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      in World Politics

      From Merkel to Baerbock: Female Politicians Still Face Sexism in Germany

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      Angela Merkel has become a symbol of women’s success and self-assertion in a political arena still dominated by men, both in Germany and globally. Until a few months ago, the prospect of a female successor seemed very likely. But the initial euphoria, shortly after the Green Party named Annalena Baerbock as its candidate for the chancellorship, has died down.

      Germany’s Greens Are Within Earshot of Power

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      In May, polls showed that 43% of the German population perceived Baerbock as a suitable successor for Merkel, leading over her two main contenders; at the end of August, this figure was down to 22%. Targeted online campaigns have been busy exploiting Baerbock’s missteps and stoking fears of political change among voters. These attacks have laid bare how modern political campaigns in the age of social media flush sexist attitudes that persist in both politics and the wider society to the surface. 

      Belittled and Patronized

      Before Merkel rose to become one of the world’s most powerful female politicians, she was underestimated and belittled throughout the 1990s as a woman from East Germany by a male-dominated West German political class. Despite prevailing in intra-party struggles by often adapting to male behavior, she still had to face gender-based headwinds during her first general election campaign in 2005 as the front runner of her party.

      The Christian Democratic Union/Christian Social Union (CDU/CSU) began the campaign polling at 48%, only to plummet to a sobering 35.2% on election day, securing a knife-edge victory over the incumbent, Chancellor Gerhard Schröder. Even back then, when social media was still a negligible factor, Merkel had to face partly overt, partly subliminal gender-discriminatory reporting. German media dissected Merkel’s outward appearance, starting with the corners of her mouth and her hairstyle and ending with her now-famous pantsuits.

      According to Rita Süssmuth, president of the German Bundestag from 1988 to 1998, at times, “there was more discussion about hairstyle, outer appearance, facial expression, hands, etc. than there was debate about the content. And how often did the question come up: Can the girl do it?”

      Embed from Getty Images

      Her competence was called into doubt, as stereotypical headlines from the time show: “Angela Merkel — an angel of understanding kindness,” “A power woman … corpses pave her way.” In 2004, the Austrian newspaper Die Presse came to the following conclusion to the question of why Merkel had to face such inappropriate media scrutiny: “Because she is a woman and comes from the East. And that is not the stuff of political fantasies that make West German men’s clubs ecstatic.”

      Even Merkel’s nickname, “Mutti” (mommy), used affectionately by most Germans now, was originally a derisive epithet. The slow reinterpretation of this nickname is emblematic of how difficult it is for women in politics to break away from antiquated role models.

      Since then, Merkel has emerged victorious in four consecutive elections, at the moment the country’s second-longest serving chancellor after Helmut Kohl. She is one of the countless global role models who have proven women to be apt leaders. In light of this overwhelming evidence of women’s political prowess, the levels of sexism and disinformation launched against Baerbock are astonishing. 

      Targeted From Day One

      When the Green Party chose Baerbock as its front runner in April, it did so with confidence that after 16 years of Angela Merkel, voters had shed their misgivings about aspiring female politicians. If anything, the Greens expected a young, energetic woman to embody political change and provide an appealing contrast to the stodgy, veteran, male candidates like Armin Laschet of the CDU and Olaf Scholz of the Social Democratic Party (SPD). But soon after the announcement of her candidacy, voices emerged online questioning whether a mother of two would be suitable for the chancellorship. However, it’s not just her status as a mother that made Baerbock an ideal target, especially for conservatives and far-right populists on the internet: Unlike Merkel, she is young, politically more inexperienced, liberal and green.

      Adding to that, Baerbock exposed herself to criticism by making unforced mistakes. False statements in her CV, delayed declarations of supplementary income and alleged plagiarism in her book published in June provided further ammunition to her adversaries. Her book’s title, “Now. How We Renew Our Country,” and the criticism she faces mirror the Greens’ current dilemma. Before Baerbock could even communicate a new, innovative policy approach with climate protection at its center to the voters, public attention had already diverted to her shortcomings.

      While part of the blame rests with Baerbock herself, a lack of proportionality of criticisms toward her as opposed to other contestants in this election is apparent. For more than a year now, accusations loom around her contender for the post of chancellor, Olaf Scholz. As finance minister and chairman of the Federal Financial Supervisory Authority, he is accused of failing to prevent the biggest accounting scandal in the history of the Federal Republic of Germany surrounding Wirecard AG, a payment processor and financial services provider. Luckily for Scholz, still-unanswered questions concerning the scandal receive scarce media attention, partly due to the complexity of the issue at hand making it harder to distill into bite-size news. 

      Embed from Getty Images

      Armin Laschet, the CDU‘s candidate for chancellorship and minister president of the state of North Rhine-Westphalia, had to navigate rough waters during the COVID-19 crisis. The state government used opaque procedures to award a contract for protective gowns worth €38.5 million ($45.6 million) to the luxury fashion manufacturer van Laack, a company linked to Laschet’s son. Laschet also received criticism for a good-humored appearance during a visit to areas affected by floods that killed at least 189 in July. In addition, he too was accused of plagiarism due to suspicious passages in a book published in 2009.

      Even though Scholz’s, and especially Laschet’s missteps have not gone unnoticed by the media, the public and political opponents, Lothar Probst, a researcher at the University of Bremen, recognizes a systematic character in the criticism faced by Baerbock. In an interview with the German Press Agency, he surmised: “Her credibility, respectability, and authority are undermined, she is portrayed as sloppy. … A young, urban smart woman [is] once again tackled harder than her competitors.”

      Even before Baerbock’s gaffes were in the spotlight, she found herself in the firing line. Conspiracy theories surfaced, suggesting that Baerbock was a puppet of George Soros and an advocate of the “great reset” conspiracy. Disinformation about Baerbock was also gender-based. Collages of sexualized images quickly circulated, including deepfake photographs disseminated via the messenger Telegram.

      Such disinformation originated significantly from far-right circles. In 2019, according to the federal criminal police office, 77% of registered hate posts were attributable to the center-right and far-right political spectrum. According to political scientist Uwe Jun, from Trier University, female politicians from green parties are primary targets for right-wing attacks and disinformation because topics such as climate protection and emancipation inflame passions and mobilize the political right.

      Worldwide Concern

      Baerbock’s political opponents and critics deny disproportionate criticism, insisting that she should have known what she had signed up for; after all, election campaigns are not for the faint-hearted, especially when entering the race as the front-runner. Yet statistics prove that in Germany, hatred toward female politicians is an everyday occurrence. A survey by Report München showed that 87% of the female politicians interviewed encountered hate and threats on an almost daily basis; 57% of these were sexist attacks.

      These results are in line with international studies. In a 2019 report “#ShePersisted. Women, Politics & Power in the New Media World,” conducted by Lucina di Meco and Kristina Wilfore, 88 global female leaders were interviewed, most of whom were “concerned about the pervasiveness of gender-based abuse.” The study concluded that “A new wave of authoritarian leaders and illiberal actors around the world use gendered disinformation and online abuse to push back against the progress made on women’s and minority rights.”

      A recent study from January, “Malign Creativity: How Gender, Sex, and Lies are Weaponized Against Women Online,” by the Woodrow Wilson International Center, also shows that 12 of the 13 surveyed female politicians suffered gendered abuse online. Nine of them were at the receiving end of gendered disinformation, containing racist, transphobic and sexual narratives, with the latter being the most common.

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      Sixteen years have passed between Angela Merkel‘s and Annalena Baerbock’s first campaigns for the chancellorship. Today, women striving for power still have to deal with mistrust and gender-discriminatory prejudice. Merkel had to hold her own in a male-dominated environment where she was underestimated and often treated disparagingly. But compared to Merkel, the campaign against Baerbock has reached a new, unprecedented dimension. Merkel, who is childless, outwardly inconspicuous and politically more conservative, offered less of a target to conservative, male adversaries than the young, modern and progressive Baerbock.

      Besides, Baerbock’s opponents in 2021 have more effective tools for spreading gendered disinformation on social media. While disinformation targets both male and female politicians, women are more affected. It aims to undermine women’s credibility and their chances of electoral success and discourage future generations of women from pursuing political careers. Germany’s female politicians must keep in mind that such disinformation is spread by distorted, unrepresentative groups that don’t reflect the social progress made over the years.

      At this particular moment, it appears unlikely that Baerbock will move into the chancellor’s office as Merkel did in 2005 by the narrowest of margins. Yet the race is far from over, with nearly a month until election day. Baerbock’s recent performance in the first of three TV debates proves that she is not ready to abandon the field to (online) campaigners spreading gender-based prejudice and disinformation. Despite polls declaring Scholz as the debate’s winner, narrowly ahead of Baerbock, she presented herself as a modern and socioecological alternative to both her contenders and reverted attention to policy away from her persona and gender.

      The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. More

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      in World Politics

      Stopping at Diego Garcia Raises Questions for Germany

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      The frigate Bayernset sail for the Indo-Pacific at the beginning of August, as a German contribution to upholding the “rules-based international order.” Germany increasingly views the rules-based international order as under threat, not least through China’s vast territorial claims, including its artificial islands, in the South China Sea.

      The German government has repeatedly drawn attention to China’s disregard for international law, especially in the context of its refusal to abide by a ruling of the Permanent Court of Arbitration, which declared its territorial claims in the South China Sea illegal under international law in 2016. Yet the German warship’s chosen route takes it to a US base whose status under international law is — to say the least — contested, thus torpedoing the implicit criticism of China.

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      Diego Garcia is the largest island in the Chagos Archipelago, which formerly belonged to the British Indian Ocean colony of Mauritius. In 1965, the British illegally retained the Chagos Islands in order to construct a military base there. The United Kingdom declared the archipelago a restricted military area and deported its entire population to Mauritius and the Seychelles. Since then, the base on Diego Garcia has largely been used by the United States. The Brits have leased the island to the Americans until 2036.

      Violation of the Right to Self-Determination

      Mauritius has been seeking to reclaim its sovereignty over the Chagos Archipelago since the 1980s. In 2019, an advisory opinion by the International Court of Justice (ICJ) found that the UK’s claim to the archipelago contradicted the right to self-determination and called on UN member states to “co-operate with the United Nations to complete the decolonization of Mauritius.” A resolution adopted by a large majority of the UN General Assembly called for the United Kingdom to “withdraw its colonial administration.” Most European states abstained, including Germany.

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      While the advisory opinion and resolution are not legally binding, they certainly possess normative power. In 2021, a ruling by the International Tribunal for the Law of the Sea (ITLOS) in Hamburg concurred with the ICJ’s interpretation. A separate issue of fundamental human rights is also involved: The US base housed a detention facility where terror suspects are known to have been tortured. Unlike Guantanamo Bay, the Diego Garcia facility remained completely secret until it was revealed by investigative journalists in 2003.

      A so-called bunker call at Diego Garcia is the obvious option for keeping the German warship’s replenishment as simple as possible on the long leg from Karachi in Pakistan to Perth in Australia. Calling at a NATO ally’s port is easy to arrange, with simplified procedures for procuring food and fuel. Resupplying in Sri Lanka or Indonesia, for example, would be much more complex.

      Alternative Route Possible

      The obvious operational benefits are outweighed by the cost to the mission’s normative objectives: Calling at Diego Garcia will inevitably invite accusations of double standards. The UK’s open defiance of the ICJ opinion and UN resolution means that visits to the Chagos Islands implicitly accept — if not openly support — a status quo that is at the very least problematic under international law.

      The bunker call would run counter to both the ICJ opinion and the ITLOS ruling, as well as boosting Beijing’s narrative that the West is selective in its application of the rules of an already Western-dominated international order. At a juncture where international norms and rules are increasingly contested in the context of Sino-American rivalry, none of this is in Germany’s strategic interest.

      Embed from Getty Images

      There are alternatives to replenishing at Diego Garcia. Changing the route would involve costs, but it would also underline Germany’s interest in upholding the rules-based international order. One possible outcome of a reevaluation of the current route planning would be to omit the call at Diego Garcia but, at the same time, to take the vessel closer than currently planned to the contested Chinese-built artificial islands in the South China Sea.

      In connection with a detour avoiding Diego Garcia, that would represent a gesture boosting international law, rather than a demonstration of military might toward China. Germany could show that it is willing to comply with international law, even where doing so contradicts its own immediate operational interests and its partners’ expectations.

      *[This article was originally published by the German Institute for International and Security Affairs (SWP), which advises the German government and Bundestag on all questions related to foreign and security policy.]

      The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. More

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      EU must talk to Taliban since they ‘won the war,’ says bloc’s foreign policy chief

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      The EU must talk to the Taliban since they have “won the war” in Afghanistan, the bloc’s foreign policy chief has said.Josep Borrell said Brussels had decided it was necessary to engage with the country’s new ruling power after an emergency meeting of EU foreign ministers to discuss the crisis.“We have to get in touch with authorities in Kabul. The Taliban have won the war and we have to talk to them,” said Mr Borrell at a news conference on Tuesday.But the foreign policy chief insisted that the EU will only cooperate with the Taliban if it respects women’s rights and prevents the use of Afghanistan’s territory by terrorist groups.“I haven’t said that we are going to recognise the Taliban,” he said. “I just said that we have to talk with them for everything – even to try to protect women and girls. Even for that, you have to get in touch with them.”Mr Borrell added: “We will put conditions for continual support, and we are going to use our leverage … to make the human rights to be respected. I know that when I’m saying that it looks a little bit wishful thinking. But we will use all our leverage.”The Taliban claimed animosities with foreign powers were over at a press conference in Kabul on Tuesday afternoon. The militant group’s spokesman Zabihullah Mujahid told journalists: “We do not have any grudges against anybody. We have pardoned … all those who have fought against us.”The spokesman also claimed that women’s rights were “very important” and would be respected “within the framework of Sharia”.Mr Mujahid added: “Our sisters … have the same rights, will be able to benefit from their rights. The international community – if they have concerns – we would like to assure them that there is not going to be any discrimination against women, but of course within the frameworks that we have.”Although Germany has decide to temporarily halt development aid to Afghanistan, the EU will continue to provide assistance to the Afghan people to address the “worsening humanitarian situation”, Mr Borrell announced.UK foreign minister Dominic Raab suggested on Tuesday that aid spending to Afghanistan could be increased by 10 per cent, despite millions already being removed from the budget due to government cuts.Mr Borrell called on the Taliban to allow safe and unhindered access for humanitarian assistance to Afghan women, men and children in need, including internal refugees.“The EU calls on the Taliban to respect their obligations under international humanitarian law in all circumstances. The EU will also support Afghanistan’s neighbours in coping with negative spillovers, which are to be expected from an increasing flow of refugees and migrants,” he added.Mr Borrell also said that while the fight against al-Qaeda in Afghanistan succeeded, the process of nation-building failed, despite the enormous amount of resources directed to the country.The foreign policy chief said the immediate priority was to evacuate remaining EU staff, their interpreters and others working with the bloc’s officials in Kabul.“The first objective, the priority, is to ensure the evacuation in the best conditions of security of the European nationals still present in the country, and also of the Afghan citizens who worked with us for more than 20 years, if they want to leave the country,” he said.Meanwhile, Russia’s ambassador to Afghanistan praised the Taliban’s conduct, saying that the group – still designated a terrorist organisation in Russia – made Kabul “better” than it had been under the Afghan government of Ashraf Ghani. More

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      The Delta Variant of Global Stupidity

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      You’d think that the whole world could unite against a deadly virus. COVID-19 has already sickened over 200 million people around the world and killed over 4 million. It has now mutated into more contagious forms that threaten to plunge the globe into another spin cycle of lockdown.

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      Avoiding global catastrophe from the more infectious Delta variant of COVID-19 doesn’t require a huge commitment from people and governments. Richer countries just have to ensure more widespread availability of vaccines, and individuals have to get vaccinated. COVID-19 is not an asteroid on a collision course with the planet. It’s not an imminent nuclear war. It’s an invisible enemy that humanity has demonstrated it can beat. It just requires a bit of cooperation. So, what’s the problem?

      Three Problems

      Actually, there are three problems. The first has to do with supply, since the richest nations have cornered the vaccine market and have been criminally slow to get doses to poorer countries. On the entire continent of Africa, for instance, less than 2% of the population has been fully vaccinated.

      The second problem, on the demand side, is the commonplace resistance to the newfangled, in this case a vaccine that was developed very quickly, hasn’t yet been approved by the Food and Drug Administration and has some side effects that are harmful for a very small number of people. Hesitation is understandable. But not when placed against the obvious lethality of COVID-19 and the clear benefits of herd immunity.

      The third problem is political. The far right has jumped on the anti-vaccination bandwagon, seized control of the wheel and is driving the vehicle, al-Qaeda-style, straight into oncoming traffic.

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      Both in the United States and globally, the far right has long been infected by various harmful delusions — the superiority of white people, the fiction of climate change, the evils of government. As the far right has spread, thanks to vectors like Donald Trump and Jair Bolsonaro and Viktor Orbán and Narendra Modi, those delusions have mutated.

      Now, with its anti-vaccine opportunism, the far right is circulating a new Delta variant of global stupidity: virally through social media, in a shower of spit and invective on the street and through top-down lunacy from politicians and political parties. COVID-19 and all of its variants will eventually burn themselves out, though at who knows what cost. The latest versions of global stupidity promoted by the far right, however, are proving far more resistant to science, reason and just plain common sense.

      Hijacking the Anti-Vax Movement

      The Brothers of Italy is a neo-fascist formation that is now polling the highest of any political party in the country today. With 21% support, this pro-Mussolini throwback is just ahead of the far-right Lega party. Throw in Silvio Berlusconi’s Forward Italy party at 7% and the hard right looks as if it could form the next government in Italy whenever the next elections are held.

      How did the Brothers of Italy grow in several months from a few percent to the leading party in the polls? Led by Giorgia Meloni, a woman who predictably decries Islam and immigrants, the Brothers of Italy started out as a booster of vaccines, which seemed like a pretty safe position in a country that has suffered so much at the hands of COVID-19.

      Embed from Getty Images

      But Meloni abruptly shifted the party’s stance when the Italian government, currently led by technocrat Mario Draghi, introduced a “green pass” that allows the vaccinated to eat in restaurants, go to bars and enter various public places like museums. Meloni called the pass “the final step on the road to the creation of an Orwellian society,” which “limits the freedom of citizens, further devastates the economy and de facto introduces a vaccine mandate.”

      Limits the freedom of citizens? The freedom to infect other people with a deadly virus? Effectively, Meloni wants to grant all citizens the same right that James Bond famously possessed: the license to kill. Unfortunately, such nonsense has support outside Italy as well.

      Batting for a Pathogen

      In France, the government of Emmanuel Macron has instituted a similar health pass as well as mandating that all medical professionals get vaccinated. The response has been ferocious, with several demonstrations of over 100,000 people mobilizing around the country.

      It might seem at first glance that the French protestors are just ordinary folks who are sick and tired of government intrusions in their lives, similar to the yellow vests protestors from 2018. But the organizers of these anti-vax protests are the usual suspects from the far right like Florian Philippot, a former top aide of the National Rally’s Marine Le Pen. National Rally and the equally rabid Stand Up France have come out against Macron’s policies. Unfortunately, some leading members of the left-wing France Unbowed party have also endorsed the rallies. As in the United States, French anti-vaxxers are resorting to anti-system conspiracy theories up to and including QAnon.

      Despite the size of these rallies whipped up by the far right, a majority of French support the health pass and nearly 70% of the population has gotten at least one shot, compared to only 58% in the United States. But the far right sees the anti-vaccine movement as an opportunity to worm its way into the mainstream in France and elsewhere, such as the Querdenken movement in Germany, the anti-Semitic far right in Poland and evangelical Christian organizations in the Philippines.

      Embed from Getty Images

      Toward this end, the far right has eagerly employed the services of such “useful idiots” as Robert Kennedy, Jr., perhaps the most famous face of the anti-vaccine movement. The Polish far-right party Confederation invited Kennedy to speak on-ine to a Polish parliamentary group on vaccines. Kennedy also put his social media power behind a global day against vaccines that took place last October in 15 countries from Europe to Latin America, which a number of far-right parties helped to organize.

      Originally in the United States, vaccine skepticism circulated mainly on the left, where suspicions of chemicals and corporations created a resistance to having just any substance injected into one’s arm. But then along came Donald Trump, the dark conspiracy theories of the alt-right and ultimately QAnon, which focused latent anti-government sentiments against the medical establishment and its COVID-19 vaccines. Suddenly, videos like “Plandemic” were zipping around cyberspace, and prominent anti-vaxxers like “healthy lifestyle advocate” Larry D. Cook fell under the sway of QAnon.

      Today, in a tired repeat of 2020, US anti-maskers and anti-vaxxers are again protesting in front of governors’ mansions, bringing their message to Disneyland and shutting down school board meetings. If COVID-19 were a wealthy corporation that underwrote such disruptions, these actions would make at least some economic sense. If COVID-19 were a wildly popular musical group or a subversively attractive religious cult that governments were trying to suppress, the frenzy of crowds would be somewhat understandable. But COVID-19 is a deadly virus. Why on earth would anyone go to bat for a pathogen?

      The Far Right Has Its Reasons

      Conservatives have traditionally supported the powerful pillars of society: the police, the army, the state. Today’s far right is not conservative. It detests the state. It prefers vigilante justice — everyone standing their ground with gun in hand — to the police and the army, since these latter are representatives of the state.

      Effectively, the far right embraces the old Hobbesian concept of a “war of all against all,” which was the status quo before the emergence of the state. To achieve this “golden age” of general mayhem, the far right pursues any means necessary. It supports homeschooling to destroy public education, privatization of state assets to weaken the government, and deregulation to tilt the playing field in favor of corporations.

      And now, in the age of COVID-19, the far right is even willing to support germ warfare. For that’s what the anti-mask and anti-vaccine ideology amounts to: siding with the novel coronavirus against the sensible policies of the state. One wonders: If the state issued a mandate that required people not to jump off cliffs, would the far right suddenly launch a Lemming Crusade simply to spite the state?

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      I can well imagine the segment on Newsmax.

      Reporter: I’m here with patriot James Q. Public. He and his family are standing at the edge of the Grand Canyon. Tell me, James, why are you about to take a big step into the unknown?

      James Q. Public: The government can’t tell me what to do. I believe in choice. And this is my choice.

      Reporter: Do you think of yourself as a pioneer?

      James Q. Public: Absolutely. This socialist government with its Five Year Plans sickens me. I take it one day at a time. One minute at a time.

      Reporter: Your youngest child doesn’t look happy about your choice.

      James Q. Public: Oh, he’s just a crybaby. He’ll get used to it.

      Reporter: Get used to falling off a cliff?

      James Q. Public: What makes you think we’ll fall?

      Reporter: Well, uh, gravity —

      James Q. Public: Come on, man, you believe in all that nonsense those scientists are trying to force down our throats? Vaccines? Climate change? Gravity? Okay, everyone, let’s go. One small step for the Public family, one large step for arrgghhh….!

      It would all be grimly amusing, like some pandemic version of the Darwin Awards, if the far right’s Lemming Crusade wasn’t threatening to drag the rest of us off the cliff with it.

      *[This article was originally published by Foreign Policy in Focus.]

      The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. More

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      From Opera to MMA: Nationalist Symbolism and the German Far Right

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      The German far right is awash with allusion. Like elsewhere, coded communication is the rule among far-right German organizations and activists. References to old Norse myths abound, and many readers, whether from familiarity with mythology, white nationalism or Norse-inspired superhero movies, would recognize Thor’s hammer or a smattering of runic symbols like the Sigrune, the Odalrune and the Wolfsangel, all subject to specific bans in Germany. However, a less familiar but persistent presence in German far-right codes is the Nibelungenlied, a medieval epic poem long co-opted by nationalists.

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      The Nibelungenlied story centers on Siegfried, a hero in the mold of Beowulf: a strong, nearly invincible warrior who has won riches through his exploits, a powerful sword and a cloak of invisibility. Siegfried is very much the belle of the medieval bro-ball. The poem begins with Siegfried traveling to the German town of Worms to propose marriage to Kriemhild, the Burgundian princess. Her brother, King Gunther, consents to the match, but only if Siegfried helps him win the hand of Brunhild, the warrior queen of Isenland. It’s to be a double wedding.

      Following the nuptials (and a disturbing episode involving the marital rape of Brunhild), a feud emerges between Kriemhild and Brunhild. The conflict culminates in one of Gunther’s kinsmen murdering Siegfried, thrusting a spear into the vulnerable spot in his back. The remainder of the poem (the whole second half, that is) revolves around Kriemhild’s revenge, which results in the violent death of pretty much all the main characters, including Kriemhild herself. Taken together, the Nibelungenlied is an illuminating portrayal of ancient Germanic heroism and courtly drama.

      Rediscovered in the mid-18th century, the popularity of the poem swelled with the rising tide of German nationalism in the 19th century. Most famously, the composer Richard Wagner, a German nationalist and virulent anti-Semite, reimagined the story in an epic four-part opera consisting of “The Rhinegold,” “The Valkyrie,” “Siegfried” and “Twilight of the Gods,” collectively known as “The Ring of the Nibelung” or the Ring cycle, for short. Of course, several of the operas’ leitmotifs are instantly recognizable, not least the “Ride of the Valkyries.” Wagner’s Ring cycle became a landmark of German art and is still performed today, occasionally in back-to-back-to-back-to-back marathon productions.

      Embed from Getty Images

      The Nazi regime was preternaturally keen to memorialize German lore, especially the Nibelungenlied, given its association with Wagner. An enthused Hitler was an honored guest in Bayreuth, home to Wagner’s own theater. Several symbols from both the original and Wagner’s version appealed to the Nazis, perhaps most notably the murder of Siegfried. It reflected the “stabbed in the back” (Dolchstoß) conspiracy theory that the Nazis propagated, namely that the German army was betrayed during the First World War by treasonous Jews and leftists.

      The regime supported several projects stamped with the label of the Nibelungs. Chief among them was the cavernous Nibelungenhalle in Passau, the putative home of the original composer of the Nibelungenlied, which was used for mass indoor rallies. In the postwar era, far-right parties like the German People’s Union and the National Democratic Party of Germany organized assemblies with the specific intention of using the nationalist cachet of the Nibelungs — until Passau’s authorities demolished the building in 2004.

      Still, appropriation of the Nibelungs legend endures among Germany’s far right. Beginning in 2013, right-wing extremists organized the “Kampf der Nibelungen” (KdN, the “Battle of the Nibelungs”), a mixed martial arts competition catering to far-right fighters and fans from around Europe. The event attracted 850 spectators in 2018 and was one of the biggest MMA competitions in Europe. It was banned in 2019, and organizers were prevented from live-streaming KdN fights in 2020, but it may yet resurface in 2021.

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      Symbols and allusions to the Nibelungenlied sadly will persist amid Germany’s far-right scene. This symbolism has a long history of co-option by extremists. Even though the chords of Wagner’s operas are not anti-Semitic, their endorsement by the Nazi regime touched Nibelung lore with an association that inescapably appeals to the far right. Yet references to the Nibelungenlied are more than far-right supporters’ fetishization of a twisted version of German cultural history. They form a part of the vast book of codes used by far-right actors to communicate. Cracking these is often the key to decoding how the far right organizes, mobilizes and ultimately understands the world in which it operates.

      *[Fair Observer is a media partner of the Centre for Analysis of the Radical Right.]

      The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. More

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      in World Politics

      The Musical Is Political: Black Metal and the Extreme Right

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      There has been an association between the occult, paganism and the extreme right ever since the evolution of the National Socialist German Workers’ Party from the Thule Society. In the last few years, however, commentators are noting the return to prominence of racist occultism and heathenry among the far right and have called for some of these groupuscles, such as the Order of Nine Angles, to be banned. The majority of mainstream liberal heathen groups are similarly concerned about the manner in which their contemporary religion is being appropriated by the extreme right and are organizing to resist.

      The Far Right’s Alternative History

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      What is particularly disturbing is the recognition that many recent violent crimes perpetrated by the extreme right seem to be connected or influenced by such worldviews. Anders Breivik, responsible for bombings and the shooting of 77 people in Norway in 2011, identifies as an Odinist. James Alex Field, arrested for the murder of Heather Heyer in Charlottesville, Virginia, in 2017, marched alongside a flag depicting the black sun, a Nazi symbol drawing directly on Germanic heathen Ariosophic imagery, which in turn had inspired the formation of the Thule Society.

      This same black sun emblem appeared on the front and last pages of the manifesto of the Christchurch mass murderer in March 2019. The manifesto ended with the clarion call: “see you in Valhalla.” In the UK, Thomas Mair, who murdered West Yorkshire MP Jo Cox, was reported as being influenced by racist Ariosophic literature too.

      Gospel of Hate

      The internet, the dark web, online gaming forums and encrypted messaging services are frequently accused of helping to spread this gospel of hate. Thus, some academics, such as Steven Woodbridge, have cautioned of the need to watch the uses of “historical themes, imagery and language” that are used in these forums to promote their particular brand of violent political discourse. One of these potential memes is black metal music and its offshoot, national socialist black metal (NSBM). Indeed, Nicholas Goodrick-Clarke, in “Black Sun: Aryan Cults, Esoteric Nazism, and the Politics of Identity,” states that black metal and its “fascination with the occult, evil, Nazism and Hitler” were a possible motivation behind the 1999 massacre, on Hitler’s birthday, of 12 students and a teacher at Columbine High School in Colorado.

      Black metal is also associated with a series of church burnings across Norway in the 1990s by Varg Vikernes, a racist heathen and black metal musician. More recently, it was reported that Holden Matthew, the 21-year-old charged with burning down three black churches in Louisiana, was also influenced by black metal and held racist heathen beliefs. Some of black metal’s aesthetics even appear to have influenced the violent imaginary of the neo-Nazi Atomwaffen Division. Plato may have been correct when he warned “about the interconnectivity of politics and music.”

      Black metal is an extreme genre of heavy metal that first emerged in the UK with the band Venom. The subgenre took its name from the title of Venom’s second album, “Black Metal,” released in 1982. It was intended as a rejection of the commercialization of heavy metal as well as a critique of modern secular society. A second wave of the movement, which was more ideological in orientation and often emphasized Satanism or paganism, became infamous for promoting a series of church burnings. It emerged primarily in Norway in the 1990s and is exemplified by such bands as Burzum.

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      This Norwegian second wave helped to popularize the genre even further and led to the creation of other black metal bands across Europe and the globe. So influential has this genre now become that one commentator said that “black metal has arguably become Norway’s greatest cultural export.”

      Karl Spracklin defines black metal as “a form of extreme metal typified by evil sounds and elitist ideologies,” with a number of bands drawing on “nationalist and fascist images and themes.” Its sound is generally characterized by shrieking and growling vocals, disjointed guitar riffs, a frenetic pace and an emphasis on atmosphere, often deliberately created through the implementation of a raw, lo-fi quality of the recording. Many black metal performers tend to adopt pseudonyms and dress in a kind of Kiss-inspired corpse paint. Upside-down crucifixes and medieval weaponry, alongside Satanic and pagan imagery, additionally appear with relative frequency on black metal websites, CD covers and tattoos.

      Other common musical and visual leitmotifs include war, death, fantasy, the apocalyptic and the mythological. Norwegian Satanic black metal band Gorgoroth, for example, took the inspiration for its name from a fictional setting in Tolkien’s land of Mordor. Although such motifs might be viewed as deliberately transgressive in order to attract devotees, some have suggested that black metal practitioners also intend the genre to function “as a springboard from which violent actions could logically emerge” with the specific intent of “reclaiming … a pagan heritage.”

      National Socialist Black Metal

      Defenders of the genre, however, argue that it “is not a unified, monolithic culture” and that accusations of violence are too frequently “fabricated by conservative groups seeking to impose their own moral agendas.” Indeed, bands such as the Rolling Stones and Eagles have been linked erroneously with a Satanic agenda as early as the late 1960s. Cronos of Venom also denies outright any religious affiliations, stating: “We are entertainers first and foremost — if I wanted to be a murderer or a Satanist, I’d do that full time instead of playing songs for a living.”

      The genre is notoriously difficult to define, with a litany of subgenre offshoots, including unblack/Christian, depressive suicidal and ambient black metal, to name but a few extreme variants. Black metal followers also argue, in their defense, that the music is primarily mystical, celebrating a romantic and idealized view of the past which is heavy on ritual and critical of secularism. Aron Weaver, of the US black metal and heathen-inspired band Wolves in the Throne Room, describes it “as an artistic movement that is critiquing modernity on a fundamental level, saying that the modern world view is missing something.”

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      Some contemporary UK black metal bands, such as Winterfylleth, while admitting that their “musical influence … unashamedly borrows from Burzum” and other black metal bands of an extremist predisposition, say that they do “not necessarily” believe the message behind those bands. A number of black metal followers would agree, as Spracklin points out, with many fans making “a distinction between the sound and the ideologies.” There are also heathen black metal bands, such as Norway’s Enslaved, that are avowedly anti-Satanic and anti-fascist.

      Some black metal musicians are openly Satanist but reject Nazism. King ov Hell, who played in Gorgoroth, states that “I am totally against every form of flock ideology. Nazism is an ideology of the flock.” There is even a countermovement against Nazism within the black metal music scene, evidenced by the US-based band Neckbeard Deathcamp and its 2018 album, “White Nationalism is for Basement Dwelling Losers.” The latter is a satirical critique the NSBM subgenre, which is avowedly pro-Nazi.

      Black Metal Against Racism

      While it is important to point out that national socialist black metal remains a minority element within black metal, signs of far-right extremism similarly contaminate related musical genres such as goth, industrial and neofolk. The latter incorporates elements of traditional European folk and reconstructed medieval instruments, exemplified by such bands as Fire, Sol Invictus and Death in June. The latter take their name from the Night of the Long Knives, when Hitler arranged the murder of his rivals in the Sturmabteilung critical of his policies. Nazi imagery, including the death head worn by the SS, is a consistent theme on their album covers, as are such Germanic runes like Algiz and Odal that were appropriated by neo-Nazis into their blood-and-soil ideology.

      According to one Death in June fan on Nordic Elite in a post now removed, “European Civilisation … is going down the drain with the jewish/American mulicultural invasion.” But in the neofolk scene, too, there are recently established bands that are explicitly anti-racist and who reach a much larger, liberal audience. The band Heilung, for instance, recently issued a statement on the alleged harassment of a black woman at a performance in New York: “Apparently some people attended our ritual with the idea that Heilung is only for white people … This is not the case. Heilung is for ALL people, regardless of the color of the skin. And we are sorry that this happened at our show. We do not tolerate hate speech and racism.”

      The neofolk band Wardruna, the authors of the soundtrack to the History Channel series “Vikings,” has made prominent anti-racist statements. In a blog promoting “antifascist neofolk bands from around the world,” the band’s lead singer, Einar Selvik, states: “It is a very positive effect, that increased interest does not allow the subculture on the extreme right wing to use our history in peace. We have somehow taken our own story back.”

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      Whilst outright extremism in the neofolk, black metal and related music scenes is not the norm, it is important to address this problem as well as to draw attention to instances in which such prejudice is less explicit. The Manchester-based Winterfylleth may denounce Nazism by labeling it “the first attempt at some kind of tyrannical EU,” but their critique of extremist politics is reserved. Note that they were “not necessarily” believers in national socialism — this is far from outright rejection.

      Winterfylleth are overtly nationalistic and “unashamedly Anglo-Saxon in their approach” to their music, expressing a particular concern about a loss of national English identity. Hence their recent turn from black metal to a more lyrical folk black metal style, evidenced by their 2018 song “The Hallowing of Heirdom” with its melancholic refrain, “So who are we now?” Fandom comments on the latter signify an ambiguous range of responses to their politics and new musical direction, from the negative (“its like countryfile meets the druids”), to the more enthusiastic (“Celebrate that you are English… hail Woden”).

      Another English pagan metal or folk metal band, Forefather, like Winterfylleth also celebrates its Anglo-Saxon roots. Intriguingly, with these UK bands, a broadly Germanic influence has become explicitly rooted more in specific English heathen blood-and-soil themes, exemplified in songs such as “When Our England Died.” Fan comments tend to praise the greatness of Anglo-Saxon culture and critique other foreign elements.

      Beyond the Footnote

      Given that not all black metal fans are fascists or Satanists, that many are simply intrigued by the genre’s ability to shock and entertain, and that some are genuinely attracted to the genre for its interest in ancient heathen religion, an even more specific blood-and-soil subgenre emerged from within black metal, the NSBM. National socialist black metal aimed to specifically distinguish its politics and religiosity much more clearly than black metal. It mixes extreme-right racism with paganism, is explicit in its rejection of Judaism, Christianity and Islam, and was very much influenced in its development by the actions of Varg Vikernes. It is also violent, exemplified by the German NSBM band Absurd and their killing of a 15-year-old boy, which they also then referenced on the cover of their 1995 album, “Thuringian Pagan Madness.”

      According to Benjamin Hedge Olson, NSBM “reskins the classical fascist ideological elements and combines them with racist and ethnic Paganism.” Critics state that NSMB is deliberately being utilized “as a vehicle to spread hate and radicalize nominally apolitical metal fans.” While many of these NSBM bands appear to be primarily Ukrainian and Scandinavian, the subgenre has become global. According to Celan Brill-Voelkle, “When the keywords ‘national socialism’ are searched in ‘the metal archives’, there are an astounding 774 results of active bands worldwide.”

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      Ian Stuart Donaldson, former lead singer of the English Nazi rock band Skrewdriver, once stated that “A pamphlet is read only once, but a song is learnt by heart and repeated a thousand times.” Given their global reach and violent messaging, NSBM and other extremist elements within black metal can be seen to promote “paganism and Nordic folk myths … far more effectively than any number of meetings and marches could.” While others have commented on the way in which Christian nationalists are trying to infiltrate and influence mainstream Christian groups “in order to pull Christians to the far right,” there is an urgent need to monitor more closely a similar development within heathenry.

      The black metal genre, alongside the existence of extremist racist heathen groups such as the O9A, is interesting for another theoretical reason too. It reinforces the conclusion made by Graham Macklin more than 15 years ago that if scholars of the far right in the UK look beyond a traditional narrow political lens, they will see that a study of fascism in Britain, given its wide cultural influence, deserves more than a mere epilogue or footnote in the history books.

      *[Fair Observer is a media partner of the Centre for Analysis of the Radical Right.]

      The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy. More