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    ‘Witches’ Review: Redeeming the Wicked Witch

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    The director Elizabeth Sankey’s experience with postpartum depression anchors this documentary about the pop-cultural representation of witches.The arrival of “Witches,” a documentary streaming on Mubi, seems strategically timed. The director Elizabeth Sankey’s contribution is part essay film, part personal testimony, though like Jon M. Chu’s musical blockbuster “Wicked” she, too, starts in the land of Oz.As a child, Sankey explains in a voice-over, she wanted to be Glinda the good witch. But her experiences dealing with mental illness made her see an unsettling correlation between the wicked witches of the world and the women who, like her, have had trouble performing traditional domestic roles.The first part of Sankey’s documentary plays like a cultural history of the witch onscreen, weaving together clips from TV shows and movies across the decades to illustrate a somewhat stale point: that stigmas around women’s health have informed the characterization of witches. When Sankey shares her personal story — weaving in interviews with other women and experts who also have firsthand experience of postpartum psychosis — the details of her illness take on an eerie new light next to pop-cultural images of madwomen, like Mia Farrow in “Rosemary’s Baby” and Isabelle Adjani in “Possession.” Based on the real women’s accounts, the fictional renderings don’t seem outlandish — the satanic underpinnings of witchcraft, clearly a superstitious, and deeply misogynistic, justification.“Witches” eventually explores other parallels — for instance, the demonization of midwives and natural healers with the advent of modern medicine — but the maternal madness framework dominates the bulk of the run time to diminishing effect. The clips also veer from the occult and take on a more generalized creepiness that feels bleary and arbitrary. If all women behaving badly can be summed up as witchy, then Sankey’s documentary too often works like a game of associations.WitchesNot rated. Running time: 1 hour 30 minutes. Watch on Mubi. More

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      What a School Performance Shows Us About Japanese Education

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      Netflix’s Martha Stewart Documentary Says She Was the Original Influencer. Was She?

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      The new Netflix documentary “Martha” examines the homemaking diva’s illustrious, and complicated, career and personal life.“Martha,” a new documentary now on Netflix, offers a candid portrait of the rise and fall (and rebirth?) of the homemaker extraordinaire, who last year, at 81, appeared on the cover of Sports Illustrated.The film, by R.J. Cutler, touches on Ms. Stewart’s troubled childhood, troubled marriage, time on Wall Street and where everything really began: the idyllic Connecticut countryside where she renovated a farmhouse. It looks at how a high-end catering business made her a media mogul with her own magazine, television show and brand of Kmart sheets. And it digs into her highly publicized trial, conviction and prison time.In an edited conversation, members of the Styles staff — Vanessa Friedman, Madison Malone Kircher and Jacob Gallagher — and James B. Stewart, a business reporter and columnist whose book “Tangled Webs” examined the insider trading probe that incriminated Ms. Stewart, discussed the documentary and the life of a woman who built a man’s empire on being the ultimate homemaker.MADISON MALONE KIRCHER: I realized how little I actually knew about a woman who was basically a canonized saint in my house growing up. Which is to say I was hooked!JAMES STEWART: I liked the film a lot. Her body language and expressions were so revealing. She looked very uncomfortable most of the time. But it was very kind to her.VANESSA FRIEDMAN: I found watching the film especially interesting in the context of the election, and the complicated feelings around women — particularly, powerful, successful women. Because it did reveal very complicated feelings about Martha.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Best Movies and TV Shows Coming to Disney+, Amazon, Apple TV+ and More in November

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      “Cruel Intentions,” “Music by John Williams” and “Dune: The Prophecy” arrive, along with “Bad Sisters” Season 2.Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of November’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Cruel Intentions’ Season 1Starts streaming: Nov. 21The 1999 movie melodrama “Cruel Intentions” became a box office hit and inspired multiple sequels, thanks to its twisty plot and sexual frankness, all borrowed from the novel, play and film “Dangerous Liaisons.” The new TV version carries on the tone of the films, following the bed-hopping and betrayals among a group of rich young men and women. Set at a prestigious college, the “Cruel Intentions” series is mainly about two stepsiblings, Caroline (Sarah Catherine Hook) and Lucien (Zac Burgess), who are adept at seducing and manipulating their classmates. The pair never seems to care how many enemies they make, so long as everyone fears them.Also arriving:Nov. 1“Libre”Nov. 7“Citadel: Honey Bunny”“Look Back”“My Old Ass”Nov. 8“Every Minute Counts”Nov. 14“Cross” Season 2Nov. 19“Abigail”“Jeff Dunham’s Scrooged-Up Holiday Special”Nov. 20“Wish List Games”Nov. 21“Dinner Club”Nov. 26“It’s in the Game”Nov. 28“Oshi No Ko”Nov. 29“The World According to Kaleb: On Tour”A scene from “The Creep Tapes,” new to AMC+.ShudderNew to AMC+‘The Creep Tapes’ Season 1Starts streaming: Nov. 15The “Creep” franchise of found footage horror films features Mark Duplass (who also co-wrote the series with the director, Patrick Brice) as a serial killer who hires aspiring filmmakers to help him make movies, which inevitably end in actual murders. “The Creep Tapes” offers bite-size versions of this premise, with episodes running under a half an hour and featuring a variety of scenarios. Duplass is back as the villain, who changes his name from victim to victim. His vibe rarely changes, though. He is overly friendly and pushy, to the point of being unpleasant; and yet he also seems pretty harmless, right up to when his shtick turns deadly.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Democracy Lives and Dies by Math

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      A documentary filmmaker and a mathematician discuss our fear of numbers and its civic costs.“Math is power” is the tag line of a new documentary, “Counted Out,” currently making the rounds at festivals and community screenings. (It will have a limited theatrical release next year.) The film explores the intersection of mathematics, civil rights and democracy. And it delves into how an understanding of math, or lack thereof, affects society’s ability to deal with its most pressing challenges and crises — health care, climate, misinformation, elections.“When we limit access to the power of math to a select few, we limit our progress as a society,” said Vicki Abeles, the film’s director and a former Wall Street lawyer.Ms. Abeles was spurred to make the film in part in response to an anxiety about math that she had long observed in students, including her middle-school-age daughter. She was also struck by the math anxiety among friends and colleagues, and by the extent to which they tried to avoid math altogether. She wondered: Why are people so afraid of math? What are the consequences?One of many mathematicians who share their perspectives in the film is Ismar Volic, a professor at Wellesley College and a founder, in 2019, of the Institute for Mathematics and Democracy. He is also the author of “Making Democracy Count: How Mathematics Improves Voting, Electoral Maps and Representation.”Dr. Volic grew up in Bosnia-Herzegovina, a country that in the early 1990s went through “a horrific war,” he said. “I am familiar with what collapse of democracy can lead to.” He saw parallels between what happened in Bosnia and what was happening in the United States and around the world. “That has driven me in the last few years, understanding the mechanics of democracy, the infrastructure of democracy, which is very much mathematical,” he said.The following conversation, conducted by videoconference and email, has been condensed and edited for clarity.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Filmmaker Focuses on Climate and Democracy

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      In his next documentary, Michael P. Nash takes on A.I. and how it might be used to address environmental issues.The Athens Democracy Forum last week featured an array of speakers from countries worldwide: politicians, leaders of nonprofits, youths dedicated to promoting democracy. Michael P. Nash was the only filmmaker to speak.Mr. Nash, who resides in Nashville and Los Angeles, is behind more than a dozen documentaries and psychological thrillers. His most well-known work is “Climate Refugees,” a documentary that debuted at the 2010 Sundance Film Festival and portrays the stories of people from 48 countries who were affected by climate change.Mr. Nash’s other notable films include “Fuel” (2017), which focuses on alternative energy, and “Saving the Roar” (2021), an inspirational sports documentary about Penn State University’s football culture.Mr. Nash is directing and producing “Chasing Truth,” a documentary examining whether artificial intelligence can solve environmental issues such as climate change and food security. The film is a collaboration with the actor Leonardo DiCaprio and his father, George DiCaprio, who are executive producers. It is expected to be released in 2026.George DiCaprio said he and his son got to know Mr. Nash more than a decade ago, at a screening of “Climate Refugees” at their home. “It was clear that we all shared a passion for addressing the world’s most pressing issues, and now, more than ever, that commitment has deepened,” he said in an email. After the forum, Mr. Nash was interviewed by email and phone about his interest in democracy advocacy; the connection between climate change and democracy; and what he had learned in Athens. The conversation has been edited and condensed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Bitcoin Documentary ‘Money Electric’ Reopens Search for Satoshi Nakamoto

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      The identity of the pseudonymous Bitcoin creator has eluded sleuths for years. But does finding the real Mr. Nakamoto really matter?There are two ambitious missions behind “Money Electric: The Bitcoin Mystery,” a new documentary by the filmmaker Cullen Hoback that was released Tuesday by HBO.The first is to solve one of the internet’s great mysteries by revealing, at long last, the identity of Satoshi Nakamoto, the pseudonymous programmer who created Bitcoin in 2008.The film’s second mission is to make the case that the identity of Bitcoin’s creator actually matters — that Bitcoin, for all its flaws, represents an important technological breakthrough with far-reaching implications, and that there are good reasons, aside from prurience, to care who created it.Let’s start with the first part. Among Bitcoin buffs and cryptocurrency journalists, the mystery of Mr. Nakamoto’s identity has been the subject of fierce debate and painstaking investigation for more than a decade. But nothing has been proved conclusively, and a handful of bungled attempts to crack the case — most notoriously a 2014 Newsweek cover story that put the blame on a physicist, Dorian Nakamoto, who turned out to have nothing to do with Bitcoin at all — have only muddied the waters.(My former colleague Nathaniel Popper suggested that Nick Szabo, who created a digital currency with similarities to Bitcoin, was most likely Satoshi Nakamoto back in 2015, but Mr. Szabo has denied it, and no conclusive evidence has emerged.)Mr. Hoback, who spent years diving down the rabbit hole of the QAnon conspiracy theory for his last film, “Q: Into the Storm,” took a similarly exhaustive approach this time. He and a camera crew spent three years flying around the world interviewing early Bitcoin contributors, following digital breadcrumbs buried in ancient message board posts and piecing together the evidence.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Telluride Film Festival Embraces a Political Lineup

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      The films partly reflect the business realities of Hollywood, which is still grappling with the aftereffects of the writers’ and actors’ strikes last year.As luck would have it, the documentary filmmaker Matt Tyrnauer was recording a conversation with James Carville, the longtime political analyst and subject of Mr. Tyrnauer’s new movie, in May 2023 when a national poll revealed that likely voters favored former President Donald J. Trump over President Biden by seven percentage points.“It knocked me right off my horse,” Mr. Carville said in the film. That moment set in motion his contentious 18-month campaign to encourage Mr. Biden to drop out of the race.“I was old. I knew a little bit about what the job entailed, and I had a platform,” Mr. Carville, 79, said in a recent interview. “I felt like I didn’t have another choice.”Mr. Tyrnauer didn’t have much of a choice, either: He needed to change his film, initially about Mr. Carville’s 30-year career as a very public political consultant, into a more immediate chronicle of Mr. Carville’s effort to alter the course of the presidential election and Mr. Biden’s decision to drop out of the race.On Friday, the final result — “Carville: Winning Is Everything, Stupid!” — will debut at the Telluride Film Festival. It is one of 15 documentary films, many about current events, at the Labor Day weekend festival, a four-day confab in the San Juan Mountains of Colorado that caters to Hollywood’s cognoscenti and is often a harbinger for the fall awards season.Others include “Zurawski v Texas,” from the directors Maisie Crow and Abbie Perrault, which tracks the efforts of Molly Duane, a lawyer with the Center for Reproductive Rights, to fight a Texas law that limits health care options for pregnant women. (The lead plaintiff in the case, Amanda Zurawski, and her husband, Josh, appeared onstage at the Democratic National Convention last week to share their story.) “Separated,” from the famed director Errol Morris (“The Fog of War”), examines the U.S. border family-separation policy enacted by the Trump administration. “No Other Land,” a joint project by a Palestinian activist and an Israeli journalist, details daily life for a West Bank village under Israeli occupation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The New York Times Presents: ‘Lie to Fly,’ the Story of Pilot Joseph Emerson

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      ‘Lie to Fly’Producer/Director Carmen García DurazoCo-Producer Leah HarariProducer/Reporter Mike BakerWatch our new documentary on FX and Hulu starting Friday, Aug. 23, at 10 p.m. Eastern.Minutes before boarding an Alaska Airlines flight home in 2023, Joseph Emerson, a pilot, sent a text to his wife, eager to reunite with their two young children and longing to be by her side.The flight was full, and Emerson, who was off duty, took the cockpit jump seat. What should have been a routine trip quickly turned dramatic and dangerous. During the two-hour journey from Everett, Wash., to San Francisco, Emerson reached up and pulled the plane’s two fire-suppression handles, designed to cut the fuel supply and shut down both engines. Two days earlier, Emerson had consumed psychedelic mushrooms. He had long harbored fears that seeking mental health treatment could jeopardize his career.With 83 other passengers and crew members on board, he was initially arrested on charges of attempted murder for each of them. Now, he’s charged with one count of endangering an aircraft and 83 counts of recklessly endangering another person.“Lie to Fly” explores the story of Emerson, and the reasons he and many other pilots fear seeking mental health treatment. The film follows a growing movement calling for reform of the Federal Aviation Administration’s strict rules around pilot mental health, which some insiders say leaves the public at risk. “Lie to Fly” also documents the consequences that Emerson faces both personally and professionally since his shocking actions in the jump seat.“There was never a question in my mind that this is what I want to do for my career,” Emerson said about becoming a pilot.Left Right Productions/The New York Times/Hulu Originals/FX NetworksEmerson recalled his experience using mushrooms: “One of the things that was said to me several times was, ‘It’s all going to be OK when the sun comes up.’ And then the sun started rising and it wasn’t all OK.”Left Right Productions/The New York Times/Hulu Originals/FX NetworksSupervising Producer Liz HodesDirector Of Photography Jaron BermanVideo Editor Geoff O’Brien“The New York Times Presents” is a series of documentaries representing the unparalleled journalism and insight of The New York Times, bringing viewers close to the essential stories of our time. More