Deaths (Obituaries)

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      Mary Ann Zielonko, Partner of Kitty Genovese, Dies at 85

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      The murder of Ms. Genovese, and her neighbors’ reaction to it, generated headlines. The nature of her relationship with Ms. Zielonko was a different story.For 60 years, Kitty Genovese has endured as a symbol of big-city apathy, the victim not only of a knife-wielding killer but also of her neighbors’ reluctance to get involved. Two weeks after a man named Winston Moseley stalked, raped and murdered her in Queens late at night in March 1964, a New York Times article reported that 38 of her neighbors had heard her cries for help, yet did nothing.That account turned out to be significantly flawed. Most of those 38 people were unaware of what was actually happening; they thought they were merely hearing a fight, perhaps a lovers’ quarrel. Investigations later determined that few of them had caught even a glimpse of the attacks. Nonetheless, the death of 28-year-old Catherine Susan Genovese has long remained a paradigm of urban anonymity and indifference.Kitty Genovese at work as a bar manager in an undated photo.New York Daily News, via Associated PressSomething else was out of kilter in the reporting back then. Ms. Genovese had been living for a year with Mary Ann Zielonko. In those days they were typically referred to as roommates. In fact, they were lovers. When the police investigators became aware of that, they questioned Ms. Zielonko as a possible suspect. After a night of bowling with friends, she had been asleep in their Kew Gardens apartment while the attack took place below.“I was very numb, I would say, from the whole thing,” she told Retro Report, a series of video documentaries exploring old news stories and their lasting effects, in 2016. “I felt, wow, she was so close, and I was sleeping, and I didn’t know what happened, and that I could have saved her. You know? That’s what I really think still.”Ms. Zielonko died on Wednesday at her home in Rutland, Vt., where she had lived since 2000. She was 85. Rebecca Jones, her domestic partner and sole survivor, said the cause was aspiration pneumonia.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Christopher Durang, Playwright Who Mixed High Art and Low Humor, Dies at 75

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      In a career spanning more than 40 years, he established himself as a hyperliterate jester and an anarchic clown.Christopher Durang, a Tony Award-winning playwright and a master satirist, died Tuesday night at his home in Pipersville, Pa., in Bucks County. He was 75.His agent, Patrick Herold, said the cause was complications of aphasia. In 2016, Mr. Durang was found to have a rare form of dementia, logopenic primary progressive aphasia. The diagnosis was made public in 2022.An acid, impish writer, Mr. Durang never met a classic (“The Brothers Karamazov,” “The Glass Menagerie,” “Snow White”) that he couldn’t skewer. In a career spanning more than 40 years, he established himself as a hyperliterate jester and an anarchic clown. Regarding subject and theme, he pogoed from sex to metaphysics to serial killers to psychology, and he had a way of collapsing high art and jokes that aimed much lower.“He’s so scaldingly funny,” the actress Sigourney Weaver, a friend and collaborator since she met Mr. Durang at the Yale School of Drama, said in an interview. “You laugh with horror at what’s going on and your sheer inability to do anything about it.”But even in his most uproarious work — like his early play, the sex and psychoanalysis farce “Beyond Therapy,” or his late hit “Vanya and Sonia and Masha and Spike,” a delirious homage to Chekhov — there was often a strong undertow of melancholy.Mark Alhadeff and Cynthia Darlow in a 2014 production of Mr. Durang’s “Beyond Therapy” at the Actors Company Theater in New York.Marielle SolanWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Esther Coopersmith, Washington Hostess and Diplomat, Dies at 94

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      A place at her dinner tables, which sat 75, provided access to networks of money, influence and power across cultural and political divides.At a private fund-raising reception last year, the president of the United States introduced himself this way: “My name is Joe Biden. I’m a friend of Esther Coopersmith’s.”Mrs. Coopersmith’s name has been a calling card in Washington for seven decades. As one of the longest-reigning hostesses, best-connected diplomats and top fund-raisers in the nation’s capital, she greased the machinery that helped keep political, diplomatic and journalistic circles spinning; a place at her dinner tables, which sat 75, (with room for many more elsewhere and outside) provided access to networks of money, influence and power across cultural and political divides.Among her many matches, she introduced Bill Clinton, who was then the governor of Arkansas, to Boris Yeltsin on a trip to Moscow. She introduced Jehan Sadat, the wife of President Anwar Sadat of Egypt, to Aliza Begin, the wife of Prime Minister Menachem Begin of Israel, before the Camp David peace accords. Anatoly F. Dobrynin, the longtime Soviet ambassador to the United States, had his first Thanksgiving at her table.“People need a place out of the public spotlight to meet and talk,” she told The New York Times in 1987.Mrs. Coopersmith, who had multiple affiliations with the United Nations but who also reveled in her role as a freelancing citizen diplomat, died on Tuesday at her home in the Kalorama neighborhood of Washington. She was 94.The cause was cancer, said Janet Pitt, her longtime chief of staff. Rather than seek treatment that might have only postponed the inevitable and made her miserable, Ms. Pitt said, Mrs. Coopersmith “wanted to live her life.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Chance Perdomo, Star of ‘Chilling Adventures of Sabrina,’ Dies at 27

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      Mr. Perdomo, who died in a motorcycle accident on Friday, played the pansexual warlock Ambrose Spellman in the Netflix series.Chance Perdomo, the British actor known for his roles in the series “Gen V” and “Chilling Adventures of Sabrina,” died on Friday. He was 27.Mr. Perdomo died in a motorcycle accident, Larissa Saenz, a representative for him, confirmed in a statement on Saturday. The statement said that the “authorities have advised that no other individuals were involved.” It was not immediately clear where the accident happened.Mr. Perdomo played the pansexual warlock Ambrose Spellman in the Netflix series “Chilling Adventures of Sabrina” and Andre Anderson, a superhuman with magnetic manipulation abilities, in “The Boys” spinoff series “Gen V.”He was born on Oct. 20, 1996, according to his representative, in Los Angeles and raised in Southampton, England. Details on survivors were not immediately available.Mr. Perdomo had described himself as “a Black child raised by a Latino mother in a white society with two nationalities.”He landed a small part on an episode of “Hetty Feather,” a British children’s drama set in the Victorian era, after graduating from Peter Symonds College in Winchester, where one of his majors was theater.He told The New York Times in 2020 that although the role was “one or two lines,” it was enough “to take that leap of faith” and pursue acting full time.Amazon MGM Studios and Sony Pictures Television said in a statement posted to a “Gen V” social media account that they were “devastated” by the news of Mr. Perdomo’s death.The account also shared a statement from the producers of “Gen V” in which they said they “can’t quite wrap our heads around this.”“Even writing about him in the past tense doesn’t make sense,” the statement added.Variety reported that production on the second season of “Gen V” had been “delayed indefinitely” after the news of Mr. Perdomo’s death.In Britain, Mr. Perdomo was known for starring in “Killed by My Debt,” a television movie based on the true story of a young courier who dies by suicide after two traffic tickets grow into a crushing debt.In an interview posted on social media, he recalled a conversation he had with his mother when he was about 2 years old. He told her he had two things he aspired to.“She said, ‘What do you want to be?’” he said. “I said I want to be the first Black president of the United States, and I want to be on ‘Barney.’”Mr. Perdomo went on to describe the differences between his roles on “Chilling Adventures of Sabrina” and “Killed by My Debt.” Of his work, he said: “It’s been quite a year. Quite a couple of years.”“Visual mediums are great tools to be able to get messages and get thoughts across,” he added.He said that connecting with someone emotionally could help lead a person to think differently and “that can change perspectives and hopefully lead to more of a permanent change.” More

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      Peter Shapiro, Political Groundbreaker in New Jersey, Dies at 71

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      He bucked the Democratic machine to become the youngest member of the state’s General Assembly and reformed government as the first Essex County executive.Peter Shapiro, who as a 23-year-old insurgent was the youngest person ever elected to the New Jersey General Assembly and who later became the first Essex County executive, died on Thursday at his home in South Orange, N.J. He was 71.The cause was respiratory failure after long being treated for lung disease, his wife, Bryna Linett, said.As a young assemblyman, Mr. Shapiro helped streamline the way local government worked after successfully campaigning in 1977 for a charter change that coupled Essex County’s nine-member Board of Chosen Freeholders (now the Board of County Commissioners) with a strong county executive in what was the state’s most populous county, which includes Newark.He ran for the newly created position the next year, defeating a Democratic organization candidate for the nomination and overpowering a Republican rival, Robert F. Notte, by a record margin. As county executive, he reformed the county’s welfare program, decentralized other services to make them more responsive to localities, refinanced the pension system and lowered the county property tax rate.“Peter, what you did for Essex County is precisely what I am attempting at the state level,” Gov. Thomas H. Kean, a Republican, said at the time.Seeking re-election in 1982, and after defeating two rivals in a Democratic primary, Mr. Shapiro said: “We were able to show that it’s possible to take an old urban government like Essex County’s, a government that a lot of people had given up on, and make it more responsive, more efficient, bring down the taxes and make it a model of what’s right with government.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Paula Weinstein, Hollywood Veteran and Political Activist, Dies at 78

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      Raised by a McCarthy-era rebel, the producer and journalist Hannah Weinstein, she followed her mother’s path into movies and television, advocacy and action.Paula Weinstein, a movie producer, studio executive and political activist who became a fierce advocate for women in her industry, died on Monday at her home in Manhattan. She was 78.Her sister Lisa Weinstein confirmed the death. She said the cause was not yet known.In the boy’s club of Hollywood, Ms. Weinstein was the rare female top executive: Over her long career, she was president of United Artists, a vice president of Warner Bros. and an executive vice president at 20th Century Fox. She was just 33 when she was hired at Fox in 1978, and when she was promoted to vice president a year later, The Los Angeles Times called her “the highest-ranking woman in the motion picture industry.”“A man can be mediocre in almost everything, but a women’s got to be perfect,” she told Life magazine that year, when she was included in an article about Hollywood’s “Young Tycoons.”But Ms. Weinstein, who colleagues said possessed a wicked sense of humor — her sister described her laugh as an infectious cackle — and a steely commitment to social justice, was unusual in Hollywood beyond her gender. As Ken Sunshine, the veteran public relations consultant and longtime Democratic activist, put it in a phone interview: “Unlike so many, she didn’t play at politics. To her, social and political change was paramount. She was the antithesis of a phony Hollywood activist looking for good P.R. or a career boost. She was unique in a sea of pretenders.”Ms. Weinstein accepted the Emmy Award for the HBO movie “Recount” in 2008. She was an executive producer on the film, which was based on the 2000 presidential election.Kevin Winter/Getty ImagesActivism was the family business: Her mother, Hannah Weinstein, was a journalist and speechwriter who in 1950 took her three young daughters to live in Paris and then London, fleeing the grim and punitive politics of the country’s McCarthy era. In Britain, where the family lived for more than a decade, Hannah Weinstein produced movies and television series using blacklisted actors and writers like Ring Lardner Jr. and Ian McLellan Hunter. She repeatedly told her daughters, as Lisa recalled, “If you believe in something, you have to be willing to get up off your ass and do something, and if you don’t get up off your ass, you really didn’t believe in it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Louis Gossett Jr., 87, Dies; ‘An Officer and a Gentleman’ and ‘Roots’ Actor

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      His portrayal of a drill instructor earned him the Oscar for best supporting actor. He was the first Black performer to win in that category.Louis Gossett Jr., who took home an Academy Award for “An Officer and a Gentleman” and an Emmy for “Roots,” both times playing a mature man who guides a younger one taking on a new role — but in drastically different circumstances — died early Friday in Santa Monica, Calif. He was 87.Mr. Gossett’s first cousin Neal L. Gossett confirmed the death.Mr. Gossett with Susan Sarandon and Christopher Reeve after winning the Oscar for “An Officer and a Gentleman” in 1983.Associated PressMr. Gossett was 46 when he played Emil Foley, the Marine drill instructor from hell who ultimately shapes the humanity of an emotionally damaged young Naval aviation recruit (Richard Gere) in “An Officer and a Gentleman” (1982). Reviewing the movie in The New York Times, Vincent Canby described Sergeant Foley as a cruel taskmaster “recycled as a man of recognizable cunning, dedication and humor” revealed in “the kind of performance that wins awards.”Mr. Gossett told The Times that he had recognized the role’s worth immediately. “The words just tasted good,” he recalled.When he accepted the 1983 best supporting actor Oscar, he was the first Black performer to win in that category — and only the third (after Hattie McDaniel and Sidney Poitier) to win an Academy Award for acting.He had already won an Emmy as Fiddler, the mentor of the lead character, Kunta Kinte (LeVar Burton), in the blockbuster 1977 mini-series “Roots.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Shani Mott, Black Studies Scholar Who Examined Power All Around Her, Dies at 47

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      Her work looked at how race and power are experienced in America. In 2022, she filed a lawsuit saying that the appraisal of her home was undervalued because of bias.Shani Mott, a scholar of Black studies at Johns Hopkins University whose examinations of race and power in America extended beyond the classroom to her employer, her city and even her own home, has died in Baltimore. She was 47.She died of adrenal cancer on March 12, said her husband, Nathan Connolly, a professor of history at Johns Hopkins.Though Dr. Mott spent her career in some of academia’s elite spaces, she was firmly committed to the idea that scholarship should be grounded and tangible, not succumbing to ivory tower abstraction. She encouraged students to turn a critical eye to their own backgrounds and to the realities of the world around them. In a city like Baltimore, with its complicated and often cruel racial history, there was plenty to scrutinize.“How do we think about what we’re doing and how it relates to a city like Baltimore?” is how Minkah Makalani, the director of the university’s Center for Africana Studies, described some of the questions that drove Dr. Mott’s work. “There was this kind of demanding intellectual curiosity that she had that she brought to everything that really pushed the conversation and required that people think about what we’re doing in more tangible ways.”Her research focused on American books both popular and literary, and how they revealed the kind of conversation about race that was allowed by the publishing industry and other cultural gatekeepers. This work connected to a larger theme of her scholarship: how big institutions determine how race is discussed and experienced in America.As an active member of the Johns Hopkins faculty, she pointedly explored the ways the university engaged, or did not engage, with its own workers and the majority Black city in which it sits. In 2018 and 2019, Dr. Mott was a principal investigator for the Housing Our Story project, which interviewed Black staff workers at Johns Hopkins whose voices had not been included in the campus archives. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More