Deaths (Obituaries)

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      Laurent Cantet, Whose Films Explored France’s Undersides, Dies at 63

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      His acclaimed “The Class” walked a provocative line between documentary and fiction. In that film and others, he explored the inescapable traps of late-stage capitalism.Laurent Cantet, an eminent director who made penetrating films about the prickly undersides of French life and society, died on April 25 in Paris. He was 63.His screenwriter and editor, Robin Campillo, said he died of cancer in a hospital.Mr. Cantet’s best-known film was “Entre les Murs” (“The Class”), which won the Palme d’Or, the Cannes Film Festival’s top prize, in 2008 and was nominated for an Oscar as best foreign-language film. “The Class” was something new in French filmmaking: an extended snapshot of the inside of a schoolroom in a working-class district of Paris, using a real-life ex-teacher and real-life schoolchildren and treading a provocative line between documentary and fiction.That ambiguity infuses the film with a rare tension, as a hapless language teacher struggles with his largely immigrant students, trying (with difficulty) to gain their acceptance of the strict rules of the French language, and French identity. In this frank chronicle of classroom life, the students, many of them from Africa, the Caribbean and Asia — bright, sometimes provocative — have the upper hand.Along the way, Mr. Cantet surgically exposes the fault lines in France’s faltering attempts at integration, showing exactly where the country’s rigid model is often impervious to the experience of its non-native citizens. Reviewing “The Class” in The New York Times, Manohla Dargis called it “artful, intelligent” and “urgently necessary.”The film touched a nerve in France, selling more than a million tickets. Right-leaning intellectuals like Alain Finkielkraut denounced it for devaluing classical French culture — unwittingly underscoring Mr. Cantet’s point.Mr. Cantet was invited to the Élysée Palace to discuss the film with President Nicolas Sarkozy. He declined the invitation. “I’m not going to speak about diversity with someone who invented the Ministry of National Identity,” Mr. Cantet said at the time, referring to one of Mr. Sarkozy’s more ill-fated initiatives.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jerome Rothenberg, Who Expanded the Sphere of Poetry, Dies at 92

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      His anthology “Technicians of the Sacred” included a range of non-Western work and was beloved by, among others, rock stars like Jim Morrison and Nick Cave.Jerome Rothenberg, a poet, translator and anthologist whose efforts to bring English-language readers into contact with creative traditions far outside the Western establishment — a field he called ethnopoetics — had an enormous impact on world literature and made him a hero to rock musicians like Nick Cave, Jim Morrison and Warren Zevon, died on April 21 at his home in Encinitas, Calif. He was 92.The cause was congestive heart failure, said his son, Matthew Rothenberg.By ethnopoetics, Mr. Rothenberg meant poetry from Indigenous and other non-Western cultures, often rendered in ways very different from the strictly textual, including oral, performance, ritual and myth.He introduced the idea in 1967 with his book “Technicians of the Sacred: A Range of Poetries From Africa, America, Asia, Europe, and Oceania,” a wide-ranging anthology that introduced readers to ancient Egyptian coronation events, Comanche peyote songs and Gabonese death rites.Mr. Rothenberg’s “Technicians of the Sacred,” first published in 1967 and later reissued twice with new material, introduced readers to ancient Egyptian coronation events, Comanche peyote songs and Gabonese death rites.University of California PressSuch work, he said, was just as complex and vibrant as the Western canon, if not more so. He went on to deepen his argument across scores of books, many of them anthologies, in which he wove together different traditions — Jewish mysticism, American Indian, Dada — and then connected and contextualized them with extensive commentary.“I’ve expanded my searches into forms of poetry that have been hidden from our view but have much to teach us about the sources and resources of poetry that would allow us to fill out the picture,” he told The San Diego Union-Tribune in 2017. “I also believe that the new forms of poetry developed by our own experimental poets can allow us to see a greater range of poetry in places and cultures distant from us.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Frank Stella, Towering Artist and Master of Reinvention, Dies at 87

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      He moved American art away from Abstract Expressionism toward cool minimalism. His explorations of color and form were endlessly discussed and constantly on exhibit.Frank Stella, whose laconic pinstripe “black paintings” of the late 1950s closed the door on Abstract Expressionism and pointed the way to an era of cool minimalism, died on Saturday at his home in the West Village of Manhattan. He was 87. His wife, Dr. Harriet E. McGurk, said the cause was lymphoma.Mr. Stella was a dominant figure in postwar American art, a restless, relentless innovator whose explorations of color and form made him an outsize presence, endlessly discussed and constantly on exhibit.Few American artists of the 20th century arrived with quite his éclat. He was in his early 20s when his large-scale black paintings — precisely delineated black stripes separated by thin lines of blank canvas — took the art world by storm. Austere, self-referential, opaque, they cast a chilling spell.Writing in Art International magazine in 1960, the art historian William Rubin declared himself “almost mesmerized” by the “eerie, magical presence” of the paintings. Time only ratified the consensus.“They remain some of the most unforgettable, provocative paintings in the recent history of American Modernism,” the critic Karen Wilkin wrote in The New Criterion in 2007. In 1989, “Tomlinson Court Park,” a black painting from 1959, sold at auction for $5 million.Mr. Stella, a formalist of Calvinist severity, rejected all attempts to interpret his work. The sense of mystery, he argued, was a matter of “technical, spatial and painterly ambiguities.” In an oft-quoted admonition to critics, he insisted that “what you see is what you see” — a formulation that became the unofficial motto of the minimalist movement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Barbara O. Jones, Actress Who Brought Black Cinema to Life, Dies at 82

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      Her arresting roles in movies like “Bush Mama” and “Daughters of the Dust” helped shape a generation of independent filmmakers.Barbara O. Jones, an actress whose captivating work in films like “Bush Mama” and “Daughters of the Dust” helped define the cerebral, experimental and highly influential Black cinema movement that emerged in Los Angeles in the 1970s, died on April 8 at her home in Dayton, Ohio. She was 82.Her brother Marlon Minor confirmed the death but said the cause had not been determined.Starting in the early 1970s just a few miles from Hollywood, a generation of students at the University of California, Los Angeles, began making films that pushed hard against many of the tropes of commercial moviemaking.Budding filmmakers like Charles Burnett, Julie Dash and Haile Gerima eschewed polished scripts and linear narratives in search of an authentic Black cinematic language. They relied on actors like Mrs. Jones, drawn from far outside the mainstream, to bring their work to life.Mrs. Jones was in some ways the typical Los Angeles transplant, having moved from the Midwest in search of a film career. She took acting classes, but, rather than gravitating toward Hollywood, she fell in with the politically charged, aesthetically adventurous scene around the U.C.L.A. film school, a movement that the film scholar Clyde Taylor called the L.A. Rebellion.She appeared in several short student films, including Mr. Gerima’s “Child of Resistance” (1973), in which she played an imprisoned activist loosely based on Angela Davis, and Ms. Dash’s “Diary of an African Nun” (1977), adapted from a short story by Alice Walker.Mrs. Jones in Ms. Dash’s short film “Diary of an African Nun” (1977), adapted from a story by Alice Walker.Julie DashWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      C.J. Sansom, Mystery Novelist Drawn to Tudor England, Dies at 71

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      He wrote a popular series of books revolving around a hunchbacked detective, Shardlake, whose troubles echo the author’s experiences of childhood bullying.“Oh, goody! An 800-page novel about the peasant uprisings of 1549!” Marilyn Stasio, the longtime mystery and crime reviewer for The New York Times Book Review, began a column in 2019.It was an assessment of “Tombland,” the seventh work of historical fiction by C.J. Sansom to feature Matthew Shardlake, a hunchbacked lawyer-turned-detective whose exploits solving chilling murders in Tudor England come steeped in suspense and granular historical detail. Readers are made privy to the court intrigues of Thomas Cromwell and King Henry VIII, eavesdrop on women arguing in a market stall, and inhale the stench of London streets.Ms. Stasio’s enthusiasm was real, not snarky. “Sansom describes 16th-century events in the crisply realistic style of someone watching them transpire right outside his window,” she wrote.Mr. Sansom, who earned a Ph.D. in history and a law degree before turning to writing in his late 40s, quickly becoming one of Britain’s most popular historical novelists, died of cancer in hospice care on April 27. He was 71.His death was announced by his publisher, Pan Macmillan, which did not say where he died. In 2012, Mr. Sansom disclosed that he had multiple myeloma, a blood cancer, but said it was in remission after treatment. The disease returned during his work on “Tombland,” forcing him to quit writing for six months. He eventually resumed working two hours a day and finished the book, his last to be published.“Sansom describes 16th-century events in the crisply realistic style of someone watching them transpire right outside his window,” a Times critic wrote in 2019 in reviewing Mr. Sansom’s seventh Shardlake novel. Mulholland BooksWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Richard Tandy, Keyboardist for Electric Light Orchestra, Dies at 76

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      He helped shape the band’s futuristic sound, which blended Beatles-esque pop with orchestral arrangements.Richard Tandy, the keyboardist for the British rock band Electric Light Orchestra, who helped shape the futuristic blend of Beatles-esque pop and orchestral arrangements that catapulted the group to global fame in the 1970s, has died. He was 76.His death was announced by Jeff Lynne, the band’s frontman and leader, in a social media post. Mr. Lynne, who called Mr. Tandy his “longtime collaborator,” did not specify when Mr. Tandy had died or the cause of death.Born on March 26, 1948, in Birmingham, England, Mr. Tandy joined E.L.O. after the release of its first album in 1972. He initially played bass guitar but became the group’s keyboardist after another member left.Mr. Tandy remained a core member of the band through ever-changing lineups, alongside Mr. Lynne and the drummer Bev Bevan, until it disbanded in 1986. He was Mr. Lynne’s “multi-instrumentalist, co-orchestrator and valued musical partner,” the Rock & Roll Hall of Fame said when it inducted E.L.O. in 2017. When Mr. Lynne revived the band in the 2000s, Mr. Tandy was the only other longtime member to participate. More

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      Paul Auster, Prolific Author and Brooklyn Literary Star, Dies at 77

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      With critically lauded works like “The New York Trilogy,” the charismatic author and patron saint of his adopted borough drew worldwide acclaim.Paul Auster, the prolific novelist, memoirist and screenwriter who rose to fame in the 1980s with his postmodern reanimation of the noir novel and who endured to become one of the signature New York writers of his generation, died of complications from lung cancer at his home in Brooklyn on Tuesday evening. He was 77.His death was confirmed by a friend, Jacki Lyden.With his hooded eyes, soulful air and leading-man looks, Mr. Auster was often described as a “literary superstar” in news accounts. The Times Literary Supplement of Britain once called him “one of America’s most spectacularly inventive writers.”Though a New Jersey native, he became indelibly linked with the rhythms of his adopted city, which was a character of sorts in much of his work — particularly Brooklyn, where he settled in 1980 amid the oak-lined streets of brownstones in the Park Slope neighborhood.As his reputation grew, Mr. Auster came to be seen as a guardian of Brooklyn’s rich literary past, as well as an inspiration to a new generation of novelists who flocked to the borough in the 1990s and later.“Paul Auster was the Brooklyn novelist back in the ’80s and ’90s, when I was growing up there, at a time when very few famous writers lived in the borough,” the author and poet Meghan O’Rourke, who was raised in nearby Prospect Heights, wrote in an email. “His books were on all my parents’ friends’ shelves. As teenagers, my friends and I read Auster’s work avidly for both its strangeness — that touch of European surrealism — and its closeness.“Long before ‘Brooklyn’ became a place where every novelist seemed to live, from Colson Whitehead to Jhumpa Lahiri,” she added, “Auster made being a writer seem like something real, something a person actually did.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Robbi Mecus, Who Helped Foster L.G.B.T.Q. Climbing Community, Dies at 52

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      Ms. Mecus, a New York State forest ranger who worked in the Adirondacks, died after falling about 1,000 feet from a peak at Denali National Park and Preserve in Alaska.Robbi Mecus, a New York State forest ranger who led search-and-rescue missions and became a prominent voice within the L.G.B.T.Q. climbing community, died after falling about 1,000 feet from a peak at Denali National Park and Preserve in Alaska on Thursday. She was 52.Her death was confirmed by the New York State Department of Environmental Conservation, where she worked for 25 years.Ms. Mecus, who worked mostly in the Adirondacks, searched for and rescued lost and injured climbers facing hypothermia and other threats in the wilderness. Last month, she helped rescue a frostbitten hiker who was lost in the Adirondack Mountains overnight.At age 44, she came out as transgender, she said in a 2019 interview with the New York City Trans Oral History project. She then worked to foster a supportive community for lesbian, gay, bisexual, transgender, queer and questioning climbers in the North Country of New York.“I want people to see that trans people can do amazing things,” she said in an interview for a climbing website, goEast, in 2022. “I think it helps when young trans people see other trans people accomplishing things. I think it lets them know that their life doesn’t have to be full of negativity and it can actually be really rad.”Basil Seggos, former commissioner of New York’s Department of Environmental Conservation, called Ms. Mecus a “pillar of strength” and a tremendous leader for L.G.B.T.Q.+ rights, noting she was “always there” for the most difficult rescues and crises.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More