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      ‘Space: The Longest Goodbye’ Review

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      This documentary by Ido Mizrahy examines the psychological challenges of space exploration for astronauts and their loved ones as scientists consider whether humans could reach Mars.In “Space: The Longest Goodbye,” scientists researching the problems of long-term space exploration go where movies have gone before. Sending astronauts into hibernation to conserve scarce resources? Pairing them with an artificially intelligent entity that can act as a pal and sounding board? Screenwriters have tried these things already, with results probably best kept in fiction.But such gambits may offer real solutions for getting humans to Mars. And they are gambits that this fitfully intriguing, sometimes wide-eyed documentary, directed by Ido Mizrahy, takes seriously.“Soft, squishy humans are completely unfathomable to engineers,” says Jack Stuster, an anthropologist who asked residents of the International Space Station to keep journals. One of the principal interviewees is Al Holland, a psychologist who assembled a unit at the National Aeronautics and Space Administration to provide support for astronauts. He discusses his experience in 2010 consulting on the Chilean mine disaster, which had striking parallels with the isolation of space life.We also hear from Kayla Barron, a submarine warfare officer who decided to go to space, and her husband, who stayed behind; as a military couple, they were used to living separately, but this posed a different challenge. And we see clips of personal video chats that the astronaut Cady Coleman held with her husband and son back on Earth, through a system that sometimes didn’t work. “It’s hard for me to really realize how hard it was for a little kid to just have to be so very patient,” she recalls in the documentary.On Mars missions, distance will make similar real-time communication impossible, which means that astronauts won’t even have that kind of intermittent contact. “Space: The Longest Goodbye” leaves open the question of whether anyone could get to the red planet with his or her sanity intact.Space: The Longest GoodbyeNot rated. Running time: 1 hour 27 minutes. In theaters and available to rent or buy on most major platforms. More

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      ‘As We Speak’: Rap Music on Trial’ Review: Weaponizing Lyrics in Court

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      Lyrics that contain references to violence have been used as legal evidence, a practice this documentary by J.M. Harper condemns as unfair and prejudicial.Imagine music that you wrote being held against you in a criminal proceeding. In the documentary “As We Speak: Rap Music on Trial,” the Bronx-born rapper Kemba travels around the country and to Britain, interviewing artists and legal experts about how that has been more than a theoretical possibility for rappers.Mac Phipps, for instance, was convicted of manslaughter and spent more than two decades in prison, even though another man had confessed to the crime. (He was released in 2021.) In an interview with Kemba, he describes how references to violence in his lyrics were used at his trial, despite what he suggests was inadequate context. (One line cited concerned his father, a Vietnam veteran.)Elsewhere in this documentary, directed by J.M. Harper, the academic Adam Dunbar explains a set of studies he conducted. Participants were asked to judge lyrics from the same song: Some were told they were rap lyrics, others were told they were country and still others were told they were heavy metal. The group that believed the words were rap lyrics labeled the songwriter as having a greater criminal propensity. When the artist manager Chace Infinite argues that rap is taken more literally than other music, the movie cuts to clips of Johnny Cash and Freddie Mercury. Would a jury have accorded legal weight to Cash’s claim, in song, to have “shot a man in Reno just to watch him die”?Kemba situates the association of rap with crime in a historical context of censorship of Black music. In another thread, “As We Speak” imagines Kemba himself on trial, with his writing being used against him in a criminal court. The staged material is a bit heavy-handed, but “As We Speak” makes a powerful case for the necessity of being free to make art, and for public awareness that art rarely qualifies as legal evidence.As We Speak: Rap Music on TrialNot rated. Running time: 1 hour 36 minutes. Watch on Paramount+. More

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      Why the N.Y. Fire Dept. Canceled Its Black History Month Celebration

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      A documentary screening about the city’s first Black fire commissioner was scrapped after his family objected to the film’s exclusion of a Black firefighter group.When the Fire Department sought to commemorate Black History Month this year, a worthy honoree seemed obvious: Robert O. Lowery, New York City’s first Black fire commissioner, who was appointed nearly six decades ago by Mayor John V. Lindsay.A documentary on Mr. Lowery’s life was to premiere Tuesday as the focal point of the department’s celebration of Black History Month, which ends this week. But the event was abruptly canceled after Mr. Lowery’s family protested the film’s failure to more fully include the Vulcan Society, the influential Black firefighters’ association.“My father would not have been fire commissioner without the Vulcan Society,” said Gertrude Erwin, Mr. Lowery’s daughter.The cancellation of the screening of “The First: Fire Commissioner Robert O. Lowery’s Story,” represents an awkward turn of events for an agency that is still struggling to overcome decades of racism and homogeneity in its ranks. All but one of its 23 staff chiefs are white men, while about 10 percent of firefighters are Black in a city whose population is about 23 percent Black.The department first approached Mr. Lowery’s daughters about making the documentary roughly two decades after his death, at a ceremony last year renaming its auditorium in his memory. The family was receptive, provided the department met certain conditions.“We made very clear from the outset that the Vulcan Society was a core element in telling my uncle’s story and that it was an expectation that the Vulcan Society would have some role in the film,” said Chris Lowery, the fire commissioner’s nephew. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      8 Documentaries About True Love and Relationships

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      These movies go beyond examining a relationship to reveal the glories, discontents and more about romance.Romance and love are oddly tricky to capture authentically in a documentary. So much of what fosters real connection — as opposed to, say, “Bachelor”-style performative love — happens away from cameras. Plus, every love story is a bit of an experiment, and the observer effect applies: being filmed tends to change the results.But you can capture something about romance in a documentary. I don’t mean the kind that ends in disaster and a true crime documentary. I mean the movies that reveal something to us about the highs and lows, the glories and discontents, and above all something ineffable about love itself, transcending just romance.You probably have your own favorites, and your list might include one of mine: “Fire of Love” (2022, Disney+), Sara Dosa’s swooner about the volcanologists Katia and Maurice Krafft. United in love of one another and, perhaps just as much, love of volcanoes, they perished together in a volcanic explosion in 1991. Their shared interest was a fundamental part of their lives, which made me think of several documentaries about artistic couples, like Daniel Hymanson’s heartbreaking “So Late So Soon” (2021, rent on major platforms) and Zachary Heinzerling’s acclaimed “Cutie and the Boxer” (2013, Vudu), both of which delve into complex relationships that weave together creativity and partnership.Other documentaries tap into the power of love to sustain us across tragedy and hardship. I think of this year’s Oscar-nominated “The Eternal Memory” (Paramount+), directed by Maite Alberdi, about a couple navigating one partner’s deteriorating memory. Or Jonas Poher Rasmussen’s “Flee” (2021, Hulu), in which, on the verge of marriage, an Afghan refugee tells his story of traumatic displacement; his soon-to-be husband has become the only place of safety he can find, but he’s still reticent to trust any home at all. Or there’s “Time” (2020, Prime Video), Garrett Bradley’s gutting film about Fox Rich’s fight to free her husband, Rob, from a 60-year prison sentence. (This was a co-production of The New York Times.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Members of a Championship H.B.C.U. Basketball Team Fight for Recognition

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      Surviving members of the all-Black Tennessee A&I basketball team have fought for recognition since they won three back-to-back national championships at the height of the Jim Crow era.In 1957, the men’s basketball program at Tennessee Agricultural & Industrial State University in Nashville had all of the makings of a great team: a coach dedicated to the fundamentals of the game and a fast-breaking offense that applied relentless full-court pressure.“We felt that if we stayed focused, there was nobody else who could beat us,” said Dick Barnett, a shooting guard for the team.That was true, three times over. The Tennessee A&I Tigers would become the first team from a historically Black college or university to win any national championship, and the first college team to win three back-to-back championships.The Tennessee A&I Tigers in 1957. Dick Barnett, wearing No. 35, is at center in the second row.Live Star EntertainmentBut the team, caught in the headwinds of the Jim Crow South, has struggled for recognition ever since.Barnett, now 87, who went on to play for the two New York Knicks championship teams in the 1970s, has spent the last decade working to correct that. He has spent years campaigning for the Tigers to be inducted into the Naismith Memorial Basketball Hall of Fame and is teaching a new generation of basketball players at Tennessee State University, as the school is now known, about the barrier-breaking team.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sundance Documentaries: ‘Eternal You,’ ‘Ibelin’ and More

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      Festival documentaries ranged across the genre map, but several explored the lengths we’ll go to communicate with lost loved ones.Everyone from the academy to streaming services splits cinema into two buckets: movies (comedy, romance, horror, whatever) and documentaries, lumped into one unholy pile. Besides being obviously reductive, the division is false: Nonfiction movies can be comedies or romances or horror or any other genre, and they can create new indescribable genres, too. But American audiences still tend to be fed documentaries of only a few types: true crime stories, cult exposés, hagiographies, and educational disquisitions full of talking heads.There’s more than that to nonfiction. And though plenty of star-driven, lightweight biographies show up at Sundance — famous folk on the carpet create much-needed social-media attention — there’s a lot of other nonfiction on offer, some of which will make its way to theaters and streaming services over the next year or two. A couple of lucky films may even eventually make their way into Oscar contention.Documentaries at this year’s Sundance, which concluded Sunday, ranged across the genre map, often playfully mixing up conventions. But it was striking how often a particular thread kept popping up: the human longing to communicate with the dead, and the lengths — technological and otherwise — to which we’ll go to make it happen.That was the theme of “Love Machina” and “Eternal You,” which feel picked by the programmers to complement one another. “Love Machina” (directed by Peter Sillen) is a romance looking at the efforts of the married couple Martine and Bina Rothblatt to create a robotic replica of Bina, powered by artificial intelligence and an extensive database of her thoughts, speech and emotions, that can communicate with her descendants when she is gone. “Eternal You” (directed by Hans Block and Moritz Riesewieck) takes a broader, more analytical look at the burgeoning market for “afterlife technology” designed to do what the Rothblatts hope to accomplish: let people communicate with their loved ones after death using A.I. If that sounds like a “Black Mirror” episode, you’re right — and some “Eternal You” participants note the humanity-altering danger in this quest.In “Love Machina,” the robotic likeness of a woman is part of an effect to communicate with her descendants after she’s gone.Peter Sillen, via Sundance InstituteYet, as the eminent sociologist Sherry Turkle points out onscreen, what we see in these efforts is A.I. offering what religion once did: a sense of an afterlife, a quest for meaning, the feeling of connecting to transcendence. One of the festival’s best documentaries, the sociological portrait “Look Into My Eyes,” taps into this same longing from a more mystical direction. Directed by Lana Wilson, the film drops audiences into the lives of several New York City psychics. The clients are hoping to communicate with the beloved dead through a literal rather than technological medium. (One participant helps people communicate with their pets, some of whom are still living.) But the focus is on the psychics themselves, the reasons they’ve come to their work, and what they believe they’re actually doing in their sessions — and the film is marvelously nuanced and fascinating in its examination. Is this performance? Is it “real”? And if it brings peace to the living, does it matter?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      ‘The Holly’ Review: The Tragic Case of a Denver Activist

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      Julian Rubinstein’s investigative documentary traces the engrossing case of a Denver community organizer, Terrance Roberts, who faced charges of attempted murderAt the point where Julian Rubinstein’s investigative documentary “The Holly” begins, an entire biopic’s worth of drama has already happened. After years in gangs and prison, Terrance Roberts became an activist and founded a successful youth program to rejuvenate a troubled Denver neighborhood known as the Holly. Then, in 2013, while organizing a peace rally in the area, he shot a gang member he knew, and was arrested and charged with attempted murder.The film portrays Roberts’s turmoil as the 2015 trial approached, and sorts through a paranoia-inducing churn of local police crackdowns, gang activity and general controversy. Roberts prepares a self-defense plea, but vents about further blowback after he speaks out against the back channels between law enforcement and gangs.Dangling speculations in voice-over, Rubinstein at times suggests a lower-key, adenoidal Nick Broomfield as he taps his surprisingly outspoken sources: amiable former gang members, the flamboyant Rev. Lee Kelly (who takes over as a neighborhood liaison after Roberts) and Roberts’s supportive father, also a reverend.Roberts emerges as a Shakespearean figure of forceful magnetism who fights mightily against being viewed as a walking metaphor for the Holly’s struggles. His fearlessness is both heroic and tragic, though Rubinstein’s sometimes foggy explanations of community politics make the film feel as if it might vanish into the night at any moment. (The director, a journalist, partly shot the movie while writing a more detailed book with the same title.)It’s all a heady brew that leaves one wanting to know even more about Roberts, who is now running for mayor in Denver. The movie resists encapsulating him, or perhaps he escapes its director’s full understanding.The HollyNot rated. Running time: 1 hour 43 minutes. In theaters and available to rent or buy on most major streaming platforms. More

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      Paul Pelosi, el marido que se ocupa de las tareas mundanas

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      La pareja de Nancy Pelosi fundó una firma de inversión en capital de riesgo, pero desde que la presidenta de la Cámara de Representantes optó por la política, es quien compra las toallas de cocina y el guardarropa de ella.WASHINGTON — La presidenta de la Cámara de Representantes, Nancy Pelosi, estaba pegada a la transmisión de CNN la noche que siguió a las elecciones de 2020, mientras su esposo, Paul Pelosi, sentado cerca de ella, abría un paquete.“¿Qué es eso?”, le pregunta a su marido en una escena del nuevo documental de HBO, Pelosi in the House, dirigido por su hija Alexandra Pelosi.“Toallas de cocina”, le responde el hombre con un ápice de ironía mientras revienta el papel burbuja del embalaje. Nancy Pelosi sonríe y luego vuelve a concentrarse en la cobertura electoral.Este es solo un ejemplo de una dinámica que se observa a lo largo de todo el filme: Paul Pelosi, quien fue brutalmente agredido en la residencia de la pareja en San Francisco por un atacante cuyo objetivo, según se dijo, era la presidenta de la Cámara Baja, se ocupa de lo que su familia denomina el “negocio de vivir”. Esto le da a su esposa, quien dejará su cargo el 3 de enero cuando los republicanos asuman la mayoría de la Cámara de Representantes, la libertad de enfocarse en su trabajo político.Es el tipo de relación que las mujeres que se dedican a la política rara vez mencionan, pero que a veces puede marcar la diferencia entre el éxito y el fracaso: una pareja dispuesta a ocuparse de las tareas mundanas y del rol de apoyo que tradicionalmente recaía en las esposas de los políticos. Y aunque los Pelosi tienen una buena posición económica y pueden contratar toda la ayuda que necesitan en su hogar, el documental muestra que ser cónyuge de una figura política puede significar simplemente estar presente y luego hacerse a un lado.En el transcurso de la película, mientras Nancy Pelosi atiende asuntos por teléfono con el exvicepresidente Mike Pence, el senador Chuck Schumer o Joe Biden, quien entonces era candidato a la presidencia, Paul Pelosi, de 82 años, un empresario multimillonario que fundó una firma de inversión en capital de riesgo, a menudo está en el mismo espacio atendiendo las necesidades cotidianas de la vida en común.En una escena, la dirigente está en pijama elaborando estrategias en una llamada con el representante demócrata de Nueva York Jerrold Nadler, sobre el primer juicio político al presidente Donald Trump mientras Paul Pelosi, sentado frente a ella, habla por celular con un contratista que está intentando entrar a su casa en San Francisco para reparar una ducha averiada.“No sé qué le pasó a esa llave”, dice Paul Pelosi, usando una palabrota.La pareja se conoció cuando eran estudiantes universitarios en un curso de verano en la Universidad de Georgetown en 1961. Se casaron dos años después y tuvieron cinco hijos en seis años. Nancy Pelosi dedicó los primeros años de su matrimonio a ser madre y ama de casa en San Francisco y no se postuló al Congreso sino hasta cumplir más de 40 años. Lo que sucedió después fue algo que Paul Pelosi jamás pudo haber imaginado para su esposa ni para su familia, según su hija.“Creo que esto no era lo que él tenía en mente en 1987”, dijo Alexandra Pelosi en una entrevista, en referencia al año en que su madre fue elegida por primera vez al Congreso. “Él solo tuvo que aceptarlo”.La pareja tuvo cinco hijos en seis añosPeter DaSilva para The New York TimesSegún su hija, a Paul Pelosi nunca le picó el bicho de la política. Le prohíbe a su familia hablar del tema en la mesa durante la cena. Pero con el correr de los años, ha estado al lado de su esposa en sus momentos políticos más importantes y ha asumido muchos de los deberes domésticos. Lava los platos, lidia con contratistas, paga las facturas y compra la ropa de Nancy Pelosi.“Ella nunca ha ordenado toallas de cocina en su vida”, dijo Alexandra Pelosi. “Eso es algo que él siempre ha hecho. Él hace las compras, desde las toallas de cocina hasta el vestido Armani”.“Tiene a Armani guardado en sus números de marcado rápido”, añadió, en referencia al diseñador italiano Giorgio Armani, uno de los favoritos de su madre. “Es esposo a tiempo completo”.Alexandra Pelosi compartió más detalles: “El vestido que usó para la cena de Estado, lo mandó pedir él y se lo envió a mi hermana para que se lo probara”. (Se refería al vestido de noche dorado de lentejuelas de otro diseñador italiano, Giambattista Valli, que su madre lució en diciembre en una cena de Estado en la Casa Blanca para recibir al presidente de Francia, Emmanuel Macron).El documental, que se centra en el ascenso y los logros profesionales de Nancy Pelosi, deja entrever cómo estar casada con una pareja comprensiva ayuda a crear un espacio laboral para una mujer que, durante años, fue la fuerza política más poderosa del Partido Demócrata en los tiempos recientes.Con excepción de Hillary Clinton, pocas mujeres en la política han alcanzado la estatura de Pelosi y no hay muchos esposos como el suyo. El expresidente Bill Clinton fungió un papel de pareja de apoyo durante las dos campañas presidenciales de Clinton, pero luego de haber tenido él su turno.Doug Emhoff ha asumido el papel de reparto como pareja de la vicepresidenta Kamala Harris, pero eso ha significado que él mismo se ha convertido en figura pública por derecho propio. Pelosi nunca ambicionó nada como eso.“Él es una persona privada con una vida privada y una colección muy interesante de amigos, algunos de los cuales son republicanos”, dijo Alexandra Pelosi. “Él no buscaba este estilo de vida”.Sin embargo, se adaptó, aseguró su hija. “Toda mujer necesita a un Paul Pelosi”.Los Pelosi se conocieron en 1961 durante un curso de verano en la Universidad de Georgetown.Doug Mills/The New York TimesEn una escena del documental, Pelosi estaba limpiando los platos de desayuno en bata mientras su esposa hablaba con Pence. En un momento, ella se puso en mute y le mandó besos volados a su marido.En una escena filmada en la campaña presidencial de 2020, Nancy Pelosi estaba al teléfono con Biden aconsejándole “no te vayas mucho a la izquierda”. Paul Pelosi estaba sentado junto a ella, leyendo su iPad y medio poniendo atención a la conversación de su esposa.Él parecía cómodo con su papel de reparto.“¿Estás haciendo fila para tomarte una foto con la presidenta de la Cámara?”, le gritó detrás de la cámara su hija a Paul Pelosi en una reunión en el Capitolio de Estados Unidos antes de uno de los discursos de Trump, mientras Nancy Pelosi estaba haciéndose fotos con gente que quería retratarse con ella.“Ay, sí”, bromeó él.El año siguiente, ahí estaba una vez más, sentado y botaneando mientras Pelosi trabajaba.“Me enteré que Paul Pelosi andaba aquí”, bromeó su hija.“Solo vine por los pistachos”, dijo él.Cuando ella se preparaba para ingresar al recinto de la Cámara —donde al final rompería el discurso de Trump y lo desestimaría como un “manifiesto de falsedades”— su esposo estuvo con ella en el despacho ofreciéndole apoyo moral.“Te ves fabulosa, cariño”, le dijo Pelosi.Pese a sus apariciones en el documental, Paul Pelosi no siempre está al lado de su esposa, como sucedió en mayo, cuando sufrió un accidente automovilístico en el condado de Napa, California, y después se declaró culpable de un cargo de conducir bajo el efecto del alcohol. Nancy Pelosi estaba al otro lado del país, preparándose para dar un discurso de graduación en la Universidad de Brown.“Está presente en los días importantes”, dijo Alexandra Pelosi. “En realidad solo lo hace porque ella le dice que tiene que ir. Las personas de este ámbito necesitan una familia que las apoye en los días importantes”.En octubre, Paul Pelosi fue atacado con un martillo en la residencia de la pareja en San Francisco por un hombre que más tarde se dijo que buscaba agredir a la presidenta de la Cámara de Representantes. Aunque sufrió lesiones graves en la cabeza, en los últimos días se le ha visto acompañando a su esposa en diversos eventos, como la ceremonia de develación de su retrato en el Capitolio y la celebración de los Kennedy Center Honors.Sin embargo, la cineasta afirmó que su padre aún debe enfrentar un largo camino para su recuperación. “Tiene días buenos y días malos”, explicó y comentó que tiene estrés postraumático y se agota con facilidad.El ataque contra el hombre que ha sido el pilar silencioso de la vida de la familia Pelosi ha ocasionado estragos en todos sus integrantes. En una entrevista reciente con Anderson Cooper de CNN, la presidenta de la Cámara Baja dijo: “Para mí, esta es la parte realmente difícil, porque Paul no era el objetivo y él es quien está pagando el precio”.“No buscaba a Paul, sino que iba por mí”, agregó.Su hija expresó que uno de los aspectos más incómodos de esta terrible experiencia ha sido la atención pública que se ha centrado en una persona que siempre ha intentado eludirla.“Él ha evitado el protagonismo todo lo que ha podido”, afirmó. “Casi llegó al final sin que nadie supiera quién es”.Annie Karni es corresponsal de la Casa Blanca. Anteriormente cubrió la Casa Blanca y la campaña presidencial de 2016 de Hillary Clinton para Politico, y cubrió noticias locales y política en Nueva York para el New York Post y el New York Daily News. @AnnieKarni More