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    The N.B.A. Has a Star Problem

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    With LeBron James and Stephen Curry nearing retirement, the league has no clear next brand ambassador. Changing media landscapes and a new focus on team parity haven’t helped.If you tuned into the thrilling Game 1 of the N.B.A. Finals on Thursday night, you may have found yourself wondering:Who are these guys?There’s no LeBron James, no Stephen Curry. No Lakers, no Knicks, nor even any Celtics. Neither of the teams — the Indiana Pacers or the Oklahoma City Thunder — had been in the N.B.A. finals for more than a decade. To the average sports fan, their rosters are largely unknown.“I’m not sure I completely buy into the premise of your question,” said Adam Silver, the N.B.A. commissioner, when asked about a finals with limited star power. “I think Shai is an enormous star.”He was referring to Shai Gilgeous-Alexander, who won the N.B.A.’s Most Valuable Player Award this year after leading the league in scoring and helping drive the Thunder to 68 wins, the most in franchise history. Silver also mentioned Tyrese Haliburton, the Pacer’s guard with a penchant for late-game heroics.But even Silver acknowledged those players are lesser known outside basketball fandom than the league’s biggest stars. In some ways, that’s a product of what the league wants — for all of its teams, no matter how small the market, to have a chance at making the finals. But that change also conflicts with one of its major tenets — that star power sells.Stars have fueled the N.B.A. since the 1980s. Larry Bird and Magic Johnson drove its stampede into the popular consciousness, and then Michael Jordan globalized the game. Stars drive viewership and interest, which in turn drive up the price of media rights deals, cash from sponsors, ticket sales and team valuations.For the past decade, the league’s ecosystem has revolved around James and Curry. James is now 40 years old, and Curry is 37. The question of who will be the next face of the league, once those two have retired, has hung over the sport for years.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jubilant PSG Fans Cause Chaos in France

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      Police arrested hundreds of people overnight after Paris St.-Germain fans celebrated a Champions League victory. Amid the celebrations, one person died in a traffic incident and another was stabbed to death.France erupted in scenes of jubilation as Paris St.-Germain became the first French team in 32 years to win the Champions League, Europe’s most coveted club soccer trophy, but the joy descended into violence that left two people dead and more than 200 injured.The Interior Ministry said Sunday that a car crashed into a young man driving a scooter in Paris, killing him, and a 17-year-old man was stabbed to death as supporters rejoiced in Dax, a town in southwestern France. It was not immediately clear if the stabbing was linked to the celebrations over P.S.G.’s victory on Saturday night.In Grenoble, a city in southeastern France, a car plowed inadvertently into a crowd of celebrants, seriously injuring four people from the same family, the police said. The driver fled before handing himself over to the authorities.In all, the Interior Ministry said 22 security personnel and seven firefighters were injured, in addition to 192 injuries among people thronging the streets. One policeman sustained a serious eye injury in Normandy and was placed in an artificial coma. The ministry added that 320 people had been detained — 254 of them in Paris — and said 692 fires were recorded across France, including 264 burned vehicles.A human tide flooded into the streets of Paris immediately after a young P.S.G. team demolished an aging Inter Milan club, 5-0, in its first victory in the tournament. The score was the most overwhelming in any final of the competition. Standing on scooters, leaning out of cars, honking, singing and shouting, fans gave full voice to their elation as the Eiffel Tower twinkled red, white and blue.It was a cathartic moment for a France in a state of political paralysis and widespread discontent, and one the country had awaited for a long time. With its flowing, electric style of play, its teenage stars, its creative brilliance and its players reflecting a diverse French society, P.S.G. has become an inspiration, particularly to French youth.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Timothee Chalamet Was a Knicks Superfan Before He Was Famous

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      Tim Chalamet, an unknown teenager, was with the Knicks in the hard times. Timothée Chalamet, the famous actor, is loving every second of the team’s deep playoff run.Timothée Chalamet, the Academy Award-nominated actor, has been impossible to miss during the New York Knicks’ feisty run through the N.B.A. playoffs. A courtside staple at Madison Square Garden, Mr. Chalamet seemed to get nearly as much screen time as Jalen Brunson, the team’s star guard.Mr. Chalamet, 29, was particularly animated as the Knicks eliminated the Boston Celtics in their second-round series. He embraced Bad Bunny. He dapped up Karl-Anthony Towns, the Knicks’ starting center. He posed for the cameras with Spike Lee, the self-appointed dean of Knicks fandom. He leaned out the window of a sport utility vehicle on Friday to celebrate with other fans in the shadow of the Garden after the Knicks’ series-clinching win.He even earned praise on X for getting Kylie and Kendall Jenner, both famous Angelenos, to cheer alongside him at the Garden, in a post that has been viewed more than 23 million times. (That he is dating Kylie undoubtedly helped win them over.)A focus on celebrities at N.B.A. games is nothing new. For years, the Knicks have pushed the concept of the Garden’s Celebrity Row — their answer to the star-studded floor seats at Los Angeles Lakers games. But while Jack Nicholson spent decades holding court at Lakers games, and Drake has been a sideline fixture for the Toronto Raptors, the Knicks of Mr. Chalamet’s childhood often filled out the floor seats with lower-rung celebrities and entertainers who just happened to be in town. And Mr. Lee, of course.These days, Celebrity Row at the Garden delivers on its name. And in that group of A-listers, Mr. Chalamet has the fan credentials to hang with any of them.Evidence of Mr. Chalamet’s longstanding loyalty is apparent in social media posts from November 2010, around the time that Mr. Chalamet, then 14, was attending LaGuardia High School in Manhattan. He was not yet a star. His breakout role in the Showtime series “Homeland” was a couple of years away.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Much Does It Cost to See Beyoncé? It Depends.

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      Some fans who paid top dollar for the star’s Cowboy Carter Tour are feeling miffed as prices drop. Other procrastinators are reaping the benefits.Tanaka Paschal, 43, was thrilled to be taking her son to Beyoncé’s final Southern California show on her Cowboy Carter Tour this month. They had missed the Renaissance World Tour two summers ago; tickets had sold out so fast, some fans ventured overseas to catch a gig.“I thought I was not going to be able to see her, so I jumped on it,” she said.Paschal bought a pair of floor seats for about $900 total, but like many others, she soon had a bit of buyers’ remorse. In the weeks that followed, she saw the price for similar seats drop by hundreds of dollars, then increase, then drop again.“It’s frustrating,” she said. “The next time, I’m going to wait until the day of.”When tickets for big summer tours by acts like Lady Gaga, the Weeknd and Kendrick Lamar and SZA go on sale, the prevailing wisdom is you have to move fast during one of the presales offered by artists and credit card companies or you’ll be shut out.Most, if not all, tickets are usually snatched up immediately, with prime seats popping up on resale platforms like StubHub or Ticketmaster’s own secondary market at inflated prices. (Fans hoping to see Taylor Swift’s Eras Tour famously didn’t even get a shot at the general on-sale: All the tickets were long gone.)Kendrick Lamar is also on a stadium tour this year, supporting his recent album, “GNX” and a big year.Graham Dickie/The New York TimesBut things have been different for Beyoncé’s tour this time supporting her Grammy album of the year-winning “Cowboy Carter”; tickets moved during the presales, but a glance at the seat maps on Ticketmaster’s pages later revealed not only a lot of pink dots indicating resale tickets, but plenty of blue dots representing available seats that had gone unpurchased, too. And those prices were notably changing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      For Some Fans, Demi Moore’s Upset Loss for Best Actress Stung

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      Moore had been considered a favorite for her strong performance in “The Substance,” but lost to Mikey Madison of “Anora.”Demi Moore snagged statuettes all through the awards season for her dynamic performance in “The Substance,” a film about the indignities women past 50 face in Hollywood. She was favored by many to win the Oscar for best actress.But when the envelope was opened on Sunday night Moore, 62, was passed over in favor of Mikey Madison, 25, who pulled an upset and won the best actress trophy for playing a sex worker in the film “Anora.”While Madison’s performance was widely praised, her unexpected victory left many admirers of Moore puzzled and angry as it kept her from a perfect ending to her career comeback.One disappointed fan on social media said that each of Moore’s acceptance speeches this awards season had been “amazing” and that she would have loved to hear another from her at the Oscars. “Her performance was truly one of a kind, and I’m so happy both she and the film made it this far,” the supporter said. “Just wish she could’ve won.”On a subreddit dedicated to Moore’s upset, some fans suggested that her loss underscored one of the central themes of the film: the challenges older actresses face in a Hollywood that is obsessed with young women.One commenter noted that the academy had been observed in the past to “like young women and old men.” Another lamented: “Literally pouring all that brilliance on screen only for the younger actress who benefited from sex appeal and social hype to take that prestigious of an award from her.” Others pointed out that since “The Substance” was a body horror film, Moore had faced an uphill climb to win a best actress Oscar.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Eagles Fans Celebrate Super Bowl Win in New Orleans

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      Philadelphia’s loyal supporters made themselves at home, with joyous fans partying outside the Superdome and others making their way to Bourbon Street.As the clock ran out at the Super Bowl on Sunday night, and the Philadelphia Eagles ran onto the field in New Orleans, confetti filled the Superdome and the team’s fight song, “Fly Eagles Fly,” blared over the speakers.Chants of “E-A-G-L-E-S” came from all corners of the 83,000-seat stadium. But now, fans went into overdrive, dressed in beads and sequins, flapping their arms like birds, and hoisting one another onto their shoulders.There was plenty for those Eagles fans to cheer as Philadelphia beat Kansas City, 40-22, stopping the Chiefs from becoming the first team in N.F.L. history to win three consecutive Super Bowls.Lit with green lights, Eagles fans spilled out of the stadium whistling, high-fiving strangers and dancing to a drum band, as Chiefs fans walked by sadly and serenely.Throughout the game, the excitement had extended beyond the field.President Trump, who was a guest of Gayle Benson, the owner of the New Orleans Saints, watched some of the game from a suite alongside members of his family, including his daughter Ivanka Trump and his daughter-in-law Lara Trump. He was also joined by members of Congress, including Speaker Mike Johnson. In another suite, the former first lady Jill Biden cheered on the Eagles with help from her grandson, Robert Hunter Biden, among others.Taylor Barber, left, Bria Bryant, center, and Jessie Ulmer, teachers from Texas, planned to party with the winning team. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Timotheé Chalamet and the Stars of ‘A Complete Unknown’ Pack NYC Premiere: Photos

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      “I saw him,” said Charlotte Barbié, 18, who stood outside the SVA Theater on Friday night, shaking from either the cold or the excitement. “He was blond.”She indicated her white Adidas sneaker had just been signed in black marker by the actor Timothée Chalamet.Ms. Barbié stood among a gaggle of young fans who shrieked when Mr. Chalamet arrived at the New York premiere of “A Complete Unknown,” the Bob Dylan biopic in which he stars that has been nominated for three Golden Globes.The premiere took place just down West 23rd Street from the fabled Manhattan hotel where Mr. Dylan had lived 60 years earlier. The film, directed by James Mangold, traces Mr. Dylan’s arrival in New York as a teenager and his ascent through the Greenwich Village music scene.Mr. Chalamet sang live in the movie and said he had spent five years working with a harmonica coach to nail the singer’s mannerisms. Although his dark hair is tousled to Dylanesque proportions in the film, on Friday, it was blond and straight, sticking out from a turquoise beanie. Mr. Chalamet appeared to be dressed as Mr. Dylan had at a Sundance Film Festival appearance in 2003 for the premiere of the film “Masked and Anonymous,” which the musician starred in and co-wrote.“A Complete Unknown,” which will be released in theaters on Dec. 25, is based on the 2015 book “Dylan Goes Electric!” by Elijah Wald, which recounts the years leading up to Mr. Dylan’s polarizing performance with electric instruments at the Newport Folk Festival in 1965.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Interview’: K-Pop Trained Rosé to Be ‘a Perfect Girl.’ Now She’s Trying to Be Herself.

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      South Korean pop, known as K-pop, is not just a type of music — it’s a culture, where bold style, perfectly choreographed dance moves and ebullient earworms that draw from pop, hip-hop and traditional Korean music attract a huge and particularly devoted global fan base. The genre’s stars, known as idols, are trained, often for years, by entertainment companies that then place the most promising trainees in groups, write and produce their music and obsessively manage their public images. It’s a system that works for the idols who make it big, but it has also drawn criticism for its grueling methods, which some call exploitative.One of the biggest stars to come out of that system is Rosé. Born Roseanne Park, she trained for four years with one of K-pop’s largest agencies, YG Entertainment, eventually breaking through as part of the girl group Blackpink. Now at age 27, she is striking out on her own with her first full-length solo album, “Rosie,” which comes out on Dec. 6 from Atlantic Records. (The album’s first single, “APT.” a collaboration with Bruno Mars, is a true bop and has made history as the first track by a female K-pop artist to break into the Top 10 on the Billboard Hot 100.) She is still a member of Blackpink, and the group re-signed with YG in 2023. But after years of singing other people’s songs and performing as Rosé, which she described to me as “a character that I really worked hard on as a trainee,” writing her own songs for this solo album has made her think about where she came from and who she is, separate from the system that turned her into a global phenomenon.Listen to the Conversation With RoséThe Blackpink star talks about striking out on her own, away from the system that turned her into a global phenomenon.Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio AppYou’re about to release your first full-length solo album. Can you tell me what you’re feeling? Like I’ve been waiting to release this album for my whole life. I grew up listening to a lot of female artists. I used to relate to them, and they used to really get me through a lot of tough times. And so I would always dream of one day having an album myself. But I never really thought it would be realistic. I remember last year when I first began the whole process of it, I doubted myself a lot.It probably would be surprising to anyone who would look at Rosé, with all your success, with the enormous fan base that you have, to know that you doubted yourself so much. I don’t think I ever learned or trained myself to be vulnerable and open and honest. So that was the part I feared, because it was the opposite of what I was trained to do.You were born in New Zealand to South Korean immigrant parents and then you moved to Australia when you were 8. In 2012, when you were 15, you auditioned for a slot in YG Entertainment’s trainee program, which is basically a boarding school for becoming a K-pop star. It was your dad’s idea, right? Yes. More

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      Chappell Roan’s Rocket-Ship Year

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicChappell Roan has become one of the biggest breakout pop stars of the past year, and made it happen in novel fashion: creating grand-scale, 1980s-influenced pop refracted through a queer lens; building a drag-inspired performance character; and calling into question the way that fans worship their heroes while rapidly accumulating fans online and in real life.Her debut album, “The Rise and Fall of a Midwest Princess,” continues its rise toward the top of the album chart, more than a year after its release. And her festival performances have become wildly viral events. Roan’s ascent has tested the boundaries of contemporary pop, and also may create a template for a next generation of stars.On this week’s Popcast, a conversation about the fits and starts of Roan’s early career, the events that propelled her to fame and the ways in which she is remaking the star-fan dynamic.Guest:P. Claire Dodson, associate director of culture at Teen VogueConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. More