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      Madonna’s Celebration Tour Draws Fans Clad in Leather and Lace

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      Madonna performed at Madison Square Garden on Monday night as part of her Celebration Tour, a lavish stage spectacle devoted to her catalog of hits as the Queen of Pop. During “Like a Prayer,” she sang from a spinning carousel filled with jumbo crucifixes and shirtless men. When she performed “Vogue,” she invited Kelly Ripa onto the stage to join her in judging the ballroom moves of her dancers with scorecards.“I don’t know when I’m going to be back here playing again, but I’m doing this show like it’s my last show,” Madonna, 65, told the crowd. “And I’m doing this show like it’s my first show.”Before the concert, the scene outside the arena resembled a fashion runway as Madonna fans arrived to serve up style tributes to her. Men emerged from the subway wearing black biker boots and leather jackets. Some women had drawn fake beauty spots onto their upper lips. At a subterranean pregame bar in Penn Station, while hits like “Holiday” and “Papa Don’t Preach” piped from a speaker, Sophy LeMay, a corporate accountant, wore fingerless lace gloves as she nursed a drink.Fans shared their opinions about the lawsuit filed by two concertgoers against Madonna, who has become known as an unpunctual stage performer, accusing her of false advertising and negligent misrepresentation for going on late at Brooklyn’s Barclays Center in December. (Her representatives said that they “intend to defend this case vigorously.”)“It is what it is,” Julio Alvarez, who wore a bowler hat, said. “She’s Madonna.”“I’ve traveled all the way from Oklahoma to see her,” added Kevin Smith, who brandished a black riding crop. “I’ll stay awake until 1 a.m. to see her if I need to.”In the edited interviews below, fans reflected on Madonna’s enduring cultural relevance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      For ‘Barbie’ Fans Online, a Bitterly Ironic Oscar Snub

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      Greta Gerwig and Margot Robbie missed Academy Award nominations for director and actress, respectively — a fact that was a little too on the nose for some.When the 2024 Oscar nominations were announced this morning, the snubs of the two most prominent women involved in “Barbie” — the director, Greta Gerwig, and the lead actress, Margot Robbie — became the breakout story.The top-grossing film of 2023, passing the $1 billion mark worldwide, is based on the imagined life and times of the iconic Mattel doll. A cultural phenomenon on its own terms, “Barbie,” along with “Oppenheimer,” became half of an unusually thoughtful summer blockbuster duo released on the same day in July (“Barbenheimer”): nothing to sneeze at.As it turns out, the internet has strong opinions about today’s announcement.“Let me see if I understand this: the Academy nominated ‘Barbie’ for Best Picture (eight nominations total) — a film about women being sidelined and rendered invisible in patriarchal structures — but not the woman who directed the film. Okay then,” read a viral X post by the writer Charlotte Clymer.The film wasn’t completely shut out — it was nominated for best picture, while Ms. Gerwig picked up a nomination with Noah Baumbach for adapted screenplay, Ryan Gosling for supporting actor, and America Ferrera for supporting actress. But the fact that Mr. Gosling was tabbed for his towheaded Ken, who discovers the idea of patriarchy and then attempts to dominate Barbieland, before Ms. Robbie’s character destroys gender-based oppression, was too much for some to take.“We’re actually doing patriarchy very well,” the writer Jodi Lipper wrote in an Instagram story, quoting a Ken line from the film.(In a statement released today, Mr. Gosling wrote, “To say that I’m disappointed that they are not nominated in their respective categories would be an understatement.”)Indeed, because “Barbie” functions as a commentary on sexism and a metacommentary on its own place in feminist discourse, the movie itself was the first place some of its fans reached to express their outrage over the snubs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More