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      Fans of Charli XCX’s New Album Embrace ‘Brat Summer’

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      Fans of the new Charli XCX album count themselves among them. But the term “brat” has cropped up elsewhere in culture lately, and it has subtly different meanings.Sheer white tank tops. Skinny cigarettes (not vapes). Questionable 3 a.m. decisions.These may be some of the trappings of a “brat,” otherwise known as a fan of the new Charli XCX album by the same name. Its arrival last week ushered in not only a slate of potential songs of the summer, but also an intense identification with the term — and a shift in mind-set.“I think there’s a bravado to Charli’s persona, and that’s often what people see in her and what they’d like to see in themselves,” said Biz Sherbert, a host of “Nymphet Alumni,” a culture podcast. “I think the word ‘brat’ is in on that — wanting things to go your way, being badly behaved or self-centered, acting pouty and having an attitude.”Kelly Chapman, a longtime Charli fan based in Washington, D.C., similarly defined a “brat” as “someone who misbehaves in a cheeky way and doesn’t conform to expectations.”Ms. Chapman, 31, mused that a “brat” summer would involve: “embracing being a woman in your 30s, rejecting expectations, being honest, having fun but making moves, dating a guy from Twitter.”Ever since Megan Thee Stallion’s “Hot Girl Summer” five years ago, pop stars and brands, as well as everyday people on social media, have spent each spring competing for the summer’s naming rights. There was the ill-fated Hot Vax Summer, Feral Girl Summer the following year, and of course, most recently, hot pink “Barbie” summer.There were not many contenders on the scene when “Brat” dropped. With its callback to the sweat-stained, mascara-smudged aughts — when singers danced away their pain rather than therapizing it — and its eye-catching toxic-sludge-green album art, “Brat” seemed to fill a gap in the culture.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jennifer Lopez and Black Keys Tour Cancellations Raise Questions for Industry

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      High-profile cancellations from Jennifer Lopez and the Black Keys have armchair analysts talking. But industry insiders say live music is still thriving.For the concert business, 2023 was a champagne-popping year. The worst of the pandemic comfortably in the rearview, shows big and small were selling out, with mega-tours by Taylor Swift, Beyoncé, Drake and Bruce Springsteen pushing the industry to record ticket sales.This year, as with much of the economy, success on the road seems more fragile. A string of high-profile cancellations, and slow sales for some major events, have raised questions about an overcrowded market and whether ticket prices have simply gotten too expensive.Most conspicuously, Jennifer Lopez and the Black Keys have canceled entire arena tours. In the case of the Black Keys — a standby of rock radio and a popular touring draw for nearly two decades — the fallout has been severe enough that the band has parted ways with its two managers, the industry giant Irving Azoff and Steve Moir. Through a representative, Azoff and Moir said they had “amicably parted” with the band.At Coachella, usually so buzzy that it sells out well before any performers are announced, tickets for the second of the California festival’s two weekends were still available by the time it opened in April.Those issues have stoked headlines about a concert business that may be in trouble. But the reality, many insiders say, is more complex, with no simple explanation for problems on a range of tours, and a business that may be leveling out after a couple of extraordinary years when fans rushed to shows after Covid-19 shutdowns.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How ‘Law & Order: SVU,’ ‘NCIS’ and ‘Grey’s Anatomy’ Have Kept Fans Hooked

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      Shows like “Law & Order: SVU,” “NCIS” and “Grey’s Anatomy” have kept fans hooked for 20 seasons or more. How do they do it?Breanna DePasquale grew up watching “Law & Order: SVU” with her mother, Christina, in Brooklyn. Breanna loved Detective Olivia Benson on the show, while Christina was all in for Detective Elliot Stabler.Few were surprised when Breanna became Detective DePasquale with the New York Police Department. The show, she said, “absolutely” contributed to her pursuing a career in law enforcement.As they have for many fans, the characters and story arcs that seem ripped from the headlines keep Detective DePasquale, 29, coming back. Fans like her helped cement “SVU,” now in its 25th season, as the longest-running prime-time drama in history.“I always call her my own Olivia Benson,” Christina DePasquale said.Prime-time drama super fans like the DePasquales can reference their favorite episodes at the flip of a remote. They can quote lines by the protagonists — some have even turned them into tattoos.Regardless of whether the characters commit a crime, or a friend teases them about their dedication to a television show that has passed the legal drinking age, these fans are along for the ride.Yvonne Macklin, an “SVU” fan from Baltimore, at the show’s fan event in New York City.Hiroko Masuike/The New York TimesBrandi Burgos, at a recent “SVU” fan event, shows off her tattoo — a line in a letter from Detective Stabler to Captain Benson.Hiroko Masuike/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Taylor Swift Has Given Fans a Lot. Is It Finally Too Much?

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      Swift has been inescapable over the last year. With the release of “The Tortured Poets Department,” her latest (very long) album, some seem to finally be feeling fatigued.Four new studio albums. Four rerecorded albums, too. A $1 billion oxygen-sucking world tour with a concert movie to match. And, of course, one very high-profile relationship that spilled over into the Super Bowl.For some, the constant deluge that has peaked in the past year is starting to add up to a new (and previously unthinkable) feeling: Taylor Swift fatigue.And it is a feeling that has only solidified online in the days following the release of “The Tortured Poets Society,” which morphed from a 16-song album into a 31-song, two-hour epic just hours after its release.Many critics (including The New York Times’s own) have suggested that the album was overstuffed — simply not her best. And critiques of the music have now opened a sliver of space for a wider round of complaint unlike any Swift has faced over her prolific and world-conquering recent run.“It’s almost like if you produce too much… too fast… in a brazen attempt to completely saturate and dominate a market rather than having something important or even halfway interesting to say… the art suffers!” Chris Murphy, a staff writer at Vanity Fair, posted on X.Which is not to say nobody listened to the album; far from it. Spotify said “Poets,” which was released on Friday, became the most-streamed album in a single day with more than 300 million streams.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Shohei Ohtani Is Home and Focused on Baseball. Dodgers Fans Are Relieved.

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      Los Angeles finally got a close look at baseball’s megastar on Thursday as a gambling situation involving his former interpreter took a back seat to opening day.The top deck of Dodger Stadium is far from the action but may have the best view in baseball. Straight ahead are the San Gabriel Mountains. During night games, as the sun goes down, the sky glows pink. Down below, the full choreography of the game is on display, offering a panoramic view shunned by the movie stars and moguls who fill the sections behind home plate.And on Thursday morning, fans heading to those cheap seats passed a new addition to the ballpark: an eight-foot stone lantern given as a gift to the Dodgers in the 1960s by a famous Japanese sports columnist, Sotaro Suzuki, who helped draw the Dodgers to Japan for a good-will tour in 1956, two years before the team left Brooklyn for Los Angeles.For Kimi Ego, a longtime Dodger fan, the lantern has a special meaning, and she cried when she saw it: Her father was a close friend of Suzuki’s, and for years, before her father died in 2000, he took care of the stone lantern, which was then tucked into a hillside beyond the outfield bleachers, and trimmed the plants and shrubs surrounding it.“Tears of joy,” said Ego, a retired schoolteacher who has been coming to Dodgers game since the 1960s. “My father worked so hard maintaining the garden.”The monument is a homage to the team’s past, and also its present.In December, the Dodgers signed the world’s biggest baseball star, the two-way sensation Shohei Ohtani, to the richest contract in sports history, $700 million over 10 years. For good measure, the team signed another Japanese superstar, the pitcher Yoshinobu Yamamoto, for $325 million over a dozen years. It was the most lucrative contract ever for a pitcher.On Thursday, as Los Angeles got a glimpse of its newest megastar, Ohtani’s impact was apparent before he even stepped on the field: New advertisements for Asian companies — an airline, a retail chain, yogurt drinks, skin care products — dotted the stadium. One local newscaster — in pregame coverage that began when most Angelenos were having breakfast, or stuck in traffic — compared Ohtani to Taylor Swift, saying that the Dodgers were baseball’s version of the Eras Tour. And a new addition to the stadium menu is a Japanese fried octopus fritter being promoted as one of Ohtani’s favorite dishes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      After Oakland University Upset Kentucky, Students Bask in the NCAA Spotlight

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      Supporters of the little-known college on Friday celebrated its moment of fame after a shocking first-round win.Before Thursday night, if you were not familiar with Oakland University, you were not alone. Not far from the campus, even locals at a Detroit bar, who were watching the team shock No. 3 seed Kentucky in the first round of the N.C.A.A. tournament, were asking if “that Oakland was in California” or the Michigan suburb of Rochester. (It’s the latter.)On Friday, after Oakland’s 80-76 upset victory as a No. 14 seed, students and graduates reveled in the university’s moment in the March Madness sun. They include John Hendley, class of 2005, who watched the game from Florida with his wife, Melissa, also a graduate.“If people didn’t know who the Oakland University Golden Grizzlies were before last night, they surely know now,” Mr. Hendley said.For all but perhaps close followers of the university, a brief introduction may be in order: It was created in 1957 through a donation to establish a satellite location for Michigan State University. At first, the campus was known as Michigan State University-Oakland, but in 1970, Oakland became an independent university.In 1997, Oakland University moved its athletic program from N.C.A.A. Division II to Division I. A year later, it changed its mascot from the Pioneers to Golden Grizzlies, according to the university’s website.The campus of Oakland University feels more like a sprawling corporate park, which makes sense. There are a lot of them nearby, like the world headquarters for Stellantis (formerly known as Chrysler) and other automotive suppliers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Sunday Read: ‘Sure, It Won an Oscar. But Is It Criterion?’

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      Aaron Esposito and Daniel Farrell and Listen and follow The DailyApple Podcasts | SpotifyIn October 2022, amid a flurry of media appearances promoting their film “Tàr,” the director Todd Field and the star Cate Blanchett made time to visit a cramped closet in Manhattan. This closet, which has become a sacred space for movie buffs, was once a disused bathroom at the headquarters of the Criterion Collection, a 40-year-old company dedicated to “gathering the greatest films from around the world” and making high-quality editions available to the public on DVD and Blu-ray and, more recently, through its streaming service, the Criterion Channel. Today Criterion uses the closet as its stockroom, housing films by some 600 directors from more than 50 countries — a catalog so synonymous with cinematic achievement that it has come to function as a kind of film Hall of Fame. Through a combination of luck, obsession and good taste, this 55-person company has become the arbiter of what makes a great movie, more so than any Hollywood studio or awards ceremony.There are a lot of ways to listen to “The Daily.” Here’s how.We want to hear from you. Tune in, and tell us what you think. Email us at thedaily@nytimes.com. Follow Michael Barbaro on X: @mikiebarb. And if you’re interested in advertising with The Daily, write to us at thedaily-ads@nytimes.com.Additional production for The Sunday Read was contributed by Isabella Anderson, Anna Diamond, Sarah Diamond, Elena Hecht, Emma Kehlbeck, Tanya Pérez and Krish Seenivasan. More

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      Audience Snapshot: Four Years After Shutdown, a Mixed Recovery

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      Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.It was four years ago — on March 12, 2020 — that the coronavirus brought the curtain down on Broadway for what was initially supposed to be a monthlong shutdown, but which wound up lasting a year and a half.The pandemic brought live events and big gatherings to a halt, silencing orchestras, shutting museums and movie theaters and leaving sports teams playing to empty stadiums dotted with cardboard cutouts.Now, four years later, audiences are coming back, but the recovery has been uneven. Here is a snapshot of where things stand now:Broadway audiences are still down 17 percent from prepandemic levels.On Broadway, overall attendance is still down about 17 percent: 9.3 million seats have been filled in the current season as of March 3, down from 11.1 million at the same point in 2020. Box office grosses are down, too: Broadway shows have grossed $1.2 billion so far this season, 14 percent below the level in early March of 2020.Broadway has always had more flops than successes, and the post-pandemic period has been challenging for producers and investors, especially those involved in new musicals. Three pop productions that have opened since the pandemic — “Six,” about the wives of King Henry VIII, “MJ,” about Michael Jackson and “& Juliet,” which imagines an alternate history for Shakespeare’s tragic heroine — are ongoing hits, but far more musicals have flamed out. The industry is looking with some trepidation toward next month, when a large crop of new shows is set to open.Many nonprofit theaters around the country are also struggling — attracting fewer subscribers and producing fewer shows — and some have closed. One bright spot has been the touring Broadway market, which has been booming.— More