pinder.Chris Ware/Keystone Features, via Getty ImagesMr. Laine and Mr. Warwick left after the release of the band’s first album, “The Magnificent Moodies” (1965), and were replaced by Justin Hayward and John Lodge. The change in personnel set the stage for a change in direction: from R&B-tinged rock to the psychedelic, orchestral sound that the Moody Blues vividly showcased on their breakthrough 1967 album, “Days of Future Passed.”Mr. Pinder had worked as a tester in the Mellotron factory in Birmingham, England, before the Moody Blues formed. Playing the company’s Mark II model for the first time was “my first ‘man on the moon’ event,” he told the British music website Brumbeat.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Terry Anderson, Reporter Held Hostage for Six Years, Dies at 76

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      The Beirut bureau chief for The Associated Press, he was kidnapped in 1985 by Islamic militants.Terry Anderson, the American journalist who had been the longest-held Western hostage in Lebanon when he was finally released in 1991 by Islamic militants after more than six years in captivity, died on Saturday at his home in Greenwood Lake, N.Y., in the Hudson Valley. He was 76.The cause was apparently complications of recent heart surgery, said his daughter, Sulome Anderson.Mr. Anderson, the Beirut bureau chief for The Associated Press, had just dropped his tennis partner, an A.P. photographer, at his home after an early morning tennis match on March 16, 1985, when men armed with pistols yanked open his car door and shoved him into a Mercedes-Benz. The same car had tried to cut him off the day before as he returned to work from lunch at his seaside apartment.The kidnappers, identified as Shia Hezbollah militants of the Islamic Jihad Organization in Lebanon, beat him, blindfolded him and kept him chained in some 20 hideaways for 2,454 days in Beirut, South Lebanon and the Bekaa Valley.The militants, supported by Iran, indicated that they were retaliating against Israel’s use of American weapons in earlier strikes against Muslim and Druze targets in Lebanon. They also had been seeking to pressure the Reagan administration to secretly facilitate the illegal sales of weapons to Iran — an embarrassing scheme that became known as the Iran-Contra Affair because the administration had planned to use proceeds from the arms sales to secretly subsidize the right-wing Contra rebels in Nicaragua.Mr. Anderson was the last of 18 Western hostages released by the kidnappers. After his release, he married his fiancé, who had been pregnant when he was kidnapped, and, for the first time, met his 6-year-old daughter.While he had not been tortured during his captivity, he said, he was beaten and chained. He spent a year or so, on and off, in solitary confinement, he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lourdes Portillo, Oscar-Nominated Documentary Filmmaker, Dies at 80

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      Her films centered on Latin American experiences and received wide acclaim.Lourdes Portillo, the Oscar-nominated Mexican-born documentary filmmaker whose work explored Latin American social issues through spellbinding narratives, has died. She was 80.Ms. Portillo died Saturday at her home in San Francisco. Her death was confirmed by her friend Soco Aguilar. No cause was given.One of Ms. Portillo’s best-known works is her 1994 documentary “The Devil Never Sleeps,” a murder-mystery in which Ms. Portillo investigates the strange death of her multimillionaire uncle, whose widow claimed he had died of a self-inflicted gunshot wound. In 2020, the Library of Congress selected the film for preservation at the National Film Registry.“Using vintage snapshots, old home movies and interviews, the film builds a biographical portrait of Oscar Ruiz Almeida, a Mexican rancher who amassed a fortune exporting vegetables to the United States and went on to become a powerful politician and businessman,” Stephen Holden, a Times movie critic, wrote in a 1995 review of the film.The documentary had the tenor of a telenovela and presented open questions about Mr. Ruiz Almeida’s mysterious life and death and the people who could have had a motive for the murder.“The more Oscar is discussed, the more enigmatic he seems,” Mr. Holden wrote.Ms. Portillo crafted the film’s story line from the information her mother relayed over the phone while Ms. Portillo was living in New York, she said in a talk at the Academy Museum of Motion Pictures in Los Angeles last year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Roman Gabriel, Star Quarterback of the 1960s and ’70s, Dies at 83

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      In 16 seasons with the Los Angeles Rams and the Philadelphia Eagles, he played in four Pro Bowl games and reached the postseason twice.Roman Gabriel, one of the leading pro football passers of his time, who complemented his rocket arm with an imposing physique over 16 seasons beginning in 1962, died on Saturday at his home in Little River, S.C. He was 83. His death was confirmed by his son, Roman Gabriel III, who did not specify a cause.Playing for 11 seasons with the Los Angeles Rams and five with the Philadelphia Eagles, Gabriel, who stood 6-foot-2 and weighed about 235 pounds — hefty for a quarterback in that era — had a build akin to that of many of the linebackers he faced.He was voted the N.F.L.’s Most Valuable Player when he led the N.F.L. in touchdown passes, with 24, in a 14-game season with the 1969 Rams.He was also named the comeback player of the year by pro football writers in 1973, his first season with the Eagles. Coming off knee problems and a sore arm, he led the N.F.L. in touchdown passes (23), completions (270) and passing yardage (3,219) that season.He played in four Pro Bowl games, three with the Rams in the late 1960s and another with the Eagles in 1973. But he reached the postseason only twice, and his Rams were eliminated in the first round both times.Roman Ildonzo Gabriel Jr., was born on Aug. 5, 1940, in Wilmington, N.C. His father, a native of the Philippines, a railroad waiter and cook, had settled in North Carolina with his wife, Edna (Wyatt) Gabriel, who was Irish American.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ken Holtzman, Who Pitched Two No-Hitters, Is Dead at 78

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      A left-hander, he was part of the Oakland A’s dynasty in the ’70s. He was also the winningest Jewish pitcher in Major League Baseball, with more victories than Sandy Koufax.Ken Holtzman, a left-hander who pitched two no-hitters for the Chicago Cubs and won three World Series with the Oakland A’s in a 15-season career, died on Monday in St. Louis. He was 78.He had been hospitalized for the last three weeks with heart and respiratory illnesses, his brother, Bob, said in confirming the death.Holtzman won 174 games, the most for a Jewish pitcher in Major League Baseball — nine more than the Hall of Famer Sandy Koufax, who is considered one of the best pitchers ever and who had a shorter career.In addition to his win total, Holtzman, who at 6 feet 2 inches and 175 pounds cut a lanky figure, had a career earned run average of 3.49 and was chosen for the 1972 and 1973 All-Star teams.Holtzman, at 23, threw his first no-hitter on Aug. 19, 1969, a 3-0 victory over the Atlanta Braves — a performance distinguished by the fact that he didn’t strike out any Braves. It was the first time since 1923 that a no-hitter had been pitched without a strikeout.“I didn’t have my good curve, and I must have thrown 90 percent fastballs,” Holtzman told The Atlanta Constitution afterward. “When I saw my curve wasn’t breaking early in the game, I thought it might be a long day.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Rico Wade, an Architect of Atlanta Hip-Hop, Dies at 52

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      As one-third of the production team Organized Noize, Wade nurtured the careers of Outkast, Goodie Mob and Future from the confines of his mother’s basement, known as the Dungeon.Rico Wade, an architect of Southern hip-hop who produced albums for rap acts including Outkast, Goodie Mob and Future, has died. He was 52.The death was announced on social media on Saturday by the artist and activist Killer Mike, a longtime collaborator. No cause of death was provided.His family confirmed the death in a statement. “We are deeply saddened by the sudden and unexpected passing of our son, father, husband and brother Rico Wade,” the statement said. “Our hearts are heavy as we mourn the loss of a talented individual who touched the lives of so many. We ask that you respect the legacy of our loved one and our privacy at this time.”Wade, Ray Murray and Patrick Brown, known as Sleepy, formed the Atlanta-based production crew Organized Noize in the early 1990s, coalescing during an era when offerings from the East and West Coasts dominated radio and major label releases. Their work propelled the region from the fringes of the genre to a mainstay at its center.Barely out of their teens, the production crew welcomed aspiring musicians and artists into the basement of Wade’s mother’s home in East Point, Georgia, in the early 1990s. The cellar became known as the Dungeon with the artists who performed there, including the groups Parental Advisory and Goodie Mob, who emerged from it as part of the collective colloquially called the Dungeon Family.“I don’t know if you can imagine how weed and must and dirt would smell together, but that’s what it smelled like,” Dee Dee Hibbler, Outkast’s former manager, said of the Dungeon in the 2016 documentary “The Art of Organized Noize.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Faith Ringgold Dies at 93; Wove Black Life Into Quilts and Children’s Books

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      A champion of Black artists, she explored themes of race, gender, class, family and community through a vast array of media and later the written word.Faith Ringgold, a multimedia artist whose pictorial quilts depicting the African American experience gave rise to a second distinguished career as a writer and illustrator of children’s books, died on Saturday at her home in Englewood, N.J. She was 93. Her death was confirmed by her daughter Barbara Wallace.For more than a half-century, Ms. Ringgold explored themes of race, gender, class, family and community through a vast array of media, among them painting, sculpture, mask- and doll-making, textiles and performance art. She was also a longtime advocate of bringing the work of Black people and women into the collections of major American museums.Ms. Ringgold’s art, which was often rooted in her own experience, has been exhibited at the White House and in museums and galleries around the world. It is in the permanent collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Schomburg Center for Research in Black Culture and the American Craft Museum in New York; the Philadelphia Museum of Art; the Museum of Fine Arts in Boston; and other institutions.For Ms. Ringgold, as her work and many interviews made plain, art and activism were a seamless, if sometimes quilted, whole. Classically trained as a painter and sculptor, she began producing political paintings in the 1960s and ’70s that explored the highly charged subjects of relations between Black and white people, and between men and women, in America.“Few artists have kept as many balls in the air as long as Faith Ringgold,” the New York Times art critic Roberta Smith wrote in 2013, reviewing an exhibition of her work at ACA Galleries in Manhattan. “She has spent more than five decades juggling message and form, high and low, art and craft, inspirational narrative and quiet or not so quiet fury about racial and sexual inequality.”The hallmarks of Ms. Ringgold’s style included the integration of craft materials like fabric, beads and thread with fine-art materials like paint and canvas; vibrant, saturated colors; a flattened perspective that deliberately evoked the work of naïve painters; and a keen, often tender focus on ordinary Black people and the visual minutiae of their daily lives.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Frank Olson, Executive Who Linked O.J. Simpson With Hertz, Dies at 91

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      He negotiated Mr. Simpson’s star turn in commercials, tapping into his football fame, and formed a social bond with him — until there were murder charges. They died on the same day.Frank A. Olson, who as a top executive of Hertz cast the running back O.J. Simpson as the star of the company’s commercials — a corporate marriage that shined up both parties and that lasted two decades, until Mr. Simpson was charged in a double homicide in 1994 — died at his home in Palm Beach, Fla., on Wednesday, the same day Mr. Simpson died. Mr. Olson was 91.The cause was complications of Covid, his sons, Christopher and Blake, said.The coincidental timing of the deaths of Mr. Olson, who had steered Hertz through years of corporate turbulence, and Mr. Simpson, the athlete turned pitchman turned infamous criminal defendant, linked the two men in a way that Mr. Olson had once embraced but that he later distanced himself from.More than business partners, Mr. Olson and Mr. Simpson, both San Francisco natives, forged an alliance, beginning in the 1970s, that spoke of that mutually beneficial zone where corporate and social life intertwine. Mr. Olson, an avid golfer, sponsored Mr. Simpson for membership in the private Arcola Country Club in Paramus, N.J., where in 1992 Mr. Simpson, a former Heisman Trophy winner and Pro Football Hall of Famer, became the first Black member.In a letter that Mr. Simpson left at his Los Angeles home before his arrest in the stabbing murders of his former wife, Nicole Brown Simpson, and her friend Ronald L. Goldman, he listed friends he was sending “love and thanks to.” Mr. Olson was one of them.“I took him places where I think very few Black men had ever been,” Mr. Olson said in the acclaimed 2016 documentary “O.J.: Made in America.”Mr. Simpson was 76 when he died of cancer at his home in Las Vegas.The idea of featuring him in Hertz commercials to symbolize speedy service, beginning in 1974, originated with the company’s ad agency. But because Mr. Simpson was Black and most Hertz customers where white businessmen, the choice made the agency nervous, according to a 1994 article in The Washington Post. So the decision was kicked up to Mr. Olson, who at the time was executive vice president and general manager of the rental-car division. (The company also rented trucks.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More