More stories

  • in

    Why Does Kendrick Lamar Want Drake to Return Tupac’s Ring?

    At Mr. Lamar’s Juneteenth concert on Wednesday, he made a request for Drake to return Mr. Shakur’s iconic crown ring. Is this about more than just beef between the two rappers?When Kendrick Lamar made his entrance to his sold-out show at the Kia Forum in Inglewood, Calif., on Juneteenth, he did so with a bang. He performed “Euphoria,” a track he released in April during his well-documented feud with Drake, adding a new lyric: “Give me Tupac ring back and maybe I’ll give you a little respect.” The internet went wild.This was Mr. Lamar’s first time performing since his testy dispute with Drake escalated into a volley of diss tracks this spring. For the show, titled “The Pop Out: Ken & Friends,” he brought out fellow West Coast artists such as Dr. Dre, YG, Tyler, the Creator, Schoolboy Q and Steve Lacy, the next generation of musicians from the region after Tupac Shakur. It was a victory lap after unofficially winning the war. Mr. Lamar had been questioning Drake’s authenticity and status among Black musicians and fans, and adding the line about Mr. Shakur’s ring only doubled down on that message.The ring is one of the most iconic jewelry pieces in hip-hop history. It features a 14-karat crown encrusted with cabochon rubies and pavé diamonds. It also bears the inscription “Pac & Dada 1996,” referring to his engagement to Kidada Jones, the daughter of Quincy Jones. The ring, which he designed himself, commemorates both the founding of his media company, Euphanasia, and his romance with Ms. Jones. He wore it at the 1996 MTV Video Music Awards, his last public appearance before his killing.In August 2023, Drake purchased the ring from an auction at Sotheby’s for $1.01 million. That irked Mr. Lamar, who has taken the baton of West Coast rap from Mr. Shakur and has been influenced by his legacy.According to Vikki Tobak, author of the 2022 book “Ice Cold; A Hip-Hop Jewelry History,” jewelry has long been a symbol of allegiance and brotherhood in hip-hop. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Popcast (Deluxe): Taylor Swift’s ‘Tortured’ Era

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:The new Taylor Swift album, “The Tortured Poets Department,” and Swift’s “imperial era” How the album addresses her rumored relationship with Matty Healy of the 1975 A possible face-off between this album and Beyoncé’s “Cowboy Carter” at next year’s Grammys The Tortured Poets Department” as a detailed recitation of Swift’s life over the past 2 years The production choices of Jack Antonoff and Aaron Dessner How the album alludes to the work of the 1975 and Healy Swift’s resentfulness streakSongs of the week from Drake featuring A.I. versions of “Tupac” and “Snoop Dogg,” plus Mozzy and Odetari featuring Ayesha EroticaSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More