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    Tom Jarriel, Globetrotting ABC News Reporter, Is Dead at 89

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    In his 37 years at the network, he was a White House correspondent, weekend anchor and correspondent for “20/20.” He won 19 Emmy Awards.Tom Jarriel, a globetrotting, Emmy-winning reporter who was best known for his work on the ABC newsmagazine “20/20” but also served as the network’s chief White House correspondent and weekend news anchor, died on Thursday at a nursing facility in Annapolis, Md. He was 89.His death was confirmed by his son Steve, who said he had a debilitating stroke last year.Mr. Jarriel started at “20/20” in 1979 — a year after it went on the air — and was there for 23 years. His subjects included the child victims of the civil war in Mozambique (including a 9-year-old boy forced by rebels to burn down his own house), the return of the Khmer Rouge in Cambodia and famine in Ethiopia.“We did not do happy stories together,” Janice Tomlin, his longtime producer, said in an interview. “You had to be in serious trouble for Tom and I to do a story on you.”He considered the defining story of his career to be a series of reports over a decade on the thousands of forgotten, abused and malnourished orphans in Romania. He and Ms. Tomlin found them naked and warehoused in orphanages — some of them dying, others with flies all over them, and others in primitive institutions for what Mr. Jarriel said were unsalvageable children.“In more than 50 institutions hidden in remote areas of Romania, innocent children are locked away like condemned prisoners,” Mr. Jarriel said in one of two reports broadcast in 1990. “These are not the orphanages seen before on American television. These are state-run asylums shrouded in secrecy. This is where children with physical or mental defects are banished by a government which has branded them worthless.”Ms. Tomlin recalled: “We found children in cages, with their heads shaved, four to a crib, some in straitjackets. It was like Auschwitz. The children were dying from malnutrition and fixable things.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Emmy Viewership Rises to 6.9 Million Viewers

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      The uptick puts the Emmys among the award shows, such as the Oscars, that have had audience gains in the past few years.For the first time in three years, viewership for the Emmy Awards has gone in an upward direction.The Emmys drew an audience of 6.9 million on ABC on Sunday night, according to Nielsen, a healthy increase following a strike-delayed ceremony in January that drew a low of just over 4 million viewers.The ratings increase finally follows a trend of other award shows, such as the Oscars and Grammys, which have had viewership gains over the past few years. And it also stops the bleeding for an event that was dangerously approaching the low ratings of the Tony Awards.Even with the increase, the Emmys has lost a substantial amount of its audience in recent years. As recently as 2018, the event regularly drew more than 10 million people.Sunday’s telecast had some advantages over the last show. The January ceremony ran head-to-head against an N.F.L. playoff game, and was on the tail end of a frenetic stretch of award shows that included the Golden Globes and the Critics Choice Awards. Sunday’s show was back in the Emmys’ traditional mid-September slot that viewers have come to expect.The Emmys has long had the unfortunate — but accurate — reputation of being numbingly predictable. Indeed, in recent years, voters have tended to shower the same show (“Schitt’s Creek,” “The White Lotus,” “Ted Lasso,” “Succession”) with award after award. But on Sunday, there was an unusual turn of events: There were numerous upsets.“The Bear” won four Emmys on Sunday but, in a big surprise, “Hacks” won best comedy. Voters gave “Shogun” best drama honors, but also delivered unexpected wins to shows like “Slow Horses” and “The Morning Show.” “Baby Reindeer” took best limited series, but “True Detective,” “Fargo” and “Ripley” also had wins on Sunday.Reviews for the telecast, which was hosted by the father-and-son duo of Eugene and Dan Levy, were decidedly mixed. The Los Angeles Times described the telecast as “casually interesting” while Variety called it “humdrum” and Rolling Stone said it was “blah.” More

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      “Shogun” Emmy Win Lifts FX Past Bigger Rivals

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      The network has been a darling among critics for years. But it hit a new high on Sunday, with “Shogun” winning best drama and “The Bear” picking up several awards as well.When the “Shogun” writer and producer Justin Marks stormed the Emmys stage after his show won best drama on Sunday night, his first order of business was to pay tribute to the people who helped bring him there: the executive team at FX.How, he wondered aloud, did the network approve a show that was extremely expensive, and would be mostly subtitled in Japanese?“I have no idea why you did that, but thank you for your faith in this incredible team,” he said.For roughly two decades, that team at FX has been a darling to television critics with series like “American Horror Story,” “The Americans,” “It’s Always Sunny in Philadelphia” and “Atlanta.” But the network, with less money at its disposal than rivals such as Netflix and HBO, had never won television’s most prestigious prize, best drama, until Sunday.And that’s not all it won.“Shogun,” an adaptation from a 1975 best-selling book centered on 17th century feudal Japan on the brink of civil war, had a dominant night at the Emmys. It set a record for most Emmys won by a show in a single year, winning 18 in all. It was also the first time a foreign language show (roughly 70 percent of the show was in Japanese) had taken the best drama award that is normally the domain of shows that take place in the United States, the United Kingdom or Westeros.Hiroyuki Sanada in a scene from “Shogun.”Katie Yu/FX, via Associated PressAnother FX show, “The Bear,” won several major Emmys on Sunday night, including three acting awards. But in an upset, Max’s “Hacks” defeated “The Bear” in best comedy series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best Red Carpet Fashion At the Emmys: Jennifer Aniston, Ayo Edebiri & More

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      For people who like to look at clothes, there have lately been many opportunities on red carpets and off. Movie stars were in the spotlight at film festivals in Venice and Toronto. New York Fashion Week brought industry players and followers to parties, front rows and the city’s streets. Pop stars had their night at the MTV Video Music Awards.On Sunday, it was the TV world’s turn with the Emmy Awards. The event took place less than a year since the last Emmys ceremony in January, but the shorter-than-usual interim did not affect the spectacle of the red carpet.Actresses like Selena Gomez, Quinta Brunson and Sheryl Lee Ralph radiated sleek sophistication in black dresses that hugged curves and showed skin. Actors like Andrew Scott, Lionel Boyce and Dan Levy, who hosted the ceremony with his father, Eugene, chose modern interpretations of classic penguin suits. Over-the-top costumes worn by a group of contestants from “RuPaul’s Drag Race” amped up the camp.The fashion on the red carpet at the 76th Emmy Awards ran the gamut, but these 16 looks were among the most notable — for good reasons and bad.Jennifer Aniston: Most Familiar!Frazer Harrison/Getty ImagesA career spanning more than four decades has taught the actress, a star of “The Morning Show,” a thing or two about red carpets. Among them: It is hard to go wrong with a simple silhouette like that of her columnar, beaded Oscar de la Renta gown.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Candice Bergen Takes a Jab at JD Vance at the Emmys

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      The actress Candice Bergen was summoned to the Emmys this year to present an award. She also landed a political jab.Bergen is perhaps best known for playing the titular character in “Murphy Brown.” In her brief remarks, she recalled that her character, an unmarried news anchor, was rebuked by Vice President Dan Quayle in 1992 after she gave birth to a baby boy.The criticism from Quayle came during his unsuccessful re-election campaign with President George H.W. Bush. While Quayle was talking about family values, he said that Bergen’s character was “mocking the importance of fathers, by bearing a child alone, and calling it just another ‘lifestyle choice.’”Bergen won five Emmys for her work on “Murphy Brown.” At Sunday’s ceremony, she recalled the kerfuffle with Quayle, which became front-page news, and offered a quip.“Oh, how far we’ve come,” Bergen said. “Today, a Republican candidate for vice president would never attack a woman for having kids.”It was a thinly veiled reference to Senator JD Vance of Ohio, former President Donald J. Trump’s running mate, who has complained that the United States is being run by Democrats, specifically “a bunch of childless cat ladies.”Aware of this, Bergen continued, “So, as they say, my work here is done.”Then she added some onomatopoeia: “Meow.” More

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      Jean Smart Wins a Third Emmy for ‘Hacks’

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      Jean Smart has just won a third Emmy for her starring turn in the Max series “Hacks,” the gleefully sardonic half-hour sitcom set in the rarefied, ruthless world of stand-up comedy.It is her sixth Emmy overall.“It’s very humbling. It really is. I appreciate this,” Smart said in a low voice, as she accepted the trophy. Then she went in for the punchline. “Because I don’t get enough attention. I’m serious.”Smart beat out a roster of actresses including Quinta Brunson, the creator and star of “Abbott Elementary,” who won the award in the previous Emmy ceremony, in January; and Ayo Edebiri of FX’s “The Bear,” who moved into the lead actress category after winning best supporting actress in January. Also nominated were Selena Gomez, for “Only Murders in the Building,” and the former “S.N.L.” co-stars Maya Rudolph, for “Loot,” and Kristen Wiig, for “Palm Royale.”As Deborah Vance, a celebrated comedian enjoying a late-career triumph, Smart, 72, is able to play smart, sexy, callous, vulnerable and very, very funny. In this latest season, she executes a mercenary plan to achieve something typically denied to women: a host gig on a major late-night show.In May, Smart told The New York Times, “I’ve always been part way to between leading lady and a character actress.” Who could doubt her leading-lady chops now? More

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      Emmy Party Photos: Letting Loose in the Hollywood Hills

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      Celebrities including Quinta Brunson, Selma Blair and Heidi Klum toasted the awards at a Los Angeles mansion. Who said it was too soon to party again?Anticipation and truffle oil hung in the air on Friday night as stars of the small screen arrived in the Hollywood Hills in black Teslas and Escalades to celebrate this year’s Emmy Awards.The “Shogun” actor and producer Hiroyuki Sanada; Quinta Brunson, the creator of “Abbott Elementary”; and the “Baby Reindeer” star and creator Richard Gadd were among the nominees who walked the black carpet at the party, which was put on by The Hollywood Reporter and SAG-AFTRA at Stanley II, a sprawling, hillside mansion that has been listed for $38 million.Nava Mau of “Baby Reindeer.”Gabriella Angotti-Jones for The New York TimesCarl Clemons-Hopkins of “Hacks” with Chubi Anyaoku.Gabriella Angotti-Jones for The New York TimesOverlooking the twinkling lights of Los Angeles, guests ate truffle burgers and fries from Shake Shack and drank Emmy-themed Glenfiddich cocktails named “City of Stars,” “Red Carpet Cocktail” and “The FYC” (shorthand for the “for your consideration” award campaigns).The party was held at Stanley II, a mansion in the Hollywood Hills that has been listed for $38 million.Gabriella Angotti-Jones for The New York TimesWhile some partygoers grazed a banquet-size charcuterie board and relaxed on couches near the house’s massive television screens — which played a slide show of photos featuring this year’s nominees — others migrated to the dance floor in the nightclub downstairs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Reservation Dogs’ Showed D’Pharaoh Woon-A-Tai What Is Possible

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      The actor received his first Emmy nomination for his performance on the acclaimed Native comedy. In an interview, he talks about breaking down stereotypes, and possibly reviving his character.Much like his “Reservation Dogs” character, D’Pharaoh Woon-A-Tai grew up wondering if he was a good guy.If his dedication to his craft and his community is any indication, the 22-year-old actor of Anishinaabe, Guyanese and German descent seems to be a pretty upstanding citizen. The day we chat about his Emmy nomination for lead actor in a comedy series, for example, he is visiting his parents in his native Toronto (from his adopted hometown, Los Angeles) and has spent most of the morning chauffeuring his auntie around on a several-hours-long excursion. After all, mothers, grandmothers and aunties are considered the bedrock of Indigenous communities.That’s a fact any “Reservation Dogs” fan would know. With the groundbreaking FX series, the creators Taika Waititi and Sterlin Harjo provided a rare look at everyday life on an Oklahoma Indian reservation through the eyes of four teens reeling in the aftermath of a friend’s suicide. Harjo, who also served as showrunner, has said there was only one way to do it: with an all-Indigenous team of writers, directors and regular actors who could authentically tell this story.Alongside his young co-stars, Woon-A-Tai made uncharted television territory feel warm, raw and utterly relatable, garnering “Rez Dogs” broad acclaim as well as four Emmy nominations this year, including a best comedy nod. His portrayal of Bear Smallhill also earned him an Emmy nomination, placing him alongside Lily Gladstone (“Under the Bridge”) and Kali Reis (“True Detective: Night Country”) as the first Indigenous actors to be nominated in 17 years.In an interview, he talked about breaking down stereotypes, possibly reviving his “Rez Dogs” character and being a good, healthy Indigenous man. These are edited excerpts from the conversation.Despite critical acclaim, “Rez Dogs” was notably overlooked by the television academy for its first two seasons. What does it mean to you to break through with a best comedy nomination and one of the few Indigenous acting nominations in Emmys history?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gena Rowlands, Actress Who Brought Raw Drama to Her Roles, Dies at 94

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      Gena Rowlands, the intense, elegant dramatic actress who, often in collaboration with her husband, John Cassavetes, starred in a series of introspective independent films, has died. She was 94.The death was confirmed by the office of Daniel Greenberg, a representative for Ms. Rowlands’s son, the director Nick Cassavetes. No other details were given.In June, her family said that she had been living with Alzheimer’s disease for five years.Ms. Rowlands, who often played intoxicated, deranged or otherwise on-the-verge characters, was nominated twice for best actress Oscars in performances directed by Mr. Cassavetes. The first was the title role in “A Woman Under the Influence” (1974), in which her desperate, insecure character is institutionalized by her blue-collar husband (Peter Falk) because he doesn’t know what else to do. The critic Roger Ebert wrote in The Chicago Sun-Times that Ms. Rowlands was “so touchingly vulnerable to every kind of influence around her that we don’t want to tap her because she might fall apart.”Her second nomination was for “Gloria” (1980), in which she starred as a gangster’s moll on the run with an orphaned boy.Ms. Rowlands and John Marley in “Faces,” which Renata Adler of The New York Times called “a really important movie” about “the way things are.” Like many of her movies, it was directed by Ms. Rowland’s husband, John Cassavetes.United Archives, via Getty ImagesBut it was “Faces” (1968), in which she starred as a young prostitute opposite John Marley, that first brought the Cassavetes-Rowlands partnership to moviegoers’ attention. Critics spread the word; Renata Adler described the film in The New York Times as “a really important movie” about “the way things are,” and Mr. Ebert called it “astonishing.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More